Gregarius » Contemporary Performance

Opportunities: Vanishing Performance Festival (New Orleans, LA) Deadline – October 1, 2019

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Vanishing Performance Festival (The Mudlark Public Theatre, New Orleans, LA) November 22-24 2019 Deadline: October 1 Online Application: [https:] Fee to Participate or Apply: Free Description Of Opportunity: The 2019 Vanishing Performance Festival is seeking submissions for participation in the festival’s second year. It will take place in New Orleans, LA November 22-24 2019. The festival seeks to highlight experimental and boundary-pushing work across a multi-dsciplinary definition of performance including, but not limited to: performance art, dance, theatre, sound art, and video. This year’s festival is themed ‘(trans)formations.’ Artists are asked to submit work around the ways in which we ‘form’ new ideas, perspectives, experiences, concepts, and ways of being. in what ways do we ‘trans-‘, as that prefix suggests a ‘going beyond,’ the limits that have been placed on the imagination? How does this process manifest in the individual, in space, in collectives, in the natural world, in objects? etc. Submissions should be 20-35 minutes in duration. Durational work of 1 hour or longer will be considered on a case by case basis. Include in your submission: Artist/Collective Name Location (where are you based?) Description of work (including duration) A brief artist bio Samples of work (photos, video, audio) Send submissions to vanishingfestival@gmail.com The Vanishing Festival is a grassroots DIY festival that has been created out of a need for space to exhibit peformance work which is otherwise considered marginal to the art world. The festival has no funding and, therefore, cannot at this time provide much other than a welcoming community, a space to perform, and an enormous respect for you and your work. Artists will split the money that is made on admission to the festival. A crowdfunding campaign will be initiated soon which will go partially to the venue (an essential and important DIY theatre space) and partially artists who have travel costs. The festival selection will prioritize LGBTQ and POC artists. The festival highly values local atrists and encourages local New Orleans artists to submit work as well as national and international artists. Deadline: October 1st vanishingfestival@gmail.com The Vanishing Performance Festival is produced/curated by Cypress Atlas as an act of love and a call to collective power to transform and shape space and to re-claim imagination. How To Apply: Send your submission to vanishingfestival@gmail.com Contact Email:cypressatlas@gmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: KOR’SIA AUDITIONS (Madrid) Deadline – 1th OCTOBER 2019

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KOR’SIA AUDITIONS (TEATROS DEL CANAL Madrid Teatros del Canal. Cea Bermúdez, 1. 28003 Madrid) 30 th November 1th Dicember 2019 Deadline: 1th OCTOBER 2019 Online Application: Free Fee to Participate or Apply: free Description Of Opportunity: KOR’SIA is looking for Experienced female/male dancers with excellent technique and creative personality For a new Creation in 2020 as well as possible future projects. Application deadline: 1 th of October 2019 How To Apply: How to apply: – Please send your application by email by 1 th October 2019 to audizione@kor-sia.com – Your application should contain: Your resumé,including personal information,training/workexperience and contact information. A clear head shot A solo video of maximum 2 minutes Please send us the link to your video onVimeo or YouTube. Before applying, please also consider: – You should be available to start rehearsals as from March 2020 until May 2020. – You should be available and open to start touring as from July 2020, for a period of minimum 2 years, mostly in Europe. After your application: – Unfortunately, we are unable to respond to all applicants. Therefore, you will only receive notifications if you are selected for the audition days. You should receive this notification no later than 20 th October 2019. – Selected candidates will be provided with more detailed information on the audition days. Auditions will take place either in Madrid 30 th November 1th Dicember 2019 at TEATROS DEL CANAL Madrid Teatros del Canal. Cea Bermúdez, 1. 28003 Madrid You must be available for a maximum of 2 days during the audition period. More information about Kor’sia on www.kor-sia.com Contact Email:mattia.russo.mattia@gmail.com Website: www.kor-sia.com LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Officine CAOS Open Call 2020 (Turin, Italy) Deadline – 12 September 2019

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Opportunities: CROSS Award (Verbania, Italy) Deadline – 6th september 2019

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CROSS Award (Verbania, Italy) from january 2020 Deadline: 6th september 2019 Online Application: [www.crossproject.it] Fee to Participate or Apply: free Description Of Opportunity: LIS Lab Performing Arts – in collaboration with Fondazione Piemonte dal Vivo and Ricola. Announces the fifth edition of the ‘Internation CROSS award’ for artists and companies in the field of performing arts and music, with particular attention to productions focused on the close interaction between musical composition and action stage. With the fifth edition the call renews and changes: 4 projects will be selected for a 16-days residence in Verbania with a fee for the production of € 4.000,00 each. The award aims to promote investigation and artistic expressions related to the combination of different styles and genres, considering multi-language practices and the mix of techniques and codes pertaining to the various performing arts as reward factors. The goal of the competition is to identify new productions – thoroughly unpublished – that put in dialogue the language of the body and of the stage performance with musical composition, without any restrictions or constraints of kind, category or practice. New for 2018 is the formula of “artists in the territories”. CROSS therefore wants to support the productions that will favor the relationship with the territory both through projects that deal with the theme of the landscape, themes that are generally environmental or that can meet the community. There are no limits on how to share with the territory, the practices and the artistic disciplines. The call is open to individual artists, professionals and companies. The project must be submitted as a production that can be developed during the different phases of the residency and that could include the most diverse expressive practices (as such: dance, music composition and interpretation, DJ-set, live soundtrack, composition of a soundtrack, activity of noise music, theatre, body performance, singing, new technologies, video art, motion-capture, readings, site-specific design). LIS Lab Performing Arts – in collaboration with Fondazione Piemonte dal Vivo and Ricola. Announces the fifth edition of the ‘Internation CROSS award’ for artists and companies in the field of performing arts and music, with particular attention to productions focused on the close interaction between musical composition and action stage. With the fifth edition the call renews and changes: 4 projects will be selected for a 16-days residence in Verbania with a fee for the production of € 4.000,00 each. The award aims to promote investigation and artistic expressions related to the combination of different styles and genres, considering multi-language practices and the mix of techniques and codes pertaining to the various performing arts as reward factors. The goal of the competition is to identify new productions – thoroughly unpublished – that put in dialogue the language of the body and of the stage performance with musical composition, without any restrictions or constraints of kind, category or practice. New for 2018 is the formula of “artists in the territories”. CROSS therefore wants to support the productions that will favor the relationship with the territory both through projects that deal with the theme of the landscape, themes that are generally environmental or that can meet the community. There are no limits on how to share with the territory, the practices and the artistic disciplines. The call is open to individual artists, professionals and companies. The project must be submitted as a production that can be developed during the different phases of the residency and that could include the most diverse expressive practices (as such: dance, music composition and interpretation, DJ-set, live soundtrack, composition of a soundtrack, activity of noise music, theatre, body performance, singing, new technologies, video art, motion-capture, readings, site-specific design). How To Apply: Contact Email:info@crossproject.it Website: [www.crossproject.it] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Consulting Curator of Experimental Performance (Chicago) Deadline – Rolling application

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Consulting Curator of Experimental Performance (Chicago) October 2019 – July 2020 Deadline: Rolling application Online Application: Fee to Participate or Apply: 0 Description Of Opportunity: Consulting Curator of Experimental Performance, UChicago Arts Accepting inquiries on a rolling basis, with review process to begin July 15th, 2019. The University of Chicago seeks a consulting curator to assist in designing and implementing a new Experimental Performance program that both incubates and presents new work encompassing the full gamut of time-based arts. The consulting curator will aid in launching a new program that doesn’t just intersect with our academic and public programs but helps to transform them. The program is being developed in partnership with, and will build upon, a set of related efforts on and off-campus. The successful consulting curator would: identify exciting projects in dialogue with our faculty, students, programmers, and professional presenting colleagues, working to amplify existing efforts both on campus and across the city. work with colleagues locally, nationally, and internationally to develop compelling presenting programs and support the development of new work. be excited to work in the context of a major research university, the south side, and the city of Chicago. strengthen existing ties between the university and the larger arts community, and build relationships with the south side, the city, and arts organizations at other universities and beyond. Deliverables: A strategic/tactical program and 3-year implementation plan and budget, including: an assessment of the current experimental performance landscape at the University, in Chicago, and beyond. a vision statement that explains what will make this program transformative and distinct. scaled plans for three [3] potential levels of annual funding. Proposal for an inaugural season for Fall 2020, in collaboration with relevant partners on campus, and, pending budget approval, contracting artists. Active participation in fundraising efforts. Some of the questions the consulting curator would address: What is the right balance of presenting work vs. commissioning new work? What is the right balance of local, national and international artists? What can make this program distinctive, impactful, and transformative? How can we best partner with presenters locally, nationally and globally to make this program most successful? What are the pros and cons of a festival versus a season? Please note that the consulting curator will be an independent contractor. The consultant is expected to start in September of 2019, with a full initial season to launch in Fall 2020. We expect the contract to conclude in June 2020. Skills Strong relationship-building skills required. Writing, fundraising, and public-speaking experience required. Extensive experience, familiarity, and contacts with the worlds of performance (e.g., dance, performance art, spoken word, music, and theater, both historical and contemporary) is required. A minimum of 5 years of professional (e.g., museum, gallery, or theater) experience, with an emphasis on curating, producing, and/or managing performance programs is strongly preferred. Experience working in a higher education context strongly preferred. Experience negotiating contracts with artists strongly preferred. Curatorial and programming experience, including relevant strategic and/or tactical knowledge, strongly preferred. Contact Accepting inquiries on a rolling basis, with review process to begin July 15th, 2019. Please email the items below to Kate Schlachter, at kschlach@uchicago.edu, with the email subject “Consulting Curator” – emails without this subject may be missed. a cover letter professional bio and resume a letter that outlines a general project plan and proposes your anticipated fee for this work examples of related experiences with a clear enumeration of your specific role in those projects and/or programs a list of current projects names and contact information for 3 references. About UChicago Arts UChicago Arts connects and amplifies the impact of the University’s nearly 100 arts organizations, initiatives, and academic programs. This work brings together the efforts of students, faculty, artists and community partners to suffuse the Life of the Mind on campus with creativity while securing the University’s role as a cultural destination and resource on Chicago’s South Side, throughout Chicago, and beyond. About the Experimental Performance Initiative Experimentation is at the very heart of who we are and what we do at the University of Chicago. In our laboratories, our classrooms, or our publications, we are fundamentally committed to practices of exploration and invention – practices that are at once reverent (because deeply engaged with the history of how pressing problems have been conceived) and irreverent (in the unfettered determination to find new and compelling answers to those problems). The arts play a crucial role in our culture of experimentation, forming a crucible where new ideas are tested, new insights applied, and new forms produced. Thus, to cite a few examples, the Chicago Center for Contemporary Composition is reinventing longstanding practices of commissioning and presenting new music; the Smart Museum is rethinking the boundaries and forms of contemporary artistic practices; the South Side Home Movie Project is reshaping the archive of American film history; Court Theatre is redefining classic theater for an urban metropolis; the Gray Center for Arts and Inquiry and the Arts, Science & Culture Initiative are modeling new forms of collaboration between artists and scholars; the Logan Center for the Arts is developing an array of innovative partnerships with ensembles and institutions across the city; the Green Line Performing Arts Center and the Arts Incubator are forging new ways to train and support artists in the communities of the South Side. Over the course of the past five years in particular, the arts have enabled us to experiment with boundaries – in a curricular, institutional, and conceptual sense on campus; but also in a social, historical, and political sense in the city and in the world. Having generated an extraordinary profusion of new forms of artistic practice and new ways that those practices can impact our students, our community, and our world, we find ourselves in need of a comprehensive – and suitably experimental – means of sharing this work. This initiative is that means: a program that seeks to gather together a disparate set of artistic practices at the U of C, but that also embodies the spirit of dynamism, invention, and astonishment occasioned by those practices. It is a program for art at this extraordinary place in these extraordinary times – and an invitation to share in the varieties of invention that define us. How To Apply: Accepting inquiries on a rolling basis, with review process to begin July 15th, 2019. Please email the items below to Kate Schlachter, at kschlach@uchicago.edu, with the email subject “Consulting Curator” – emails without this subject may be missed. a cover letter professional bio and resume a letter that outlines a general project plan and proposes your anticipated fee for this work examples of related experiences with a clear enumeration of your specific role in those projects and/or programs a list of current projects names and contact information for 3 references. Contact Email:kschlach@uchicago.edu Website: LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Mark Morris Dance Group Men’s Audition (Mark Morris Dance Center, Brooklyn, NY, USA) Deadline –

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Opportunities: Opportunities: Call for Dance Films – POOL 19 (DOCK 11, Berlin) Deadline – July 14th (DOCK 11, Berlin) Deadline – July 14th

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ImPulsTanz – Vienna International Dance Festival 2019 (11 July to 11 August)

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Opportunities: Open call – START|AS residencies (Rokiskis, Lituania) Deadline – July 10, 2019

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Open call – START|AS residencies (Rokiskis, Lituania) September 2-7, 2019 Deadline: July 10, 2019 Online Application: [https:] Fee to Participate or Apply: Free of charge Description Of Opportunity: International Contemporary Art Festival START|AS 2019 – performance artists residency For the third time, the International Contemporary Art Festival START|AS takes part in Rokiškis, Lithuania, organized by the Culture Center of Rokiškis, which is responsible for cultural activities in Rokiškis town and its region. Festival aims to present various contemporary art forms to Rokiškis community, to begin new collaboration among Lithuanian and foreign visual and sound artists, dancers, performers’ and etc. The event will focus on public attention to small towns in Lithuania and attract new cultural investments to Rokiškis. The festival explores new performance spaces and steps out of the traditional venues. (Most of our performances are happening on a street, park, parking lot, pub, museum. So technical side of the project is very essential); We will explore new and experimental ideas that correspond with contemporary cultural, social and political topics. DATES: Residency program September 2-7, 2019 ABOUT THE RESIDENCY: For this year residency program we are looking for artists who are willing to interact with locals and audience through the art form. Who is willing to provide a workshop for different ages groups. An applicant(s) should be willing to experiment, step out of their comfort zone, explore new ways of working and work under pressure and on a deadline. Each artist will have up to 5-6 days to create or finish a product, which will be presented in the festival performance platform September 6-8, 2019. (Only technically not difficult projects, that can be executed with maximum of 1.5 hours of preparation). We strongly recommend visual-sound performance artists and any kind of performance art field artists to apply. The festival leaves the rights of project development to the artist(s), thou keeps the right to use video material for the festival organizer, The Culture Center of Rokiskis events with an indication of project author and the whole team. FESTIVAL WILL PROVIDE: Catering during your stay here (lunch and dinner); Accommodation (shared room with other participants). Private rooms can be arranged for a fee; Transfer from/to the following airports: VNO; KUN; RIX.; A budget of 200 Eur per project; A performance fee/grant of 300 Eur. NOTE! You can apply only with one proposal; You can apply with new idea or already project in development. If a group of people applying as a collective, the number of people should not exceed more then 3. Application deadline – July 10, 2019 How To Apply: To apply please fill out the form: [https:] Contact Email:startasfestival.rkc@gmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: PAB OPEN 2019 (BERGEN)

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PAB OPEN 2019 (BERGEN) 5th and 6th of October Online Application: [https:] Fee to Participate or Apply: 0 Description Of Opportunity: PAB is seeking performances from local, national and international artists for PAB OPEN 2019. The event will take place at Grand Hotel Terminus Bergen, Norway. PAB offers 39 single / double rooms on the top floor, where the artists will both live and perform in the room they are allocated. This is the 4th time PAB will organize PAB OPEN. The festival holds a low-threshold offer that allows the artists to explore and test new performative expressions. We want to provide a broad approach, where artists with different backgrounds and expressions can evolve and create work. Seeking performances with a duration of 30 minutes: The festival runs over two days, with a program lasting 3 hours each day, including a seminar Saturday evening. Due to the briefness of the festival, we strongly encourage applicants to focus on durational performances, with a minimum of 30 minutes, performed both Saturday and Sunday. You can apply with both solo-or duo performances. Due to the number of performances occurring at the same time, please let us know if you wish to use audio or similar elements in your performance. This is so we can fit it into the program without disturbing other performances. We can unfortunately not offer any technical support or equipment. We kindly ask all artists to be self-reliant due to the size of the event. Support: PAB can offer one night of accommodation at the hotel. This includes breakfast, brunch before the festival starts on Saturday, dinner during the seminar 5th of October and dinner after the festival program on Sunday 6th of October. Travel costs have to be covered by the artists themselves at the moment, although we are still seeking funding to offer a small honorarium. Registration for the festival opens on 6th of June at 6pm. Traditionally, PAB OPEN has been a festival where everyone who applied for participation was accepted. This time, applications are evaluated consecutively, as there are limited rooms available. The committee will make a selection based on local and visiting artists. Travel by train to the festival Performance Art Bergen encourages all artists traveling to the festival, to do so by train if it’s manageable. Grand Hotel Terminus is located only 50 meters from the train station. The festival will organize a seminar on Saturday evening, with an overall theme: Carbon Reflections. Here we will reflect on the carbon footprint we as artists leave behind and how to deal with climate change. About Performance Art Bergen Performance Art Bergen (PAB) is a members organization for performance artists and others interested in visual art performance. The organization was founded in 2011 and since then it has organized a series of bigger international performance festivals, has had international exchange and theoretical programs including seminars and workshops. PAB has been visible with performance in public space, collaborated with art and culture institutions in Bergen on a performance program and is working on developing theories on the visual art performance field. PAB’s goal is to strengthen and highlight performance art. PAB is located in Bergen, but works on a national and international level. Questions about the PAB OPEN 2019 festival? Contact us at: post@performanceartbergen.no How To Apply: [https:] Contact Email:jan_egil_finne@hotmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Call for Dance Films – POOL 19 (DOCK 11, Berlin) Deadline – July 4th

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Opportunities: Aerowaves #Twenty20 Open Call (Rijeka (Croatia)) Deadline – 12 September 2019

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Aerowaves #Twenty20 Open Call (Rijeka (Croatia)) 24 – 26 April 2020 Deadline: 12 September 2019 Online Application: Yes Fee to Participate or Apply: Free Description Of Opportunity: Aerowaves is a hub for dance discovery in Europe with a network of partners in 33 countries. The network is looking for the next Twenty talented emerging choreographers based in geographical Europe. You can now apply to become a Twenty20 artist with a chance of having your work programmed at Spring Forward Festival next year in Rijeka (Croatia) and by our partners. Around 100 performance opportunities are guaranteed by the partners and supported by Aerowaves each year. Sounds interesting? Apply before 12 September. Good luck! Application form and information:� [www.aerowaves.org] How To Apply: You must be resident in Europe to apply You may apply with only one work per year The work you are submitting must have been produced in geographical Europe Aerowaves is a platform for short works – your work must be 15-40 minutes in length Your work must be finished and have been presented to the public – work in progress, studio sharings or rehearsal footage are not eligible Your work should be easily included in a double or triple bill and have simple technical requirements You may not apply with work made within the framework of full or part time dance education (except a PhD) eg. BA, MA or any other qualification offered by an institution or group of institutions. An exception may be made if it can be shown the work has entered the professional arena – contact info@aerowaves.org if this applies to you. You must fill in the Aerowaves application form correctly, upload your video to Vimeo, providing us with the link and the password if necessary and enabling ‘download’ in the settings (so we can download it) – also include a 100 word statement about the work in the description box (this can include factual and contextual information). Please also include this statement and a 100 word biography in the notes section of the application form. If you don’t have a Vimeo Plus account, please read the instructions under ‘Providing your video on Vimeo’ Previous Aerowaves applicants, successful or unsuccessful, may apply again – but you cannot apply with the same work twice You must be prepared to perform for expenses and a small fee, based on a guideline amount of €200 per person travelling, per performance when undertaking performances with Partners supported by Aerowaves For Spring Forward, expenses are paid and fees are based on €100 per person travelling, per performance, in recognition of the additional promotional value of the festival Contact Email:info@aerowaves.org Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: D2P Residency for Drawing Performance Practice (Brighton, UK) Deadline – 30.06.2019

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Opportunities: Seoul Street Arts Festival 2019 Open Call for International Program (South Korea) Deadline – 10052019

