Gregarius » Contemporary Performance

Opportunities: Artist call for M1 Singapore Fringe Festival 2022 (Singapore) Deadline – 5 March 2021

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Opportunities: Master Performance Practices (Arnhem) Deadline – 8th of March 2021

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Opportunities: Call For Singers/Performers (tour) Deadline – 01-May-2021

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Open Call -LIVE WORKS – Free School of Performance (Italy) Deadline 30th March 2021

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PACT Zollverein Residencies (Germany) Deadline 25 Feb 2021

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PACT Zollverein Residencies 08-12 2021Open Call Online applicationClosing date for applications: 25 Feb 2021 Running all year round since 2002, the residency programme is at the heart of PACT Zollverein’s day to day work. Open to professional artists from home and abroad who work in the areas of dance, performance, media arts or music and closely linked to PACT’s two other core strands of activity in presenting work and facilitating research and development, the programme is a key element in PACT Zollverein’s profile as an Artists’ House supporting lively exchange between practice and theory. While occupying their own designated space and essentially working independently, residents may choose to take advantage of various kinds of production support such as dramaturgy, technical assistance, project management as well as press and publicity. Thanks to the support of the Ministry for Culture and Science of the State of North Rhine-Westphalia, residency recipients receive a grant to cover their living expenses and travel costs. Residences are awarded twice a year by an international jury. A residency project will not have a public showing. A residency incorporates the following Studio space (from 69 to 173 sq. m.) Local accommodation (max. 4 people) Period of min. 4 weeks (at a stretch) Weekly grant allowance for all of the residency project participants (max. 4 people) Travel costs covering one journey only per participant to and from PACT Zollverein (max. 4 people)* Technical equipment (by arrangement and subject to availability) Professional technical support (by arrangement and subject to availability) *Principally, the least environmentally harmful means of transport available should be chosen. Please note that due to the current highly dynamic COVID-19 situation, we reserve the right to make adjustments to the terms of residencies in consultation with the applicants if necessary. The residency programme is supported by the Ministry for Culture and Science of the State of North Rhine-Westphalia More information PACT ZollvereinJuliane BeckBullmannaue 20aD-45327 Essen residenz@pact-zollverein.de Go to Residency Insights to learn what the residency artists have been working on. Photo: ©Dirk-Rose

Opportunities: EXPERIMENTICA Presents: Call Out for Artists (Cardiff) Deadline – 15.02.21

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Opportunities: Online Course – Performance Art: From Idea to Execution (online) Deadline – February 28, 2021

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Opportunities: Online course – Performance Art Archives and Documentation (online) Deadline – February 28, 2021

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Emily Johnson – Episode 02.03 SLC Performance Lab

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Open Call: Onassis AiR 2021/22 The School Of Infinite Rehearsals: Movement V – VIII Deadline February 26, 2021 (Greece)

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Join the School of Disobedience Classes and Fight Club (Online and Budapest, Hungary)

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The Open Program at the Festival #LearningPlanet with The Workcenter of Jerzy Grotowski and Thomas Richards

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Audition for a High Performance Dance Programme (Terrassa (Barcelona) Deadline – February the 14th

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Opportunities: Open Call 5th Forma y Sustancia International Performance Art Festival (Online) Deadline – 01/20/2021

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Opportunities: Applications open to study MA Directing of Devised & Object Theatre (Prague) Deadline – 31/03/2020

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Opportunities: OBDK Open Call (Berlin) Deadline – 15.01.2021

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Opportunities: Virtual Choreographic Residency (ZOOM) Deadline – rolling

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Opportunities: A DRAMATURGY for Upcoming Times (Online Workshop) Deadline – Once reached the maximum number of participants

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Opportunities: R.A.W. (Recorded Action Web-Exhibition) (Online) Deadline – 18-12-20

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Opportunities: Future Stages- MFA in The Digital Arts and New Media

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Permalink for 'Opportunities: Opportunities: Call For International Live Performing Arts Residency In Italy (Domicella, Italy) Deadline – April 2021 (Napoli) Deadline – April 2021'

Opportunities: Opportunities: Call For International Live Performing Arts Residency In Italy (Domicella, Italy) Deadline – April 2021 (Napoli) Deadline – April 2021

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Opportunities: danceWEB scholarship programme 2021 (Vienna, Austria) Deadline – 5th December 2020

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Permalink for 'Opportunities: Online course Opportunity: Online course “New Technologies for Performance Art” (online) Deadline – November 29th, 2020'

Opportunities: Online course Opportunity: Online course “New Technologies for Performance Art” (online) Deadline – November 29th, 2020

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Opportunity: Online course “New Technologies for Performance Art” Where: online When: November 30-December 21st, 2020; Mondays, 6-8pm CET Deadline: November 29th, 2020 Online Application: Enroll online at: [https:] Fee to Participate or Apply: EUR 175 Description Of Opportunity: “New Technologies for Performance Art” – Online Course at ECC Performance Art With Francesca Albrezzi This course is devoted to one of the most pertinent cultural trends of the present – immersion and its technologies – and its impact on the creation, reception, exhibition, and collection of performance art. Students are introduced to new immersive technologies available to performance artists, curators, and scholars, such as virtual reality, augmented reality and 360 photo and video capture. In addition, the course addresses central conceptual and ideological questions such as: What does the turn to the immersive mean for us? Why is it happening? Who benefits? Who doesn’t? How is it changing the way we create, share, and preserve art and culture? The histories of art, photography, and film for useful comparisons for what is being experienced in the present with the rapid development and assimilation of digital applications. Reality, after the surrealist twenties, could never again be seen as simple or continuous, describable empirically or through induction. As once science fictions now become scientific realities, and as the virtual inches closer to becoming indistinguishable from the actual, how do we understand the changing dynamics between new technology and human understanding? This class brings together a set of resources that will illuminate the friction of that combination in powerful ways. Students will not only learn about historical techniques of immersion but will be expected to think critically and reflect on their own relationships with technology – not judging it as good or bad, but as a complex exchange that is worthy of time and thought. November 30-December 21, 2020 Mondays between 6-8pm CET Fee: EUR 175 How To Apply: Enroll online at: [https:] Contact Email:info@ecc-performanceart.eu Website: [https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Oper Call, Videodance Festival (Theatre or City Park in Cagliari, Italy) Deadline – 30/11/2020

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Opportunities: MDOCS Storytellers; Institute Visiting Fellows Deadline – December 5th

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Opportunity: MDOCS Storytellers’ Institute Visiting Fellows Where: Saratoga Springs or Virtual- Due to the Covid-19 Pandemic, the 2021 Storytellers’ Institute may happen virtually. If you choose to apply, please be prepared for either a virtual or in-person Institute experience. When: June 1st- July 2nd 2021. Deadline: December 5th Online Application: [mdocs.skidmore.edu] Fee to Participate or Apply: yes Description Of Opportunity: Calling all Artists, Storytellers’ and Documentarians working in Creative Non-Fiction mediums. Applications to be a Visiting Fellow in the 2021 MDOCS Storytellers’ Institute are now open!!! Who *Non-fiction-based artists working in any and all mediums (performance, theater, sound, painting, photography, sculpture, film, video, word, installation, etc.)* What *A 5-week funded residency organized around the theme of Co-creation: Delights, Discontents & Dislocations* Where *Saratoga Springs or Virtual- due to the Covid – 19 Pandemic, we cannot say whether or not the Institute will be running virtually or in person* When *June 1st- July 2nd 2021* Why *Because you want to be inspired by a multidisciplinary, multi-generational, creative and intellectual community. * Fellowship includes: Community and feedback from a renowned group of multidisciplinary artists/storytellers/documentarians $2500 honorarium Travel stipend of up to $500 (only if in person) Public presentation/exhibition opportunities Access to production equipment Room and board for the duration of the Institute (only if in person) Workspace access to Skidmore facilities (only if in person) How To Apply: Requirements: Applicants must have a non-fiction-based practice and propose a non-fiction-based project. Because of this year’s theme, applicants must be members of collaborative teams that span artistic or academic mediums/disciplines, or single applicants who propose projects that are collaborations with other artists, communities or institutions. Applicants must have an interest in teaching and learning. Accepted Fellows are expected to fully engage with Institute events and be in residence for its duration (except for non-Forum weekends). If a Fellow is not in residence for the full Institute, their stipend will be reduced. Please take a look at the schedule from a past Storytellers’ Institute here and expect that the 2021 Institute will follow a similar schedule. What you need to apply: A completed application, which includes a work sample that demonstrates your experience in non-fiction creative work. This can be written word, video, photography, audio, performance documentation, etc. One letter of recommendation sent to storytellersinstitute@skidmore.edu before the deadline or your application will not be considered. Contact Email:storytellersinstitute@skidmore.edu Website: [mdocs.skidmore.edu] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Permalink for 'Opportunities: The Kurt Weill Foundation Grant Application Deadline Extended to 1 February 2021 (Worldwide) Deadline – 1 February 2021'

Opportunities: The Kurt Weill Foundation Grant Application Deadline Extended to 1 February 2021 (Worldwide) Deadline – 1 February 2021

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Podcast: Episode 02.01 SLC Performance Lab With Maiko Kikuchi

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Interdisciplinary, Collaborative, Expansive, and Rigorous – 2 Year MFA – Theater and Performance (New York) Deadline: January 1, 2021

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Interdisciplinary, Collaborative, Expansive, and Rigorous – 2 Year MFA in Theater and Performance (New York)Deadline: January 1, 2021Apply to the Theatre graduate program today» The Master of Fine Arts in Theatre at Sarah Lawrence College supports students through research and practice to develop their unique artistic voice and robust creative practice to engage with the contemporary field. With the guidance of faculty and thesis advisors who are working artists, curators, and organizers, the program offers an advanced study of theatre and performance that is interdisciplinary, collaborative, expansive, and rigorous. More Information:Website –>Instagram–>Facebook–>Season Website–> We encourage students to bring their own histories, experiences, and stories into the ecosystem of the program to share in the development of new questions, political urgencies, and social engagement. Why pursue your MFA in Theatre at Sarah Lawrence College? Our curriculum crosses the boundaries of design, acting, directing, management, performance, technology, writing, producing, voice, movement, civic engagement, and much more. No two students’ course of study will be the same. Your individual program will be created in consultation with the program director in response to your background and interests. We encourage collaboration and want you to bring your histories, experiences and stories into the ecosystem of the program, sharing in the development of new questions, political urgencies, and social engagement. You’ll graduate from the program with a strong professional network and an understanding of how to situate and advocate for yourself in the field. An emphasis on the development of original work provides you the opportunity to explore theatre-making from diverse creative perspectives, such as puppetry, improvisation, playwriting and collaborative creation. You will benefit from our close proximity to the unparalleled offerings of New York City and connections with theatres and theatre organizations through internships and fieldwork experiences. The Theatre Outreach program also provides opportunities for teaching placements in schools, colleges, senior centers, half-way houses and prisons. We are consistently ranked among the Best College Theatre Programs by the Princeton Review. Graduate Record Examination (GRE) scores are not required for admission. The application deadline is January 1, 2021Apply to the Theatre graduate program today»Request More Information» Interdisciplinary – The program emphasizes theatre and performance making as an integrative process.Collaborative – Students work closely in classes, conferences, and productions with the faculty, guest artists, their graduate cohort, and the undergraduate theatre community.Expansive – We emphasize the development of original work, grounded in a study of historical and contemporary forms and in expansive articulations of performance frameworks.Rigorous – Embodiment, process, feedback, and reflection are at the core of graduate curricular work. Program Overview The Master of Fine Arts in Theatre Program facilitates students’ development in deepening their artistic practice, building new skill sets, articulating their research and performative goals, and situating and advocating for themselves in the field. The Sarah Lawrence College Theatre MFA Program is focused on deep collaboration, community building, and interdisciplinarity. We support performance and theater artists through a curriculum crossing the boundaries of design, acting, directing, management, performance, technology, writing, producing, voice, movement, civic engagement and much more. Students have the advantage of taking classes within the music and dance programs as well to supplement their practice. We encourage students to bring their own histories, experiences, and stories into the ecosystem of the program to share in the development of new questions, political urgencies, and social engagement. Together we will research and practice theatre and performance to expand the possibilities of critical togetherness through body, story, and experience. Deadline: January 1, 2020Apply to the Theatre graduate program today»Request More Information» Program Outline For an M.F.A. in theatre, students will earn a total of 48 course credits (24 in the first year and 24 in the second). Students are accepted on a full-time basis; exceptions are made only in extraordinary circumstances. Required courses in the M.F.A. program: Contemporary Collaborative Performance (Year 1) Performance Research (Year 1) Studio (Year 1) Grad Lab (Year 1 & 2) Practice/Thesis (Year 2) Survey (Year 1 & 2) Practicum (Year 1 & 2) Take a look at our course offerings for 2020/2021 Other than these required courses, students chose paths according to their interests and needs. The goal is to create an interdisciplinary course of study that builds on current skill sets and explores theater and performance aspects that are new to them. Graduate students participate in one or more practicum activities per year. These may include season productions, guest art residencies, downstage season, independent student groups, or internships. Students take one analytical class per year during the graduate program (history, theory, survey, dramaturgy, etc.). Apply Today Students may apply for fall entry to the Master of Fine Arts in Theatre program. Applicants must have received a Bachelor of Arts or equivalent degree from an accredited college or university. Graduate Record Examination (GRE) scores are not required for admission. The application deadline is January 1, 2020Apply to the Theatre graduate program online»Request More Information» Faculty A caring and generous faculty support your creative practice and growth. Some of the faculty include: Caden Manson (Director of the Theatre Program) Stew Melisa Tien David Neumann Caden Manson Sibyl Kempson Sandra Daley Tei Blow See a full list of faculty» Monthly Guests Each month, the program invites nationally and internationally recognized artists to mentor and lead workshops during Grad Lab classes. Some of the past guests have included: Okwui Okpokwasili Rachel Chavkin Jennifer Kidwell Ping Chong Mimi Lien Steve Cosson/The Civilians Lear deBessonet Lisa Kron Kristin Marting Koryu Nishikawa V Holly Hughes Deadline: January 1.Apply to the Theatre graduate program online»Request More Information» More Information:Website –>Instagram–>Facebook–>Remote Website–>

Podcast: Episode 01.13 SLC Performance Lab With Beth Pickens

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Permalink for 'Opportunities: OPEN CALL 2021 | Annual Grant | Residency Program ZARATAN AIR (Zaratan – Arte Contemporânea, Lisbon, Portugal) Deadline – 15/11/2020'

Opportunities: OPEN CALL 2021 | Annual Grant | Residency Program ZARATAN AIR (Zaratan – Arte Contemporânea, Lisbon, Portugal) Deadline – 15/11/2020