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Seoul Street Arts Festival 2019 Open Call for International Program (South Korea) October 2019 Deadline: 10.05.2019 Online Application: [www.ssaf.or.kr] Fee to Participate or Apply: Description Of Opportunity: Seoul Street Arts Festival 2019 Open Call for International Program Seoul Street Arts Festival is seeking international programs to enrich the festival in 2019 ‘Seoul Street Arts Festival’ was formerly ‘Hi Seoul Festival’. Since 2003, the Festival, a representative street arts festival in Seoul, Korea, has implied the characters of the history, spaces and diversity of Seoul Metropolitan City. It is held in the first week of October every year during 4 days in the outdoor spaces such as squares and streets in downtown of Seoul. The festival is focusing on the street arts as its main program since 2012. Now the festival is looking for its international programs, street theater, dance, circus, puppets, installation and various types of contemporary arts which can be performed under the outdoor conditions. All the companies and artists who are interested in the festival can apply. *Check out the 2018 official after movie of the festival on YOUTUBE [https:] Seoul Street Arts Festival 2019 – Date : 3th – 6th October 2019 – Location : Downtown area of Seoul, Korea How to apply Email to ssaf.official@gmail.com along with all required documents. Required documents Application Form Photos of the program (3~5) Full video (url) or Script of the program Technical Rider Submission period Applications due by 10 May 2019(Friday), 24:00 (KST) *Korean Standard Time : [https:] Festival shall provide – Total Performance fee 3,000 USD Maximum (net of tax) – Accommodation and Perdiem (Perdiem will be 30,000 KRW per person a day.) – Pick-up service to/from the airport – Technical support and PR(festival leaflet and program book, website and SNS) – Visa support * Airfare shall NOT be provided. * Performance fee could be negotiated according to the number of shows. Selection result The results will be announced on the festival website (Scheduled 3st week of May) Contact – Website : [www.ssaf.or.kr] – E-mail : ssaf.official@gmail.com Seoul Foundation for Arts and Culture Seoul Street Arts Festival Contact Email:ssaf.official@gmail.com Website: ssaf.official@gmail.com LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: First Body – Workshop of Creation with Diego Borges (NYC) Deadline – Early Bird by July 1

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First Body – Workshop of Creation with Diego Borges (NYC) September 13-15, 2019 Deadline: Early Bird by July 1 Online Application: Fee to Participate or Apply: Normal price $200, or $175 if you register by July 1 Description Of Opportunity: We are excited to bring First Body, developed by Diego Borges, to New York City this September 13-15, for the first time in the US. This workshop is developed from human movement. It is suitable for actors/dancers/performers, and people who like and need to move beyond what is usual or everyday. It aims at developing the understanding and the artistic and creative expressive possibilities of one´s body, with emphasis on rhythm, precision and impulse as paths to artistic creation. Our body is made of memory, but throughout our lives we get used to repeating the same principles and forgetting our first body- the body of the human being, which allows us innumerable possibilities- the body of the baby playing on the carpet, an elastic and creative body-voice-mind. Based on research conducted in Brazil and Europe over the last ten years, First Body is an invitation to think with the whole body. The research is informed by techniques and concepts developed by director Jerzy Grotowski (Poland), the theatre company Teatro O Bando (Portugal), as well as acrobatics, contact improvisation, and capoeira. FIrst Body has previously been conducted in Berlin, Lisbon, São Paulo, Blumenau, Fortaleza and Brasília, in search of improvement and sharing. For us there is no model to be repeated or copied, we try to understand human movement as an independent creative possibility, where each participant finds the possibilities and barriers of this somatic framework in order to overcome its limits to find new paths. We will investigate this practice through: concrete sensations; exploration of the senses; focus, rhythm and precision; tactical games; understanding of movements; coordination and attention; somatic framework; weight and severity; vocalization, breathing, intention, emotion; ritual songs; work with objects, kinesthetic empathy, manipulation; improvisation, and work with partners and the group. [https:] Location: CPR – Center for Performance Research 361 Manhattan Ave Brooklyn, NY 11211 Near Graham Av (L), Lorimer (L), or Metropolitan Av (G) Dates: Friday September 13 – 6-9pm Saturday September 14 – 11am-6pm Sunday September 15 – 11am-6pm About Diego: [https:] How To Apply: To register, write to Julie at juliebecker88@gmail.com Contact Email:juliebecker88@gmail.com Website: www.facebook.com/firstbody1 LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Open Call/ Saison Artist in Residence – Visiting Fellows 2019 (Japan) Deadline May 23, 2019

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Opportunities: Open Call For LMDP -International Festival Of Art, Theatre And New Technologies (Cagliari, Italy) Deadline – 30/06/2019

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Open Call For LMDP -International Festival Of Art, Theatre And New Technologie (Cagliari, Italy) NOVEMBER 2019 Deadline: 30/06/2019 Online Application: info@kyberteatro.it Fee to Participate or Apply:FREE Description Of Opportunity: In November 2019, Kyber Teatro organizes in Cagliari (Italy) the 6° Edition of the International Theatre, Art and New Technologies Festival called “Le meraviglie del Possibile”. LMDP Festival is the first of this kind in the whole of Italy. Its aim is to promote the interrelation between artistic and technological languages. Kyber Teatro – a spin-off of L’Aquilone di Viviana (theatre and new technologies company, creator and manager of LMDP Festival), addresses to Italian and International artists an Open Call to submit their projects about “Interaction between arts and technology”. The participation is open to artists of every nationality, working individually or in a group. How To Apply: Eligible projects Theatrical plays, performances. Installations that explore and realize the interaction between artwork, exhibition space and observers with the contribution of technology. Application (deadline the 30th of June 2019) The theme of the sixth edition of LMDP Festival is the interrelation between theatre, arts and new technology. The application must contain: Artist’s CV A detailed description of the project (in PDF) Technical rider Selection of max 5 photos Link audio/video material (Vimeo or Youtube) The result is going to be notified only to selected projects by the Month of July 2019. Economic Conditions Full coverage of all the costs for mobility in Cagliari (travels, board, and accommodation) and the compliance for safety standards of the space is guaranteed by Kyber Teatro. Subject to agreements with our technical director, also any material required for the presentation of the performance/show/play/installation can be covered. The Open Call winners will have the opportunity to present their work two times (performance not paid, the participation it will be free) and to hold a workshop with entrance tickets for the audience (workshop proceeds will go to the artists). Publication Applying for the call, artists agree that the projects should be represented at the Festival. Selected artists must provide a short biography and an abstract of the project. They also agree that the material related to the project could be published on the Festival website and/or presented to the press for promotional purposes. Archiving process Artists authorize Kyber Teatro – L’aquilone di Viviana to present their work, to store the material and make it accessible through the Festival’s website. All rights to the artwork and images will remain to the artist. The Organization is also entitled to document the event in all its phases through audio recordings, video or images. Application materials must be sent by the 30th of June to info@kyberteatro.it Contact Email: info@kyberteatro.it Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Buffer Fringe Performing Arts Festival VI Open Call (Nicosia, Cyprus) Deadline – 10 June 2019

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Buffer Fringe Performing Arts Festival VI Open Call (Nicosia, Cyprus) 25-27 October Deadline: 10 June 2019 Online Application: [www.home4cooperation.info] Fee to Participate or Apply: Free Description Of Opportunity: Open Call. Buffer Fringe Performing Arts Festival / Cyprus 2019 Category: Performative Arts (Performance, Theatre, Dance, Visual, Installation) Reach: Cyprus-based and International Application Deadline: June 10th, 2019 Organizer: Home for Cooperation Festival period: 25/10/19 – 27/10/19 Open Call. Buffer Fringe Performing Arts Festival / Cyprus 2019 Category: Performative Arts (Performance, Theatre, Dance, Visual, Installation) Reach: Cyprus-based and International Application Deadline: June 10th, 2019 Organizer: Home for Cooperation [i] Festival period: 25/10/19 – 27/10/19 The Festival Buffer Fringe Performing Arts Festival (BFPAF) showcases new and experimental work by local and international artists, challenges physical and artistic barriers, and creates opportunities for artists to meet and exchange ideas. It creates the environment for the questioning of preconceived ideas of the performing arts, the relationship between artists and audience, and shines a new light on the relationship between arts and society. The festival hosts innovative work, artists who practice cutting-edge methodologies, and are open to inter-disciplinary and cross-sectorial work. The Festival’s programming aims to offer both local and international artists a platform to showcase their work and offers the opportunity for interaction between artists, between artists and audiences, of audiences and space, as well as with the BFPAF institution, in a celebratory spirit of multiculturalism and peaceful coexistence. Taking place in a divided country, Buffer Fringe Festival assumes more responsibilities than an arts festival taking place elsewhere. It is one of a kind in Cyprus and the world. BFPAF Theme “Defining the/a Buffer Zone, the In-Between Space” The Festival is a creative meeting between local and international artists, students and scholars, an institution deeply rooted in the Buffer Zone of Nicosia. Thus far, the Buffer Zone of Ledra Palace, has been largely undefined artistically, in spite being the grounds for events since 2011. The Concept of the BFPAF 2019 is based on this gap, which has shaped the following questions: What does the/a Buffer Zone mean to you (artistically and personally)? How do you understand it as an in-between place, between realities? How do you understand it as a process, an ever-changing process that spans through time, memory, and aesthetics? We invite artists to propose work, which is meaningful for them, the space and institution of the Fringe, in a creative space where often form, content and process interplay with the creators and the audience. Their work must adhere to the values of artistic freedom and mutual respect, and strive for artistic excellence and the production of meaningful art, while at the same time recognizing the space as one of past trauma, but which also holds promise for a peaceful future. We also invite artists to consider how culture (culture of violence, culture of peace, etc.) has been a) colonialized on the island, and b) sensationalized world-wide, and anticipate that they shape their proposals free of those syndromes. All forms of experimental performance work are accepted, which can contain (but are not limited to) theatre, music, dance, acrobatics, installation/visual art and other cross-disciplinary elements. Moreover, we welcome proposals for participatory, durational, and/or site-specific formats. For performances in languages other than English, the text must be provided in translation in English by the artists. Finally, and as part of a process of development of the Fringe community on the island, Cyprus-based artists will have the opportunity to engage with the BFPAF creative and technical staff in a process of consultation. Before the applications deadline (for all applicants) and after the deadline (for selected artists), a dialogue on creative and technical issues relating with their proposal and performance can take place, relating that with the Buffer Fringe 2019 theme. Work will be selected by an artistic committee, headed by Artistic Director Ellada Evangelou, and comprised of representatives from the Home for Cooperation, artists, curators and professionals from within the field of the performing arts. Support for participating artists: – An honorarium of €800 groups / €500 for solo artists – Support in your fundraising, with BFPAF partners and long-standing supporters and donors – Support in promotion of the performance as part of the festival outreach – Rehearsal space can be arranged for a period of 2-4 weeks prior to the performance, upon request by the artists – The opportunity to meet other artists, access to all other performances and parallel events of the festival, share your experience over social and networking events and an opportunity to expose your work to other international festival directors. Parameters / Requirements: Duration between 30’ to 70’ minutes (Exceptions are durational, promenade and/or Loop performances) Technical Requirements must comply with the venues provided by BFPAF (Please see attachment with technical specifications and specify your production needs in the section ‘Production Details’) English text/subtitles must be available for the performance if the language is other than English. Selection Criteria: Direct relevance of the subject matter of the work with the theme of the Festival. The description of the art product needs to answer to one or all of the questions posed in the Theme. Non-relevant works will not be considered. In terms of methodology, innovative work will be preferred, although that does not exclude more ‘traditional’ performances. The use of collaborative creative processes, multimedia, interaction, and others, and the exploration of new ways to expression and communication of the work, will be appreciated in the application. Cross-disciplinary and cross-sectorial work will receive extra merit. Involving means of creation of the artistic work and presentation of the work from sectors such as academia, social work, peace-building, architecture and spatial design, and others, is welcome. How To Apply: ALL application material must be submitted ONLY in English, and must contain: Filled out Application Form in the online link HERE The form Includes: A description of the work (max. 300 words) Relevance to the Festival Theme (max. 300 words) A CV of the artist(s) (max. 3 pages) or link to the website or blog of the company/group Technical Specifications and selection of space. Accompanying materials: YouTube or Vimeo link to video documentation of the work OR video excerpts from the rehearsals OR outlining of the concept of the work-in-progress. Language: If languages other than English or Greek or Turkish are used, the documentation must be subtitled OR accompanied by a full script in English Contact Email:communications@home4cooperation.info Website: [www.home4cooperation.info] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

In Performance: Tarek Atoui: Organ Within (kurimanzutto, New York)

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Tarek Atoui: Organ Within (Kurimanzutto, New York) May 3 – June 25, 2019 kurimanzutto presents Tarek Atoui’s project Organ Within at its cabinet space in New York City. Operating as an open sound laboratory, and instrumentarium, Atoui will debut a new hybrid sculptural object that engages numerous technologies in order to re-envision the spatialization, perception and performativity of the traditional organ. The Organ Within is the result of his ongoing collaboration with instrument-makers Léo Maurel and Vincent Martial, and their research into historical church pipe organs, modular synthesizers, and the sonic experiences of deaf people. For this presentation, Atoui partners with Robert Aiki Aubrey Lowe from CONTROL, Brooklyn’s leading synthesizer shop. As host and activator of the project, CONTROL has invited a diverse group of sound artists and musicians from New York’s experimental music community to venture and play the organ at kurimanzutto in New York. This group of collaborators will occupy the cabinet space one week at a time, to work with the instrument for research and recording purposes. These residencies will be open to the public, with a weekly performance held every Saturday at 3 pm. Out of this continuous improvisation, Atoui and CONTROL will curate a final performance in the Rotunda of the Solomon R. Guggenheim Museum on June 27, 2019 at 7 pm. To mark the closing of the two month project all resident artists will gather together to perform a simultaneous session. A moderated conversation with Atoui and his collaborators will precede the performance. Organ Within is an itinerant exhibition organized in different movements. Beginning at kurimanzutto, New York and culminating at the Solomon R. Guggenheim Museum, the project will later travel in successive movements to The Hepworth Wakefield, England during Yorkshire Sculpture International (June 22 –September 29, 2019) and will extend to the Sharjah Art Foundation, United Arab Emirates, in March 2020. Residency program curated in collaboration with Robert Aiki Aubery Lowe: May 7 – 11: Keith Fullerton Whitman May 14 – 18: C. Lavender May 28 – June 1: C. Spencer Yeh June 4 – 8: Chuck Bettis June 18 – 22: Victoria Shen Contact Email:newyork@kurimanzutto.com Website: [www.kurimanzutto.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: International residency in Italy dedicated to performing artists , musicians, write es, directors, theater,dance artists (Domicella Italy close to Naples) Deadline – July 15

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International residency in Italy dedicated to performing artists , musicians, write es, directors, theater,dance artists (Domicella Italy close to Naples) All year long Deadline: July 15 Online Application: July 15 Fee to Participate or Apply: Description Of Opportunity: Kulturscio’k /Kulturfactory residential program General information Brief description of organisation kulturscio´k is a live art group of people dedicated to create produce curate new live art forms in order to allow new dialogues in the arts . our mission is to imagine new forms either in ur productions then in other artists ones . we have been produced in different international venues and we are based in italy and france where our work has mostly been shown . our last works are J´ai brûlé dabs tes yeux . Je brûle, inspired by the fil Paris, texas , and Medea´s visions , actually in residency in the menagerie de verre paris Brief description of residency program Kulturfactory is a residential program created by contemporary theater director alessia Siniscalchi with the goal to link artists from different parts of the world in order to create a dialogue in the arts , research new forms and explore without limits . The project is linked to the work of the French italian company kulturscio’k Whose motto is Shocking art through art . Artists are hosted in a magnificent old house renovated and transformed in art place with a beautiful rehearsal room , garden , lot of rooms that host artists , a huge kitchen , and internal spaces that are used to rehearse . The place is very beautiful and close to Naples and amalfitana coast and pompei and it faces Vesuvio . An area full of history and creative energy . Pictures on www.kultursciok.com Residency conditions Duration of residencies 1 week 7nights for longer residencies a separate process is possible Number of artists resident at one time between 5 and 7 Grants available each artists can have a letter in order to find grants Expenses paid by artist Travel Food Expenses paid by the organisation Housing residential space Application who/how Application by Mail Selection procedure By Curator Presentation of artists’ work Arranged on a case-by-case basis Description of residency Setting Rural domicella is a little village near nola near naples near pompei Resources Internet Connection Library Office Kitchen Dance / Performance Practice Space Number of studios 2 Type and size of studios Live-work space Accomodation Shared Rooms How to reach By train to naples then nola then taxi By plane to naples or rome By car please write us to be adressed Nearest airport naples Contact information Kulturscio’k /Kulturfactory residential program via ferrante 4 domicella France Kultursciok@gmail.com www.kultursciok.com Phone: 0033642811630 Social Media Facebook Twitter Vimeo Instagram Upcoming Deadlines kulturfactory 2020 deadline july 15 , 2019 Pictures Mission We empower artistic risk, collaboration, amongst artists, audience, in creating, developing, and presenting new work , experimental works . Operating in Paris and Italy where we created an international art residency in an amazing old house facing Vesuvius . We provide space for artists and cultural innovators, serving as an incubator for the creation of socially , political or just experimentally relevant art and culture. We are trying to create an open exchange of art and ideas, transforming art system as a super / objective . We work towards a world that celebrates diversity of race, class, cultural heritage, artistic expression, ability, gender identity, and sexual orientation. How To Apply: Please send us one file with your project mission residential need statement cv bio links and three jpg pictures please be clear on your project and number of people involved Contact Email:kultursciok@gmail.com Website: [www.kultursciok.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Artist Lock In (Jersey) Deadline – 31st May 2019

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Artist Lock In (Jersey) 22nd September 2019 – 1st October 2019 Deadline: 31st May 2019 Online Application: [https:] Fee to Participate or Apply: Free Description Of Opportunity: The Artist Lock In, now in its fifth year, is the flagship residency produced by ArtHouse Jersey in partnership with WildWorks. We are currently seeking artists from all backgrounds and disciplines to apply for this inspiring experience. Facilitated by Sue Hill (Wildworks, Eden Project), artists will spend 10 days living and working together, learning from each other’s practice and responding to the natural environment. Key information: Dates of the 2019 Artist Lock In: 22 September – 1 October 2019 (inclusive). Location: Greve de Lecq Barracks, Jersey, Channel Islands. Deadline for applications: 31 May 2019 Away from the distractions of everyday life, the Lock In encourages an atmosphere in which to explore new approaches and different styles of making. This is a supported opportunity to fill your lungs with fresh sea air, step out of your comfort zone and collaborate with artists from across the globe without the pressure of a deadline or expectation of a fully finished outcome. For the first time, the Artist Lock In will take place at Greve De Lecq Barracks, ArtHouse Jersey’s new home. In a sheltered bay on the North coast of Jersey, Greve De Lecq Barracks will become your playground for the duration of the residency. Dating from 1810 the Barracks are in close proximity to coastal paths, beaches and woodland making it the perfect environment to rewild your practice. We are particularly interested in hearing from artists who are keen to explore what our role might be in shaping our future and how the arts can have a positive impact in a rapidly changing environment. How To Apply: Apply here: [https:] Contact Email:francesca@arts.je Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Deadline in 1 Day – Tour Your Work – Contemporary Performance Almanac

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Tour Your Latest Performances Don’t Make Work In The Dark Registration Deadline Extended: April 30, 2019 Submission Deadline: April 30, 2019 We invite you to a part of the Contemporary Performance Almanac 2019, a crowd-funded and open-source overview of contemporary performance created or presented during the 2017/18/19 seasons available for touring now. This is the 5th year and 6th volume of the Almanac. The book will be published in 2019. We will share the ebook version with international presenters who are looking to invite touring work and publish the book for participants. So often presenters do not have access to the work of artists that are outside the touring circuit. Contemporary Performance sees a need to give access to both artists and presenters to find each other and start new working relationships. The ebook will be a digital copy of our perfect bound 10″ x 7″ paperback book with each artist receiving a black and white image and a full page listing. The book project is crowd-funded and open-source. (You can download last year’s Almanac 2018 free here) Past Almanacs: There are two ways to participate: Be in the ebook and book (you will receive a free ebook when it is published) Be in the ebook and book and receive a copy of the published book. How the process works. Register for your place in the book below by April 30, 2019 April 20, 2019. The book is group funded and you are guaranteed a place when you register. Space is limited and when we reach 250 artists we will close the registration. Sign up today! Once registered, you will receive an email that day with the link and password to fill out the submission form. You will need to supply the following information: CONTACT NAME, EMAIL, CONTACT PHONE NUMBER, ARTIST OR COMPANY NAME, CITY, COUNTRY , ARTIST OR COMPANY EMAIL, WEBSITE, ARTIST STATEMENT (250 word limit), DISCIPLINES (up to six), NAME OF WORK TO BE LISTED, DESCRIPTION OF THE WORK (must be 1 paragraph – 250 word limit), PRODUCTION HISTORY, TWITTER USERNAME (optional), FACEBOOK PAGE URL(optional), VIDEO LINK(optional), LINK TO YOUR PROFILE ON CONTEMPORARY PERFORMANCE NETWORK(optional) The final step is to upload a 300dpi color photo (the ebook is color and the book is black and white) We will contact you if there are any follow up questions. The book will be published in 2019 and mailed to participants that purchased a copy and a link to ebook will be shared with presenters, curators, and participants (our last book was downloaded 2000 times!). Photo: From the Almanac 2015, DEWEY DELL’s Marzo, © DEWEY DELL 2014

Opportunities: Black Acting Methods: Origins and Process (New York City) Deadline – May 10, 2019

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Black Acting Methods: Origins and Process (New York City) May 20-24, 2019 Deadline: May 10, 2019 Online Application: [https:] Fee to Participate or Apply: $375 for tuition, no fee to apply Description Of Opportunity: Black Acting Methods: Origins & Process consists of training and historical knowledge of acting grounded in Black American cultural aesthetics and Afrocentricity. For all heritages, this intensive introduces performers to the core principles and offerings of Black Acting Methods (w/ a focus on the Hendricks Method) through exercises, interactive seminars, and Core-Creation. Core-Creation is a tenet of the Hendricks Method that centers identity building with(in) devising. Upon completion of this intensive, actors will have culturally specific tools to utilize in process and performance, more knowledge of Black performance theory, and a greater sense of how Black American ways of approaching dramatic and embodied texts have influenced other notable acting methodologies. Offered for the first time in NYC, this intensive is geared towards theatre makers in various parts of their career, from students to professionals. Instructors: Sharrell D. Luckett, PhD is founding Director of the Black Acting Methods Studio® and Director of the Helen Weinberger Center for Drama and Playwriting at the University of Cincinnati (UC). At UC, she is also a Drama and Performance Studies professor in the Dept. of English, and collaborates with the College-Conservatory of Music (CCM). A sought-after artist and speaker, Luckett has had residencies at renowned institutions, such as the Lincoln Center, Harvard University and 92Y. She is lead editor of Black Acting Methods: Critical Approaches, a groundbreaking book that is the first to highlight diverse acting/directing methods rooted in Afrocentrism; and author of YoungGiftedandFat: Size, Sexuality & Privilege. Always on the cutting edge, upcoming projects include a collaboration with Carrie Mae Weems, a book on the work of Oscar winner Tarell Alvin McCraney, and the opening of the Black Acting Methods Online Institute. Rahbi Hinesis an Executive Artistic Associate with the Black Acting Methods Studio®. In addition to facilitating the Studio’s intensives and workshops, he is a dynamic theatre artist, instructor, and musician. Honing his skills at his grandfather’s church in the heart of Atlanta, GA and at the Freddie Hendricks Youth Ensemble of Atlanta, Hines is known for his infectious energy in the classrooms and on the stage. His genius musicianship has rightfully gained the admiration of industry greats such as Erykah Badu and Janelle Monáe, and he has opened for the likes of SZA, Tyler The Creator, Big Freedia, Bilal and more. A practitioner of the Hendricks Method, Hines unites beautiful people from all walks of life through his artistry. How To Apply: For further information and application, please visit: [https:] Contact Email:mfleischer@mmm.edu Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: New Victory Teaching Artist (New Victory Theater, New York, Ny) Deadline – 4/29/2019

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New Victory Teaching Artist (New Victory Theater, New York, NY) 4/29/2019 Deadline: 4/29/2019 Online Application: Fee to Participate or Apply: Free Description Of Opportunity: The New Victory Theater seeks dynamic, highly skilled, creative teaching artists for Part Time/Seasonal Employment for the 2019-2020 season. A project of The New 42nd Street and a 2012 special Drama Desk award-winner, The New Victory Theater is New York City’s first and only full-time performing arts theater for kids and families, students and teachers. The New Victory is dedicated to presenting high quality performing arts productions at affordable ticket prices for both the school and family audiences. The work of the Education Department is inspired by the live performances on the New Victory stage. The nationally-recognized New Victory Education programs connect the visiting artists to the audience and all of our constituents to the performing arts. Our programs strive to be accessible, inviting Pre-K–12th grade students, teachers, kids, families and communities of New York City and beyond to play, learn and engage in the arts. This commitment is realized through core Education Programs for the school community through Daytime Performances, Classroom Workshops/Residencies, and Teacher Professional Development. The Education Department fosters deeper experiences with the theater for New Victory families/public audiences through Family Workshops, Lobby Engagement, Kids Weeks and the Youth Corps Programs. Diversity and Inclusion are central to the mission of The New Victory Theater and we aim to have a Teaching Artist Ensemble that reflects our community. We encourage artists of every race, color, creed, religion, national or ethnic origin, sex, sexual orientation, gender identity or expression, age, disability, or veteran status to apply. QUALIFICATIONS Required: -Demonstrates skills/training and professional experience in the performing arts -College degree or professional equivalent -Teaching experience in the arts (previous work in New York City public schools or with intergenerational participants a plus) -Experience working with diverse populations and a range of ages -Experience in developing performing arts curriculum and lesson planning -On-going commitment to expanding teaching skills and availability for professional development, cooperative curriculum planning, reflection and feedback sessions Desired: -Able to teach in languages other than English, including American Sign Language -Experience teaching with various populations, i.e., early childhood, participants with disabilities, multilingual learners, participants who are deaf and hard of hearing, intergenerational populations, etc. -Background in social justice work -Experience in acrobatics, circus skills, cultural dance, physical theater, puppetry, multi-disciplinary arts, immersive arts, and/or busking a plus REQUIRED APPLICATION MATERIALS: Resume(s), lesson plan activity and an artistic work sample: 1.) RESUME(S) demonstrating training and experience as both an artist and a teacher/teaching artist 2.) 1 MAIN ACTIVITY: An activity that is approximately 10-15 minutes, to prepare, enhance or build excitement for students’ viewing experience around one of the selected productions presented at The New Victory Theater in past seasons (see link below). The activity should include: -Activity goals or aims -One experiential main activity focused on the art form and/or themes in the chosen show that meet those goals -Reflection questions after the main activity Activity must be interactive and designed to highlight an applicant’s particular artistry, classroom experience and approach to school-based work. Applicants must choose from a list of productions previously presented at The New Victory, available at � [https:] Links are provided to production videos on the New Victory YouTube page. -For more information about The New Victory: www.NewVictory.org -For more information about the Education programs:� [https:] 3.) ARTISTIC WORK SAMPLE: A work sample that demonstrates your abilities and achievements as an artist. This sample does NOT need to be for kids or families; it should be representative of your own artistic work. Ultimately, materials should demonstrate to the panelists a high level of artistry and quality. -Submit/attach a separate document labeled, “Work Sample”. -Work samples may include, but not be limited to: video, audio, production photos, scripts, design renderings, portfolios, etc. Accepted Formats: -MOST PREFERRED: Links to online video, audio, print, portfolio or slide-shows of work samples. The “Work Sample” document should have a description of the work sample itself and the web address. Include any viewing instructions, such as what time-mark to begin watching/listening, etc. -Digital images: Include/Attach up to 5 images -Copies of literary work: Submit up to 5 pages WORK SAMPLE NOTES: -Do not mail original manuscripts or artwork. -Applicants are encouraged to submit video rather than still photo. The panel will generally review work samples for no more than 2 – 5 minutes per application; be sure to indicate clearly which section of the sample should be seen. Optional: In addition to an Artistic Work Sample, the panel will also accept a sample of teaching artist work in a PreK-12 grade classroom; however, this is not a requirement. APPLICATION DEADLINE: Monday, April 29th (by end of day: 11:59pm) Email resume(s), 10-15 minute lesson plan activity, and artistic work sample to: education.hr@new42.org NOTE: Application submissions that are late, that are missing any one of the above requirements, or that do not follow the requirement list will be considered incomplete and will not be reviewed. OPEN HOUSES: The New Victory will provide an opportunity for interested applicants to attend an open house. This open house will be a chance to learn more details about New Victory Teaching Artists. Information will be provided about the teaching artist application process, the education programs and The New Victory Theater in general. While attendance at an open house is not required in order to apply or to be considered for a teaching artist position, it is recommended. To attend one of the Open Houses, please RSVP at� [https:] least 48 hours before the date of the event. Location and event details will be sent with confirmation. If you have any additional questions please contact education.hr@new42.org. -Friday, April 12th, 2019 from 4:30 – 5:30 pm -Monday, April 15th, 2019 from 12:00 – 1:00 pm Part-time/Seasonal position; competitive wages; EOE Auditions for the 2019-2020 season are tentatively scheduled for mid-June 2019. No phone calls, please. How To Apply: Contact Email:vong@new42.org Website: LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Tour Your Work – Deadline In 5 Days – Contemporary Performance Almanac

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Tour Your Latest Performances Don’t Make Work In The Dark We invite you to a part of the Contemporary Performance Almanac 2019, a crowd-funded and open-source overview of contemporary performance created or presented during the 2017/18/19 seasons available for touring now. This is the 5th year and 6th volume of the Almanac. The book will be published in 2019. We will share the ebook version with international presenters who are looking to invite touring work and publish the book for participants. So often presenters do not have access to the work of artists that are outside the touring circuit. Contemporary Performance sees a need to give access to both artists and presenters to find each other and start new working relationships. The ebook will be a digital copy of our perfect bound 10″ x 7″ paperback book with each artist receiving a black and white image and a full page listing. The book project is crowd-funded and open-source. (You can download last year’s Almanac 2018 free here) Past Almanacs: There are two ways to participate: Be in the ebook and book (you will receive a free ebook when it is published) Be in the ebook and book and receive a copy of the published book. How the process works. Register for your place in the book below by April 20, 2019. The book is group funded and you are guaranteed a place when you register. Space is limited and when we reach 250 artists we will close the registration. Sign up today! Once registered, you will receive an email that day with the link and password to fill out the submission form. You will need to supply the following information: CONTACT NAME, EMAIL, CONTACT PHONE NUMBER, ARTIST OR COMPANY NAME, CITY, COUNTRY , ARTIST OR COMPANY EMAIL, WEBSITE, ARTIST STATEMENT (250 word limit), DISCIPLINES (up to six), NAME OF WORK TO BE LISTED, DESCRIPTION OF THE WORK (must be 1 paragraph – 250 word limit), PRODUCTION HISTORY, TWITTER USERNAME (optional), FACEBOOK PAGE URL(optional), VIDEO LINK(optional), LINK TO YOUR PROFILE ON CONTEMPORARY PERFORMANCE NETWORK(optional) The final step is to upload a 300dpi color photo (the ebook is color and the book is black and white) We will contact you if there are any follow up questions. The book will be published in 2019 and mailed to participants that purchased a copy and a link to ebook will be shared with presenters, curators, and participants (our last book was downloaded 2000 times!). Photo: Maria Apleri for KOR’SIA

Deadline In 10 Days – Tour Your Work – Contemporary Performance Almanac

» ‎ Contemporary Performance - Opportunities

Tour Your Latest Performances Don’t Make Work In The Dark We invite you to a part of the Contemporary Performance Almanac 2019, a crowd-funded and open-source overview of contemporary performance created or presented during the 2017/18/19 seasons available for touring now. This is the 5th year and 6th volume of the Almanac. The book will be published in 2019. We will share the ebook version with international presenters who are looking to invite touring work and publish the book for participants. So often presenters do not have access to the work of artists that are outside the touring circuit. Contemporary Performance sees a need to give access to both artists and presenters to find each other and start new working relationships. The ebook will be a digital copy of our perfect bound 10″ x 7″ paperback book with each artist receiving a black and white image and a full page listing. The book project is crowd-funded and open-source. Past Almanacs: There are two ways to participate: Be in the ebook and book (you will receive a free ebook when it is published) Be in the ebook and book and receive a copy of the published book. How the process works. Register for your place in the book below by April 20, 2019. The book is group funded and you are guaranteed a place when you register. Space is limited and when we reach 250 artists we will close the registration. Sign up today! Once registered, you will receive an email that day with the link and password to fill out the submission form. You will need to supply the following information: CONTACT NAME, EMAIL, CONTACT PHONE NUMBER, ARTIST OR COMPANY NAME, CITY, COUNTRY , ARTIST OR COMPANY EMAIL, WEBSITE, ARTIST STATEMENT (250 word limit), DISCIPLINES (up to six), NAME OF WORK TO BE LISTED, DESCRIPTION OF THE WORK (must be 1 paragraph – 250 word limit), PRODUCTION HISTORY, TWITTER USERNAME (optional), FACEBOOK PAGE URL(optional), VIDEO LINK(optional), LINK TO YOUR PROFILE ON CONTEMPORARY PERFORMANCE NETWORK(optional) The final step is to upload a 300dpi color photo (the ebook is color and the book is black and white) We will contact you if there are any follow up questions. The book will be published in 2019 and mailed to participants that purchased a copy and a link to ebook will be shared with presenters, curators, and participants (our last book was downloaded 2000 times!). Photo: Maria Apleri for KOR’SIA

The post Deadline In 10 Days – Tour Your Work – Contemporary Performance Almanac appeared first on Contemporary Performance.

Opportunities: Fellowships – Video & Media Design MFA for Performance – School of Drama CMU

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Opportunities: Alphabet et Ultra (Fabbrica del Vapore | Fattoria Vittadini, Milan, Italy) Deadline – April 19th

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Alphabet et Ultra (Fabbrica del Vapore | Fattoria Vittadini, Milan, Italy) May 17th & 18th Deadline: April 19th Online Application: Fee to Participate or Apply: none Description Of Opportunity: From September 1st to 15th, in Ravenna, a training course for dancers, actors, performers guided by Marco Valerio Amico (gruppo nanou), Daniele Albanese and Masako Matsushita. 15 intensive days to go through three different choreographic languages and meet the three artistic realities of the Ultra project. On 17th and 18th of May 2019 at the Fabbrica del Vapore in Milan, there will be an audition to select 10 participants of proven training or professionals. The audition will be set on two days in which participants will attend the work of the three choreographers. It will be essential to be present for both days. How To Apply: Please send an e-mail to info@grupponanou.it with the subject “Alphabet et Ultra” including curriculum vitae and short videos (youtube or vimeo links) showing peculiarities of your movement language. The deadline is April 19th at 1:00 pm and results will be announced on April the 22nd. The auditing will be set on two days in which participants will attend the work of the three choreographers. It will be essential to be present for both days. The 10 people selected will be guests in Ravenna from 1st to 15th of September (included), in order to train course on the methodologies of the three choreographers. For the 10 selected participants: the training course will be free of charge. The organization will be responsible for accommodation. Participants will be responsible for travel and per diem. Contact Email: info@grupponanou.it Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Open Call – MTP Summer Studios Residency (Arnhem, the Netherlands) Deadline – 10th May 2019

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Open Call – MTP Summer Studios Residency (Arnhem, the Netherlands) 19th -31st August 2019 Deadline: 10th May 2019 Online Application: yes Fee to Participate or Apply: Free to Apply – Participation: 350€ Description Of Opportunity: The ArtEZ Master of Theatre Practices welcomes applications to the Summer Studios residency programme between August 19th and 31st. We are looking for 6 international artists in the field of theatre, dance and performance, who are currently developing a specific artistic project, or look for an opportunity to deepen their ongoing artistic research. Deadline for applications on May 10th. What are the Summer Studios? Between August 19th and 31st, the ArtEZ Master of Theatre Practices offers the opportunity of a residency programme in the studios spaces in two buildings of ArtEZ: Kortestraat 27, and the Theatrium. We welcome choreographs and theatre makers, as well as curators, scenographers, dramaturgs, or writers in the field of the performing arts, such as playwrights or academics. We value that residents take the opportunity of the residence to focus on an ongoing artistic project or a research trajectory, to develop further its potential, and devise its next steps. To support this development, we offer the mentorship of a distinguished artist or researcher in the field of the performing arts who will accompany the residence, stimulate the process of research and feedback on the outcomes of the work period. The work during the residency period does not have to result in a public performance — although we are happy to create conditions for you to share your findings. However, we do ask residents to join in a public event where they can introduce themselves, their artistic work and the project of research they are working on during the residency. This allows us to have a public moment in which we meet the community of the MTP and to give back to the locality of ArtEZ and Arnhem. What is offered? The MTP offers great working studio spaces, the mentorship of a guest artist, the organization of the public moment as well as it’s photo and video documentation, communicating on the artists in residence across our network. We don’t provide accommodation but will help you finding a place to stay. We are unable to support costs with production and travel, but we will support you with referral letters in case you apply for funding with other organizations. What are the costs? The attendance fee of the residency program is 350€. This includes registration in the programme, usage of studio space, individual mentoring for artistic development, technical support, documentation of process and presentation, and communication about residents and their work on the MTP network. How To Apply: Applicants fill in an Application Form where it is asked that they present themselves and detail the artistic project or research that will be developed in the Summer Studios. The deadline for submitting applications is May 10th. After the application is received, a panel within the MTP reviews it and a selection is made. Within two weeks time, we inform applicants about the outcome of the selection procedure. Apply here: [https:] Contact Email:p.manuel@artez.nl Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Pittsburgh’s Performance Art Festival (Pittsburgh, PA) Deadline – May 31st

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Permalink for 'Opportunities: Audition: female lead role in an alternative dance film (Chassé Dance Studios (Studio 4) Chasséstraat 64, 1057 JJ Amsterdam, Netherlands) Deadline – April 28, 2019'

Opportunities: Audition: female lead role in an alternative dance film (Chassé Dance Studios (Studio 4) Chasséstraat 64, 1057 JJ Amsterdam, Netherlands) Deadline – April 28, 2019

» ‎ Contemporary Performance - Opportunities

Audition: female lead role in an alternative dance film (Chassé Dance Studios (Studio 4) Chasséstraat 64, 1057 JJ Amsterdam, Netherlands) June 2, 2019, 11 am – 4 pm Deadline: April 28, 2019 Online Application: Fee to Participate or Apply: free Description Of Opportunity: Tanz Company Gervasi (Elio Gervasi) and filmmaker Laura Nasmyth are casting a female contemporary dancer for the lead role in their 20-minute-long alternative dance film. The „untitled“ dance film follows a character moving through her actual world and her imagined world. A test shoot is scheduled for August/September 2019 in Europe. The official film shoot will begin in 2020. WHEN: Sunday, June 2, 2019, 11 am – 4 pm WHERE: Amsterdam Chassé Dance Studios (Studio 4) Chasséstraat 64 1057 JJ Amsterdam The participation in the audition is free and only upon invitation. Requirements: female contemporary dancer short hair preferred for official shoot experience in dance improvisation not camera-shy MORE INFO: [https:] How To Apply: Application: Email to audition.companygervasi@gmail.com CV (short version!) including date of birth, height and head shot (face) 1 min video with a solo work or improvisation (a simple self-made smartphone video is enough. We prefer to get the video via link: weTransfer, youtube or vimeo; moving, not just posing; NO group choreography accepted.) The audition is only for applicants with invitation and work permits for Europe. Deadlines Application: April 28, 2019 You will be informed, if your application is accepted in an email about a week after you send your application. Contact Email:management@gervasi.at Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: International Artsit Residency-India (Rajasthan, INDIA)) Deadline – April 27, 2019

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International Artsit Residency-India (Farm Studio Village-Raniya kheda, Post Andore, Tehsil Sheoganj, Dist Sirohi, Rajasthan(INDIA)) 1. Session: 10th October to 5th November 2019 2. Session: 5th November to 1st December 2019 3. Session: 1st December to 25 December 2019 4. Session: 5th January to 1st February 2020 5. Session: 1st February to 25th February 2020 Deadline: april 27, 2019 Online Application: [https:] Fee to Participate or Apply: 550 Description Of Opportunity: FARM Studio International Artist Residency’s aim is to provide a rural, community-based open platform where creativity can unfold. Residents stay and create in a unique atmosphere and entirely new environment where they can develop their artwork free from accustomed distractions. Relationships form between the artists coming from different geographical locations and varied social, religious and cultural backgrounds. Here, collaborations and experimentation is encouraged. Many exciting exchanges and dialogues among artists take place. Farm Studio also promotes and celebrates the local community’s artistic and cultural identity while also introducing art and culture of others (Indian and International guests) back to the community. This intercultural exchange broadens everyone’s experiences and fosters art appreciation. Farm Studio International Artist Residency hosts artists from September to March each year, with accommodations available for up to 6-8 residents at one time. Artists of all disciplines creating in any media are welcome to apply: dance, theatre, music, sound, performance art, writing, painting, drawing, printmaking, textiles, culinary, photography, video/film, animation, architecture, sculpture (any material), ceramics, mixed-media / multi-media, interdisciplinary, installation, and other new/alternative media. Researchers, curators, and art critics are also welcome to apply. Open to emerging and established artists. Application criteria: Applications are accepted on an ongoing basis, artists will be selected subject to motivation, work sample and availability. It is suggested that the artist arrange his/hers own insurance to cover any possible accident, loss or damage (including but not limited to health insurance and general liability insurance) during their stay in India. Applicants are responsible for travel, visa, materials, entertainment, food costs and insurance. Farm studio will not be liable for any loss, theft or damage and provides no insurance covering any work, equipment or materials belonging to any user. Farm Studio residency provides three types of working space where you can explore your art and ideas in the rural Rajasthani environment; at the Farm Studio indoor studio, the outdoor and farm environment, and in Andore Village. Artist responsible for: $550 USD Residency fee Travel and subsistence costs Art materials Health insurance Organization will provide: Accommodation Meals (Vegetarian breakfast, lunch, dinner included) Tea, coffee (on request) Studio space Exhibition opportunity Invitation letter Local sight-seeing Internet Electricity Basic kitchen Printer B/W First aid kit (medical box) Basic tools Accommodation consists of: Tents (shared and private), indoor sleeping option, meals and/or self-catering kitchen facility, open landscape, electricity, water. Duration of residency: 3 weeks, new sessions; 1. Session: 10th October to 5th November 2019 2. Session: 5th November to 1st December 2019 3. Session: 1st December to 25 December 2019 4. Session: 5th January to 1st February 2020 5. Session: 1st February to 25th February 2020 Application Deadline: April 27th, 2019 How To Apply: Please submit the following with your application: Completed residency Application Form APPLICATION ONLINE HERE Current resume / curriculum vitae. 6-8 images/ 3-5 video links with a clear description of your works. Artist Statement (50 word max). What is motivating you to come to Rajasthan, India? (150 word max) Project Proposal. (150 max) Copy of passport. Submit the entire application via ONLINE. Contact Email:farmingartstudio@gmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: OPEN CALL – 10 DRAMATURGOS EN LA PLAZA PUBLICA (Bologna, Italy) Deadline – 30th April 2019