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Opportunity: OPEN CALL 2021 | Annual Grant | Residency Program ZARATAN AIR Where: Zaratan – Arte Contemporânea, Lisbon, Portugal When: 2021 Deadline: 15/11/2020 Online Application: [https:] Fee to Participate or Apply: Free Description Of Opportunity: OPEN CALL 2021 | Annual Grant Residency Program ZARATAN AIR DEADLINE | From 15th October to 15th November, 2020 (24H00) ELIGIBILITY | Emerging and professional artists, performers, musicians, curators, writers and other cultural agents are eligible to apply. The residency program is designed for international artists – or national artists residing abroad – for the development of artistic projects, individual or collective. Zaratan defends a multidisciplinary and experimental attitude, where all the areas and the languages of the artistic expression are considered. DURATION | 4 weeks GRANT | Once a year Zaratan offers a 4 weeks residency grant, which covers the studio and accommodation fees for one artist selected through the applications process. THE OPEN CALL IS NOW OPEN FROM 15th OCTOBER TO 15th NOVEMBER, 2020. ABOUT ZARATAN AIR | Driven by the desire to intensify and exchange knowledge with artists through creative and productive practices, in 2015 Zaratan announced the promotion of an international art residency. Our goal is to mix experienced artists with emerging artists and give them the possibility to bring their work in an experimental context through exchange and collaboration within the local network. The artists-in-residence at Zaratan are given the opportunity to develop a project over a fixed period of time, and to reflect and consolidate their artistic practice in the specific context of Lisbon. We provide private accommodation, 24/7 private working studios, technical assistance, promotion and communication support, open public presentation of the residency process. Although labs and technique-specific facilities are not available, we will do our best to fulfill the artist’s needs, providing logistical support for producing work and events within our network of partners and collaborators. All artists are encouraged and welcome to share the outcome of their residency through talks, performance, open studios or other format of public presentations. APPLICATION EVALUATION | Applications are evaluated by a selection committee comprised of artists, curators, community members and space board members. Applicants will be notified via email as soon as possible after selections have been made. Beside being submitted for our annual grant, the applications will be evaluated for our regular program of residencies in 2021, which requires the payment of a residency fee. If accepted, we are available to assist residents with funding applications. MORE INFORMATION | residencies@zaratan.pt | +351 967580235 | www.zaratan.pt How To Apply: APPLICATION PROCESS | If you wish to apply to our annual grant please email us at residencies@zaratan.pt with the following information (1 PDF file not exceeding 24mb): – Bio/CV; – Portfolio or website; – Description of the work/project you intend to carry on during the residency; – Period you intend to stay at Zaratan. Contact Email:residencies@zaratan.pt Website: [https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

DIY Digital Performance Kit

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Opportunities: Open Call | Latinoamérica Extendida: Europa (Europe and online) Deadline – 18 October 2020

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Opportunities: Choreographic Convention V: Movement Research, Sofia (Goethe Institut-Bulgaria / Online) Deadline – None

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Opportunity: Choreographic Convention V: Movement Research, Sofia Where: Goethe Institut-Bulgaria / Online When: 10th and 11th of October 2020 Deadline: None Online Application: None Fee to Participate or Apply: None Description Of Opportunity: Choreographic Convention V: Movement Research, Sofia October 10 – 11, 2020 at 11 AM – 5 PM UTC+03 As a part of the “Choreographic Convention” Programme of the project “Life Long Burning – Towards a Sustainable Ecosystem of Contemporary Dance in Europe” Curated by Iva Sveshtarova, Angelina Georgieva, Willy Prager, Stephan A. Shtereff Ever since its introduction into dance-making by the pioneers of modern dance, and especially since experimental dance collectives turned improvisation into an artistic practice in the United States in the 1970’s, movement research has generally been understood as a process of finding and generating movement material beyond existing dance vocabulary. Movement is differentiated as an essential materiality of dance, and research takes place in the body of the dancer. The body experiments with kinetic potential or appropriates movements from different spheres of life, on the basis of which it develops movement language. But movement research also operates on a much broader level, which we can only briefly outline here. Contemporary choreography has complicated the attitude that the body and movement are the main means of expression in dance. They have been subjected to radical deconstruction, examining their culturally assigned meanings. The notion of choreography as an expanded practice has largely emancipated itself from dance and has become increasingly interested not in the individual expressiveness of the body and movement and in shaping them through various techniques, but in the relations they create with other bodies and objects in multi-layered aesthetically organized situations, as well as in their socio-political significance. Digital and dance artists have incorporated new technologies as a creative and research tool that expand the notions of bodily boundaries. Various software programs make it possible to capture, analyse and reconfigure movement in any environment – physical, virtual, visual or acoustic… The growing interest in the history of dance in recent decades has raised questions of the possibilities for archiving, researching and reconstructing the kinetic knowledge of the past. The Choreographic Convention: “Movement Research” offers a space for dialogue and reflection on new perspectives and approaches to movement research. Over the course of two days, through talks, presentations, conversations with artists and theoretical discussions, the meeting will focus on the following main topics: movement research as an artistic practice, as a form of work with dance archives and its interactions with new technologies and in social movements and contexts. The meeting will be accompanied by an artistic programme with performances related to these topics. How To Apply: The International Choreographic Convention will be held live, in compliance with all anti-epidemic measures and will be broadcast online on the Antistatic International Festival for Contemporary Dance and Performance’s Facebook page (@antistatic.international.festival), where no registration is needed. Due to the anti-epidemic measures, the seats in the hall are a limited number that is why a pre-registration via e-mail at antistaticfest@gmail.com is mandatory. Free entrance. The working language will be English. * Please be aware that the programme may be altered in occasion of unexpected changes in anti-epidemic measures. Contact Email:info@a25cultfound.org Website: [antistaticfestival.org] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Call for Submissions Ensemble Ouvert (Worldwide/Canada) Deadline – Rolling deadline

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Opportunities: Online Course “Performing the Memory” (online) Deadline – October 2nd, 2020

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Opportunities: the Incurable Caravan’s Online Car Show (Online) Deadline – December 1st, 2020

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Opportunity: the Incurable Caravan’s Online Car Show Where: Online (Virginia, USA-based) When: May 2020 Deadline: December 1st, 2020 Online Application: [https:] Fee to Participate or Apply: 0 Description Of Opportunity: About The Incurable Caravan’s Online Car Show is an indefinite online exhibit. All works accepted should expect to be a single element on a larger, scrolling page. The Car Show seeks to intersect traditional, popular, experimental, and outsider styles with an enthusiasm towards all approaches to art-making. We welcome all interpretations of media and automotive transportation. Guidelines Works submitted should include, allude to, or represent some elements of a car (doors, windows, wheels, engines, memories, etc.), but how you choose to present these elements is up to you. Not all internal spaces with windows are cars, and not all cars have doors. Your car can be literal, abstract, heartfelt, playful, technical, emotional, or all of the above, to any degree of detail. Any media capable of existing online is encouraged, especially media that are normally challenging to program or format in other contexts. This includes: literary: poetry, short prose (< 1000 words), haiku, interviews, interactive fiction static visual: all traditional visual media: drawing, painting, photography, graphic/product design. For sculpture, 3D photoscans or multiple photos are acceptable. moving visual: short film (< 3m), silent animations (gif/mp4), filmed choreography 3D: any 3D model or scene below 50k polygons audio: short pieces or songs (< 3m, loopable or not), interactive web audio, original sound design haikus (< 10s) multimedia: any combination of the above web: any self-contained webapps, games, data viz, generative art, net art, or CSS/SVG/Canvas animations, size restrictions TBD Proposals for categories not included in this list and works-in-progress are allowed, as long as evidence of progress can be demonstrated on submission. Older works are also allowed, as long as they relate to a car in some form. Formatting The works included in the Car Show will be assembled as a single, scrolling page. We will make a best effort to format everything in a way that respects individual artistic visions, while also taking into account the data limits of viewers around the globe. This means: Media (images, audio, video) used in the Car Show may be compressed and resized smaller than the original sources sent in your submission. We will balance image/audio quality vs file size and maintain aspect ratios. Works that depend on extremely large file sizes might not work as well in this context. Poetry and prose (or other text-based media) will be included as text rather than images if possible. We are able to reflect your original formatting (including whitespace, font weights/sizes/families, colored text censoring) if desired, and will make a best effort to do so. Works that require a large number of different fonts or unique text effects may be displayed as SVG instead. Caveat: the Car Show will not be able to pay for web fonts that require licensing. Non-standard media (3D objects, data viz, JS canvas art, etc) may be displayed with relevant Javascript libraries rather than as images. We’ll work with selected artists to find good solutions for these works. Hosting The Car Show will host the works submitted for as long as possible. We will make a best effort to keep a consistent domain name, but a backup/redirect will always exist on the hosting artist’s webpage (Becky Brown). Artists selected will be sent both links when the Car Show is released. Files hosted by the Car Show are only intended for the exhibition webpage. Artists selected must agree to refrain from using the Car Show’s hosted media files of their works as personal hosting. If displaying your work requires hosting outside our own (due to file sizes or using embedded services), we will not be able to pay for those services. Agreements All work remains your own. We do not require submitted works to be exclusive to the Car Show. You affirm that you created the work you are submitting. If you’re a performer and you’d like to submit a recording of yourself playing a piece written by someone else, ask them to submit the form on your behalf. How To Apply: View the submission form here. All works should be sent as links that do not expire––i.e., no WeTransfer. Each artist or collective can submit works in multiple categories, but you must submit a separate form for each work you intend to submit. Exception: 5 haikus/sound design haikus can be submitted in a single submission form. Contact Email:rlb9fd@virginia.edu Website: [https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Arthouse Jersey Virtual Retreat 2020 (Online) Deadline – 12th October 2020

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Opportunities: Online Course “Performing for the Camera” (online) Deadline – October 2nd, 2020

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Opportunities: Open Call For Women Artists (Berlin, Germany) Deadline – 23.09.2021

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Opportunities: Convocatoria Abierta · Apèl Louvri · Open Call · Appel Ouvert · Open Oproep (Puerto Rico) Deadline – September 14, 2020

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Opportunity: Convocatoria Abierta · Apèl Louvri · Open Call · Appel Ouvert · Open Oproep (Puerto Rico) Where: Puerto Rico (open to the Caribbean islands) When: from the 3rd to the 9th of May 2021 Deadline: SEPTEMBER 14, 2020 Online Application: [mezcolanza.pr] Fee to Participate or Apply: 0 Description Of Opportunity: This encounter of Caribbean artists in the archipelago of Boriken (Puerto Rico) is born from the urgency of embodying our Sea of Islands as an antithesis to the current segregation of the Caribbean. The main objective is to unite and exchange creations, sensibilities, resistances, and knowledge among our Caribbean islander neighbors, through the art of performance. From Boriken (Puerto Rico), one of the oldest colonies in the world, this call is launched for the production and presentation of original performance pieces by islander artists living in the Caribbean. This first edition of Mar de Islas performance encounter of the Caribbean will be held from the 3rd to the 9th of May 2021. 6 artists from 6 different islands will be selected to gather and create our Sea of Islands. 3 ecosystems are proposed: the sea, the forest, and the city. Each artist will have the possibility of working in one of these ecosystems in order to create an on-site performance piece. The artists will have a residency period for creating the artworks prior to their public presentation. In addition to the performances, the encounter will have a pedagogical offer through a series of performative workshops available to the general public. These workshops will be taught by local artists, but also by the selected artists who wish to offer a workshop. These workshops will be taught by local artists, as well as by the selected artists who wish to offer a workshop. The encounter will feature an opening act at the University of Puerto Rico with a discussion together with activists, academics, artists and thinkers from the Caribbean. How To Apply: CONDITIONS The call is open to artists from the Caribbean islands, who are currently living in the Caribbean. Only original works created for the encounter will be accepted. 6 artists from different islands will be chosen. The selected artists are responsible for managing their visas in advance. We will offer support with this procedure. The artists grant the image copyrights of their work to MAR DE ISLAS with the purpose of being part of the files generated by the encounter (digital and with the possibility of being published and / or exhibited). The participation in this call implies the unconditional acceptance of all and each of its conditions. TO PARTICIPATE SEND Personal details (Full Name – Island of Residence – Email – Telephone Number) Reply yes or no to the following question: Have you ever processed or currently have a visa for entering the United States? (This answer will not be exclusionary) Biography and Statement Curriculum vitae Portfolio of recent works and links (website, Instagram, Youtube, etc.) All the information must be sent in a same document in pdf format to the email: mar.de.islas.encuentro@gmail.com Contact Email:mar.de.islas.encuentro@gmail.com Website: [mezcolanza.pr] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Open Call for Performance Arts Festival AiOP2021: NORMAL (New York) Deadline – December 1st, 2020

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Opportunities: Call to artists-ARTICA 2020 (St Louis, MO) Deadline – 8/15/2020

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Opportunities: STARTS.EE art+science residency “How to wear sensations?” (Tallinn, Estonia) Deadline – 24.08.2020

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Opportunities: OPEN CALL CAOS 2021 (Turin, IT) Deadline – 30th September 2020

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Online Course – Performance Art Archives and Documentation (online) Deadline – August 28, 2020

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Permalink for 'Opportunities: project grants for performances on “dignity and receptivity in times of distance keeping”(Germany, Europe) Deadline – September, 15th 2020'

Opportunities: project grants for performances on “dignity and receptivity in times of distance keeping”(Germany, Europe) Deadline – September, 15th 2020

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Opportunity: project grants for performances on “dignity and receptivity in times of distance keeping” Where: Germany, Europe When: Start August, 1st 2020 Deadline: September, 15th 2020 Online Application: stipendium@himmelheber-stiftung.de Fee to Participate or Apply: 0 Description Of Opportunity: Project description (GERMAN): [https:] We award up to 6 project grants to artists who work on a performance or installation on the theme “dignity and receptivity in times of distance keeping”. The central point is the connection between human dignity and human receptivity (physical, emotional). A critical, artistic and personal examination of the topic should be negotiated. The work should be shown publicly, but this is not mandatory. If live, it should be available via live stream. The work is to be documented on video. A high-quality video (min. 1280 × 720 pixels) that depicts the work in an appropriate and artistically demanding manner must be delivered promptly, duration approx. 8-12 min. This video will be made available online on the project page. This also includes a short interview and an accompanying text on the artistic placement, which will also published online. Language: German or English. In the case of English, the accompanying text must be translated into German. The artists are completely responsible for the execution and completion. The property rights of the material remain with the artists, the Max Himmelheber-Stiftung (foundation) and the Wuerdekompass e.V. (association) receive an unrestricted, non-commercial right of use and distribution, naming the artists. The project grant is € 750, or up to € 1000 if the need is justified. Half of the payment is made with the acceptance and the other half with the delivery of the video and text material. The completion should take place as early as possible, at the latest by November 30th, 2020. The grants can be awarded before the deadline. They are not tax exempt. How To Apply: Submit a project outline with max. 4 pages. It should contain the idea, conception, execution, contributors and, if necessary, financing. It is also possible to send in a short draft in order to explore interest in the full draft. The call for applications is open until September 15, 2020 or until all grants have been awarded. Only natural persons are allowed to apply. The minimum age is 18 years. We try seriously, neither positively nor negatively, to discriminate on the basis of group-specific characteristics. Omitting such characteristics (e.g. gender, age, origin) in the application does not represent a disadvantage. A portrait photo should be avoided. The naming is voluntary. We reserve the right to withdraw the acceptance of the grant if it becomes clear after the acceptance that the applicant has fraudulently deceived or is contrary to the goals of the free, democratic order, in particular the inviolability of human dignity. The judges’ decision is final. Contact Email:stipendium@himmelheber-stiftung.de Website: [https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: 2021-2022 Studio and Curatorial Fellowships (NXTHVN, 169 Henry St, New Haven, CT 06511) Deadline – November 1, 2020

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Opportunity: 2021-2022 Studio and Curatorial Fellowships Where: NXTHVN, 169 Henry St, New Haven, CT 06511 When: June 2020 Deadline: November 1, 2020 Online Application: Fee to Participate or Apply: US $35 Description Of Opportunity: Each June, NXTHVN welcomes up to seven artists, two curators, and eight New Haven high school students to its annual Fellowship and Apprenticeship programs. Through a proprietary curriculum that focuses on mentorship, professional development, and skills training, members of the cohort cultivate their individual practices within a collaborative, community-driven context. Each fellow mentors a local high school apprentice, providing them with hands-on instruction in studio and curatorial practices. Through active participation in NXTHVN’s year-long programs, early-career artists and curators make the personal strides and interpersonal connections that advance their careers. NXTHVN’s year-long Fellowships provide: a generous stipend disbursed quarterly throughout the Fellowship year, which runs from early June to late May optional, partially-subsidized housing in Dixwell, New Haven dedicated work and/or studio space with 24-hour access monthly professional development workshops facilitated by field experts culminating exhibition and catalogue organized by curatorial fellows and featuring work by studio fellows opportunity to design and participate in artist-led projects and public programming vocabulary and skills for navigating the art market that often go untaught in MFA programs Expectations include: completing the entire 11-month residency program relocation to New Haven spending at least five hours per week mentoring a high school apprentice How To Apply: [https:] For further inquiries or an application fee waiver, please contact NXTHVN at hello@nxthvn.com. Contact Email:hello@nxthvn.com Website: [https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Open Call for texts on Argentine performance art (Worldwide) Deadline – Rolling base

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Opportunities: CROSS Award (Italy) Deadline – 15th September 2020

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Opportunity: CROSS Award Where: Italy When: from january 2021 Deadline: 15th september 2020 Online Application: [www.crossproject.it] Fee to Participate or Apply: 0 Description Of Opportunity: OPEN CALL CROSS Award 2020 – VI edition LIS Lab Performing Arts – in collaboration with Fondazione Piemonte dal Vivo and Ricola – announces the fifth edition of the ‘International CROSS award’ for artists and companies in the field of performing arts and music, with particular attention to original productions focused on the close interaction between artistic creation and environment, understood as landscape, territory or community. With respect to the profound changes that shake our everyday life, CROSS Award 2020 aims to be an incubator of images and practices which are engaged on the rewriting of the present as well as the re-appropriation of public spaces. The award aims to promote investigation and artistic expressions related to the combination of different styles and genres, considering multi-language practices and the mix of techniques and codes pertaining to the various performing arts as reward factors. The artistic creation aims to be a mean of research and intervention on the reality. Through their relational and permeable quality, performative arts represent the place to build again trust on the community and social dimension of our experience of the world. The goal of the competition is to identify new productions – thoroughly unpublished – that put in dialogue the language of the body and of the stage performance with musical composition, without any restrictions or constraints of kind, category or practice. The call is open to individual artists, professionals and companies. The project must be submitted as a production that can be developed during the different phases of the residency and that could include multiple expressive practices at the same time (as such: dance, music composition and interpretation, DJset, live soundtrack, composition of a soundtrack, activity of noise music, theatre, body performance, urban performance and dance, walkways, participated workshops, singing, new technologies, video art, motioncapture, readings, site-specific design). For this edition will be selected 5 projects for a 15-day residence in Verbania (Italy) with a fee for the production of € 2.000,00 each. How To Apply: [www.crossproject.it] Contact Email:info@crossproject.it Website: [www.crossproject.it] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Aerowaves #Twenty21 Open Call (Elefsina, Greece) Deadline – 16 September 2020, at 12:00 CEST

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Opportunity: Aerowaves #Twenty21 Open Call Where: Elefsina, Greece When: 6 – 9 May 2021 Deadline: 16 September 2020, at 12:00 CEST Online Application: Application form and information. Description Of Opportunity: Aerowaves is a hub for dance discovery in Europe with a network of partners in 33 countries. The network is looking for the next Twenty talented emerging choreographers based in geographical Europe. You can now apply to become a Twenty21 artist for the opportunity to have your work presented at the Spring Forward festival next year in Elefsina (Greece) on 6 – 9 May 2021, and also by 27 of our partners around Europe. IMPORTANT RULE CHANGE As usual, previous Aerowaves applicants, successful or unsuccessful, may apply again – but not with the same work. However, anyone that submitted a work in 2019 may apply again with that same work (or a new one) in 2020, due to the exceptional circumstances brought about by Covid-19. Sounds interesting? Read more about it and apply. Deadline: 16 September at 12pm CEST. Application form and information. How To Apply: Application Tips Read the eligibility criteria thoroughly before putting your application together Get your application in as early as possible Give yourself plenty of time to upload your video to Vimeo – technical hitches cause stress, especially at the last minute! Make sure the video of the work you are submitting is of the highest possible quality and correct length Let your national Aerowaves representatives know that you are applying and invite them to see your performance live PROVIDING YOUR VIDEO ON VIMEO Please upload your video to Vimeo (preferably in HD) and include the link in your application form. If you have a Vimeo Plus account please enable ‘download’ in the settings so we can download it. If you don’t then upload a version to Vimeo that is less than 500MB (to avoid paying a subscription), and send a bigger file (if available) via a service like We Transfer, to info@aerowaves.org. The ideal dimensions are 1920 x 1080 in HD, but please try to keep your file to under 2GB. There must be a version of the work online, and we must also have a copy on file Use the privacy settings if you do not wish it to be public, but include the password in your application form Please include a 100 word statement about the work in the description box of your Vimeo upload – it can include factual and contextual information about the work (also include this 100 word statement and a 100 word biography in the notes section of the application form). We use your Vimeo links to share with Aerowaves Partners before our Annual Meeting in October – so that they can do their homework! TIPS FOR MAKING YOUR VIDEO Since our selection process is assisted by watching a video recording, it’s really important that you think about how your work will come across. The video should be a fairly simple record of a public performance of the work from beginning to end If you are applying with an edited version of a longer work, the video you provide must be of the shortened version. This version must be available for performance It should include close-ups and wide shots – think about how best to represent the work in terms of details / angles / capturing the scale Promotional videos are not acceptable, nor are videos of any work other than the one with which you are applying to Aerowaves Please try and keep the size of the file to under 2GB Contact Email:claudia@aerowaves.org Website: [https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: hungry eyes festival – festival at the intersection of film, performance and installation art (Gießen, Germany) Deadline – 31.08.2020

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Opportunity: hungry eyes festival – festival at the intersection of film, performance and installation art Where: Gießen, Germany When: 5th -7th of February 2021 Deadline: 31.08.2020 Online Application: Fee to Participate or Apply: no Description Of Opportunity: For its fourth edition, hungry eyes festival is once again looking for artistic works that situate themselves at the intersection of film, performance and installation art and question film in an interdisciplinary way. This year hungry eyes festival will take place in the urban exhibition space KiZ (Kultur im Zentrum) and poses the question of how cinematic works can relate to, as well as challenge that space. A program consisting of short film series, performative and installative works will explore what constitutes the medium film and how cinematographic elements and working methods can be translated into other media. What can cinematic work mean in the context of installation art and performances if it does not only mean the playing of audiovisual clips? To what extent can also a short film address its own form and play with performative elements? By which means does film become a field of experimentation that expands its own concept and practice in an interdisciplinary approach? From a ballet of overhead projectors, an exhibition with flip-books to a silent movie screening with virtual reality glasses – everything is possible. hungry eyes festival is looking for your short films, installation art and performative formats! Apply with your works until 31st of August 2020! Since we are particularly interested in interdisciplinary works, we also want to encourage artists to apply with projects that do not fit perfectly into one of these categories! How To Apply: Please fill out the application form and send it to kontakt@hungryeyesfestival.de no later then August 31st. You can find more detailed information on our website Open Call as PDF Application Form Contact Email:kontakt@hungryeyesfestival.de Website: [https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Artist in Residency Four Plus One Elements (Tinos island, Greece) Deadline – 15 August

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Opportunity: Artist in Residency Four Plus One Elements Where: Tinos island, Greece When: September 26th – October 18th 2020 Deadline: 15 August Online Application: [https:] Fee to Participate or Apply: Description Of Opportunity: Kinono Tinos Art Gathering introduces the thematic proposal “Four (plus one) Elements”, borrowing the four natural elements (earth, water, air, fire) and distinguishing their partnership in the creation, over time, of the peculiar natural and man-made environment of the island of Tinos. By creating different conditions of studying space, which monitor the cycle-chain of transformation from one natural element to another, Kinono imagines the partnership of a combination of two elements, under the influence of time, in each one of the hand-picked locations, as follows: Fire-Water/Koumelas Quarries, Water-Earth/Plain of Komi, Earth-Fire/Ismael village, Fire-Air/Papargyras Lighthouse, Air-Earth /Kakia Skala, Air-Water/Livada Beach. We invite participants to stay on the island for a period of three weeks, to work with natural matter, to reflect on current ecological, social issues, cultural and local issues, to establish collaborative communities, and to create original site-specific, collective, theoretical and tangible works in a non-urban environment. Offered by the residency (more details in the pdf): -Accommodation in rooms/and or hostels -Round trip Athens-Tinos (exclusively from Rafina port) -Sustenance during the introductory host activities (first 3days) and the closing activities (last 3days) -Basic Food supplies -Leased cars/coaches -Partial cover of cost of transport (gas) to all residency sites -Kinono can cover partial cover of production cost (early communication with Kinono is paramount) and suggest solutions How To Apply: We invite those interested to choose one element, along with one of the three respective locations, stating in their application their desired method of participation in the residency (full duration / limited (guest) duration or online). Application form and detailed information on the residency, here (link): [https:] Contact Email:info@kinono.gr Website: [https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Young Urban Performances 2020 (Osnabrueck, Germany) Deadline – July 31, 2020

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Opportunities: Open Call – Tanztage Festival Berlin Deadline Aug 2, 2020

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Opportunities: Open Call – Dystopia Festival – Sound Art (Berlin, Germany) Deadline July 1, 2020

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Open Call – Dystopia Festival – Sound Art (Berlin, Germany)Deadline July 1, 2020Apply: Online The Dystopia Festival brings diverse sound art viewpoints together in an exhibition that deals with current dystopian moments, as well as those of an imagined future. Dystopias have gained immense importance in recent years. Not only in fiction, but also in reality, the dystopian signals have been increasing, whether by authoritarian-led states, in threats posed by global Internet corporations, by drastic climate developments – or, most recently, by the corona pandemic. The dystopian always carries the germ of the utopian within it however, even if only as a warning to us not to let things go so far- as we have witnessed during the Corona period, when, for example, Venice’s canals became clear again, or, when the sky over Beijing became clear as well. Berlin – Brazil / Oct. 16 – Nov. 01 2020 Following on from the premiere of the double edition Dystopie Berlin-Istanbul (2018/2019), our guest country this year will be Brazil. In addition to artists from Brazil, we invite sound artists from Europe to submit new or existing works that deal with the topic of “dystopia” in the broadest sense. Sound art possesses the particular artistic potential, through its creation of atmospheres and it’s resonating in unusual spaces, to make the ambiguity between dystopia and utopia perceptible to the senses: dystopian scenarios of society & state, nature & climate, cognition & communication captured in sound. These can be situations that, depending on the context, appear as dystopian or utopian sketches, reacting to ambiguously interpretable, world-wide processes, including digitalization, globalization, climate change, economic imbalance as well as social, religious and ethnic confrontations and aspects of de/recolonization. The focus on Brazil gives the festival its current, political thrust – the individual works are not meant to be fixed on this however, but rather to operate from within their own context. With this open call we would like to offer sound artists the opportunity to develop new works that react to these dystopian signals and express them in different sound-artistic perspectives, whereby “sound-artistic” explicitly may include visual, object-like and space-related means in addition to sound. Due to the uncertain situation regarding Corona, please note that we prefer installation works. The Alte Münze (Old Mint) in Berlin-Mitte serves as the main exhibition venue, with cellars and vaults in very different sizes. The Errant Sound gallery space is available for the additional exhibition of works, and especially the path between these two locations, on the banks of the Spree, offers locations where sound artistic interventions in public space are possible (depending on permission). For Alte Münze and on the banks of river Spree site-specific works are welcome. A visit of the locations is planned for artists on June 12th, 12 o’clock : Please register by festival@errantsound.net (We will meet in front of the Café The Greens / Haus 3 on the Alte Münze public area). A PDF with photos is available for artists who are unable to visit the location: Open Call -PDF- Artists living in Brazil will be invited for the festival directly. The open call is for sound artists living in the European region. Climate-friendly travel by train is preferable – if at all possible. The festival wants to establish a sustainable cooperation with the Brazilian sound art scene and we hope to continue the Dystopie-Festival in Brazil in 2021. Selected works produced for Berlin 2020 will then be shown in Brazil. Jury Open Call Head of Jury: Julia Gerlach (Akademie der Künste Berlin) Laura Mello (Artistic director Dystopie Festival 2020) Georg Klein (Artistic director Dystopie Festival 2020) Prof. Alexandre Fenerich (Universidade Federal do Rio de Janeiro) Prof. Kirsten Reese (Universität der Künste Berlin) Mario Asef (Errant Sound Vorstand) Budget The festival is organized by Errant Sound – an artist run project space, not an institution. Therefore only a limited budget is available: Artist fee for existing works: 500€ . Artist fee for new works produced for the festival: 1500€ . Production budget: 1500€ on average per project, including costs for materials and special equipment (also rented equipment). If your project will be selected a precise cost calculation will be needed. Transportation, travel and accomodation costs will be covered by the festival. Save our climate: if possible please come by train and avoid flights. How to apply 1. Fill in the online application form (incl. short project proposal) here2. Send us a long CV and a portfolio with 3 of your recent works as PDF (Max. 10MB) to contact@dystopie-festival.net, and optional a long project description PDF (Max. 5MB). Application deadline July 1st 2020 Apply now The festival is organized by Errant Sound e.V. and kindly funded by Kulturstiftung des Bundes and Berliner Senatsverwaltung für Kultur und Europa. OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Festival: XL at CENTRALE FIES, DRO (TN) – ITALY