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OPEN CALL – 10 DRAMATURGOS EN LA PLAZA PUBLICA (Bologna, Italy) 28th – 31st May 2019 Deadline: 30th April 2019 Online Application: [https:] Fee to Participate or Apply: 200 € Description Of Opportunity: The OPEN CALL for 10 Dramaturgos en la plaza publica, the dramaturgy workshop directed by Sergio Blanco and addressed to ten playwrights and writers will close on 30th April 2019. The workshop, taking place from 28th to 31st May 2019 in Bologna, is a four-day dramaturgical intervention coordinated, articulated and directed by Sergio Blanco. Through the workshop the playwrights will make visible, and then public, the private and intimate process of writing, returning to the playwright its ancient function in direct contact with the scene and with the Polis. The ten playwrights who will take part in the workshop with the international master will directly write their texts in contact with the audience, and then read them chorally, led by the director and playwright Sergio Blanco, accompanied by video and sound interventions. The project is divided into two phases: 1. A three-day workshop of dramaturgy, where ten selected playwrights will work together with Blanco on various writing ideas about the city of Bologna. 2. A final outcome that will consist of a public and collective writing session, at night and outdoors, in a central square of the city, accompanied by visual and sound interventions. For an hour, the ten playwrights will produce several texts live and for the next hour they will read some of them in a choral reading, directed by Blanco. [https:] # #instabilivaganti #performazioni2019 #internationalworkshopfestival #theatreworkshop #performingarts How To Apply: To participate it is necessary to fill in the online application form, enclosing a curriculum vitae and a motivational letter. The selected participants must give full availability to participate in all the phases of the workshop and confirm their registration by paying a participation fee of € 200,00. Complete open call:� [https:] Application form:� [https:] Facebook event:� [https:] Contact Email:workshop@instabilivaganti.com Website: www.instabilivaganti.com LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportuntites: Join The 6th Addition Of The Contemporary Performance Almanac 2019 (Deadline April 20, 2019)

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Opportunities: OPEN CALL SPRING 2019 (Lisboa) Deadline – April 15, 2019

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OPEN CALL SPRING 2019 (Lisboa) From May to December 2019 Deadline: April 15, 2019 Online Application: Fee to Participate or Apply: 0 Description Of Opportunity: Zaratan AIR OPEN CALL SPRING 2019 | Residency Program DEADLINE | From March 18 to April 15, 2019 RESIDENCY PERIOD | From May to December 2019 ELIGIBILITY | Emerging and professional visual artists, performing artists, sound artist, curators and writers are eligible to apply. The residency program is designed for international or Portuguese artists residing abroad for the development of artistic projects, individual or collective. Zaratan defends a multidisciplinary and experimental attitude, where all the areas and the languages of the artistic expression are considered. DURATION | Minimum 4 weeks – Maximum 12 weeks. NUMBER OF PARTICIPANTS | 2 artists at the same time ABOUT ZARATAN AIR | Driven by the desire to intensify and exchange knowledge with artists through creative and productive practices, in 2015 Zaratan announced the promotion of an international art residency. Our goal is to mix experienced with emerging artists and give them the possibility to bring their work in an international context through exchange and collaboration within the local network. The artists-in-residence at Zaratan are given the opportunity to develop a project over a fixed period of time, and to reflect and consolidate their artistic practice. During their stay in Lisbon, the selected artists will be required to meet on a regular basis with the curatorial team of Zaratan. We provide private accommodation, 24/7 private working studio, technical assistance, promotion and communication support, open public presentation of the residency process. Although labs and technique-specific facilities are not available, we will do our best to fulfill your needs, providing logistical support for producing work and events within our network of partners and collaborators. All artists are encouraged and welcome to share the outcome of their residency through talks , performance, public presentations and open studio visits. MORE INFORMATION | residencies@zaratan.pt How To Apply: APPLICATION PROCESS | Pease email us at residencies@zaratan.pt with the following information (1 pdf file not exceeding 24 mb): – Bio/CV; – Portfolio or website; – Description of the work/project you intend to carry on during the residency; – Period you intend to stay at Zaratan. APPLICATION EVALUATION | Applications are evaluated by a selections committee comprised of artists, curators, community members and spaces board members. Applicants will be notified via email as soon as possible after selections has been made. If accepted, we will assist residents with funding applications if needed. Contact Email:residencies@zaratan.pt Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Open Call – The Global City (Bologna, Italy) Deadline – 14th April 2019

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Open Call – The Global City (Bologna, Italy) From 17th to 30th May 2019 Deadline: 14th April 2019 Online Application: [https:] Fee to Participate or Apply: Free of charge Description Of Opportunity: The OPEN CALL for The Global City, intensive workshop directed by Instabili Vaganti (Anna Dora Dorno & Nicola Pianzola) and addressed to international professional actors, dancers, performers and artists will close on 14th April 2019. The workshop, taking place between 17th and 30th May 2019, aims to investigate the themes of the International Research Project MEGALOPOLIS, directed by Instabili Vaganti in the biggest cities of the planet. The participants will have the occasion to work in residency with the company in the suggestive spaces of LabOratorio San Filippo Neri for 12 intensive days and to take part in the performance Megalopolis#Bologna, final outcome of the workshop, accompanied by a chorus of 50 actors and students on 30th May 2019, within the VIII edition of PerformAzioni, International Workshop Festival. At the end of the workshop, some participants might be selected in order to join the cast of the production “The Global City”, directed by Instabili Vaganti. a co-production with the National Theatre in Genoa and the FIDAE Festival in Uruguay, that will debut in autumn 2019. How To Apply: In order to enroll it is necessary to fill in the online application form, accompanied by your CV, audio /video link of previous works. Direct link: [https:] Contact Email:workshop@instabilivaganti.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: LandEscape Now! 10th Edition 2019 (London, UK & NYC, USA) Deadline – May 31, 2019

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LandEscape Now! 10th Edition 2019 (London, United Kingdom and New York City, USA) June 10, 2019 Deadline: May 31, 2019 Online Application: [landescapeart.yolasite.com] Fee to Participate or Apply: None Description Of Opportunity: LandEscape is launching the 10th edition of “LandEscape Now!”, an open art event that will once again introduce nine artists in various fine arts disciplines, with the goal of discovering talented creatives from around the world and supporting their art activities. LandEscape is a career-enhancing opportunity for established and emerging artists to engage in professional critique and artistic introspection, to open the dialogue between artists and audience, between thoughts and their articulation The current edition aims to advance artistic practice by encouraging applicants to investigate the nature of their creative process and focuses more particularly on the theme of landscape in all the accepted meanings and the recognition of the fundamental role which surroundings of any kind have in the composition of an artwork. Selected participants will be featured in the special edition of LandEscape. The theme of landscape will be a recurring one but not the only one, since LandEscape is open to a large variety of disciplines including, but not limited to: • Painting • Fine Art Photography • Video Art • Installation • Performative Arts • Mixed media • Public Art There are no entry fees and the contest is open to worldwide artists as well as groups of artists and performers. How To Apply: In order to participate to the selections, please fill the following entry form [https:] Any further related materials (as images, pdf documents as well as videos) can be sent via email directly to landescape@europe.com For any further information please contact our board or visit our website [landescapeart.yolasite.com] Contact Email:landescape@europe.com Website: [landescapeart.yolasite.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Queerly Contemporary Festival 2019 (NYC, USA) Deadline – March 24th

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Opportunities: ResearchStudy 3 day process incubator at The Space Upstairs (Pittsburgh PA USA) Deadline – April 1 2019

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Opportunities: FESTIVAL OPERA PRIMA CALL FOR ENTRIES (Rovigo) Deadline – 30th March 2019

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FESTIVAL OPERA PRIMA CALL FOR ENTRIES (Rovigo) from the 12th to the 15th september 2019 Deadline: 30th March 2019 Online Application: 15th March 2019 Fee to Participate or Apply: 0 Description Of Opportunity: OBJECT OF THE CALL This call for entries is opened to groups or artists that practice experimental theatre throughout Europe. EXPERIMENTAL THEATRE is the proposal of a work that really experiments with the dramaturgy (interpreted as scenic composition), the actor, the spectator and the scenic space. In other words, experimental theatre is all that unconventional theatre pursuing: the autonomy of scenic language from a written play; the redefinition of the scenic space; the reformulation of the role and the gaze of the spectator; an original actors’ training; a link that connects the actors to the project of the company. PARTICIPATION REQUIREMENTS The call is opened to individuals or groups of Italian and European professional theatre and performing arts, structured in any legal form that allows them to fulfill the administrative and bureaucratic practices necessary to realize their performance. Only artistic projects that realize an experimentation with scenic languages, according to the points mentioned above, are eligible for selection. The Festival commission selects both original works that have not been yet performed, as well as works that have already debut, but which have not had an adequate circulation and / or visibility. CONDITIONS The selected performances are going to be included in the 2019 edition of Festival Opera Prima. All expenses and practices concerning organization, communication, staff, promotion of the event will be in charge of the organization of the Festival. At each selected company will be paid, after the presentation of an invoice, a fee that has to be agreed and will be guaranteed the possibility of lodging at an affiliated guest house (just for the people working in the performance). CALENDAR AND PLACE OF PERFORMANCE All the performances are going to be realized in Rovigo inside the spaces used by the Festival from the 12th to the 15th September 2019. It is possible to realize performances also in unconventional locations and outdoor. The artistic direction can ask to the selected company to realize more replies of the performance. OBLIGATIONS Selected candidates commit to: support the promotion of FESTIVAL OPERA PRIMA throughout their channels (web site, social, press office…); respect Festival praxis regarding set-up times and rules; perform the selected work on the agreed day or days. Participation in the announcement implies full acceptance of this regulation. The organization reserves the right to decide on issues not expected by this regulation How To Apply: SUBMISSION Submissions have to include: Artistic curriculum of the company or of the artist; Artistic form and technical specifications of the performance; link to the full video of the performance (if the proposal consists on a debut, link to previous works). Video material has to be viewed directly online (by a link) and they mustn’t be downloaded. Other ways of sending materials are not accepted. All the submissions (with video links) have to be sent by e-mail to: operaprimafestival@gmail.com writing on the object of the mail “Submission to Festival Opera Prima 2019” by 12.00 pm of the 30th March 2019. We do not accept other ways of sending materials. Participants authorize, pursuant to Law 196/2003 and to GDPR – European Regulation no. 2016/679, the processing of personal data and the use of the sent informations for all the purposes related to the announcement. SELECTION The selection of the performances is entrusted to the unquestionable judgment of the artistic direction of the Festival. By submitting their candidacy, participants authorize the use of sent images for the communication and publications related to the initiative. PUBLICATION OF RESULTS The contact persons of the selected projects is going to be contacted by Association Festival Opera Prima once the selection process has been completed. Contact Email:diana.ferrantini@gmail.com Website: www.festivaloperaprima.it LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: LightLab 17 Performance Series The Space Upstairs (Pittsburgh ,PA USA) Deadline – April 15, 2019

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LightLab 17 Performance Series (The Space Upstairs 214 N Lexington st Pittsburgh PA USA) May 24 and 25 2019 Deadline: April 15, 2019 Online Application: email application to slowdangerslowdanger@gmail.com and david.bernabo@gmail.com Fee to Participate or Apply: Description Of Opportunity: Lightlab 17 May 24 2019 doors7:30pm show 8pm May 25 2019 doors 7:30pm show 8pm Lightlab Performance Series is an artist-run performance series that provides platforms for diverse voices in experimental performance. Founded in 2013 by Taylor Knight and David Bernabo and now curated with Anna Thompson, Lightlab is an event series meant to encourage local dance and performance artists to experiment with form, composition, improvisation, and context. Over four years and 16 events with local and national artists, the series continues to present avant-garde performance artists and has expanded to include music performance, video screenings, and art lectures. Past artists include Jasmine Hearn, Jil Stifel, DS Kinsel, Maree ReMalia, Celeste Neuhaus, Kensaku Shinohara, Christiana Axelson, and s+vois (Shantelle Jackson). Lightlab has taken place in Pittsburgh venues such as Wood Street Galleries, SPACE gallery, The Miller Gallery at Carnegie Mellon University, PearlArts Studios, and The Space Upstairs. How To Apply: If you would like to apply for Lightlab 17 send a one page proposal, bio/artist statement and work-sample via youtube/vimeo of past or proposed work with the headline Lightlab 17 to slowdangerslowdanger@gmail.com and david.bernabo@gmail.com by April 15, 2019. Please Read: If you have a date preference please indicate within your proposal. Please be aware that we are producing on a low-tech platform and cannot guarantee that we can provide all the technical needs for your proposed work. Proposed work cannot exceed 15minutes in length unless it is a durational installation throughout the evening. Artists will be compensated from ticket sales. photo by Peter Leeman Contact Email:slowdangerslowdanger@gmail.com Website: [www.lightlabpgh.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Open Call for Artists (Laucha) Deadline – 31.03.2019

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Opportunities: OPEN CALL Live Works Vol.7 (Dro (TN, Italy)) Deadline – 1st April

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OPEN CALL Live Works Vol.7 (Dro (TN, Italy)) 6th-21st July 2019 Deadline: 1st April Online Application: [https:] Fee to Participate or Apply: € 24,00 Description Of Opportunity: OPEN CALL Live Works Vol.7 project by CENTRALE FIES curated by Barbara Boninsegna (artistic director of Centrale Fies, Dro) Simone Frangi (researcher, writer and curator, Milan) Deadline: 1st April 2019 Created in 2013 by Centrale Fies, in collaboration with Viafarini, LIVE WORKS is a platform of research and production dedicated to the transdisciplinary development of performance. LIVE WORKS sees performance as a work space, and as an instrument and cultural exercise. Starting from the notion of performance in the visual art practice, the prize is unique in its particular attention to hybrid research, underlining the openness and fluidity of performance, its social and political implications and its level of public understandability. The nine projects selected by LIVE WORKS will be invited to participate in a production residency at Centrale Fies from the 6th to the 16th July 2019, during which each project will have a budget of € 1.500,00 to contribute to the production of the performance.The production of the performance projects during the residency will be supported by diverse types of curatorship, from theoretical to technical development, a Free School of Performance with Studio visit, critical session and reading group. The announcement is open to a wide range of emerging performative actions, including: Performances, sound and new media arts, text-based performances, lecture performances, multimedia storytelling, choreographic practices, relational and workshop-based projects, and other projects questioning the idea of performativity beyond the body. Artists and professionals from any geographic location can enter the Open Call, as individuals or in groups, with a single project. The performances produced in the residency will be presented during the 39th edition of the Drodesera Festival of Performing Arts (19th, 20th, 21st July 2019). On this occasion, the nine winning projects will be seen and discussed by a board of international professionals, working for festival, institutions residency and production programs that sustain and produce research in performance. The board will be actively involved in public and private meetings with the nine artists. For Live Works vol. 7 the guest board of mentors and future network for promotion of the artists is composed by: Christine Eyene (Artistic Director of 5th International Biennal of Casablanca 2020, Morocco); Elvira Dyangani Ose (Director of The Showroom, London, UK); Hicham Khalidi (Director of Jan Van Eyck Academie, Maastricht, The Netherlands); Ane Rodríguez Armendariz (Cultural Director of Tabakalera, International Centre for Contemporary Culture, Donostia/San Sebastián, Spain); Ash Bulayev (Director of Onassis AiR: (inter)national artistic research residency program, Athens, Greece); Danjel Andersson (Director of Dansehallerne from May 2019, Copenhagen, Denmark) The nine selected projects can benefit from a further 10-day residency at Centrale Fies in a period between the 1st August and the 31st December 2019. info: liveworks@centralefies.it www.liveworksaward.com apply here: [https:] How To Apply: Artists who intend to participate must: 1. Fill in the online participation form here [https:] 2. Attach their portfolio, including a personal statement and curriculum vitae. 3. Attach a description of the performance project to be developed during the residency period. 4. Attach links to any audiovisual material. Contact Email:liveworks@centralefies.it Website: [www.liveworksaward.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Permalink for 'Opportunities: Residency in Italy for all kind of performing art and visual artists (Domicella close to Naples) Deadline – No deadline'

Opportunities: Residency in Italy for all kind of performing art and visual artists (Domicella close to Naples) Deadline – No deadline

» ‎ Contemporary Performance - Opportunities

Residency in Italy for all kind of performing art and visual artists (Domicella close to Naples) All year long Deadline: No deadline Online Application: info@kultursciok.com Fee to Participate or Apply: Description Of Opportunity: About us / art residency Kulturscio’k is not-for-profit company dedicated to producing, discovering, supporting international contemporary artists working in performance, new forms, art, music, film, literature, architecture, theater, fashion and other creative disciplines and fostering opportunities for multi-disciplinary dialogue. Innovation and development of new forms The element of collaboration and exchange is one of the founding principals of the company and factory-residency is a new way to host artists, with the hope that by bringing together different areas of practice, we will generate new creative outlooks, unparalleled research, and exciting new impulses. The goal of the residency is to create a dialogue with a new way to form and perform. To choose work that has as an objective to experiment and to explore unknown paths. To meet new collaborations. to create a new event /festival in the area inviting artists to come back to create site-specific works to collaborate in the art factory development. The artist residency co-exists with the guest accommodation and interesting workshops that time by time coexist and can be attended by the selected artist. The resident artists become part of community life. The small village of Domicella has one restaurant one bar one shop, no ATM. And a very intimate and small community living close to the most beautiful ancient archeological sites in the entire world Pompei, Naples, Amalfitan coast Local life and artists /art factory Artists Are welcome to integrate thecommunity. The kitchen can be run from different local people bringing local products to eat but normally each artist prepare his food and lunch time or break is a moment where people can talk exchange or discover new forms of collaborations Residency program This is a call to select 18 artists. They will be hosted in the house in groups of aximum 8 people /10, and have availability of rehearsal space and external spaces A residency program that runs from July to December each year in Campania , Italy. First season started in july 2018 with great response. Located in the Vallo di Lauro Campania countryside, but less than 40 Minutes away from the unique sites of Pompei and Ercolano we storngly suggest to rent a car . The location Villa Santa Maria in domicella, sits in between Vesuvio and Vallo di Lauro , a site with old roots and a land rich of history and Culture. It is the ideal Place to develop an artistic project and to change the cultural system. The company offers artists a 6 /7 days / stay providing onsite accommodation and rehearsal space or studio . Residents are invited to live in the nineteenth century villa, a magnificent building just renovated belonging to a prestigious italian family which makes the place full of memories and real history . Food and travel are at artists charge at least until we do not find public fundings to finance the space. A program of regular workshops and other events are run by the company there in collaboration with the residents to promote interaction and exchange of ideas both among the residents and with the wider community. Further facilities include free wifi throughout the place, a huge rehearsal space a library normally workshops are run with artists that come to the residency two three times because reinvited by the company. More about this place that is not like other places The residence of Kulturscio’k in Domicella is located in the Santa Maria’s Property belonging to the prestigious neapolitan family Siniscalchi It is an ample construction marvellously restructured in 2014 and built in the beginnings of last century. Domicella is a small country situated in a woody basin to the borders of the Vallo of Lauro and Nola, almost 35 km from Naples (40 minutes by car). Dipped in the green, Domicella is also characterized by a particularly mild climate. Fresh and windy air in summer, sweet in winter. Displaced on 3 floors and absorbed in the light with 7 bed rooms , 6 baths and an ample kitchen, the residence can arrive to host up to 13/15 people. More about artists not like other artists …. The residence has wireless, apple tv, airplay in the rehearsal room. From the great garden that surrounds the house characterized by fruit trees, it is possible to relax enjoying the view of Vesuvius Vulcan and on the Valley of Lauro. In the last floor, a room of 35 square meters with parquet can be used for stretching, meditation, watching videos etc.. Rehearsal room is a huge room of 110 square meters, 6 meters high , with linoleum on the floor , heater, dehumidification system. Particularly pleasant to work in the summer season in which the temperature of the room doesn’t overcome 25 degrees. That is the reason why normally artists are lodged with other artists unless it is a rental request Leaving us with a possibility to keep going the dialogue … Artists are all requested to donate a work or a memory at the end of residency And to mention the name of residency in each future exhibition or conversation around the work and regular présentations And open doors to locals curators or guests The objective is to keep a dialogue with selected artists to help them to find a network and to find a new form of collaboration That is why once there artists are going to be invited to cme back if there is a special reason to continue the dialogue with the company and with us during the residency artistic directors and members of the company are in touch with artists, they will dialogue about possibilities to develop the work and they wil try to be available for an artistic exchange with selected artists If an artist is invited to come back , then there will be a possible public showing of the work and we willt ry together to build a site specific performance out of the rehearsed work. More informations on www.kultursciok.com And� [www.kultursciok.com] Contact Email:kultursciok@gmail.com Website:� [www.kultursciok.com] — How To Apply: Please send an email to info@kultursciok.com with your project or idea biography intention of residency photos pictures link of work Contact Email:Kultursciok@gmail.com Website: www.kultursciok.com LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: OPEN CALL FOR 13TH IN OUT FESTIVAL 2019 (Gdańsk, Poland) Deadline – 24 March 2019