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“Not a festival, but a collective training for the thought, to the action, to the present”. XLCENTRALE FIES, DRO (TN) – ITALYColophon XL was and will be the new format of Centrale Fies, originally conceived for the 40th anniversary of Drodesera and the 20th of Fies. Today it finds a new correlation in the analysis of an “oversize” that breaks the summer one shot , weaving together all the annual events of Centrale Fies. From the 17th of July to the 8th of August, XL will take place again, live and on site, every weekend. In the meantime, initiatives continue on the Centrale Fies website [www.centralefies.it] which from the 25th of June also outlines the first online exhibition of ‘INBTWN – In Between’, a programme curated by Claudia D’Alonzo. The XL programming is designed to develop in progress until March 2021. It is divided into chapters, some have already been written, others are to be rewritten and others to be imagined. A writing shared by the artists, the curators, specialists and spectators that is capable of accompanying us through this time, networking with a community able to imagine the festival as something to be transformed. It is to this networking, to this community, that we turn, to face and reach 2021. From the 25th of June on the Centrale Fies website INBTWN – In Between, the second chapter of XL. With INBTWN the curator Claudia D’Alonzo will expand the theme of the relationship between body and technology, between the online space of the website and incursions into physical spaces, through heterogeneous perspectives offered by four artistic events. The first two are scheduled for June and July and will be presented by IOCOSE, Elena Biserna and Anna Raimondo. These contributions involve languages and practices inside and outside the network, making the website a laboratory space, in transformation during the review. Afterwards, from the 17th of July and for every weekend until the 8th of August it will be the turn of Hyperlocal, a programme curated by Barbara Boninsegna and Filippo Andreatta, with Anagoor, Chiara Bersani, MK, Jacopo Jenna, Mali Weil, OHT, CollettivO CineticO and Alessandro Sciarroni, Giorgia Ohanesian Nardin, Marco D’Agostin, Underground. On the 25th of July, the second event of INBTWN will take place, this time online, with Elena Biserna and Anna Raimondo. From the 6th to the 17th of July, two of the seven projects selected for LIVE WORKS Vol 8 will be exhibited at Centrale Fies, curated by Barbara Boninsegna and Simone Frangi. The artists Giulia Crispiani (IT) & Golrokh Nafisi (IR/NL) together with Göksu Kunak (TR/DE) will present the first results in a study visit for the public on the 17th and the 18th of July 2020. Hyperlocal takes place in an exceptional time, but does not want to be an emergency programming: each work within the programme is not simply a new version of the existing one but the result of a development of the work that the artists have imagined as consistent with their own research. The care of the performing art starts from the support, from the residences, from becoming a place where everything is worked, enhanced, articulated before the being shown to the public. All performances will take place in the external spaces of Centrale Fies, while the internal spaces will be transformed by immersive exhibitions, conceived to broaden the vision on the theatre and the performance. Storia Notturna [Night Story ] is the collective exhibition curated by Simone Frangi and Denis Isaia. The protagonists of the exhibit are Mercedes Azpilicueta, Chiara Camoni, Darius-Robin Dolatyari-Dolatdoust, Francesco Fonassi, Luca Frei, Raffaela Naldi Rossano, Anna Perach. The artists will activate the works on display in a long day performance on Sunday 19 July. The idea of XL was born before the onset of the recent months, marked by uncertainty. This idea comes with the desire to abandon the format of the summer festival to explode, expand and aggregate all the projects of a place of research and artistic production such as Centrale Fies. This formula exploded over time, in the disciplines, practices and issues addressed, capable to see art and culture as means of collective training in thought and action, fortifying its ability to enter the narrative and nutritional processes of an artistic and alpine territory. But while the explosion of activities, practices and methods of curation connected with Centrale Fies was taking place, prompting us into being united with one another, inspiring us with forests, new Pangeas and “hyper” natures, an earthly and invisible being witnessed the collapse of our certainties, further strengthening the awareness of a world where humans have never been the focus or the unicum, but only a small percentage of the existing. “The programming of Centrale Fies”, says Dino Sommadossi, founder of Centrale Fies, “has always been only the tip of the iceberg of a complex job of research, design and organization with dozens of professionals, to eventually open up to the public performances that they are not entertainment, but a real collective moment, an active means of articulating the thought to different directions, to bring to light the minor narratives that the mainstream has always left on the margins. Whatever still happens, we will try to preserve the virtuous circle of care and attention that has guided all the actions of the centre in all these years, and now everyone will be asked to do the same, to take care of a piece of ecosystem through mutual actions: we will plea the building, the forms and forces of nature all around, none excluded, we will call upon the public, as well as the curators, artists and hosted and passer-by artists”. Barbara Boninsegna, artistic director of Centrale Fies states: “We believe that now it is important to devote time to the observation of this present which is more unexplored and shapeless than ever, and to bring out questions thanks to which you can try to imagine other ways of inhabiting spaces and meet the bodies. The era we are going through requires a new way of narrating our projects, which become the Chapters of a new story between the virtual and the real”. Finally, inspired by the Wood Wide Web, the support and nourishment network for forests, with PERFORMANCE WIDE WEB, Centrale Fies wants to share projects, conversations, programmes by artists, curators and workers that are active in the sphere of performative practices. This is a further way to stay together in a time when this is impossible, escaping from the nets to fill spaces left empty and enhance the time for thinking, study, organization, strategy, nourishment and finally, collection, of each project. In this way the online channels of Centrale Fies, the social accounts and the website, become an Observatory, which collectsobservations and practices; projects created over the last months by other organizations; contemporary or historical works of art that have experimented with heterogeneous forms of presence and use, archival documents, readings and theoretical references. A place full of dialogue, study and research, fuelled by the multiple perspectives of the ‘exploded curatorship’. Furthermore, this year, Centrale Fies has thought of a “Deadline is Dead” font as a gadget of this 40th anniversary. The font can be downloaded for free. It is halfway between Goth and Metal, originating from the crasis of the imageries of Fies. Prologue – XL – 2019 – March 2020curated by Barbara Boninsegna, Filippo Andreatta, Simone Frangi, Denis Isaia and Alma Söderberg Chapter I – “Ssssh. Hear, now “ – April – May 2020by Dogyorke, F. De Isabella Chapter II – INBTWN – In Between – online since June 25, 2020curated by Claudia D’Alonzo Chapter III – LIVE WORKS vol 8 – May 2020 – March 2021curated by Barbara Boninsegna, Simone Frangimentor 2020 Krystel Khoury / 7 selected artists Chapter IV- Storia Notturna [Night Story] – 17 July – 8 August, 2020curated by Simone Frangi and Denis Isaia Chapter V – Perform! – July – December 2020curated by Hannes Egger and Denis Isaia with Valeria Marchi Chapter VI – Hyperlocal – 17 July – 8 August 2020curated by Barbara Boninsegna and Filippo Andreatta To be continued… To stay up to date on the XL programming please visit [www.centralefies.it] Photo ©OHT-19 luglio 1985 MoniQue foto Courtesy Centro Santa Chiara 01

Opportunities: Open Call Symposium 2020 – Variations of Beckett (Oslo, Norway)

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Open Call symposium 2020 – Variations of Beckett Symposium dates: 31st July – 2nd AugustDeadline: 30th June “In his dreams he had been warned against this change. Seen the dear face and heard the unspoken words, Stay where we were so long alone together, my shade will comfort you.”– Samuel Beckett, Ohio Impromptu (1981) Variations of Beckett/Schouskollektivet invites artists from all fields to participate in a three-day symposium. The themes we will be researching are time, memory, and dreams. These are central to Samuel Beckett’s work, but reach well beyond this specific context. We are inviting artists to research these themes using their own artistic practices, and thereby also contributing to an exchange between artists working with artistic research. Our wish is to open up the works of Beckett to others who may not know him already and to learn something new in this process. The text we will use as a starting point is Beckett’s one-act play “Ohio Impromptu”, but where we’ll end up we’ll find out together! >> The research questions we want to examine are:- What is the impact of togethering when examining self in times of isolation? – How can we explore individual dreams and memories collectively?– How do we perceive the concept of time in performance?>> Interested? We recommend reading the whole open call on our web-pag [https:] Who are we? Read more about us here: [https:] >>How does it work?We will stay for a period of three days at Nesodden (outside of Oslo) where we’ll work together in a group. The Variations of Beckett’s artists will guide the participants through the whole process. We will have prepared a series of tasks in advance which we will solve together in the time we have, and end up in a performance on the third day. This performance will be open to an audience both physically and digitally, so it’s important that you wish to work towards a work in progress presentation in order to participate. This call is thus primarily directed at artists working with performance, but we are open for others to join as well.This is a retreat where all the artists live and eat together at Nesodden after the program for the day has ended. More information will be provided once we have contacted the selected participants. We will cover food and housing, whilst the participants will cover travels. Please note: There may be changes to our program, and we will in this case update this event. This might lead to parts of the program being at Nesodden and in Oslo.> We can accommodate maximum 10 participants. > Participating through zoom will be an option, and we will decide upon arranging part of the symposium digitally once we have read through the applications. > Fill out this form by the 30th June [https:] Questions? Send us a message on Facebook or email: schouskollektivet@gmail.comFollow the event on facebook for updates: [https:]

Opportunities: Be A Part Of The 2020 Spider Festival (Ljubljana, Slovenia) Deadline – 27. May 2020

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Opportunity: BE A PART OF THE 2020 SPIDER FESTIVAL Where: Ljubljana, Slovenia When: Between 17 and 20 June 2020 Deadline: 27. May 2020 Description Of Opportunity: Spider Festival, a festival of radical bodies, began to knit its web back in 2010 in Ljubljana under the umbrella of Pekinpah, while the artistic guidance is always in the hands of local artists. It brings together and interlaces bodies, thus opening a possibility for intense critical thematizations of a complex cultural-political atmosphere, social frictions and paradoxes, contemporary taboos and most urgent topics – through an artistic expression, of course. Unconventional approaches and discourses, anti-hegemonic objections and proposals of something better, new, hybrid genres, dance art which is only rarely presented in the mainstream, all this is Spider Festival. We were preparing the 2020 edition of the 9th Spider Festival. We were contemplating the continuation of our core thought: the movement of evolution. Suddenly, a break occurred. The lockdown intensified the already present rules of engagement. Involution ad infinitum. Now what? Consider this as an alternative thought: Involution, not as mere shrinkage, but as an inalienable internal dynamics of an organism, or better, organisms. The process of becoming a spatial social network, a horizon of horizontal face-to-face encounters with all their collisions and frictions, a non-hierarchical participatory construction of movement as language and knowledge, and vice versa. Yes, now this. We are inviting you to create the Spider Festival 2020. We dont want to welcome you to how it was before. We’ve therefore abandoned our carefully prepared festival program. We’ve abandoned all indoor events. Our dance floor will be set in the natural environment of the Tivoli Park and other partner’s sites in Ljubljana. More information on [https:] How To Apply: Proposals should include: – written proposal; max. 1 page A4, – artist/team presentation, – video links (if applicable), – social media profile links (optional) – precise technical riders, – 2 hi-res photos, – credits, including supporters. More information on [https:] Deadline for applications: 27 May 2020 Send applications to: katja.gorecan@pekinpah.com Results will be published on www.spiderfestival.com by 1 June 2020. You will receive a letter of acceptance by email. Contact Email:katja.gorecan@pekinpah.com Website: [https:] OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: AUDITION (Budapest) Deadline – June 17th

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Opportunities: Buffer Fringe Performing Arts Festival 2020 Open Call (Nicosia, Famagusta, Limassol – Cyprus) Deadline – 31 May 2020

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Opportunities: Call For International Live Performing Arts Residency In Italy (Domicella, Italy) Deadline – June 2020

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Opportunities: Call for Digital Conversations (London) Deadline – May 7, 2020

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Permalink for 'Opportunities: The Graduate School of the Berlin University of the Arts is offering fellowships (Graduate School/ Berlin University of the Arts) Deadline – 25th May 2020'

Opportunities: The Graduate School of the Berlin University of the Arts is offering fellowships (Graduate School/ Berlin University of the Arts) Deadline – 25th May 2020

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Opportunity: The Graduate School of the Berlin University of the Arts is offering fellowships Where: Graduate School/ Berlin University of the Arts When: 1st April 2021 Deadline: 25th May 2020 Online Application: yes Fee to Participate or Apply: 0 Description Of Opportunity: The Graduate School of the Berlin University of the Arts is a postgraduate and international programme of studies for highly qualified graduates in all disciplines who have already developed their own artistic positions and who have already carried out an artistic professional practice of at least three years at the time of application. Interested persons are asked to submit an artistic research project that can be completed within two years. The fellowship programme is aimed at graduates in all artistic and scientific disciplines who understand exchange with other disciplines as being an essential part of their work. The fellowship gives recipients the possibility to work intensively for two years on researching, producing and finalising their own project. Please note that we understand the term “artistic” as based on the disciplines and practices here at the university, encompassing all four faculties (Fine Arts – Architecture, Media, Design – Music – Performing Arts). The Graduate School will award four fellowships. How To Apply: The application process takes place in three stages. The first stage (pre-application) takes place in two steps: At [https:] you will find our online application form, which you should fill in completely. This includes the submission of a short presentation video (min. 2 to max. 4 minutes long) in which you respond to the following questions in front of the camera: How do you understand your artistic work? In what contexts do you place your practice (artistic, social, historical)? What inspires you? Please upload this video to Vimeo and provide the link (and password if applicable) in the online application form. Please note that the jury will not evaluate the technical quality of the video. In a further step, please send the following documents in a PDF file (max. 10MB) as an email attachment to gs-application@udk-berlin.de: – Curriculum vitae, indicating the minimum three years of artistic professional practice – Letter of motivation (1 to 2 A4 pages, min. font size 11) in which you respond to the following questions: How would your professional career benefit from being granted this fellowship? What do you expect from the artistic-intellectual exchange among the scholarship holders of the Graduate School? How do you see your contribution to this forum? How would you translate your artistic practice and central aspects of your research project into an idea for an interdisciplinary teaching concept? – Project presentation (size 1 to 2 A4 pages, min. font size 11) – Copy of the university degree certificate (equivalent to the Master’s degree or Diploma) or proof of outstanding artistic aptitude, which is proven by at least three years of successful professional experience in the form of relevant professional documents – up to 3 work samples from your own artistic practice (online cross-references are to be inserted as hyperlinks in the PDF) The application deadline is Monday, 25/05/2020 (10:00 am Berlin local time) Please also note: The deadline for submitting your application is determined by the time of the electronic receipt of the application at the UdK Berlin. Experience has shown that the submission of applications takes a long time, especially in the last hours before the deadline, due to overloading. We would therefore like to point out as a precaution that it is advisable to submit your application as early as possible. Applications received after the deadline will not be considered. For further information regarding the application process, please visit [https:] as well as our FAQ. Contact Email:magdalena.weidemann@intra.udk-berlin.de Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Call for Creatives-in-Residence (Boston, MA, USA) Deadline – May 3, 2020

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Free Online Streaming The Rest I Make Up – A Film About Maria Irene Fornes (Closes March 30, 2020)