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OPEN CALL FOR 13TH IN OUT FESTIVAL 2019 (Gdańsk, Poland) from January until the end of April Deadline: 24 March 2019 Online Application: www.inoutfestival.pl/?mod=zgloszenie Fee to Participate or Apply: none Description Of Opportunity: OPEN CALL FOR 13TH IN OUT ESTIVAL 2019 We would like to invite filmmakers and visual artists to participate in an open international competition happening along with 13th edition of IN OUT FESTIVAL. The competition is organized regularly since 2005 by LAZNIA Centre of Contemporary Art. Participants can submit videoarts, documentaries, experiments and animations focusing on this year’s theme VIDEO/PERFORMANCE. The contest is a two-step process: until 1 April 2019 jury of the 1st step will select 20 artists, whose works will be qualified to the 2nd step and then screened at LAZNIA CCA. All finalists will be invited to take part in the festival in Gdańsk. Awards: 1st award: PLN 5 000 funded by the Marshal of Pomorskie Voivodeship Mieczysław Struk. 2nd award: PLN 4 000 funded by the LAZNIA CCA. The jury will also award special mentions. All the artists must be aged 18 and over. Film duration: over 1’ under 20’. Production year: the work should not be older than 3 years. We are waiting for the submissions until 24 March 2019. Do not hesitate to take part! How To Apply: In order to apply to the IN OUT Festival contest, please fill out the form: www.inoutfestival.pl/?mod=zgloszenie Section “author” is obligatory, the section “Details of the person submitting the work” should be filled only if you are not the author of the work and you only submit it for the competition. Contact Email:office@inoutfestival.pl Website: www.inoutfestival.pl LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: D2P residency, May 2019 – Extended deadline for entries (Copperdollar Studios, Brighton, UK) Deadline – – EXTENDED DEADLINE FOR ENTRIES: SUN 10 FEB 2019 –

» ‎ Contemporary Performance - Opportunities

D2P residency, May 2019 – Extended deadline for entries (Copperdollar Studios, Brighton, UK) 27 April-11 May, 2019 Deadline: – EXTENDED DEADLINE FOR ENTRIES: SUN 10 FEB 2019 – Online Application: [https:] Fee to Participate or Apply: £30 Description Of Opportunity: The Draw to Perform residency programme for Drawing Performance practice. – EXTENDED DEADLINE FOR ENTRIES: SUN 10 FEB 2019 – Come join our artists from Wales, Australia, and China. We have one or two more spaces available in this upcoming residency. D2P residency 27 April – 11 May 2019, Brighton UK. The Draw to Perform residency program for Drawing Performance practice. The D2P Residency program is a unique opportunity for new and developing professional artists and art students to engage in the dynamic artistic discipline of drawing performance art. The program provides the foundation to develop drawing and performance skills and to translate creative practice into live action. This rigorous 15 days structured program of mentored residency includes one-on-one tutorials, workshops, intensive studio time, studio visits and artist talks by UKdrawing performance artists. The program is headed by artist and curator Ram Samocha, who is internationally acclaimed and the founder of Draw to Perform. The residency will be located in the heart of Brighton, one of the most vibrant and colourful cities in Europe and a centre of creativity, vibrancy and progressive art. This time the residency takes place in May to make the most of what this town has to offer. May is the busiest time in Brighton, with the Brighton Festival and Fringe Festival taking place. This means multiple cultural and artistic events and hundreds of Artists Open Houses to visit and explore. Free time will be provided to explore and enjoy the spirit of Brighton festival. For past residencies please visits the D2P residency Facebook page. How To Apply: For full details about the residency and the open call please visit our website [www.drawtoperform.com] Contact Email:drawtoperform@icloud.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Artist Residency in Theatre (Spoleto, Italy) Deadline – March 9, 2019

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Artist Residency in Theatre (Spoleto, Italy) June, 2019 Deadline: March 9, 2019 Online Application: [https:] Fee to Participate or Apply: None Description Of Opportunity: C.U.R.A – Centro Umbro Residenze Artistiche NEXT GENERATION 2019 New Performance Development Incubator Applications now OPEN! DEADLINE: MARCH 8, 2019 An intensive residential retreat for young theatre and dance creators, designed to give time and support to projects that are still in their initial phase of conception and development. Next Generation is a special program open to individual artists, companies and informal groups during which the artists will have the opportunity to begin experimenting with ideas for new performances (theatre, dance, performance, etc.) The artists will have the opportunity to work individually or in groups on their own projects, while immersed in the natural inspiring environment of the Umbria Region. This project will involve 3 different spaces of the Centre of Artistic Residency C.U.R.A. – La MaMa Umbria International in Spoleto – Spazio ZUT in Foligno – CAOS-INDISCIPLINARTE in Terni This Program is meant as an incubator for new performance projects in an embryonic stage and will not be open to projects that are already in an advanced phase of development, which require a more production oriented residency. Its purpose is to discover new talents and nurture the emergence of promising new performative ideas. Some of the artists may be invited to apply for a further residency period inside C.U.R.A. in order to advance the development of a project. Next Generation is open to a maximum of 6 single artists and/or companies, however for a maximum of 18 people/artists total. The artists will have the opportunity to work in the 3 different spaces of C.U.R.A. for a total of 15 days. During the periods of residence, exchanges and dialogue between artists/companies will be facilitated. There will be moments where all the artists will have the opportunity to live and work together C.U.R.A will organized a final moment during which the artists will be asked to present (choosing the most appropriate form) the work elaborated in the days of residence. An international group of C.U.R.A. artists and producers will be invited to follow the retreat as mentors, offering an optional series of workshops and activities aimed at stimulating the creative process, and encouraging the exchange and dialogue among the various participants. They may offer assistance to any of the artists present or collaborate on projects that are compatible if desired. Periodically the selected artists will be asked to share their processes with other participants and to provide constructive feedback. At the conclusion of the retreat, the artists will showcase their work (choosing the most appropriate form) for an invited public composed mainly of artists, theatre and dance presenters. PRACTICAL INFORMATION The Program is supported by the The Ministry of Cultural and the Umbria Region, thus it will be free of charge. The residency will be in June 2019 (proposed dates 11-24 June 2019.) Participants will be responsible to cover the costs of their own travel. C.U.R.A. will give access to all the spaces, facilities and equipment. Food and lodging will be offered by each centre C.U.R.A and will vary depending upon the residency location. Lodging will be like an apartment (no single rooms). Participants will have the opportunity to interact with professional mentors about specific needs and requirements. The program will be conducted mainly in English. HOW TO APPLY The program is open to a maximum of 18 people. A selection will therefore be made between applications received by 8 Mach 2019. All selected participants will receive communication by 22 March 2019 Interested candidates must submit the Application Form, and the following: description of the project idea to explore during the residency; motivational letter expressing how this opportunity will serve the artistic development of the project; name, biography and role of each participant; online samples (video, audio, images, reviews, etc.) of past work of the candidates; technical requirements and other special needs. After receiving the applications, the selection committee might require an interview with the applicants, to take place in-person when possible or through Skype. From all the applications received, only the ones that are considered most in accordance with the goals of the residency will be invited to take part in the Program. SPACES: La MaMa Umbria Spoleto:� [www.lamamaumbria.org] ZUT Foligno:� [spaziozut.tumblr.com] CAOS-INDISCIPLINARTE Terni:� [www.indisciplinarte.it ] � [caos.museum] The application must be sent by email to: nextgeneration.cura@gmail.com Deadline: 8 March 2019 Time of Residency: June 2019 (proposed dates: 11-24 June 2019.) APPLICATION FORM ON LINE HERE! How To Apply: See above. Contact Email:ddjdstar@gmail.com Website: [www.lamamaumbria.org] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: OPEN CALL FOR FIND YOUR CALLING ISTANBUL, 2019 #homemade (Istanbul) Deadline – 28th February

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OPEN CALL FOR FIND YOUR CALLING ISTANBUL, 2019 #homemade (Istanbul) August – November 2019 Deadline: 28th February Online Application: [https:] Fee to Participate or Apply: Description Of Opportunity: Find Your Calling Istanbul Arts Residency Program by Atelier Muse, invites enthusiastic artists all around the world to Istanbul! #homemade edition of the program, this year, Atelier Muse invites artists not as guests but hosts at our new space of innovative thinking to make this space home for all of us altogether. Yes, it is a challenge! So, are you in? Atelier Muse Residency Program, among other projects, initiated in 2017, is the realisation of a lifelong dream of its founder Müge Olacak to add value to life by coming together, exchanging knowledge and creativity with curiosity. The program is established to host artists from all around the world, creating a bridge of understanding between cultures and leveraging the knowhow and qualifications of arts and culture field. Istanbul, a city that is both Asian and European, is without a doubt the best place to get stimulated and inspired. The organisation shares its founder’s believe, that art is a remedy for growing divisions and conflicts in today’s societies and we are able find a common ground by working together in creating it. Find Your Calling Istanbul is designed as a consultancy program for artists and producers/arts managers who are ready and eager for challenges to move further aside from a production time in the studio. Disciplines: Contemporary dance, Performance, New Media, Dance Writing, Community, Film & Video, Science, Other (please specify). Application Dates: 23rd Jan – 28th Feb, 2019 Informing participants: Applications will be assessed and participants will be informed on an ongoing basis. Latest information to be shared on 6th March. Duration: 2 weeks – 3 months Timing: August – November 2019 What you get, as a participant, within this program Studio/workspace Technical equipments (sound&light according to need) Curatorial feedback Mentorship sessions in creative entrepreneurship and business management without an additional payment Publicity Networking events with local arts community and public Matching and partnering Artist assistance Accommodation space Active support for fundraising Residency Expectations Regular, active, and productive use of the studio space during the residency period. A public presentation as a publication, performance piece, workshop, film etc. A creative way of hosting an event at the new Atelier Muse space. A last written and visual log for further communication and our archive. APPLY HERE Residency Fees: €310/week |3 Months: €3,100 Deposit guarantee: €310 The program fee mentioned is for one person. Second artist +220 € / week (Only for the group with a proven track record of working together) Payment Terms and Conditions Upon selection, the artist will receive a copy of the contract which shall not considered valid until the full payment of the deposit and the service fees has been received within 15 days after along with a signed copy of the Agreement been returned. Production, material costs are not included in the service fee but assistance is provided in case of need. Deposit guarantee will be returned in full to the artist should there be no damages or other incumbrance upon check-out. A deposit of 2-week residency fee is due 2 months before beginning of the residency to effectively book your place in the program. All payments will be made through bank of which details to be shared after your acceptance. Money wiring fees are to be paid by the sender. If you cancel 2 months before your stay, you receive a complete refund. Cancellations less than 2 months before your residency incur no refund. APPLY HERE *Artist collaboratives should apply separately for each member of the group or include all info for everyone in one application form. Please note that the program fee mentioned is for one person. Second or more participant (artist, producer and such) +€220/person/week (Only for the group with a proven track record of working together) **All applications and work samples must be submitted in, or translated to, either Turkish or English. If you have questions, please do not hesitate to contact us: hello(@)ateliermuse.org APPLY HERE How To Apply: Contact Email:hello@ateliermuse.org Website: [ateliermuse.org] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: “Carrying Across:” Crossing Disciplines as a Form of ‘Translation’ (Interim magazine, Las Vegas NV, US) Deadline – April 15th, 2019

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“Carrying Across:” Crossing Disciplines as a Form of ‘Translation’ (Interim magazine, Las Vegas NV, US) July 2019 Deadline: April 15th, 2019 Online Application: [https:] Fee to Participate or Apply: $3.00 Description Of Opportunity: For Interim’s July issue, we are seeking work that crosses disciplines in the form of “translation.” The origin of the word translate means “to carry across.” While translation usually occurs across languages, we are looking specifically for work that is carried across one art form to the other, or work that seeks to create new forms altogether. Perhaps you’ve created dance informed by the structure of a particular sonnet, or you’ve taken a famous dance or performance art piece you found inspiring and translated its rhythm, structure, and images into a poem. We are open to work produced in English as well as work produced in other languages that has been translated to English. If the poetry is written in another language and translated into English and then turned into a performance (or vice versa), we are happy to consider it. As with any translations, the original and the translated work should be submitted together (for both discipline translation and language translation). Collaborations and experimental work are very welcome here as we believe the truth is always experimental. Please make certain all collaborators are informed of the submission and general guidelines in terms of rights and rights reversion. We are looking for poetry in performative forms, performance in poetic forms, and anything that exists interstitially between poetry and performance. We are open to artwork, new media, and hybrid works of poetry. For reference, we define performance as any form of theater, dance, dance theater, movement theater, videos of dance and movement, and anything that falls under the umbrella of performance art. Artwork (paintings, drawings, sculpture) related to this theme will also be considered. Please familiarize yourself with our previous performance + poetry issue: Vol. 35, Issue 2 Poems and Translations of Writing Poetic Work: Submit three to six poems in a single document. Hybrid and Multimedia Work: Please include all work in a single file whenever possible. Artwork: Please upload up to six (6) high-res files containing your work, preferably in PNG or JPG format, 800-1500 pixels wide. For All Submissions: If any of the work included in your submission is accepted elsewhere, please withdraw the submission containing that file using Submittable. There is no need to notify us of withdrawals outside our Submittable account. Copyright and Permissions: If you are using music or translating another writer’s work across languages or disciplines, please make certain to gain permission to use this prior to submitting it to us. We take copyright seriously. We look forward to spending time with your work! How To Apply: [https:] For All Submissions: If any of the work included in your submission is accepted elsewhere, please withdraw the submission containing that file using Submittable. There is no need to notify us of withdrawals outside our Submittable account. Copyright and Permissions: If you are using music or translating another writer’s work across languages or disciplines, please make certain to gain permission to use this prior to submitting it to us. We take copyright seriously. We look forward to spending time with your work! Contact Email:interim1944@unlv.edu Website: www.interimpoetics.org LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Call for artists: Performance Crossings 2019 (Prague) DEADLINE: 28th February 2019

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Cross Attic & Holešovická Šachta Gallery invite you to present your artwork at performance art festival Performance Crossings, which will take place on 15th – 18th May 2019 in Prague. DEADLINE: Submission: 28th February APPLY: [https:] ][ ABOUT ][Performance Crossings 2019 is an international festival focusing on performance art and related art forms which for the third year presents artists from all around the world and opens the dialogue between artists and audience, between thoughts and their articulation. ][ DRAMATURGY ][Performance Crossings’ dramaturgy is based on presentation of various forms of performance art and related media. Through curating of artists working within different fields of performative art and coming from distinct sociocultural and political contexts, the festival creates a platform for mutual discussion about (performative) art, its borders and meaning. Performance art is a broad medium which includes in itself or is closely related to such art forms as live art, body art, long-durational art, site-specific art, installation, video art, dance, theatre or sound art. An important objective of Performance Crossings is to explore similarities and differences of performance art and other, so to say, befriended performative art fields. One of the Performance Crossings’ 2019 programme sections will be dedicated to the Anthropocene phenomena. We understand this topic as a possibility for the self-reflection in the way we think about ourselves, about the art practice and about the consequences of our impacts on the environment. ][ NETWORK ][Due to its relative marginality within the art scene, performance art tends to form communities of people who share the same interest. Despite their international character those groups often do not succeed in receiving a long-term support for their artistic activities. One of the aims of Performance Crossings is to facilitate a platform which would put together dispersed communities, create the base for the common collaboration and raise the awareness between the respective subjects. To form a network which would make the orientation within the performance art scene easier for both the artists and the audience. ][ FESTIVAL SECURES ][ Technical support Documentation (photos and video record of performance) Being part of emerging networking platform Festival brochure that will include selected list of festivals, organizations, etc whose work is related to the presentation or promotion of performance art Possible long-term collaboration within the Cross Attic program Accommodation (at local house / artists flat / or arranging discount in neighborhood hotels/hostels) Food Partial cover of material costs Letter of Intent and all support for travel / general funds ][ HOW TO APPLY ][You can easily apply by filling the online application form: [https:] ][ DEADLINE ][Submision: 28th February Results: 06th March ][ CONTACT ][Performance Crossings crew m.p. // Antonín Brinda // Heidi Hornáčková // Hana Pelánková // Klaudie OsičkováContact Klaudie // performance.crossings@gmail.com FacebookPerformance-crossings.comPerformance Crossings are organized by Cross Attic & Holešovická Šachta

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Opportunities: deadline extended 27th Jan – OPEN CALL ALTOFEST 2019 (Napoli) Deadline – 27th January 2019

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[deadline extended 27th Jan] OPEN CALL ALTOFEST 2019 (Napoli) 28th June > 7th July Deadline: 27th January 2019 Online Application: [bit.ly] Fee to Participate or Apply: 0 Description Of Opportunity: ALTOFEST 2019 – 9th Edition International Contemporary Live Arts Fest TO GIVE RISE TO a Human Regeneration 28th June > 7th July NAPOLI Residency + Program We invite you to send us your proposal [deadline extended 27th January 2019] Proposals may refer to one or more finished and already debuted works. Works must be original. Subject, contents and themes of the proposals are free. Proposals will be considered only if regarding Live Arts field (theatre, dance, performance, and their cross-disciplinary declinations). All professional artists can apply, with no distinction among nationality, language or age. Amateur groups are excluded. Artist will be invited to a residency to re-qualify their work, for five days. The work will be then open to the audience during the following five days. The presence of the artist is required for the entire period of Altofest, for ten days. Altofest ensures accommodation, subsistence, and a lump sum, follow the terms and conditions written in the regulation document, that you find beside the form online. How To Apply: HOW TO APPLY Proposals have to be sent filling the online form, that you find at the link: [bit.ly] Filling the form, you declare that you read and accept the regulations unconditionally. The form is the one and only way to collect the artistic proposals for Altofest 2019. For further information and/or questions, please write to info@altofest.net www.altofest.net ALTOFEST is a project by teatringestazione.com Contact Email:info@altofest.net Website: www.altofest.net LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Permalink for 'Opportunities: Peripheral ARTeries – Open Call for Artists, Biennial Edition 2019 (London, United Kingdom and New York City, USA) Deadline – January 30, 2019'

Opportunities: Peripheral ARTeries – Open Call for Artists, Biennial Edition 2019 (London, United Kingdom and New York City, USA) Deadline – January 30, 2019

» ‎ Contemporary Performance - Opportunities

Opportunities: Paris Summer Academy (Paris, France) Deadline – First comes first served basis

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Opportunities: Theertha Performance Platform – 2019 (Colombo-8) Deadline – 31st December 2018