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Permalink for 'Opportunities: Call for Applications – SOLOCOREOGRAFICO Solo Dance Festival USA edition 2020 (Quartz Mountain, OK) Deadline – 26th of April 2020'

Opportunities: Call for Applications – SOLOCOREOGRAFICO Solo Dance Festival USA edition 2020 (Quartz Mountain, OK) Deadline – 26th of April 2020

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Permalink for 'Opportunities: Open Call – International Theatre, Art and New Technologies Festival, The Wonders of Possible, Kyber Theatre (Cagliari, Italy)'

Opportunities: Open Call – International Theatre, Art and New Technologies Festival, The Wonders of Possible, Kyber Theatre (Cagliari, Italy)

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Opportunities: Fellowship Halcyon Arts Lab (Washington, DC) Deadline – April 08, 2020 at 5 PM EST

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Opportunities: Festival (Rematia Theatre, Athens, Greece) Deadline – 03.04.2020

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Opportunities: Alphabet et Ultra 020 – Audition Notice (BO, Italy) Deadline – March 1, 2020

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Opportunities: Open Call – Watermill Center Artist Residency Program – Deadline April 2, 2020

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Applications for the 2021 Artist Residency Program are open from January 6, 2020 through April 3, 2020. The Watermill Center’s Artist Residency Program began in 2006, when The Center officially opened as a year-round facility. Each year collectives and individuals take up residence at The Center to live and develop works that critically investigate, challenge and extend the existing norms of artistic practice. The Artist Residency Program is process-based, without the expectation or promise of a final exhibition of the work. Watermill provides artists with time and space to focus on developing their practice in a communal environment that encourages experimentation. Artists-in-Residence share their creative process with the community through open rehearsals, workshops and artist talks. Artists-in-Residence receive access to an extensive collection of resources central to the Watermill experience: 20,000 square feet of rehearsal/design spaces and outdoor stages; a theater production archive (housed in New York City); The Watermill Center Study Library; The Watermill Collection; and The Center’s ten acre landscaped grounds and gardens. Applications are reviewed by a distinguished international committee composed of artists, academics, and cultural leaders across disciplines. To date, we have hosted over 200 residencies featuring artists from more than 65 nations. CLICK HERE TO APPLY Applications are accepted through the online portal, SlideRoom at [https:] We do not accept application submissions outside of SlideRoom. SlideRoom will lead you through the various required questions, attachments, and media uploads (work samples). There is a $10 USD fee per proposal that covers the cost of the application portal. Payment is accepted on the SlideRoom website. Please don’t wait until the last minute to submit your application. With many applicants waiting until the last minute to submit their applications, there can be technical difficulties on the day of the deadline. We don’t want you to miss the ability to submit your application because of this or any other unforeseen issue. We do not accept late applications. There will be no extension on the deadline. Applicants will be notified on the status of their application by mid-July. Acceptance and rejection notifications are sent at the same time. For all technical questions or issues pertaining to work sample uploads, payment issues, trouble submitting, or login problems, please email support@slideroom.com For all questions regarding the Artist Residency Program or the application process, please first refer to our info packet and FAQ. If you’re unable to find the relevant information, then email us at info@watermillcenter.org

Permalink for 'Opportunities: Love Sharing International Theatre and Nonviolence Festival – 6th Edition – Madness and Revolution (Cagliari) Deadline – 30/04/2020'

Opportunities: Love Sharing International Theatre and Nonviolence Festival – 6th Edition – Madness and Revolution (Cagliari) Deadline – 30/04/2020

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Opportunities: Open Call For STARTAS2020_RESIDENCY (Rokiskis, Lituania) Deadline – February 22, 2020, 23:59 EEST

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OPEN CALL FOR STARTAS2020_RESIDENCY (Rokiskis, Lituania) May 18-24, 2020 Deadline: February 22, 2020, 23:59 EEST Online Application: [https:] Fee to Participate or Apply: 0 Description Of Opportunity: About the festival: For the fourth time, the International Contemporary Art Festival STARTAS takes part in Rokiškis, Lithuania, organized by the Culture Center of Rokiškis, which is responsible for cultural activities in Rokiškis town and its region. Partly funded by Lithuanian Council for Culture and Rokiskis region municipality. Festival aims to present various contemporary art forms to Rokiškis community, to begin new collaboration among Lithuanian and foreign visual and performing arts performers. The event will focus on public attention to small towns in Lithuania and attract new cultural investments to Rokiškis. Festival aim: 1. to explore new performance spaces and step out of the traditional venues. (Most of our performances are happening on a street, park, parking lot, pub, museum. So technical side of the project is very essential); 2. to explore new and experimental ideas that corresponds with nowadays cultural, social and political topics. Year 2020 festival will take place from May 18th to May 24th 2020. 1. Residency program May 18-23, 2020 2. Education program May 18-22, 2020 3. Performance platform May 22-24, 2020 4. Application deadline – February 22nd, 2020 at 23:59 EEST Basic information about the residency: 1. For this year residency program we are looking for artists who are willing to interact with locals and audience through the art form. Who is willing to provide a workshop for a different ages groups. An applicant(s) should be willing to experiment, step out of their comfort zone, explore new ways of working and work under pressure and on a deadline. The goal of this residency – is to push your artistic boundaries, explore the unknown and experiment with art forms, perhaps make future collaborations for other productions. 2. This year we are willing to invite two artists: One from the performance art and one from visual arts fields to join two other artists, a performer and sound designer/musician. 3. Residency consist of 4 artists working in a group on a common production, meaning: Each artist comes prepared to be experimental and open to possibilities; artists have 6 days to put ONE production/show/can be a work-in-progress, all together and presents in the festival program on the last day. 5. The festival leaves the rights of project development to the group of artists, thou keeps the right to use video material for festival organizer The Culture Center of Rokiskis events with an indication of project authors and the whole team. 6. An artist must be available during whole festival period, meaning: arrival to the festival – May 17, 2020; Departure – May 25, 2020 7. The final project, should be executed with maximum of 1.5 hours of preparation. 8. Festival do not cover flight tickets, props transportation costs to/from Lithuania. The key skills an applicant must posses: 1. Flexibility – artistic and personal 2. Teamwork 3. Stress management 4. Good communication 5. Conflict Resolution 6. Creativity 7. Critical Thinking 8. Outgoing personality Festival will provide: 1. Catering during your stay here (lunch and dinner); 2. Accommodation (shared room with other participants). Private rooms can be arrange for a fee; 3. A total budget of 300 Eur for the residency production; 4. A performance fee of 300 Eur per person. NOTE: ->You can apply only once ->If a group of people applying as a collective, the number of people should not -exceed more then 2. >Application deadline – February 22nd, 2020 at 23:59 EEST >Festival do not cover flight tickets, props transportation costs to/from Lithuania. >Residency participant first artistic idea what to do during the residency might change / shift / take new form or approaches due to different artists collaborating with each other in order to put one, single production. if you have any questions – contact us via email: startasfestival.rkc@gmail.com Application form:� [https:] https://www.facebook.com/startasfestival/ How To Apply: Fills the application form: � [https:] Contact Email:startasfestival.rkc@gmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Open Call – LIVE WORKS Vol.8 (Dro, Italy)) Deadline – 27th March 2020

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Open Call – LIVE WORKS Vol.8 (Dro, Italy)) 6th – 27th July 2020 Deadline: 27th March 2020 Online Application: [www.liveworksaward.com] Fee to Participate or Apply: 24 Euros Description Of Opportunity: LIVE WORKS Vol.8 6th – 27th July 2020 OPEN CALL a project by Centrale Fies Open call deadline 27th March 2020 curated by Barbara Boninsegna (artistic director and founder of Centrale Fies) Simone Frangi (researcher, writer and curator) Mentoring 2020 Krystel Khoury (researcher, anthropologist and cultural manager) Staff Production management Maria Chemello Production Stefania Santoni Comunication Virginia Sommadossi with Chiara Ciucci Giuliani Technical direction of Centrale Fies info & contacts liveworks@centralefies.it www.centralefies.it www.liveworksaward.com Centrale Fies, Località Fies 1 Dro (TN), Italy Created in 2013 by Centrale Fies, in collaboration with Viafarini, LIVE WORKS is a platform dedicated to live contemporary practices that contribute to deepening and broadening the idea of performance, following the current evolution of performance and its styles. LIVE WORKS Vol. 8 The open call LIVE WORKS includes a creative residency period, for nine selected projects. LIVE WORKS sees performance as a work space, and as an instrument and cultural exercise. Starting from the notion of performance in the visual art practice, the project is unique in its particular attention to hybrid research, underlining the openness and fluidity of performance, its social and political implications and its level of public understandability. The announcement is open to a wide range of performative actions, also including sound and new media arts, text-based performances, lecture performances, multimedia storytelling, choreographic practices, relational and workshop-based projects, and other projects questioning the idea of performativity beyond the body. Artists and professionals from any geographic location and with no limits on age can enter the announcement, as individuals or in groups, with a single project. The open call only accepts unpublished or long-term projects that need to be developed and/or concluded, for which participation would represent an evolution of the project or it’s final chapter. The nine projects, selected by LIVE WORKS, will be invited to participate in a production residency at Centrale Fies from the 6th to the 27th July 2020: 6th July: arrival day 7th -23rd July: research and production residency, Free School of Performance 24th -25th -26th July: live presentations within the performing arts Festival Drodesera 27th July: final collective meeting For each selected project will be awarded a budget of € 1.500,00: € 1.000,00 of this budget will be used for the production of the performance, € 500,00 will be assigned as a fee for the artistic work. Centrale Fies covers the travel costs to reach Centrale Fies (maximum of € 500,00 per project) and will provide accommodation and food services for the whole residency period. The budget of € 1.500,00 will be entirely corresponded at the beginning of the residency: all the information will be send after the selection announcement. The production of the performance projects during the residency will be supported by diverse types of curatorship, from theoretical to technical development, a Free School of Performance with Studio visit, critical session and reading group. During the residency phase, Centrale Fies will provide a production and curatorial staff to assist the artists as they develop the selected projects. The residency phase is an essential part of the development of the selected projects and it’s consider as mandatory. The performances produced will be presented during the 40th edition of the Drodesera Festival of Performing Arts (24th, 25th, 26st July 2020). During each evening a program of established guest artists will be presented alongside the projects of the 9 finalists. On this occasion, the nine winning projects will be seen and discussed by a board of international professionals, working for festivals, institutions, residencies and production programs that sustain and produce research in performance. The board will be actively involved in public and private meetings with the nine artists. For Live Works vol. 8 the guest board of professionals is composed by: Cédric Fauq (Curator, Nottingham Contemporary, Nottingham, England); Inga Lāce (Curator, Latvian Center Contemporary Art, Riga, Latvia); Mathilde Villeneuve (Artistic Leader, Kunstencentrum BUDA, Kortrijk, Belgium); Daniel Blanga Gubbay (Artistic Co-director, Kunstenfestivaldesarts, Bruxelles, Belgium); Vincent van Velsen (Co-curator, Sonsbeek 2020/2024, Arnhem, Netherlands) How To Apply: TERMS AND CONDITIONS Artists who intend to participate must: Fill in the online participation form here : Application Live Works Vol.8 Attach their portfolio, including a personal statement and curriculum vitae. Required format: .pdf. Accepted languages: english, italian. The documentary material must be contained in a single compressed folder, no bigger than 10mb. Attach a description of the performance project to be developed during the residency period. The description should include an abstract (max three A4 pages, including photos, images) in .pdf format. Accepted languages: english, italian. The documentary material must be contained in a single compressed folder, no bigger than 10mb. Attach links to any audiovisual material. Accepted formats: .avi, .mov, mpeg, mp4, mp3. Accepted languages: all. The material must be contained in an external server (vimeo, YouTube, other) with the link and any necessary password provided. Other possible members of the group (co-authors or performers) have to be included within the on-line application form “Names and surnames of other members”, specifying the role of everyone within the submitted project. Pay a € 24,00 registration fee, which partially covers the administrative costs, via on-line form Application Live Works Vol.8, or bank transfer. Registration for participation must be sent by midnight on the 27th March 2020. Candidates who submit after this deadline will not be accepted. For foreign candidates Centrale Fies will commit to provide a letter of invitation for any application for a grant or mobility fellowship. The participants not belonging to an European state, for which it is requested a Working Visa to participate in an artistic residency in Italy, should promptly proceed with the Visa application. Centrale Fies, once the selected projects will be announced, will send the information to understand the procedure and support the request. After the deadline the applications will be evaluated and discussed by the curatorial team. On the 5th May the nine selected projects, which will take part to the residency phase and will be presented on the evening of 24th , 25th and 26st July 2020, will be announced by the Centrale Fies communication medias. DATES AND DEADLINES 31st January 2020 | open call 27th March 2020 | application deadline 5th May 2020 | participants announcement 6th – 23rd July 2020 | residency of the participants 24th – 25th – 26th July 2020 | performance presentations Contact Email:liveworks@centralefies.it Website: [www.liveworksaward.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Open Call for M1 Singapore Fringe Festival 2021: Quiet Riot (Singapore) Deadline – 6 March 2020

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Permalink for 'Opportunities: Launch of ECC Performance Art, an online teaching and research institute for performance art and theory (online) Deadline –'

Opportunities: Launch of ECC Performance Art, an online teaching and research institute for performance art and theory (online) Deadline –

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Launch of ECC Performance Art, an online teaching and research institute for performance art and theoryFee to Participate or Apply: EUR 175 per course Description Of Opportunity:ECC Performance Art is an online teaching and research platform dedicated to strengthening the discipline of performance art by providing artists, scholars, and curators with a range of tools and insights for their professional growth. ECC Performance Art offers an extensive online course and workshop program related to key aspects of performance art practice, its theoretical investigation, as well as its documentation and forms of curation and exhibition. In addition, it offers a “Research and Practice” platform on which performance artists and theorists can share and develop their work-in-progress with peers and experts. ECC Performance Art is the first educational institute to encompass both performance art practice and theory and addresses practitioners and scholars alike. In doing so, ECC Performance Art fills the gap that continues to exist around the education of performance artists and theorists in the traditional institutional context. Through its interdisciplinary scope, ECC Performance Art aims to stimulate reciprocal exchange and inspiration and fosters innovative approaches to both artistic practice and scholarly investigation. Acknowledging the many facets of performance art and determined to broaden the existing canon, ECC Performance Art’s goal is to increase visibility for the discipline in all its global manifestations and to forge a community of performance art professionals for the future. How To Apply:Visit current classes and enroll at: [https:] Contact Email:anja@ecc-performanceart.euWebsite: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts. Launch of ECC Performance Art, an online teaching and research institute for performance art and theory When current Where (venue, city, country) online Description of opportunity ECC Performance Art is an online teaching and research platform dedicated to strengthening the discipline of performance art by providing artists, scholars, and curators with a range of tools and insights for their professional growth. ECC Performance Art offers an extensive online course and workshop program related to key aspects of performance art practice, its theoretical investigation, as well as its documentation and forms of curation and exhibition. In addition, it offers a “Research and Practice” platform on which performance artists and theorists can share and develop their work-in-progress with peers and experts.ECC Performance Art is the first educational institute to encompass both performance art practice and theory and addresses practitioners and scholars alike. In doing so, ECC Performance Art fills the gap that continues to exist around the education of performance artists and theorists in the traditional institutional context. Through its interdisciplinary scope, ECC Performance Art aims to stimulate reciprocal exchange and inspiration and fosters innovative approaches to both artistic practice and scholarly investigation. Acknowledging the many facets of performance art and determined to broaden the existing canon, ECC Performance Art’s goal is to increase visibility for the discipline in all its global manifestations and to forge a community of performance art professionals for the future. How to apply Visit current classes and enroll at: [https:] Fee to Participate or Apply EUR 175 per course