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Theertha Performance Platform – 2019 (Colombo-8) March 15 to 18th 2019 Deadline: 31st December 2018 Online Application: yes Fee to Participate or Apply: no Description Of Opportunity: Theertha Performance Platform 2019 OPEN CALL for participation Submission Deadline: December 30th 2018, Midnight Scheduled date : 15th March – 18th March 2019 The concept for 2019 Theertha Performance Platform Texting Being It’s been more than half a century since Derrida made his famous remark ‘il n’y a pas de horse-texte’, variously translated as ‘there is nothing outside of the text’, or, ‘there is no outside-text’. The remark itself gained notoriety, being accused of misdemeanors from textual idealism to political conservatism. Today, however, half a century later it seems, as if, the truth of this idea has returned with a vengeance, like the Freudian Thing, perhaps, even, with an ironical twist that would render Derrida himself uncomfortable. At a superficial level, on the one hand, our day-to-day existence is entirely assimilated into, and constantly bombarded by, the telecommunication and social media networks, allowing the affective totality of our beings to be transferred and circulated as texts and symbols that are rapidly unifying the whole of humanity into a single platform. Iconic here is the question asked by Facebook, every time one logs into his/her account: ‘What’s on your mind…?’ On the other hand, and more seriously, all these mutations at the level of subjectivity occurs on the backdrop of a globalized capital with its monetary signs, a system that is by its nature all-consuming, total and planetary, colonizing not only the places of the planet but also its disparate temporalities. The total dominance of the textual, one might claim, is now completed: il n’y a pas de horse-texte. Where does art fit in this picture? This is especially a question of singular relevance with regard to the still novel form of performance art. For, the quintessential medium of this form is the Body, which is canonically considered as the polar opposite of the Mind that works through and exist within our discursive, textual universes. One obvious response to this proposition, of course, is the classical Post-Structuralist position that takes the Body itself as a Sign, entirely overridden by the signifier, without any residue in the Real, a Body that is completely reduced to its symbolic function of meaning generation. This is, certainly, one possible way of interpreting medium of body in its various manifestations in performance art. This is, however, at the cost of reducing the singularity of this medium to one among an endless lines of objects that can stand in for the artistic idea, leaving behind, thereby, the materiality of the body as the Real that which resists, as Lacan famously puts it, Symbolization. How do we account for this duality, entanglement and intertwining of the Text and the Body, of the materiality of the Text and the materiality of the Body, in performance art? There may be various answers and there may even be productive dead-ends lying ahead on this path of explorations. What is certain is that these questions are the quintessential questions of contemporary existence, in an age of mediatized images and globalized capital. Theertha Performance Platform Theertha Performance Platform is part of Theertha International Artists Collective. The TPP has been in existence since 2015. We conduct regular workshops for art students and young artists. The TPP international performance event is a biennial event mainly concentrating on public space performances. About the Venue: The venue will be Theertha Gallery space and the adjoining area. There will be a public space for the main performance events which will be the Borella junction. Borella junction is an important area in Sri Lankan transportation map. This is one of the busiest junction in Colombo. People traveling to and from Colombo to various other parts of Sri Lanka will have to cross this junction to reach their destination. [https:] Expectation from participant artists: In this project the artists will have the opportunity to explore Sri Lankan culture, meeting local artists and people and tasting local foods. It is also expected that artists might focus on collaborations crossing the cultural boundaries, art practices and traditions in their performance framework and works. The artists will also be expected to make a brief presentation of their art practice and participate in workshops for students and young artists. How To Apply: Who can apply: Any art loving, creative individual or group around the globe, who creates artworks as performance / Live artist (creative works with voice, body, performance, theatre, action, movement, dance, music etc.) Applicants should be at least 21 years old. Support by Theertha Performance Platform: Local transports within Colombo Live Art Event and Activity. 5 days Accommodation in local residence and 3 Meals daily Artists should pay: International travel, visa fee and personal expenses. Theertha will provide invitation letters to the artists, so that they can apply for international travel grant. What to Send: Portrait photo Scanned copy of passport 1 Page short bio (200 word) idea proposal 3-5 Artworks’ images & descriptions (live art done since 2015) Guidelines for Submission: Registration is FREE Send documents via email: theerthaiac@gmail.com and copy to bandumanamperi@yahoo.com Please mention ‘’(Artist’s name) : TPP 2019’’ – in the subject line. Or Post to: Theertha Performance Platform 39/4A, D S Senanayake Road, Borella, Colombo 08, Sri Lanka. Submission deadline & Notifications: – December 30th, 2018: Artists must submit their documents. – January 30th, 2019: Artists will be notified of selection via email – by January 30th , 2019 : Formal Invitation letter will be sent via email. Visit [theerthaperformanceplatform.com] and Facebook Page [https:] to get information about ‘Theertha Performance Platform’. Contact Email:grogerconstantine@gmail.com Website: [theerthaperformanceplatform.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: CALL FOR ARTISTS: THE BODY LANGUAGE ITSLIQUID International Art Exhibition (venice) Deadline – 31/01/2018

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CALL FOR ARTISTS: THE BODY LANGUAGE ITSLIQUID International Art Exhibition (venice) 21 february – 22 march Deadline: 31/01/2018 Online Application: [www.itsliquid.com] Fee to Participate or Apply: free Description Of Opportunity: CALL FOR ARTISTS: THE BODY LANGUAGE ITSLIQUID International Art Exhibition Venice, February 21 – March 22, 2019 Deadline: January 31, 2019 ITSLIQUID Group, in collaboration with VENICE EVENTS and VALORIZZAZIONI CULTURALI | ART-EVENTS, is selecting all interesting photos, paintings, video art works, installations/sculptures and performance art works to include in the next event THE BODY LANGUAGE – ITSLIQUID International Art Exhibition 2019 that will be held in Venice during the period of Venice Carnival 2019, at the art gallery THE ROOM Contemporary Art Space, from February 21 to March 22, 2019 and at Misericordia Archives, from February 22 to March 22, 2019. THE BODY LANGUAGE is organized and curated by Arch. Luca Curci (founder and director of THE ROOM Contemporary Art Space, ITSLIQUID GROUP and LUCA CURCI ARCHITECTS) in collaboration with Venice Events at THE ROOM Contemporary Art Space and with VALORIZZAZIONI CULTURALI | ART-EVENTS at Misericordia Archives. The participation includes the following services – exhibition space dedicated to the artist’s works – assisting with customs formalities, international shipping and local transport – assisting in finding accommodation for artist – the design and the printing of invitation cards, posters – the global and local press office, publicity, press, banners, totem, etc. – the realization of the exhibition website and dedicated press releases – mounting and dismounting of the exhibition – exhibitions opening event with drinks and food – a one day dedicated presentation, talk or workshop focusing on the artist’s career – a dedicated interview published on ITSLIQUID website and spread on our social networks – providing services and drinks for small meetings at the exhibition places for invited guests How To Apply: To take part in the selection, send your works’ submissions with a CV/biography, some still images (for video-art), links of videos/films/performances and pictures of artworks by e-mail to lucacurci@lucacurci.com Contact Email:martina.itsliquid@gmail.com Website: [www.itsliquid.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: danceWEB scholarship (Vienna) Deadline – 9. January

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Opportunities: Call For Artists For #Trasparenze7 Urban Spaces (Modena) Deadline – 22 december 2018

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Call for artists for #Trasparenze7 Urban Spaces (Modena) May 2019 Deadline: 22 december 2018 Online Application: [www.trasparenzefestival.it] Fee to Participate or Apply: free Description Of Opportunity: We are looking for performances and interventions to be set in the Urban Spaces of Trasparenze Festival 7th Edition, which will take place in Modena (ITALY) in May 2019. Submitted proposals must be suitable for extra-theatrical contexts. Please note that proposals specifically thought for conventional venues and then re-adapted for this event will not be taken into consideration. Received proposals shall then be analyzed by both Trasparenze Festival Staff and Konsulta – the group of young 16-30 spectators helping the Artistic Direction in defining the festival programme. Application deadline: 22 December 2018 WHERE The selected proposals will be included in #Trasparenze7 programme and preferably be collocated in the park of Via San Giovanni Bosco 150, Largo Murialdo and the Festival Area’s whereabouts. Proposals for other urban spaces throughout the city will be evaluated. Visit [https:] to examine the Area Map and inspect the above-mentioned zone. Artists and companies can participate by proposing either an already existing project or a project specifically created for Trasparenze Festival. How To Apply: APPLICATION REQUIREMENTS In order to participate, you must send your application by e-mail to comunicazione@trasparenzefestival.it no later than 22/12/2018. Please write “Proposal for #Trasparenze7 Urban Spaces” in the email subject line. If the work you’re proposing is already in your repertory: – link to the presentation of your proposal – link to the video If the work you’re proposing was specifically designed for Trasparenze: – Description of the project – link to video material of your repertory – link to a presentation of your repertory Selected proposals The outcome of the selection will be notified by January 20, 2019. The selected artists and companies will be offered an employment for Trasparenze Festival 7th Edition, on the terms agreed with the Artistic Direction. Contacts: +39 334 8352087 Contact Email:comunicazione@teatrodeiventi.it Website: [www.trasparenzefestival.it] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Call for participation in “MAKE A MOVE” An Art incubator for contemporary European non-institutionalised and independent theatre (Ireland, Croatia, Romania) Deadline – 30th December 2018

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Call for participation in “MAKE A MOVE” An Art incubator for contemporary European non-institutionalised and independent theatre (Ireland, Croatia, Romania) April – December 2019 Deadline: 30th December 2018 Online Application: www.makeamoveproject.eu Fee to Participate or Apply: 0 Description Of Opportunity: Call for participation in “MAKE A MOVE” An Art incubator for contemporary European non-institutionalised and independent theatre. The incubator is aimed for all independent theatre makers, be it individual artists or collectives (companies), in the field of contemporary movement-based theatre practices (such as physical theatre, mime, improvisational theatre and other forms with a strong relation to the body and movement). We are using the terms “non-institutionalised” or “independent” theatre to refer to practices that take place outside and beyond established institutions or repertory theatres. However, we are aware that this realm of theatre can only be adequately understood and precisely named in the context of each individual European country or region. The ‘Make a Move’ project objective is to contribute to the revitalization of European theatre by mobilizing the unutilized creative and innovative potential of non-institutionalised and independent theatre practices, such as physical theatre, corporeal mime and improvisational theatre. The strategy to achieve this is to develop and test an innovative incubating environment in which noninstitutionalised and independent theatre practitioners will have the opportunity to develop their artistic and professional skills and grow their production proposals from the stage of creative ideas to different stages of production and promotion. The project will identify at least 5 new cooperation opportunities and initiate applications to sources of funding. Eligibility Criteria – Mid-career theatre makers with at least 10 years of professional work, be it individual artists, collectives or companies – Artists from the field of movement-based theatre practices and/or with a strong relation to the body and movement in their artistic practice – Artists who are European residents, working freelance and/or in collectives (companies), based/registered in Europe – Collectives (companies) with eligibility for funding in their country of residence is a requirement – Very good written and spoken English skills Overall criteria – An interest in being a part of transnational collaboration and co-creation process – An interest in building capacities in the areas of cultural business and audience development – A commitment to networking and further developing international cooperation projects – A commitment to bringing artistic questions, interests or concerns and developing them further inside of the incubator – An interest in sharing and showing work within the context of the European Capitals of Culture 2020 (Rijeka and Galway) Opportunities – Working in an international context – Improving professional skills – Peer learning, education and training – Improving career opportunities to work internationally – Accessing new markets, creating network possibilities, building partnerships and contacts – Reaching new and wider audiences. Programme and Calendar There will be three thematically defined Labs as part of the whole Incubator in three cities: (1) “Digital Practices” in Galway, Ireland (25/04/2019 – 04/05/2019) (2) “Site-specific theatre and audience outreach” in Rijeka, Croatia (10/09/2019 – 19/09/2019) (3) “Inside Out – Positioning non-institutionalised theatre practices in a critical journalistic and business context” in Targu-Mures, Romania (09/12/2019 – 18/12/2019) The dates exclude traveling days. Terms and Conditions – The artist or collective will be paid 4.320,00 Euros for participating in all the three Labs. – All expenses are paid including travel, accommodation and subsistence (or per diem). – If an individual artist applies, they must attend all the three Labs of the incubator during 2019, in Galway (Ireland), Rijeka (Croatia) and Targu-Mures (Romania). – If a collective of artists or a company applies, they have an option sending only one artist per Lab (2-3 artists in total for the whole Incubator). – During each Lab, an artist will have the opportunity to collaborate and co-create with nine (9) other artists in residence and occasionally with some local or regional artists. – At each Lab the co-creation activity will culminate in a work-in-progress showings. These will be public events held in different locations in each Art Incubator city, in which participating Make a Move artists will stage performances and interact with the local audience to receive feedback on the work that the artists will be developing in the Labs. – Art Incubator participants will blog about their experience and the artists’ blogs will be available on the project website. The blogs will be part of a reflective process that will allow other external artists and cultural managers to understand the evolution of the artists’ practices through the Labs and the co-creation laboratories, and will include photos, videos, etc. – Art Incubator participants will be supported in identifying and elaborating new cooperation project ideas. How To Apply: Application process Please apply by filling in the online application form that includes your personal details, short biography, motivation letter, CV(s), reference(s) and links to examples of your work. Please make sure you are filling in the right application form since there are two options: one for an individual theatre maker and the other for a collective (company). The deadline for the application is 30th December 2018 at 5pm (GMT). Selection process An interim decision will be made based on artistic quality, potentially including follow up interview via Skype. The applicants will be informed about the final results, including waiting list by February 2019. During February 2019, the selected Artists/Collectives will be contracted by the project. Contact Email:makeamoveprojectgtf@gmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Draw to Perform Residency – April/May 2019 – Open Call (Copperdollar Studios, Brighton, UK) Deadline – 31.12.2018

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Draw to Perform Residency – April/May 2019 – Open Call (Copperdollar Studios, Brighton, UK) April/May 2019 Deadline: 31.12.2018 Online Application: [https:] Fee to Participate or Apply: £30 Description Of Opportunity: The Draw to Perform residency programme for Drawing Performance practice. What does the program offer? The D2P Residency program is a unique opportunity for new and developing professional artists and art students to engage in the dynamic artistic discipline of drawing performance art. The program provides the foundation to develop drawing and performance skills and to translate creative practice into live action. This rigorous 15 days structured program of mentored residency includes one-on-one tutorials, workshops, intensive studio time, studio visits and artist talks by UKdrawing performance artists. The program is headed by artist and curator Ram Samocha, who is internationally acclaimed and the founder of Draw to Perform. The residency will be located in the heart of Brighton, one of the most vibrant and colourful cities in Europe and a centre of creativity, vibrancy and progressive art. The program will also include guided tours to key exhibitions and art events in Brighton and London and will end with an evening of live drawing performances to celebrate and showcase the output of this creative time. For past residencies please visits the D2P residency Facebook page. When: 27 April – 11 May 2019 (15 days) Where: Copperdollar Studios, Brighton, UK Application Deadline: Monday 31 December 2018 14:00pm BST How To Apply: For full details about the residency and the open call please visit our website www.drawtoperform.com Contact Email:drawtoperform@icloud.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Butoh workshop between Italian hills: Dancing the Entanglement (Vicenza, Italy) Deadline – 9th May 2019

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Butoh workshop between Italian hills: “Dancing the Entanglement” (Il Maggiociondolo, Contrà Proveste n.1, S. Rocco di Tretto, Schio (Vicenza), Italy) 10th-11th-12th May 2019 Deadline: 9th May 2019 Online Application: [bit.ly] Description Of Opportunity: Butoh workshop in nature Three days intensive butoh practice in a beautiful green hilly region (700m) in Italy. The workshop will be guided in nature and in studio. We will alternate dance, meditation and walk. “Dancing The Entanglement” is based on the artistic research by Damiano Fina about Füya Butoh and Queer Pedagogy, that involves butoh dance, queer theory, quantum physics and aesthetics. This workshop is for performers or for person who has a spiritual training back-ground, please attach a simple motivation. If you have no training back-ground you can participate contacting us with a motivation letter. “Dancing The Entanglement” inspiration We are part of the performances that set the conditions of the possibility and impossibility of mattering. We are part of the performances that enact what matters and what is excluded from mattering. This is quantum physics and butoh dance at the same time. In this rhythm we have no special position: we are part of a not-merely-human universe. We are relevant and irrelevant at the same time. Being, acting and thinking queerly is this disclosure. All bodies come to matter through the world’s performativity. All bodies emerge from entanglement. Let’s dance existence together! Workshop Facilities: Location, Accommodation and Food At Il Maggiociondolo you can arrive by car or by train+bus. Accommodation in double room and food are arranged by Il Maggiociondolo (breakfast, lunch and dinner). Food will be prepared using local food, vegetarian meals are available on request. Have a look of the location on Google Virtual Tour. Schedule of the butoh workshop 2019 10th May Friday 13:00-14:00 Registration 14:30-19:30 First Practice 20:00 Dinner and Free Time 11th May Saturday 8:00-9:00 Breakfast 9:30-12:00 Second Practice 12:30-14:00 Lunch 14:30-18:30 Third Practice 19:00-20:00 Dinner 21:00-22:00 Fire Practice 12th May Sunday 8:00-9:00 Breakfast 9:30-12:00 Fourth Practice 12:30-14:00 Lunch 14:30-18:00 Performances “Dancing The Entanglement” fee The fee covers workshop, accommodation and food. Special Winter Booking (by 31th January): € 280.00 Early booking (1st February – 31th March): € 320.00 Normal booking (1st April – 9th May): € 360.00 How To Apply: Fill the contact form on the website, you will receive the dossier of the workshop with the instructions for registration and payment. You can pay the entire fee or at least the 50%. We will keep your place reserved only when your payment is completed and received by email with the registration form. Go to contact form now. Contact Email:info@damianofina.it Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: PARL Performance Art Research Ljubljana – Deadline Date: 31 January 2019

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Opportunities: New Internationally-Situated MFA in Dance (Paris | Montpellier | Philadelphia) Deadline – January 14th

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New Internationally-situated MFA in Dance (Paris | Montpellier | Philadelphia) Summer 2019 Deadline: January 14th Online Application: [https:] Fee to Participate or Apply: [https:] Description Of Opportunity: University of the Arts, Philadelphia MFA in Dance APPLICATION DEADLINE: January 14th, 2019 Apply Online –> The University of the Arts in Philadelphia has launched a new Master of Fine Arts (M.F.A.) program in Dance that extends the context of learning from the studio, theater and classroom to the international festival environment as a space for learning. Each summer the program departs from the traditional semester format by focusing instead on international residencies, workshops, and symposia that foster critical conversations about the meanings, purposes, and potentialities of dance and performance. Immersed in dynamic relationships created by the performances of artists from around the world, students will consider and develop practices, pedagogies and research models that value experimentation and continuously question the role of dance within and beyond the festival, exhibition and theater environments. Using the festival framework as a way to gather students, artists, and scholars with a wide range of practices, this program aims to foster new communities and networks of exchange for knowledge production and artistic practice within dance. Both rigorous and intensive, our approach relies on situational pedagogies and the gathering of relational communities. The program moves against conventional thinking about academic learning environments, utilizing the University of the Arts School of Dance’s longstanding relationships to and connections with world-recognized artists, scholars and cultural institutions. Challenging students to examine the role of dance and dance making in the community at large, the Field Study component of the program is built on the assumption that new practices are still in the making, and that the students will work alongside faculty mentors & community partners to create new methodologies. A Post-MFA Fellowship Program will provide support to graduates. The Fellowship Program is designed to expand potentialities through direct interplay of recent MFA graduates with communities and practitioners, both local and international. The fellowships set in motion a network of possibilities for sharing resources, scholarship and practices for future engagement between both the fellows and the participating partner organizations. Faculty, affiliated artists, and guest lecturers represent an intentionally diverse array of approaches to theorizing and practicing embodied knowledge in relation to citizenship and art-making. Our faculty and mentors include: Ric Allsopp, Rizvana Bradley, Douglas Becker, Donna Faye Burchfield, Thomas F. DeFrantz, Faustin Linyekula, Neta Pulvermacher, Ran Brown, Reggie Wilson, Jimena Paz, Doug Letheren, Emmanuelle Huynh, Niall Jones, Lauren Bakst, Jaamil Owale Kosoko, David Langstaff, Jesse Zaritt, Paul Matteson, Meredith Glisson, Jillian Peña, and Jeanine Durning. The MFA summer term will begin on June 16th and will run for roughly 6 weeks, with the program locating itself in Paris and Montpellier. The program departs from the traditional semester format by focusing instead international residencies, workshops and symposia that foster critical conversations about the meanings, purposes, and potentialities of dance and performance in contemporary society. We will begin the summer term with a four day Study Cycle Symposium curated by Rizvana Bradley, which will feature dynamic conversations between artists, choreographers, curators, movement practitioners, and students. Dr. Bradley’s 2018 Study Cycle Symposium, Dancing Politics, Moving Performance: Conversations at the Edges of Choreography, featured participants such as: nora chipaumire, Laura Cull, Maria Hassabi, Jenn Joy, Ralph Lemon, Paul Maheke, Erin Manning, Emily Roysdon, and Reggie Wilson. The M.F.A. program in Dance has three cohorts that are designed with specific creative practitioners in mind: 1) The Year-Residency Cohort is designed for highly motivated emerging artists with a strong interest in expanding their knowledge and experience in an uninterrupted way in an international setting. Applicants should have 3-5 years of experience beyond undergraduate study. 2) The Low-Residency Cohort is designed for mid-career artists, teachers and dance professionals who want to question their own work and re-evaluate their career trajectories. Applicants should have a minimum of 8-10 years of professional experience. 3) A Flex Track, tailored to meet the specific needs of individual practitioners on a case-by-case basis, and extending the duration of study from 15 to 22 months. How To Apply: All applicants are encouraged to apply early as the M.F.A. in Dance will be filled on a space-available basis. The deadline for application is January 14th. As international travel planning is required, completed applications received after February 1st and offered admissions may be subject to additional fees. For more information about the program and how to apply, please visit our website:� [https:] contact us at dance@uarts.edu Additional Links: Online Application–> Website–> Curriculum –> Facebook–> Instagram–> Contact Email:dlangstaff@uarts.edu Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Open Call Festival Figueres es MOU (Figeures, Spain) Deadline – 16th of November 2018 at 5:00pm.

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Opportunities: MA in Directing of Devised & Object Theatre (Prague) Deadline – 15.02.2019

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MA in Directing of Devised & Object Theatre (Prague) Academic Year 2018/2019 Deadline: 15.02.2019 Online Application: [https:] LEARN NEW WAYS TO DO THEATRE, CREATE YOUR OWN WORK & MAKE CONNECTIONS! (deadline to apply: February 15th!) MA Degree in Directing of Devised & Object Theatre is a 2 year English language program at DAMU, Department of Alternative and Puppet Theatre in Prague! COURSE DESCRIPTION: The Master in Directing of Devised and Object Theatre offers advanced studies in the practice of theatre-making with a twofold focus: learning the process of devising a theatre performance from scratch, with a strong emphasis on a visuality of expression. Students will learn to create theatre performances with strong visual, spatial, object and media (low tech) aspects, as well as working in other related performance forms such as scenographic installations, sound performances, and other types of performances with strong visual and spatial dramaturgy. The process will be based in devising techniques: creating thematic, conceptual, and/or documentary projects that are not based in pre-written plays, but are created mainly through the process of rehearsing, often as collaborative work of the whole creative team. Students will learn to work with a variety of authentic, found, and created material: poetry, images, fragments of plays, songs, historical events, personal stories, scientific findings, common knowledge, pop culture etc. Students will further learn a conceptual approach to research and development of materials, creating specific performance structures (in the sense of narrative, space, and relationship to audience), for specific material, and proposing new ways for audience to perceive/experience the performance to provide the students with the skills to become independent authors. The degree is in directing, where directing is understood as an expanded practice, with the potential to work within the fields of design, writing, and performing, to prepare students for work in theatre forms without strict divisions of roles within the creative team. Students will be guided toward becoming independent creators making their own artistic work. For their last semester and final projects, students will be partnered with prominent practicing artists, based on their individual needs, working in the fields of media, site-specific, community theatre, movement theatre, documentary theatre, puppet theatre, visual theatre, scenographic installation etc., for a hands-on experience. Students will further have a possibility to create a direct connection to the international environment, artists, and institutions as well as connection to Czech artists and companies. PRACTICE: The foundations of the program involve practical work that provides the student with a hands-on experience with all the elements and in all the phases of project creation: selecting a theme; building a concept and dramaturgical structure; processing material; sound, visual and spatial design; dramaturgical work with material; creating material through rehearsal; performing and working with performers; work with puppets and objects; work with audiences. SKILLS ATTAINED: Directing theatre performances with strong visual and spatial components Devising performance from a variety of material Devising using one’s own material (not only interpreting already existing material) Research and development of material Creation of a variety of dramaturgical structures and research of material Performing, and working with performers Performance designing (scenography) CONTACT: Sodja Lotker sodja.zupanclotker@damu.cz How To Apply: For more information about the course, fees, application please visit: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Open Call – Dirty debut (Berlin Germany) Deadline Oct 5, 2018

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Dirty debut # 3 Snickers Deadline: Oct. 5, 2018 Please Applications To apply@dirtydebuet.de Performs: Nov 30, 2018 For the third time, Dirty Debut offers four emerging performance artists a platform to show sketches, unfinished projects, or even dirty works in response to a concrete theme or idea. The performances are then followed by a discussion and a feedback session over a shared meal. Each new edition seeks to use different feedback methods, which is published by Eike Wittrock . The third edition will take place on November 30 th , 2018 at 7 pm in the cafeteria at Sophiensæle . The topic for Dirty Debut # 3 is Snickers . Would you like to make a Dirty debut # 3? Then send a short project proposal to the topic Snickers in German or English (max 2000 characters) and your resume! Performing Arts Scene and envision a future working here. We, therefore, consider proposals for the further development of a thesis project; proposals made by students will, however, unfortunately not be accepted. For that reason, we ask you to send a certificate of exmatriculation as proof that you are no longer studying. For the development of a 20-minute performance, you will receive 2000 € (including any potential expenses for travel and accommodation), as well as an extra 150 € for materials and tech. Björn Pätz, Sandra Umathum, Joshua Wicke and Sophiensæle: Alexander Kirchner – wants to make four decisions that they consider as distinct and promising in their artistic approach. We want to post the reasons for our selection on the Sophiensæle website and www.dirtydebuet.de , so we will post recordings of the performances and reports by our two authors. Dirty Debut does not focus solely on the “Radar of most houses and their visitors”. It also highlights the wide range of the whole performance scene: the so-called performance theater; performances in the tradition of body art; and exchange between performance and dance or visual art. Dirty debut is a gathering place for a variety of approaches, formats, and forms of expression and brings them together on one stage. We look forward to your submissions! Please send them to apply@dirtydebuet.de The application deadline is October 5 th , 2018 at 24:00 (applications that reach us after 24: 00h will not be considered). The will be announced mid-October. We do not want the selected artists without delay. Concept Björn Pätz, Sandra Umathum Dramaturgy Joshua Wicke Authors Lea Langenfelder, Max Wallenhorst (Source: Dirty Debut Website)

Opportunities: International Choreographic Festival of Blois (Halle aux Grains, Blois, France) Deadline – November 15th, 2018

» ‎ Contemporary Performance - Opportunities

International Choreographic Festival of Blois (Halle aux Grains, Blois, France) 3-7 July 2019 Deadline: November 15th, 2018 Online Application: azothdancetheatre@gmail.com Fee to Participate or Apply: Free Description Of Opportunity: The International Choreographic Festival of Blois will take place in Blois, France, from July 3rd to 7th. The Festival aims to bring the art of dance to the city of Blois, France and to democratize this art form by offering performances, dance short-film screenings, master classes, performance workshops, and community outreach events. In its first edition, the festival is born from a partnership between the city of Blois and the internationally acclaimed dance company AZOTH Dance Theatre, which has held many professional choreographic events in the Loir-et-Cher (French Department) since 2014. The goal of this festival is : 1. to offer professional and high-quality dance performances and other dance events to the citizens of Blois, the Loir-et-Cher and the Region Centre. 2. to enable foreign professional dance companies to perform in France in a historical and renowned theatre 3. to present a wide range of dance styles and to democratize this art form by introducing the audiences to these styles We are looking for 7 dance companies to present their work at the festival. We intend to present 3 different shows. In this matter, the program of the performances will be different each day and companies will have the opportunity to perform at 2 shows and present (a) piece(s) no longer than 15-20 minutes. The same piece can be performed twice, or companies can perform 2 different pieces. How To Apply: Please send to azothdancetheatre@gmail.com the following : Full video of the piece(s) you wish to perform at the festival (up to 15-20 minutes pieces) Company press kit or company/choreographer/dancers biographies Mandatory technical needs for your piece (optional, only if your piece can’t be performed without some specific technical needs) Contact Email:azothdancetheatre@gmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Apply Today For A Tuition Free MFA Fellowship in Directing Theater and Contemporary Performance at Carnegie Mellon University

» ‎ Contemporary Performance - Opportunities

John Wells Fellowship MFA in Directing at Carnegie Mellon University DEADLINE: January 1, 2019 Apply Online –> The School of Drama John Wells Directing Program is a three-year graduate directing MFA. It is designed for directors who wish to expand and develop their skills and join a think tank to envision the future of theater and contemporary performance. The John Wells Directing Fellows are encouraged to think critically and adventurously about their work in a generative environment. The program admits two highly motivated directors as John Wells Fellows each year who demonstrate the ability and drive to articulate their own vision for theater and performance.   Directing skills are honed in workshops and performances, as well as through theory, history, and studio classes. CURRICULUM The John Wells Graduate Directing Program MFA provides Fellows with the opportunity to pursue both rigorous classical training, new technologies, and experimental approaches to contemporary performance. As the boundaries of performance and theater continue to expand, it is critical that directors develop the tools, vocabulary, and vision to not only thrive in this new environment but to envision its future. The program includes unique courses such as Future Stages, MFA Director’s Lab, Digital Devising, and the MFA Generator Lab. Future Stages is an innovative class that integrates video, technology, and new media into theater in a laboratory environment. Working collaboratively across disciplines, John Wells Fellows investigate innovative approaches to contemporary theater, foster creative ways of storytelling and communication, and strengthen their ability to articulate artistic goals. Communication with collaborators and integration of design are considered critical tools for all directors and design classes are emphasized in our curriculum. MFA Director’s Lab is a core curriculum, program-long modular laboratory focused on emerging performance techniques and hybrid research, exposing directors to the disciplines and tools they need to create contemporary and relevant work in the field of theater and performance. Conducted one semester each year for the entirety of the program residency, the course investigates rotating topics with semester-long studies in Socially Engaged Art, Performing Materiality, and Choreographic Strategies. The lab provides collaborative opportunities to work across disciplines with other departments in the University and with the greater community. Digital Devising s spring semester class each year Lab focused on current post-internet strategies for generating solo or group performance. The Digital Devising lab looks at the internet and how it both reflects and shapes social relationships and poses strategies for generating work that utilizes its frameworks or reflects its aesthetics. MFA Generator Lab is spring semester class each year Lab focused guiding directors through exercises and feedback in developing a text or script from a non-theatrical source. These sources have included literature, radio shows, music, documentary strategies. These works can then be proposed as second or thesis year productions. The John Wells Graduate Directing Program also includes the study of theater theory, history, dramaturgy, and design classes, as well as electives from departments across the University. A key component of the program: John Wells Fellows direct at least one production per semester, progressing from smaller projects to larger productions and finally to an MFA thesis production. In the second and third year productions, John Wells Fellows work with students from Acting/Music Theater, Design, Dramaturgy and Production Technology and Management. Final MFA Thesis productions are presented as part of the School of Drama’s Subscription Series. Links: How To Apply–> Online Application–> Website–> Curriculum (PDF) –> Facebook–> Instagram–> Twitter–>: FACULTY Caden Manson is the graduate directing option coordinator of The John Wells Directing Program; the artistic director of New York-based, new media performance ensemble Big Art Group, curator of the annual Special Effects Performance Festival in NYC and the editor in chief of contemporaryperformance.com. Manson has co-created, directed, set- and media-designed 22 Big Art Group productions over the last 19 years which have toured nationally and internationally to theaters and festivals such as Festival d’Automne à Paris, Theater der Welt, Wiener Festwochen, Hebbel am Ufer, Kaai Theater, Usine C, Sommerszene, PS122, the Kitchen NYC, and many others in Europe, US, Australia, and Aisa. Manson has lectured and shown in Austria, Germany, Turkey, NYC, Portland, Berlin, Singapore and Vietnam; has taught in Berlin, Rome, Paris, Montreal, NYC and Bern; and his ensemble has been co-produced by the Vienna Festival, Festival d’Automne à Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, PS122 and the Wexner Center for The Arts. His writing has been published in PAJ, Theater Magazine and Theater der Zeit. He is a Pew Fellow, a Foundation for Contemporary Art Fellow, and a MacDowell Fellow. Apply Online –> RECENT VISITING ARTISTS Additionally, through the Visiting Artists Program, nationally and internationally recognized guest directors and performers visit the school to discuss and give feedback on student productions. The students also travel to festivals and symposiums each year. Recent artists and curators have included: Miguel Gutierrez Angela Mattox (Vienna Festival 2018) Thaddeus Philips Erin Markey Anna Gallagher Ross (Fusebox Festival) Miranda Wright (LA Performance Project) Janie Geiser Yehuda Duenyas Dan Hurlin Diane Rodriguez (Associate Artistic Director at Center Theatre Group) George Lugg (Showbox LA) Anne Bogart (Siti Company) Richard Maxwell (NYC Players) Tina Satter (Half Stradle) Mark Russell (Under The Radar Festival, Public Theater) Erin Boberg Doughton (Portland Institute For Contemporary Arts) Jay Wegman (Abrons Arts Center) Paige Evans (Lincoln Center 3) Kate Valk (The Wooster Group) Erik Ehn Linda S. Chapman (New York Theater Workshop) Annie Dorsen John Collins (Elevator Repair Service) Leigh Silverman Shawn Sides (Rude Mechanicals) John Jesurun Brain Bauman Recent fellows trips to: TBA Festival in Portland, OR Bard Live Arts Festival in Upstate NY Crossing The Line in NYC Weird Reality VR Symposium APAP January Festivals in NYC (Under The Radar, Coil, Prototype, and American Realness festival ) Philly Live Arts Festival in Philadelphia, PA OPPORTUNITIES The third year of the program offers the student the opportunity to spend one semester outside of the university. This semester away allows the student to assist a recognized director in the field, to create a broader network of contacts, and, most importantly, to “observe” a John Wells project in production. Recent opportunities for third-year graduate directors generously offered by John Wells included observing Wells direct the filming of the USA series Animal Kingdom on location in LA, the filming of August: Osage County with Meryl Streep on site in Oklahoma, and the filming of the series Shameless. Other recent semester-away activities have included working as an assistant director to Neal LaBute, The Wooster Group, John Collins/Elevator Repair Service and others; and pursuing possible job opportunities for post-graduation. Graduate directors have also been able to ‘transfer’ their productions begun at CMU to professional venues post-graduation. Apply Online –> To Apply All graduate applicants must submit the following materials by January 1st. A graduate application form A personal statement of your educational and professional aspiration which addresses why you are pursuing this line of study, what you hope to gain from graduate school, and your artistic influences, interests and professional goals. Current CV Three letters of recommendation from people who are familiar with your work Transcripts from previously attended educational institution(s) $100 application fee (payable to Carnegie Mellon University) Final applicants in The John Wells Directing Program will be invited to the School of Drama to meet the directing faculty in a workshop weekend. At that time directors will also be asked to provide more visual material and discuss specific productions at length. Sign Up To Be Reminded Of Deadlines:

Opportunities: Aerowaves Open Call (Europe) Deadline – 19 September 2018

» ‎ Contemporary Performance - Opportunities

Opportunities: Eva Yaa Asantewaa Grant For US Based Queer Women(+) Dance Artists Deadline – Oct. 21, 2018

» ‎ Contemporary Performance - Opportunities

Eva Yaa Asantewaa Grant For US Based Queer Women(+) Dance Artists Deadline – Oct. 21, 2018 Application: Online Queer|Art, NYC’s home for the creative and professional development of LGBTQ artists, is proud to introduce the Eva Yaa Asantewaa Grant for Queer Women(+) Dance Artists. The new $10,000 grant will be awarded US-based artists for making cutting-edge dance and movement-based performance work. Women(+): The Eva Yaa Asantewaa Grant employs an expansive definition of the word “woman.” Queer|Art strongly encourages self-identified women, gender-nonconforming, and non-binary artists to apply. The Eva Yaa Asantewaa Grant for Queer Women(+) Dance Artists is a new grant awarded to artists for making cutting-edge dance and/or movement-based performance work. The 2018 grant is administered through Queer|Art by women(+) for women(+), including an intergenerational panel of judges from New York, Chicago, and Los Angeles. Named in honor of visionary dance curator, critic, and educator Eva Yaa Asantewaa, the grant seeks to highlight the important contributions queer women have made to dance throughout history. Applications for the Eva Yaa Asantewaa Grant for Queer Women(+) Dance Artists are open September 6th – October 21th, 2018. Funds can be requested to support work at any stage of development, from concept to presentation. Qualifying work may be dance and/or movement-based performance work of any format. The awardee will be announced in November. “Folks who care about the art of dance—an art of the moving body in time and space—try to preserve its wonders against disappearance,” Yaa Asentewaa writes. “In a society ambivalent about, and sometimes hostile to, both the body and its artistry, lovers of dance honor the body in all of its variations, its rich stories, its wisdom and creative expression. With this award, we seek to record and honor the creative innovation and labor of queer women dance artists. To acknowledge them as full humans and artists informed and nourished by love, by experience, and by culture. To support and revere our artists for exactly and completely who they are; so they know a fierce community of peers, elders, and ancestors has got their back; and to make our world a safer, more empowering place for queer artists and, in truth, for all artists and for all people.” Eva Yaa Asantewaa is Senior Curatorial Director of Gibney, New York’s acclaimed center for dance and social activism. She won the 2017 Bessie Award for Outstanding Service to the Field of Dance as a veteran writer, curator and community educator. Since 1976, she has contributed writing on dance to Dance Magazine, The Village Voice, SoHo Weekly News, Gay City News, The Dance Enthusiast, Time Out New York, and other publications. Ms. Yaa Asantewaa joined the curatorial team for Danspace Project’s “Platform 2016: Lost and Found” and created the skeleton architecture, or the future of our worlds, an evening of group improvisation featuring 21 black women and gender-nonconforming performers. Her cast was awarded a 2017 Bessie for Outstanding Performer. As EYA Projects, she has begun partnerships with organizations such as Gibney, Abrons Arts Center, Dance/NYC, BAX, and Dancing While Black to curate and facilitate Long Table conversations on topics of concern in the dance/performance community. She was a member of the inaugural faculty of Montclair State University’s MFA in Dance program and has also served on the faculty for New England Foundation for the Arts’ Regional Dance Development Initiative Dance Lab 2016 for emerging Chicago-area dance artists. In May 2017, she served on the faculty for the Maggie Allesee National Center for Choreography’s inaugural Forward Dialogues Dance Lab for Emerging Choreographers. A native New Yorker of Black Caribbean heritage, Eva makes her home in the East Village with her wife, Deborah, and cat, Crystal. GRANT JUDGES Nora Sharp (Chicago) is a writer and performer whose work uses dance, sound, cultural analysis, and comedy, among other tools to reflect lived experience as a queer white Midwestern millennial. Nora has recently been a Co-MISSIONS Artist-in-Residence at Links Hall as well as a participant in LANDING 2.0 with Miguel Gutierrez, and has performed with and for Udita Upadhyaya, the Fly Honey Show, Bill Young, and Ayako Kato, among others. Along with offering individual process support for artists, Nora has facilitated Research Project, a works-in-progress performance and response series, since 2014. Nora has written for Full Stop and Performance Response Journal and holds a BA from Oberlin College. Julie Tolentino (Los Angeles) is a performance installation maker whose work draws from visual, archival, and movement strategies. Her work has been presented by the New Museum, The Kitchen, Participant Inc., Danspace Project, Volume, LACE, Commonwealth & Council, The Lab, Joe Goode Annex, PSi Stanford, Performa ’05 and ’13, The Wexner Center and others as well as across Europe, the UK, Philippines, Singapore, Abu Dhabi and Greece. She co-authored the group essay, “The Sum of All Questions” published in GLQ Journal (Gay & Lesbian Quarterly) focused on the legendary queer space she originated in New York City’s Meatpacking District: Clit Club (1990-2002). She recently received the Pieter Women Over-40 Grant and a Boffo Fire Island Residency. Marýa Wethers (New York City) is a “Bessie” award winning performer (Outstanding Performance with skeleton architecture, 2017) and works as an independent creative producer and curator. As a curator, she conceived and created the three-week performance series “Gathering Place: Black Queer Land(ing)” at Gibney and curated for Queer NY International Arts Festival (2015 & 2016) and Out of Space @ BRIC Studio series for Danspace Project (2003-2007). Her writings have been published in the Configurations in Motion: Curating and Communities of Color Symposium publications, organized by Thomas DeFrantz at Duke University (2016 & 2015) and UnCHARTed Legacies: women of color in post-modern dance in the 25th Anniversary Movement Research Performance Journal #27/28 (2004). APPLY Who can apply and other application criteria: Self-identified women, gender-nonconforming, and non-binary artists who are U.S. based. Qualifying work may be dance and/or movement-based performance work of any format. Funds can be requested to support work at any stage of development, from concept to presentation. Information required in the application: Contact info, narrative bio, and headshot Synopsis of project and strategy for exhibition Budget Work samples (1-2 samples, no more than 7-10 minutes total) 2 professional references CV Application and info at� [www.queer-art.org] Source: Queer Art Email

Opportunities: Residency Program In Italy (Domicella, Naples) Deadline – November 2018