Opportunities: VENICE INTERNATIONAL ART FAIR 2020 (Venice, Italy) Deadline – March 13, 2020

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VENICE INTERNATIONAL ART FAIR 2020 (Venice, Italy) April 09 – May 10, 2020 Deadline: March 13, 2020 Online Application: Fee to Participate or Apply: Description Of Opportunity: Venice International Art Fair is a contemporary art fair that presents collective and solo projects by leading and emerging international artists. The 12th edition will represent a forum for direct exchange of ideas and contacts between collectors, artists, photographers, designers and art professionals. The art fair features paintings, sculptures, photography art, installations, video art and live performance. Venice International Art Fair, organized by ITSLIQUID Group in collaboration with Venice Events and Ca’ Zanardi, will be held in Venice, at THE ROOM Contemporary Art Space from April 09 to May 10 2020, at Palazzo Ca’ Zanardi from April 10 to May 10 2020 and in other prestigious venues and historical buildings. Venice International Art Fair provides artists and exhibitors with the unique opportunity to present their works to an international audience of professionals as curators, gallerists, collectors, editors and publishers who seek to acquire, publish and encourage the best contemporary art talents. The participation includes the following services – exhibition space dedicated to the artist’s works – assisting with customs formalities, international shipping and local transport – assisting in finding accommodation for artist – the design and the printing of invitation cards, posters – the global and local press office, publicity, press, banners, totem, etc. – the realization of the exhibition website and dedicated press releases – mounting and dismounting of the exhibition – exhibitions opening event with drinks and food – a one day dedicated presentation, talk or workshop focusing on the artist’s career – a dedicated interview published on ITSLIQUID website and spread on our social networks – providing services and drinks for small meetings at the exhibition places for invited guests To take part in the selection, send your works’ submissions with a CV/biography, some still images (for video-art), links of videos/performances and pictures via e-mail to director@itsliquid.com How To Apply: Contact Email:director@itsliquid.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Artist Development Series: How to Write an Artist Statement

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Opportunities: New Victory LabWorks – Applications now open for 2020/21, Call for submissions (New York City) Deadline – 02/05/20

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Opportunities: The Draw to Perform residency program for Drawing Performance (Brighton, UK) Deadline – No Deadline

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The Draw to Perform residency program for Drawing Performance (Brighton, UK) 18 April – 2 May 2020 Deadline: No deadline Online Application: [https:] Fee to Participate or Apply: Apply for free at any time Description Of Opportunity: D2P Residency at the Copperdollar Studios, Brighton UK. 18 April-2 May 2020 This rigorous 15 days structured program is a unique opportunity for new and developing professional artists and art students to engage in the dynamic artistic discipline of drawing performance art. Drawing Performance is a vibrant and multidisciplinary form of art where artists creating art from mark making in front of a live audience. The art created combines elements of line, movement, space and time and is a celebration of energy and creativity. Draw to Perform is an international community for Drawing Performance. Since 2013 Draw to Perform organizing international symposiums and festivals, work with and support emerging and established artists, hold various events, collaborations with art institutions, and run educational residencies and workshops. What’s included? – Shared accommodation in Brighton + 3 evening meals – Shared studio space – Guided tour of London’s art museums and galleries – Guest artists and curators talks and discussions – Screenings & Lectures about drawing and performance art – Access to a wide range of publications and books about drawing and performance – Admission to a live performance – Opportunity to share and showcase work-in-progress – Public collaborative drawing performance action – Final live performance of your work in an event that opens to the public – Intensive promotion of your work via our social media How To Apply: For full details about the residency please visit our website: [https:] Contact Email:drawtoperform@icloud.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: OPEN CALL: Re-Fest 2020 (New York + Los Angeles) Deadline – February 1, 2020

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OPEN CALL: Re-Fest 2020 (New York + Los Angeles) March 12-14, 2020 Extended Deadline: February 1, 2020 Online Application: refest@culturehub.org Fee to Participate or Apply: 0 Description Of Opportunity: CultureHub is seeking proposals for performances, exhibition works, and conversations to present in New York City and Los Angeles for Re-Fest 2020 that engage the theme Re-Generation. The word “generation” is often used to refer to people in groups, divided by time, social trends, and political events. In biology, re-generation is the process of renewal, restoration, and growth. This year’s exhibition will include artworks and perspectives from artists, activists, and technologists of all ages who are using a wide range of approaches and tools to engage this theme. Curatorial interests include: Generative art and/or design Intergenerational collaboration Sustainability and climate change Speculative and alternative futures Social justice and activism surrounding urgent social issues The role of technology in contemporary culture Creative technology as a tool for envisioning new ways forward CultureHub is also seeking partner organizations or individuals interested in facilitating dialogue sessions, workshops, or trainings. Topics might include: Intergenerational movement building Knowledge-sharing workshops Know Your Rights (or other) Training Surveillance of black activists from Black Panthers to Black Lives Matter Intergenerational storytelling workshop Information and Requirements: The artwork or creative proposal can be easily installed/facilitated in New York or Los Angeles or digitally transferred/shipped to New York or Los Angeles by midFebruary 2020. Artist/facilitator will receive a small honorarium for participating in Re-Fest, unfortunately we can not support travel, shipping, or significant production costs. The artwork/proposal must be well suited for a festival format. For example, performances should be no longer than 20 minutes or be durational works that don’t require a stationary audience and technically contained in order to be shown on a shared bill. Exhibition works will be installed as part of a group show and should be proposed with this in mind. Workshops or conversations will have flexibility to occur at optimal times throughout the festival’s run. The artwork/creative proposal is original and developed by an individual or team of artists, technologists, educators, and activists. How To Apply: To propose an exhibition artwork performance, or conversation please submit the following materials: Title of artwork/creative proposal Short description (maximum 250 words) 3–5 images that showcase the work (can be conceptual sketches, work-in-progress images, technical diagrams, and/or documentation from past iterations) * Link to artist/facilitator’s past work (can be website, links, or a shared folder) Resume (optional) * Only required for exhibition artwork or performance. Contact Email:lainfo@culturehub.org Website: culturehub.org/refest-2020 LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Spring/Summer Workshop-Auditions in Italy by Tanz Company Gervasi (Barbarano Romano) Deadlines – FEBRUARY 15 & APRIL 30, 2020

» ‎ Contemporary Performance - Opportunities

Spring/Summer Workshop-Auditions in Italy by Tanz Company Gervasi (Barbarano Romano) 1) Workshop-Audition: March 30 – April 11, 2020, 2) Workshop-Audition, from June 9 – 20, 2020, 3) Workshop-Audition, from June 24 – July 4, 2020 Deadline: 1) Workshop-Audition March-April: FEBRUARY 15, 2020 / 2) + 3) Workshop-Audition June-July: APRIL 30, 2020 Fee to Participate or Apply: free Description Of Opportunity: Tanz Company Gervasi (Vienna) is hosting 3 workshop-auditions for professional dancers in beautiful old town called Barbarano Romano (near Rome, Italy) in spring and summer 2020. [gervasi.at] Workshop-Auditions (research laboratory/improvisation/choreography), max. 15 dancers/per workshop-audition. The participation in the workshop is free* and only with registration. Tanz Company Gervasi is looking for dancers (M/F) with a technical background and with experience in improvisation for the new production in winter 2020 in Vienna (period October/November). In the last 2 Workshops, 4 Dancers were chosen for the new production. Watch the film about the workshop experience of 2019 in Barbarano Romano: [https:] Hard Facts: 1) Workshop-Audition: March 30 – April 11, 2020, 9.30am – 6pm 2) Workshop-Audition, from June 9 – 20, 2020, from 9.30am to 6.00pm 3) Workshop-Audition, from June 24 – July 4, 2020, from 9.30am to 6.00pm ATTENTION! the conditions are the same for all workshops-auditions. WHERE: Barbarano Romano; Viterbo region (IT) ARRIVAL days: 1) Workshop-Audition: Possible arrival dates on March 28 or 29 in Barbarano Romano, 2020 (On Sunday 29: there there will be an archaeological excursion to Etruscan sites from 10:00-14:00 (for those who want, for free.) 2) Workshop-Audition: Arrival on June 8, 2020 3) Workshop-Audition: Arrival on June 23, 2020 About the workshop: The workshop proposes different forms of research based on various dance vocabularies und improvisation methods. The dancers will study how to bring in and develop their own vocabulary and individual style. After the warm up (based mainly on floor work) we will start with the movement research by reducing conservative patterns. We will continue by focusing on specific themes such as space, gravity, collision, and other topics that will be proposed during our DAILY JOURNEY. We will apply these ideas firstly to solo dance material and follow this with group work, which will focus on different formations (duo, trio and larger groups). Here we will also work with contact improvisation and partnering. Continuing, we will combine the previously created material and feed it with new information, adding something more each time in the so-called “choreographic engine”. Through this application and the distribution of a number of fixed set movements, we will compose and generate new choreographic aspects and images. The workshop will end with a public showing. DEADLINES: Deadlines Application for 1) Workshop-Audition March-April: FEBRUARY 15, 2020 Please note: You will be informed, if your application is accepted by February 17, 2020. Deadlines Application for 2) + 3) Workshop-Audition June-July: APRIL 30, 2020 Please note: You will be informed, if your application is accepted by May 3, 2020 *Additional costs: Accommodation (double bedrooms in shared apartments for up to 4 people, with spacious kitchens): Accommodation € 270 (for 13 nights) per person for the whole period (Fyi: Daily life in Barbarano Romano is very affordable). The workshop itself is free. We can’t offer salary or per diems. Travel costs, travel organisation and other expenses are not covered. More detailed information after the invitation. For further information about Tanz Company Gervasi visit: WEB: [www.gervasi.at] INSTAGRAM: [https:] FACEBOOK: [https:] VIMEO: www.vimeo.com (Tanz Company Gervasi) Photo: Tanz Company Gervasi How To Apply: Application: Email to audition.companygervasi@gmail.com CV (short version) with a photo max. 1 min video with a solo work or improvisation (a simple self-made smartphone video is enough. We prefer to get the video via link: weTransfer, youtube or vimeo; moving, not just posing; NO group choreography accepted.) The workshop is only for applicants with invitation and work permits for Europe. Please only apply if you are available for the whole period. Contact Email:management@gervasi.at Website: [gervasi.at] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Nordic Fringe Network – Global Artist Call (Scandinavia) Deadline – Deadline Jan 6th 2020

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Opportunities: Istanbul Fringe Festival Open Call (Istanbul) Deadline – 29 March 2020

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Istanbul Fringe Festival Open Call (Istanbul) 21 – 27 September 2020 Deadline: 29 March 2020 Online Application: [https:] Fee to Participate or Apply: 25€ Description Of Opportunity: Istanbul Fringe Festival had a remarkable 1st edition in September 2019. We are now very excited to launch our artist open call for the 2nd edition: Istanbul Fringe Festival is looking for contemporary and experimental works including dance, performance, theater as well as site-specific works and workshops. Artists from all over the world are welcome to apply! Where: Istanbul, Turkey When: 21-27 September 2020 Deadline for applications: 29 March 2020 Istanbul, a fascinating and historical city built on two continents, is hosting the 2nd fringe festival! The festival will bring together artworks and workshops produced in the disciplines of dance, performance and theater during a week in September 2020. This year festival offers both local and international artists a platform to showcase their work in several indoor&outdoor venues as well as specific sites such as hammams, churches, market places, old factories located on European and Asian side of the city. This is a great opportunity for artists to meet and interact between themselves and the audience, exchange ideas while discovering a new artistic network. What we offer: – Accommodation in volunteer houses during the festival – Meal on the day of your performance – Public transportation on the day of your performance – Venue, technical support and promotion – 50% of the box-office – Free access to all the events in the festival (requires reservation) We can’t offer you a round trip ticket between your hometown and Istanbul in our first edition, but we would be happy to help you contact the embassy of your country in Istanbul. How To Apply: How to apply: Find the application form on www.fringeistanbul.com Please send your payment receipt to info@fringeistanbul.com Costs for participants: 25 euros Payment details: Account Holder’s Name: Emre YILDIZLAR Account Number: 377-0575157-81 BE36 3770 5751 5781 Swift Code: BBRUBEBB For further information, please visit www.fringeistanbul.com Contact Email:info@fringeistanbul.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Performance Crossings 2020 / Call for Artists (Prague) Deadline – 26th January

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Performance Crossings 2020 / Call for Artists (Prague) 05-09 May 2020 Deadline: 26th January Online Application: [https:] Fee to Participate or Apply: Description Of Opportunity: Cross Attic invites you to present your artwork at performance art festival Performance Crossings, which will take place on 5th – 9th May 2020 in Prague, CZ. ▎Performance Crossings 2020 is the fourth edition of an international festival focusing on performance art and related art forms which presents artists from all around the world and opens the dialogue between artists and audiences, between thoughts and their articulation. ▎The curatorial approach of this year is to present a diversity of topics deeply rooted in particular artistic practice. We do not wish to limit artists by a predefined topic that might be on the one hand an important stimulus and source of inspiration, but on the other, it can have negative, limiting impacts on the creative process. This open call is an invitation for you to submit proposals of the most beloved works, deferred concepts, extravagant or provocative ideas of various forms and lengths. Which aspects of your art practice make you most excited, amused, fulfilled? What have you wanted to do for a long time, but you found the idea too silly, awkward, inappropriate, creepy, boring, senseless or not fitting into the open calls or funding applications? As curators, we are interested first and foremost in what is truly important for you! ▪ Cover photo: Paul Regan captured by Světlana Lopato How To Apply: Fill out online application form and submit it until 26th January 2020. Contact Email:performance.crossings@gmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Small Season 2020 (Sfumato Theatre Laboratory, Sofia, Bulgaria) Deadline – 15/03/2020

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Small Season 2020 (Sfumato Theatre Laboratory, Sofia, Bulgaria) 26/06/2020 – 05/07/2020 Deadline: 15/03/2020 Online Application: [https:] Fee to Participate or Apply: 0 Description Of Opportunity: THE FESTIVAL Small Season festival will have its 20-year anniversary in 2020. It has been functioning as a non-profit 10-day summer observatory of the local scene where Bulgarian artists present their ideas and works in any stage of progress. To celebrate the anniversary, for the first time Theatre Laboratory Sfumato is announcing an international open call for performances to program in the festival. We are looking for artists from any discipline who work within thetheatrical tradition and are interested to share their work in Sofia. Previous international guests of the festival include Alien Express (Slovenia), Fuckhead (Austria), Dispenzza Barzotti (Italy), playwrights Angeliki Darlasi (Greece), Roberto Scarpetti (Italy), Rafel Kohn (Luxembourg), Miguel Rojo (Spain), Florian Hirsch (Austria), Marco di Stefano and Chiara Boscaro (Italy) You can apply as a team of up to 4 people. There are no geographical or age limits. The festival will cover flights (up to 300 euro per person), accommodation (in a hotel in central Sofia) and board (breakfast in the hotel, lunch and dinner at the restaurant at the theatre) for up to 4 nights/5 days. The theatre will provide advertising, materials and technical equipment to support the presentation and/or development of the projects. The festival which is entirely not-for-profit, doesn’t sell tickets and offers all events for free for the local audiences, is unable to pay fees but can provide artists with letters of invitation to apply for additional support from funding bodies in their countries. Additional travel funds can also be sought after in case you live beyond Europe. The proposals can vary in format and content – theatre, new writing and dramaturgy, performance and live art, public and participatory art (we have a big park outside the theatre that can be a site of happenings and installations), (post-)dance and (expanded) choreography, as well as talks, lectures, critical conversations, theoretical proposals, workshops that can drive the artist’s practice forward, while also contributing to the development of the local scene – and they can also be in any stage of progress – from finished works to initial ideas/visions that need further time and space to be developed. Pictures and information about the three stages of the theatre here [sfumato.info] How To Apply: THE TIME FRAME Application period: 15/12/2019 – 15/03/2020 Results of the open call: approximately 2 months after the deadline and 1 month before the festival Festival period: 26/06/2020 – 05/07/2020 Тhis open call is for international artists only. A separate open call for Bulgarian artists will be announced later. THE DOCUMENTATION To apply: 1/ a short narrative bio 2/ a project proposal – 250 words; 3/ technical rider and preferred space; 4/ one video link and three pictures of current or previous work 5/ your available days from Jun 26thto Jul 5th2020 Send to: smallseasonfestival@gmail.com Contact Email:smallseasonfestival@gmail.com Website: [sfumato.info] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: MA Directing of Devised & Object Theatre (Prague) Deadline – Feb 14, 2020

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MA Directing of Devised & Object Theatre (Prague) 14/02/2020 Deadline: 14/02/2020 Online Application: Fee to Participate or Apply: Description Of Opportunity: LEARN NEW WAYS TO DO THEATRE, CREATE YOUR OWN WORK & MAKE CONNECTIONS! (deadline to apply: February 14th!) MA Degree in Directing of Devised & Object Theatre a 2 year English language program at DAMU, Department of Alternative and Puppet Theatre in Prague! COURSE DESCRIPTION: The Master in Directing of Devised and Object Theatre offers advanced studies in the practice of theatre-making with a twofold focus: learning the process of devising a theatre performance from scratch, with a strong emphasis on a visuality of expression. Students will learn to create theatre performances with strong visual, spatial, object and media (low tech) aspects, as well as working in other related performance forms such as scenographic installations, sound performances, and other types of performances with strong visual and spatial dramaturgy. The process will be based in devising techniques: creating thematic, conceptual, and/or documentary projects that are not based in pre-written plays, but are created mainly through the process of rehearsing, often as collaborative work of the whole creative team. Students will learn to work with a variety of authentic, found, and created material: poetry, images, fragments of plays, songs, historical events, personal stories, scientific findings, common knowledge, pop culture, etc. Students will further learn a conceptual approach to research and development of materials, creating specific performance structures (in the sense of narrative, space, and relationship to audience), for specific material, and proposing new ways for audience to perceive/experience the performance to provide the students with skills to become independent authors. The degree is in directing, where directing is understood as an expanded practice, with the potential to work within the fields of design, writing, and performing, to prepare students for work in theatre forms without strict divisions of roles within the creative team. Students will be guided toward becoming independent creators making their own artistic work. For their last semester and final projects, students will be partnered with prominent practicing artists, based on their individual needs, working in the fields of media, site specific, community theatre, movement theatre, documentary theatre, puppet theatre, visual theatre, scenographic installation etc. for a hands on experience. Students will further have a possibility to create direct connection to international environment, artists, and institutions as well as connection to Czech artists and companies. PRACTICE: The foundations of the program involve practical work that provides the student with a hands-on experience with all the elements and in all the phases of project creation: selecting a theme; building a concept and dramaturgical structure; processing material; sound, visual and spatial design; dramaturgical work with material; creating material through rehearsal; performing and working with performers; work with puppets and objects; work with audiences. SKILLS ATTAINED: Directing theatre performances with strong visual and spatial components Devising performance from a variety of material Devising using one’s own material (not only interpreting already existing material) Research and development of material Creation of a variety of dramaturgical structures and research of material Performing, and working with performers Performance designing (scenography) CONTACT: Sodja Lotker sodja.zupanclotker@damu.cz For more information about the course, fees, application please visit: [https:] How To Apply: For more information on how to apply please visit: [https:] or contact: Sodja Lotker sodja.zupanclotker@damu.cz Contact Email:briadlm@hotmail.co.uk Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Bang on a Can Summer Music Institute (MASS MoCA, North Adams, MA) Deadline – January 7, 2020

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Bang on a Can Summer Music Institute (MASS MoCA, North Adams, MA) July 13-Aug 3, 2020 Deadline: January 7, 2020 Online Application: www.bangonacan.org/summer_festival Fee to Participate or Apply: Application fee $40 Description Of Opportunity: The Bang on a Can Summer Music Institute at MASS MoCA (Massachusetts Museum of Contemporary Art) is a three-week musical utopia for innovative composers and performers dedicated entirely to adventurous contemporary chamber music. The program culminates in a world-class 3-day festival called LOUD Weekend where student/faculty ensembles and many special guest luminaries of experimental music converge to create an eclectic supermix of over 30 concerts in 3 days, taking over every space in and around the museum. In the words of the reviewer for the Boston Globe “nothing could have prepared me for the whirlwind…” Composers will have their works performed. Players will perform publicly in ensembles sitting alongside our faculty. In addition to LOUD Weekend, the institute includes performances in the museum galleries, and concerts and events in the community throughout the 3-week residency. The program also includes world music workshops, technology and music entrepreneurship seminars and more. Our 2020 special guest artist is KRONOS QUARTET! Our FACULTY members are some of the most innovative musicians of our time including members of the Bang on a Can All-Stars, eighth blackbird, and more! These are musicians who have dedicated their lives to commissioning, rehearsing, recording and performing music beyond the cutting edge. We are delighted to welcome flutist, composer, and vocalist Nathalie Joachim to our faculty in 2020! VIDEO: What IS the Summer Music Institute How To Apply: Online Applications are available via www.bangonacan.org/summer_festival. We welcome applicants from all over the globe who are at least 21 years old as of the first day of the festival. Performance applicants, please note that we encourage a diversity of instruments, including voice. You do not have to play an instrument included on our faculty to attend the program, as the focus is on chamber music, not individual study. A forty dollar ($40 USD) non-refundable application fee is required. Application deadline is Tuesday January 7 at 5pm EST. Contact Email:philippa@bangonacan.org Website: www.bangonacan.org LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

SLC Performance Lab Podcast Ep. 01.02 with Deb Margolin

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Opportunities: Open Call – MFA in Dance – Sarah Lawrence College (Bronxville, New York)

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Opportunities: danceWEB (Vienna) Deadline – 12 December 2019

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Opportunities: International Performing Arts and Curatorial Residency in Southern Italy (Naples, Italy,) Deadline – 19 July 2020

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Opportunities: International Performing Arts and Curatorial Residency in Southern Italy (Naples, Italy) All year long Deadline: 19 July 2020 Online Application: By email Fee to Participate or Apply: FREE Description Of Opportunity: One of the most creative spots in the world and an international residency that since one year has brought in Europe amazing artists from all over the world open to performers video artists curators movie directors all Kind of artists engaged in some new form the residency is free studio space is free lodging is free but there is a refund membership of 30/50/70 euros per person for the whole period depending on if artists sleep on site or not The residency is part of Kulturscio’k cultural project on website all informations and details and pictures applications online kultursciok@gmail.com please send your cv biography one page with statement and perspective project links to work and portfolio Name of Residency:Kulturfactory Kulturfactory is a residential program created by contemporary theater director alessia Siniscalchi with the goal to link artists from different parts of the world in order to create a dialogue in the arts , research new forms and explore without limits. The project is linked to the work of the French italian company kultursciok Whose motto is Shocking art through art. Artists are hosted for 7 days or more ( depending on the selection process )in a magnificent old house renovated and transformed in art place with a beautiful rehearsal room , garden , lot of rooms that host artists , a huge kitchen , and internal spaces that are used to rehearse. The place is very beautiful and close to Naples and amalfitana coast and pompei and it faces Vesuvio . An area full of history and creative energy . Pictures on www.kultursciok.com. There is an optional membership of 30/50/70 euros per individual asking to be part of the lodging and performing space program Residency Programme since:2015 Description of Organisation *:Kulturscio’k is a live art group of people dedicated to create produce curate new live art forms in order to allow new dialogues in the arts . our mission is to imagine new forms either in ur productions then in other artists ones . we have been produced in different international venues and we are based in italy and france where our work has mostly been shown . our last works are in important venues in Europe Organisation founded in *:2010 What type of organisation are you? *: Independent Association/Foundation Working Languages *: English French Italian Presentation of artists’ work:Arranged on a case-by-case basis Number of studios:N/A Number of artists in residence at one time:N/A Studio type and size:N/A Accommodation type: Shared Room Which disciplines does your residency cater to?: Visual Art Dance Theatre Performing Arts Music Literature Film-making Curatorial Education Programmes What practical facilities does your residency offer to artists?: Kitchen Internet Library Office What artistic facilities does your residency offer to artists?: Dance/Theatre/Performance Space Musical-instruments Is your residency wheelchair accessible?:No Companions Allowed: N/A Application process:Digital application If other, please specify:Please send an email and cv biography and artist mission with some pictures anything you want to clarify your process Do you charge an application fee for your residency?:No If yes, what is the amount of the fund? (in your local currency):each artists can have a letter in order to find grants applications are possible Expenses paid by the artist: Travel Food Expenses paid by the organisation: Accommodation Other If other, please specify:Rehearsal space house costs Selection process:By curator Setting:Rural Nearest Airport:naples Nearest Train Station:nola or palma campania How to reach by plane:to naples or rome How to reach by train:to naples then nola then taxi How to reach by car:please write us to be adressed How To Apply: please send an email to kultursciok@gmail.com with contact infos number of people if you have deadlines project short document where you talk about research or what you are going to explore and also you explain what do you need this residency for portfolio with artist mission statement Anything you feel important Contact Email:kultursciok@gmail.com Website: www.kultursciok.com LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Blue Raincoat Theatre Academy – The Factory Performance Space ( Sligo, Ireland)

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Blue Raincoat Theatre Academy – The Factory Performance Space (Sligo, Ireland) 11th – 26th January 2020 Online Application: www.blueraincoat.com Workshop Fee: €150 Description Of Opportunity: Theatre Academy 2020 VOICE & MOVEMENT WORKSHOPS Blue Raincoat Theatre Company will host the 9th annual Blue Raincoat Theatre Academy 11th – 26th January 2020. The Academy provides multi-disciplinary training for all artists and performers. Workshops will take place at The Factory Performance Space, Lower Quay St., Sligo. VOICE Saturday 11th & Sunday 12th January 2020 Voice Training and Development are explored through the methodologies and techniques of the Roy Hart International Voice Centre, France. David Goldsworthy, Senior Teacher at the Roy Hart Centre, will conduct this workshop. The pedagogic approach of Roy Hart Training begins with the premise that each individual voice is unique. There is no singular established method rather the training is a disciplined exploration guided by the teacher releasing sources of energy and imagination to open the voice, to realise its potential. Roy Hart teaching workshops have been developed based on a history of more than 80 years of research, study and practice of the human voice. This two-day workshop will introduce students to the techniques and exercises inherent in Roy Hart Vocal Training including diaphragmatic breathing, projection and breath control as well as focusing on the development of individual vocal range. Tutor: David Goldsworthy Workshop Fee: €150 To book online please click here MOVEMENT Monday 20th – Friday 24th January 2020 This workshop involves training in the discipline of Corporeal Mime. Corinne Soum combines the experience of having been a student and assistant of Etienne Decroux and having taught, developed and directed Corporeal Mime for more than 30 years. The training will include gestural grammar, body articulation, counterweights, walks and displacement in space, figures of style, mobile statuary, and musicality of movement. Extracts of the repertoire of Etienne Decroux will be taught during the workshop to fully experience this unique modern mythology of movement theatre. Participants will also explore the infinite possibilities of drawing from this repertoire to create personal work. Tutor: Corinne Soum Workshop Fee: €250 To book online please click here MASTERCLASS NOW THEN NOW Saturday 25th & Sunday 26th January 2020 with Louise Lowe, Co-Artistic Director of ANU The central question we ask of our audiences is ‘HOW DO YOU CHOOSE TO ENGAGE? We ask audiences to witness, feel, comply or act. By creating conditions by which audience and performer collaboratively engage in a shared kinesthetic state, we ultimately aim to produce sensory rich experiences where years of history can fold, clash, interact, contradict and tell its own story in its own way. Much of the company’s work is derived from physical space and site, usually working within geographic or historical contexts. We place these findings in non-traditional sites and use immersive engagement to create shared intimacies between audience and place and audience and performer. NOW THEN NOW will be a fearless, and vibrant two – day masterclass to uncover new ways of engaging with places and audiences. About ANU Cutting across form and context, ANU are a multidisciplinary company, cross-pollinating theatre, visual art and dance, building a reputation for creating transformative experiences in unconventional sites. Established in April 2009, ANU have created 28 multi award winning seminal works, public art commissions, gallery installations and museum interpretations. Our most recent productions include THE ANVIL (Manchester International Festival), FAULTLINE (co-production with The Gate Theatre as part of Dublin Theatre Festival 2019) THE LOST O’CASEY (co production with the Abbey Theatre, winner of 3 Irish Times Theatre Awards) and THESE ROOMS (London International Festival of Theatre & TATE Liverpool). Tutor: Louise Lowe Fee: €150 To book online please click here Accommodation Low cost accommodation available for the enrolled participants at a nearby Hostel. Please contact The Beehive Hostel, Sligo for details. Tel: 071 915 2802 Application: Please book online. Candidates can participate in one or more of the events scheduled. Tel: 071 9170431 E-mail: info@blueraincoat.com (mark email: FAO John Carty) Please note places are limited and payment must be received in full before place is secure. How To Apply: Contact Email:johngcarty67@gmail.com Website: www.blueraincoat.com LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

A 2 Year MFA Master In Fine Arts in Theater 30 minutes from NYCDeadline: January 1.Apply to the Theatre graduate program today» The Master of Fine Arts in Theatre at Sarah Lawrence College helps artists find themselves and their individual aesthetic voice in an expansive art form. Under the guidance of a faculty of artists who are working professionals, the program offers an advanced study of theatre that is multi-disciplinary, collaborative, extensive, and practical. Embrace an approach to theatre that is as progressive as Sarah Lawrence College itself. Students may apply for fall entry to the Master of Fine Arts in Theatre program. Applicants must have received a Bachelor of Arts or equivalent degree from an accredited college or university. Graduate Record Examination (GRE) scores are not required for admission. The application deadline is January 1.Apply to the Theatre graduate program today» Multi-disciplinary – The program emphasizes theatre-making as an integrative. Collaborative – Students work closely in classes, conferences, and productions with the faculty, their fellow graduate students, and the Sarah Lawrence undergraduate theatre community. Extensive – We Emphasis the development of original work, grounded in a study of classical and contemporary forms and in expansive articulations of performance frameworks. Practical – Embodiment is at the core of graduate curricular work. Program Overview The program emphasizes theatre-making as an integrative practice. Each student develops a program of study that draws from courses in acting, Alexander Technique, breathing, comedic and dramatic improvisation, creation of original work, design, directing, history, movement, playwriting, solo performance, puppetry, speech, voice, and the art of bringing theatre into the local community through Theatre Outreach. Each student’s course of study is unique. Students spend several days during registration week in one-on-one interviews with the faculty, which help students decide which “components” they will take. The program uses the term “components” instead of “courses” because it is possible, and encouraged, to take a component from the Music or Dance performing arts programs. Graduate students work closely in classes, conferences, and productions with faculty, fellow graduate students, and the Sarah Lawrence undergraduate theatre community. Graduate curricular work is augmented by a practicum in which students synthesize and embody their research. There are multiple on-campus production venues that offer graduate students a wide range of opportunities in acting, singing, dance, design, directing, ensemble creation, playwriting, and technical work. The Outreach program provides students with teaching placements in elementary schools, colleges, senior centers, halfway houses, and prisons, among others. Students may participate in internships or fieldwork in New York City theatres and theatre organizations. Deadline: January 1.Apply to the Theatre graduate program today» Program Outline For an M.F.A. in theatre, students earn a total of 48 course credits (24 in the first year and 24 in the second). Students are accepted on a full-time basis; exceptions are made only in extraordinary circumstances. There are three required courses in the M.F.A. program: Contemporary Collaborative Performance (Year 1) Projects (Year 2) Grad Lab (Year 1 & 2) Other than these required courses, students chose courses according to their interests and needs. The goal is to create an interdisciplinary course of study that explores aspects of theatre that are new to them. Graduate students are expected to participate in one or more practicum activities per year. These may include involvement in program-sponsored productions, civic engagement placements, or internships. Students are asked to take one analytical class during the graduate program (history, theory, dramatic literature, etc.). Apply Today Students may apply for fall entry to the Master of Fine Arts in Theatre program. Applicants must have received a Bachelor of Arts or equivalent degree from an accredited college or university. Graduate Record Examination (GRE) scores are not required for admission. The application deadline is January 1.Apply to the Theatre graduate program online» Faculty A caring and generous faculty support your creative practice and growth. Some of the faculty include: Dan Hurlin Stew Melisa Tien David Neumann Caden Manson Sibyl Kempson Sandra Daley Tei Blow Monthly Guests Each month, the school invites nationally and internationally recognized artists to mentor and lead workshops during our Grad Lab classes. Some of the past guests have included: Okwui Okpokwasili Rachel Chavkin Jennifer Kidwell Ping Chong Mimi Lien Steve Cosson/The Civilians Lear deBessonet Lisa Kron Kristin Marting Koryu Nishikawa V Holly Hughes Deadline: January 1.Apply to the Theatre graduate program online» More Information:Website –>Instagram–>Facebook–>

Opportunities: Open Call Curators for Fringe Arts Bath 2020 (Bath, UK) Deadline – Nov 8/2019

» ‎ Contemporary Performance - Opportunities

Call-out to curators for Fringe Arts Bath 2020 (Bath, England, United Kingdom) 22 May to 7 June 2020 Deadline: Nov 8/2019 Online Application: [https:] Fee to Participate or Apply: Free Description Of Opportunity: Have an idea for an exhibition? Tell us about it. Fringe Arts Bath (FaB) gives opportunities to early career Curators and Artists, FaB is a test-bed for new work, radical approaches, for pushing boundaries, a place for those who prefer to operate outside of the gallery based-arts scene. FaB is offering aspiring Curators the opportunity to devise and organise a show as part of FaB Festival, 22 May – 7 June 2020. We invite fresh & challenging concepts: we encourage you to think outside the box! FaB run a 17 day visual arts festival of free pop-up exhibitions, events and interventions in unusual places, empty shops, and on the streets of Bath. FaB is really inclusive, everyone is welcome to apply, to take part, and to visit exhibitions. FaB is not-for-profit, entirely ran by volunteers, we do it because we love it, and the community is at the very heart of what we do. The full call-out to curators is here: www.fringeartsbath.co.uk/blog/2019/9/19/call-out-to-curators-2020, you can apply in writing, via images, video or audio formats. The deadline is Friday 8 November. Anyone can apply, with any level of experience: students, graduates, artists, local, national, international. Image © Poppy Clover, I’m So Sorry I Stood You Up. From 21st Century Neanderthal curated by Nina Jesih for #FaB19 How To Apply: Read the full call-out here: www.fringeartsbath.co.uk/blog/2019/9/19/call-out-to-curators-2020, then submit a proposal of approx. 500 words detailing the underpinning themes with supporting images and your CV. You can submit as a PDF, a Powerpoint, a video, an audio file, or by post. If another format suits you better, let us know. Email to submissions@fringeartsbath.co.uk or post to Fringe Arts Bath, 103 Walcot Street, Bath BA1 5BW. Contact Email:scarlett@fringeartsbath.co.uk Website: www.fringeartsbath.co.uk LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Zaratan AIR Grant Open Call 2020 (Lisboa) Deadline – 30/11/2019

» ‎ Contemporary Performance - Opportunities

Zaratan AIR | GRANT | OPEN CALL 2020 (Lisboa) 2020 Deadline: 30/11/2019 Online Application: [https:] Fee to Participate or Apply: Free Description Of Opportunity: Zaratan AIR | Residency Program OPEN CALL 2020 | 4 Weeks Residency Grant DEADLINE | From October 17 to November 18, 2019 ELIGIBILITY | Emerging and professional visual artists, performing artists, sound artist, curators and writers are eligible to apply. The residency program is designed for international or Portuguese artists residing abroad for the development of artistic projects, individual or collective. Zaratan defends a multidisciplinary and experimental attitude, where all the areas and the languages of the artistic expression are considered. DURATION | 4 weeks GRANT | Once a year Zaratan offers a 4 weeks residency grant, which cover the studio and accommodation fees for one artist selected through the applications process. THE OPEN CALL IS NOW OPEN FROM OCTOBER 17 TO NOVEMBER 18, 2019. THE RESULTS WILL BE ANNOUNCED ON NOVEMBER 30, 2019. ABOUT ZARATAN AIR | Driven by the desire to intensify and exchange knowledge with artists through creative and productive practices, in 2015 Zaratan announced the promotion of an international art residency. Our goal is to mix experienced with emerging artists and give them the possibility to bring their work in an international context through exchange and collaboration within the local network. The artists-in-residence at Zaratan are given the opportunity to develop a project over a fixed period of time, and to reflect and consolidate their artistic practice. During their stay in Lisbon, the selected artists will be required to meet on a regular basis with the curatorial team of Zaratan. We provide private accommodation, 24/7 private working studio, technical assistance, promotion and communication support, open public presentation of the residency process. Although labs and technique-specific facilities are not available, we will do our best to fulfill your needs, providing logistical support for producing work and events within our network of partners and collaborators. All artists are encouraged and welcome to share the outcome of their residency through talks , performance, public presentations and open studio visits. APPLICATION PROCESS | We are permanently accepting application for the regular program of residencies. If you wish to apply to our residency program, please email us at residencies@zaratan.pt with the following information (1 pdf file not exceeding 24 mb): – Bio/CV; – Portfolio or website; – Description of the work/project you intend to carry on during the residency; – Period you intend to stay at Zaratan. APPLICATION EVALUATION | Applications are evaluated by a selections committee comprised of artists, curators, community members and spaces board members. Applicants will be notified via email as soon as possible after selections has been made. If accepted, we will assist residents with funding applications if needed. MORE INFORMATION | residencies@zaratan.pt How To Apply: APPLICATION PROCESS | We are permanently accepting application for the regular program of residencies. If you wish to apply to our residency program, please email us at residencies@zaratan.pt with the following information (1 pdf file not exceeding 24 mb): – Bio/CV; – Portfolio or website; – Description of the work/project you intend to carry on during the residency; – Period you intend to stay at Zaratan. Contact Email:residencies@zaratan.pt Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Venice International Performance Art Week 2020 — Co-Creation Live Factory Dissenting Bodies Marking Time (Venice, Italy) Deadline – December 7, 2019

» ‎ Contemporary Performance - Opportunities

Venice International Performance Art Week 2020 — Co-Creation Live Factory Dissenting Bodies Marking Time (European Cultural Centre – Palazzo Mora, Venice, Italy) January 8-18, 2020 Deadline: December 7, 2019 Online Application: [https:] Fee to Participate or Apply: 600 € Description Of Opportunity: Open Call for Artists VENICE INTERNATIONAL PERFORMANCE ART WEEK 2020 CO-CREATION LIVE FACTORY Dissenting Bodies Marking Time A project of the VENICE INTERNATIONAL PERFORMANCE ART WEEK Palazzo Mora & Palazzo Michiel, Venice (IT) January 8-18, 2020 (Open to the public on the days 15-16-17-18 January 2020) Applications are now open until December 7, 2019 CO-CREATION LIVE FACTORY Dissenting Bodies Marking Time is intended for those artists, performers and visionary poets who wish to articulate and refine their skills, expand their practice, exploring new ideas and approaches, allowing their work to become more fully realised. It offers a rare opportunity to explore new territories of performance in an extended, intensive period of time outside of an academic setting. It is both a learning path and a unique occasion to work and collaborate together in the ART WEEK Venue: Palazzo Mora, the major seat of the European Cultural Centre in Venice. It is an opportunity for each participant to strengthen creative talent and intellectual freedom, finally to present the results of an immersive co-creative process publicly through solo, collaborative and collective performances. CO-CREATION LIVE FACTORY “Dissenting Bodies Marking Time” is a 12-day residential performance program consisting of: • 8 days of intensive, residential co-creation workshop processes for international artists in two tutor groups – one led by artist duos VestAndPage (Italy/Germany) and Andrigo & Aliprandi (Italy), and one by artist Marilyn Arsem (US). Selected artists will work in one tutor group during the entire process. Places per tutor group are limited to a maximum of 20. • Discussions structured in the form of roundtables and open dialogues during the morning sessions. • Morning lectures by invited international live art curators, organisers and practitioners. • Four days program of live performances open to the public on January 15-16-17-18, 2020 at the ART WEEK venue ECC| Palazzo Mora, Venice (Admission free). Including performances by guest artists of honour and the film screening Pavlensky – Man and Might. The culmination of the co-creation process will be open to the audience: we will transform the venue together into a dynamic performance site through a series of collective performance operas, as well as collaborative and solo performances. TUTORS: Marilyn Arsem, VestAndPage, Andrigo&Aliprandi GUEST ARTISTS OF HONOUR: Guillermo Gómez-Peña, Kira O’Reilly, Pyotr Pavlensky (Film screening), others to be announced CO-TUTORS: Fenia Kotsopoulou, Marcel Sparmann LECTURERS: Francesco Kiàis, Joseph Morgan Schofield BACKGROUND At the conclusion of the Trilogy of the Body (2012, 2014, 2016), the VENICE INTERNATIONAL PERFORMANCE ART WEEK undertook a new path with the project Co-Creation Live Factory, conceived to be an artistic experience of a different kind founded on the principles of artistic collaboration, cooperation and temporary artistic community. The concept developed out of the VENICE INTERNATIONAL PERFORMANCE ART WEEK’s core mission and its Educational Learning Program. The aim is to empower participating artists who are selected through an Open Call, to articulate and develop their individual praxis within an independent temporary autonomous zone of co-creation under the tuition of established performance artists. The new course was inaugurated on December 2017 with its first edition entitled CO-CREATION LIVE FACTORY Prologue 1. It focused on the concepts of time and endurance and investigates themes such as the poetics of relations, the perception of the self and the quest for personal freedom. The second one, held on December 2018, featured the installation of the experimental collective performance opera BODY MATTERS: Anam Cara – Dwelling Bodies to explore the notions of intimacy and companionship, risk-taking and abandonment. Following these previous two experiences, CO-CREATION LIVE FACTORY Dissenting Bodies Marking Time now consolidates the founding principles of the project, this time addressing topics such as dissent, identity, queer theory, concepts of time, transience and impermanence. APPLICATIONS ARE NOW ACCEPTED ON A ROLLING BASE UNTIL DECEMBER 7, 2019. VENICE INTERNATIONAL PERFORMANCE ART WEEK | CO-CREATION LIVE FACTORY is a project conceived by artist duo VestAndPage and independent curator Francesca Carol Rolla, realised by Studio Contemporaneo non-profit Cultural Association in cooperation with Live Arts Cultures non-profit Cultural Association, We Exhibit, Venice Open Gates, and with the in-kind support by the European Cultural Centre | GAA Foundation and ConCAVe Venice. How To Apply: To apply, please fill in the online form on [https:] Fee: 600, – € The fee includes (during the period of the project): – Tuition; – Accommodation in shared rooms in 3*** / 4**** hotels in Venice-Mestre (breakfast included); – Venice City tourist tax; – Local transport from the accommodation to Piazzale Roma, which is just 10 minutes away from the venue on foot. – Please note that lunch and dinners are not included in this fee. We will supply a list of recommendations of nearby eateries and restaurants with affordable prices. The VENICE INTERNATIONAL PERFORMANCE ART WEEK provides letters of support to selected participants to request grants or support from institutions of reference in order to sustain travel costs and/or fees. The VENICE INTERNATIONAL PERFORMANCE ART WEEK and its tutors will award up to three tuition-free grants to selected participants. An extensive catalogue book on the CO-CREATION LIVE FACTORY project (editions 2017, 2018 and 2020) will be published after the conclusion of the project. More information on www.veniceperformanceart.org For questions please write to info@veniceperformanceart.org Contact Email:pagnes@vest-and-page.de Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: The Draw to Perform residency program for Drawing Performance practice (Copperdollar Studios, Brighton UK) Deadline – No deadline

» ‎ Contemporary Performance - Opportunities

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