» ‎ Contemporary Performance - Opportunities

Residency Program In Italy (Domicella, Naples) / Live Performance Artists, Music, Video Artists from July 2019 Deadline: November 2018 Online Application: kultursciok@gmail.com Fee to Participate or Apply: 70 each Description Of Opportunity: About us / art residency Kulturscio’k is not-for-profit company dedicated to producing, discovering, supporting international contemporary artists working in performance, new forms, art, music, film, literature, architecture, theater, fashion and other creative disciplines and fostering opportunities for multi-disciplinary dialogue. Innovation and development of new forms The element of collaboration and exchange is one of the founding principals of the company and factory-residency is a new way to host artists, with the hope that by bringing together different areas of practice, we will generate new creative outlooks, unparalleled research, and exciting new impulses. The goal of the residency is to create a dialogue a new way to form and perform. To choose work that has as an objective to experiment and to explore unknown paths. To meet new collaborations. to create a new event /festival in the area inviting artists to come back to create site-specific works to collaborate in the art factory development. The artist residency co-exists with the guest accommodation and interesting workshops that time by time coexist and can be attended by the selected artist. The resident artists become part of the community life. The small village of Domicella has one restaurant one bar one shop, no ATM. And a very intimate and small community living close to the most beautiful ancient archeological sites in the entire world Pompei, Naples, amalfitan coast Local life and artists /art factory Artists Are welcome to integrate the community. The kitchen can be run from different local people bringing local products to eat but normally each artist prepare his food and lunchtime or break is a moment where people can talk exchange or discover new forms of collaborations Residency program This is a call to select 18 artists. They will be hosted in the house in groups of maximum 8 people /10, and have availability of rehearsal space and external spaces A residency program that runs from July to December each year in Campania , Italy. First season started in july 2018 with great response. Located in the Vallo di Lauro Campania countryside, but less than 40 Minutes away from the unique sites of Pompei and Ercolano We strongly suggest renting a car . The location Villa Santa Maria in domicella, sits in between Vesuvio and Vallo di Lauro , a site with old roots and a land rich of history and Culture. It is the ideal Place to develop an artistic project and to change cultural system. The company offers artists a 6 /7 days / stay providing onsite accommodation and rehearsal space or studio . Residents are invited to live in the nineteenth century villa, a magnificent building just renovated belonging to a prestigious italian family which makes the place full of memories and real history . Food and travel are at artists charge at least until we do not find public fundings to finance the space. A program of regular workshops and other events are run by the company there in collaboration with the residents to promote interaction and exchange of ideas both among the residents and with the wider community. Further facilities include free wifi throughout the place, a huge rehearsal space a library normally workshops are run with artists that come to the residency two or three times because reinvited by the company. More about this place that is not like other places The residence of Kulturscio’k in Domicella is located in the Santa Maria’s Property belonging to the prestigious neapolitan family Siniscalchi It is an ample construction marvellously restructured in 2014 and built in the beginnings of last century. Domicella is a small country situated in a woody basin to the borders of the Vallo of Lauro and Nola, almost 35 km from Naples (40 minutes by car). Dipped in the green, Domicella is also characterized by a particularly mild climate. Fresh and windy air in summer, sweet in winter. Displaced on 3 floors and absorbed in the light with 7 bed rooms , 6 baths, and an ample kitchen, the residence can arrive to host up to 13/15 people. More about artists not like other artists …. The residence has wireless, apple tv, airplay in the rehearsal room. From the great garden that surrounds the house characterized by fruit trees it is possible to relax enjoying the view of Vesuvius Vulcan and on the Valley of Lauro. In the last floor, a room of 35 square meters with parquet can be used for stretching, meditation, watching videos etc.. Rehearsal room is a huge room of 110 square meters, 6 meters high, with linoleum on the floor, heater, dehumidification system. Particularly pleasant to work in the summer season in which the temperature of the room doesn’t overcome 25 degrees. That is the reason why normally artists are lodged with other artists unless it is a rental request Leaving us with a possibility to keep going the dialogue … Artists are all requested to donate a work or a memory at the end of residency And to mention the name of residency in each future exhibition or conversation around the work and regular présentations And open doors to locals curators or guests The objective is to keep a dialogue with selected artists to help them to find a network and to find a new form of collaboration That is why once the artists are going to be invited to come back if there is a special reason to continue the dialogue with the company and with us during the residency artistic directors and members of the company are in touch with artists, they will dialogue about possibilities to develop the work and they will try to be available for an artistic exchange with selected artists If an artist is invited to come back, then there will be a possible public showing of the work and we will try together to build a site-specific performance out of the rehearsed work. More information on www.kultursciok.com And� [www.kultursciok.com] Contact Email:kultursciok@gmail.com Website:� [www.kultursciok.com] How To Apply: The Application and Selection Process Application to the Kulturfactory Residency program is made through an email request including examples of work and CV information, as well inviting applicants to detail what they hope to achieve. We suggest each document one page with five to six pictures. so: one-page cv , one-page artist statement, one-page project, and up to six jpg pictures that we will use in our social communication if selected. Promising applicants are then going to be in touch with the company resident artists are selected through the application process Contact Email:kultursciok@gmail.com Website: kultursciok.com/index.html LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Permalink for 'Call for Choreographers – Dance Canvas’ 2018-19 Choreographer Career Development Initiative (Atlanta, GA) 2018-19 Season (Beginning September 2018; Performances March 2019)'

Call for Choreographers – Dance Canvas’ 2018-19 Choreographer Career Development Initiative (Atlanta, GA) 2018-19 Season (Beginning September 2018; Performances March 2019)

» ‎ Contemporary Performance - Opportunities

Call for Choreographers – Dance Canvas’ 2018-19 Choreographer Career Development Initiative (Atlanta, GA) 2018-19 Season (Beginning September 2018; Performances March 2019) Deadline: August 20, 2018 Online Application: [https:] Fee to Participate or Apply: No fee to apply; $150 tuition for selected choreographers Description Of Opportunity: CALL FOR CHOREOGRAPHERS Dance Canvas is kicking off our 11th season and we are looking for Emerging Choreographers or movement based artists who are interested in creating new works for our 2018-19 Choreographer Career Development Initiative. For this year’s program, we will select up to 10 choreographers to work with Dance Canvas to be presented in our 2019 Performance Series at the Ferst Center for the Arts on March 22nd & 23rd 2019. Choreographers will spend 5 months conceiving, work-shopping concepts, and receiving feedback/mentorship with the end goal of presentation in our performance series. We encourage choreographers from all genres of dance to consider applying. In the past, we have presented ballet, modern, jazz, hip hop, aerial, and tap choreographers, as well as multimedia and dance filmmakers. Don’t be afraid to pitch something unique…Originality is a factor in our selection process. Applications are open to Atlanta-based and out-of-state choreographers. (*Scholarships available for out of state choreographers) We define “emerging professional” as: – Artists with professional credentials in dance/art industry (*If applicant does not have professional experience, we encourage collaborations) – Less than 10 years of experience choreographing for professional companies – An artistic transition for an experienced choreographer (*ie. An experienced Hip Hop choreographer, transitioning to dance filmmaker) – A new dance company or collaborative – An established dance company that is supporting the work of a resident emerging choreographer Emerging Professional applicants must be at least 18 years old, and not currently enrolled in an undergraduate college, university or conservatory program (*Exceptions: Kennesaw State University or Georgia Tech student choreographers should contact their department heads for more information on our collegiate partnership opportunities). Graduate/Doctoral candidates can apply. Selected Choreographers receive: – Discounted/Free Studio Rehearsal space – Access to professional dancers (assistance with dancer casting/auditions) – Professional photography and video of the performance – Marketing/Promotion of your project – Workshops and Mentoring opportunities – Performance (rehearsal/tech time) at the Ferst Center for the Arts – Industry network connections (Complimentary tickets) – Teaching/residency opportunities (*based on request from partner institutions) How To Apply: Application DEADLINE 11:59 pm on August 20, 2018 For more information and to APPLY: [https:] Contact Email:aharris@dancecanvas.com Website: www.dancecanvas.com LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: VAFA 2018 (Macau) Deadline – 30 August 2018

» ‎ Contemporary Performance - Opportunities

VAFA 2018 (Macau) November 2018 Deadline: 30 August 2018 Online Application: [www.afamacau.com] Fee to Participate or Apply: no fee Description Of Opportunity: VAFA 2018 – the sixth Video Art For All International Video Art Festival will be held at Casa Garden this coming November. Launched in 2010 and organized by Orient Foundation and Art For All Society the festival has continuously received an overwhelming response to its International Open Call with submissions from the 4 corners of the world. VAFA has also grown in the format during the years partnering with other video art festivals and guest curators for extra competition screenings. In 2012 the festival started to be a biennial and with that started to include known artists in the field to present their work in Macau – names such as AES+F, John Baldessari, Laurence Weiner, Harun Farocki, William Wegman, Miranda July, Zhang Huan, Cui Xiuwen and Xing Danwen are among this international voices. The open call for this year festival’s is now open accepting submissions till 30 of August. A number of words will be selected for the main exhibition while other works may be included in screening sessions. The First Prize winner receives 1000$US and is invited to come to Macau to receive the award and share his work in a talk with his flight fee and accommodation also covered by VAFA. This year VAFA will also recognize two other works with merits and a 500$US prize. Regulations can be found here� [www.afamacau.com] How To Apply: Regulations 1. Requirements of the entry: 1.1 Submitted videos must have been completed after January 2016. 1.2 Running time must not exceed 15 minutes. 1.3 Non-English spoken videos should have English subtitles. 2. Submission of the entry form and Delivery of the entry: 2.1 Videos can be submitted online with the entry form, each submission should have one entry form. 2.2 Only AVI, MOV or MPEG files via free upload service such as www.sendspace.com, www.wetransfer.com or www.dropbox.com would be accepted. 2.3 The best resolution file of the video file should be sent. Low-quality video files have fewer chances of being selected. 2.4 Videos without an application form will not be accepted for the competition. 3. Mailing address: 3.1 All required materials should be delivered to one of the following: By email: VAFA2016@afamacau.com 4. Submission deadline: The submission deadline is 30th of August 2018. 5. Exhibition date and venue: The exhibition will run in November, 2018, at Casa Garden together with “Autumn Salon 2018” – Macau Oriental Foundation. 6. Jury: 6.1 All submissions will be selected by a group of international curators and artists. 6.2 Jury’s decisions are final and no appeal will be accepted. 7. Awards: 7.1 The best video will be awarded with USD$ 1000. The awarded artist will be invited to present the work at the exhibition opening. 7.2 Two merits will be awarded with USD$ 500. 8. Criteria: Video Art today is recognized as an autonomous art form therefore we have no fixed criteria concerning work theme or form as long as it can be understood as contemporary art. 9. Numbers of the entry: 3 videos (Maximum) can be submitted from each artist. 10. Others: 10.1 The festival entry is free. 10.2 Selected works will be used in research work and non-commercial screenings related to the event. 10.3 Applicant should accept that an insert from the video, 30 seconds long at most, can be presented for Festival promotion purposes. 10.4 Applicant is responsible for all the copyright. The signing of the form is a guarantee of the originality of the work. Any breach on legal terms and the applicant will be disqualified. 10.5 The organizer reserves the right to interpret or amend the regulations and details of the Festival. Contact Email:josedrummond@yahoo.com Website: VAFA 2018 – the sixth Video Art For All International Video Art Festival will be held at Casa Garden this coming November. Launched in 2010 and organized by Orient Foundation and Art For All Society the festival has continuously received an overwhelming response to its International Open Call with submissions from the 4 corners of the world. VAFA has also grown in the format during the years partnering with other video art festivals and guest curators for extra competition screenings. In 2012 the festival started to be a biennial and with that started to include known artists in the field to present their work in Macau – names such as AES+F, John Baldessari, Laurence Weiner, Harun Farocki, William Wegman, Miranda July, Zhang Huan, Cui Xiuwen and Xing Danwen are among this international voices. The open call for this year festival’s is now open accepting submissions till 30 of August. A number of words will be selected for the main exhibition while other works may be included in screening sessions. The First Prize winner receives 1000$US and is invited to come to Macau to receive the award and share his work in a talk with his flight fee and accommodation also covered by VAFA. This year VAFA will also recognize two other works with merits and a 500$US prize. Don’t miss this opportunity to see your work featured in an international festival. Regulations can be found here [www.afamacau.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Permalink for 'Opportunities: Draw to Perform Residency for Drawing Performance (Copperdollar Studios, 22 Montague St, Brighton BN2 1JX) Deadline – Thursday 30 August 2018 11:00am BST'

Opportunities: Draw to Perform Residency for Drawing Performance (Copperdollar Studios, 22 Montague St, Brighton BN2 1JX) Deadline – Thursday 30 August 2018 11:00am BST

» ‎ Contemporary Performance - Opportunities

Draw to Perform Residency for Drawing Performance (Copperdollar Studios, 22 Montague St, Brighton BN2 1JX) 6-20 October 2018 Deadline: Thursday 30 August 2018 11:00am BST Online Application: [https:] Fee to Participate or Apply: £30 Description Of Opportunity: What does the program offer? The D2P Residency program is a unique opportunity for new and developing professional artists and art students to engage in the dynamic artistic discipline of drawing performance art. The program provides the foundation to develop drawing and performance skills and to translate creative practice into live action. This rigorous 15 days structured program of mentored residency includes one-on-one tutorials, workshops, intensive studio time, studio visits and artist talks by UK drawing performance artists. The program is headed by artist and curator Ram Samocha, who is internationally acclaimed and the founder of Draw to Perform. The residency will be located in the heart of Brighton, one of the most vibrant and colourful cities in Europe and a centre of creativity, vibrancy and progressive art. The program will also include guided tours to key exhibitions and art events in Brighton and London and will end with an evening of live drawing performances to celebrate and showcase the output of this creative time. What’s included? – Accommodation in Brighton + daily breakfast with 3 evening meals – Shared studio space – Guided tour of London’s art museums and galleries – 2 Guest artists and curators talks and discussions – Lectures about drawing and performance art – Access to a wide range of publications about drawing and performance – Admission to a live performance in Brighton – Opportunity to share and showcase work-in-progress – Public collaborative drawing performance action – Final live performance of your work in an event that is open to the public How To Apply: Register now for the Draw to Perform residency program here. After paying the registration fee please submit your application via email to: drawtoperform@icloud.com (with the title ‘D2P Residency Oct 2018’ in the subject line). Contact Email:drawtoperform@icloud.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Call for Artists 2019 (Barcelona) Deadline – 19th of August 2018

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Call for Artists 2019 (Barcelona) 2019 Deadline: 19th of August 2018 Online Application: [www.blueprojectfoundation.org] Fee to Participate or Apply: free Description Of Opportunity: OBJECT and PURPOSE The BLUEPROJECT FOUNDATION is a non-profit organization based in Barcelona whose main aim is to support and promote national and international artistic creation. This support is made through an exhibition and residency programme that promotes artists and works, which propose reflection of today’s aesthetic, social and intellectual issues. The selected artists will be chosen according to the conditions established in this CALL FOR ARTISTS, outlined below: TERMS AND CONDITIONS 1. Participants This call is open to any artist interested as an individual or on behalf of a group or company, regardless of their age, nationality or creative discipline. 2. Proposals / projects From this call, it will be chosen 2 projects of exhibition as a final result (with a maximum of 8 weeks) and 1 project of performance (for at least one public presentation). Priority will be given to new and original projects. Each participant can submit a maximum of one individual proposal and one collective. The production support and the residency must allow the conception, formalization, production and/or completion of the proposed project, using the facilities of the workshop if needed, with the objective of its following exhibition / presentation at the Sala Project of the foundation. Submitted projects may include any artistic-cultural field (painting, sculpture, photography, drawing, design, music, film, video, action, installation, writing, events, performances, edition, poetry, ecology, gastronomy, theatre, dance and movement, etc.) regardless the format or technique employed. Each project must be developed or completed in a period of residency of maximum two months previous to its presentation / exhibition, at the usual open hours of the foundation (from Tuesday to Sunday from 10 a.m. to 8 p.m.). The period of residency for performance projects may be flexible and to be agreed according its work plan and the foundation calendar. 3. Presentation of the applications Applications must be submitted using the application form at the foundation’s website, before midnight (Spanish time) of August 19th 2018. In order to the submission be valid, the applicant must fill in all fields of the form and attach the documentation required, which includes: A) Project description. It must be a SINGLE document summarizing the project. It must be written in English, Spanish or Catalan and be sent in PDF format (10 MB max). The document must include the following information: o Description of the proposed project: a conceptual, technical and production description of the project (maximum 1,000 words). The project can’t be modified once accepted. o Non-binding schedule or estimated working plan, indicating any preferences regarding the time needed for the project’s development and preference of residency period. o Visual documentation of the proposal (images, video, sketches, models, spatial designs, etc.) o Technical needs and duration in the case of performances (if the project is not completed, needs and estimated duration) o Any other information needed to fully understand the project (project images or past works, links to videos of other works, etc.) o Explanation of any other support, grants or institutions involved in the project, if any. o Brief biography and curriculum of the artist, collective or company. B) Budget of the project. Total estimated budget, itemized by the different concepts and their economic values, in order to clearly evaluate the economic dimension of the project. The artist’s fees (and other collaborators, performers, etc.) should be considered in the total budget. 4. Calendar and timeframe This call for artists opens on June 21st and ends on August 19th 2018 at midnight, Spanish time. No applications will be accepted after the deadline. The projects will be presented at the Sala Project in the period between January and May 2019. 5. Projects selection The selection of projects will be carried out by the foundation’s team, led by Renato Della Poeta and assisted by Pedro Torres and Cristina López. The foundation may request from the artists documentation or clarifications at any time during the selection process, as well as telephone or face-to-face interview that will allow a better understanding of the selected project and the artist’s work. The decision of the jury will be unappealable and the foundation reserves the right to decide before any eventuality not provided in these terms. The selection criteria will be: the quality of the artistic projects, budget viability in accordance with these terms and with each project, the adequacy of the proposal to the Sala Project and the artist’s career. The final decision of the jury will be communicated to participants and to the general public on 27th September 2018 through the foundation’s official website and social media. The foundation will not communicate the results for the call individually nor confirm the receipt of projects. Once the winners are announced, a document will be drawn up outlining the responsibilities and contributions of each part, as well as the timeframe for the proposals’ completion and presentation and the resources needed for their correct development. The foundation and/or jury reserve the right to declare the call total or partially void and open another submission period. 6. Contribution of the Blueproject Foundation The foundation commits to providing a range of materials and human resources for the proper development of the projects. o Use of the entire workshop space for a maximum period of two months (for each project) to develop the selected project. The use of this space includes free Wi-Fi, basic cleaning of the space and the tools and resources at the foundation’s disposal. o Programming the exhibition/presentation of the project at the Sala Project calendar during the year 2019, with a maximum duration of eight weeks for exhibition projects and a minimum of one public presentation for performance projects. The period in which they will take place is from January to May 2019. The specific dates will be agreed with the winning artists in each case. o Economic contribution of a TOTAL of 16,000 euros (all taxes included) to be shared among the three winning projects, assigned to cover the project costs or any other expenses directly related to it (installing, exhibition operation, flights, accommodation and expenses in case of Barcelona non-resident artists, etc.) or to the proper functioning of this open call. o Contribution to the optimal development of the projects through the provision of any information and resources possible within the budgetary and staffing constraints of the Blueproject Foundation. o Communication and promotion of the proposal as well as its exhibition using all possible resources through the foundation’s media channels (press, web, social media, etc). 7. Participants’ commitment The submission of an application to this call implies the acceptance of the conditions established therein and the express acceptance of a series of obligations: o Artists allow their name to be mentioned, as well as graphic/visual reproduction of their work for any kind of promotion or publication that the Blueproject Foundation considers appropriate. o The selected project must be carried out within the budget and timeframe agreed within the residency programme framework. o The chosen artists agree to make good use of the facilities and equipment provided to develop their proposals. o The approved budget must include the costs of setting up and dismantling the exhibition. The foundation does not have any installing personnel or specialized equipment. However, it can be commissioned to external staff and technicians, whose fees must be included in the project budget. o The Sala Project is not a scenic space and has a regular exhibition lighting system (rails for spotlights). The resources for a more complex stage setup must be considered in the technical project of the proposal and assumed within the budget. The room can be adapted (wall painting, construction of furniture, etc.) according to the possibilities of the space, the budget of the project (which has to consider the reconditioning of the space to its original state) and with the permission of the foundation. o Once the exhibition is over, for those projects with resulting artworks, the artist must choose between these two options: § Donation of one of the produced works to the Blueproject Foundation’s collection. § If the artist sales the works, 30% of the final price (until a maximum that can’t exceed the production costs of the project) will go to the Blueproject Foundation. o Once the period of presentation/exhibition is finished, the artists commit themselves to retake their works and materials within a period of 3 months. Otherwise, the Blueproject Foundation will not be responsible for the works and materials stored in the foundation. 8. Acceptance of these terms Submitting artists accept all the items outlined in these terms and conditions and commit to signing a Collaboration Agreement with the Foundation that outlines all the provisions in relation to the collaboration between both parties. How To Apply: Applications must be submitted using the application form at the foundation’s website, before midnight (Spanish time) of August 19th 2018. In order to the submission be valid, the applicant must fill in all fields of the form and attach the documentation required, which includes: A) Project description. It must be a SINGLE document summarizing the project. It must be written in English, Spanish or Catalan and be sent in PDF format (10 MB max). The document must include the following information: o Description of the proposed project: a conceptual, technical and production description of the project (maximum 1,000 words). The project can’t be modified once accepted. o Non-binding schedule or estimated working plan, indicating any preferences regarding the time needed for the project’s development and preference of residency period. o Visual documentation of the proposal (images, video, sketches, models, spatial designs, etc.) o Technical needs and duration in the case of performances (if the project is not completed, needs and estimated duration) o Any other information needed to fully understand the project (project images or past works, links to videos of other works, etc.) o Explanation of any other support, grants or institutions involved in the project, if any. o Brief biography and curriculum of the artist, collective or company. B) Budget of the project. Total estimated budget, itemized by the different concepts and their economic values, in order to clearly evaluate the economic dimension of the project. The artist’s fees (and other collaborators, performers, etc.) should be considered in the total budget. Contact Email:residencia@blueprojectfoundation.org Website: [www.blueprojectfoundation.org] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

Opportunities: Open Call – OPERA PRIMA 2018 (Rovigo, Italy) Deadline – 14th July 2018

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OPERA PRIMA 2018 (Rovigo, Italy) from the 13th to the 16th September 2018 Deadline: 14th July 2018 Online Application: [https:] Fee to Participate or Apply: free Description Of Opportunity: The call is opened to single artists or emerging and independent professional companies that work with professional purposes in the field of contemporary theatre, dance and performing arts. Deadline: 14th July 2018 Premises Nine years after its last edition, Opera Prima Festival is going to come back in Rovigo (I)from the 13th to the 16th September 2018. The Festival is organized by Association Festival Opera Prima ets in collaboration with Teatro del Lemming and the Culture Department of the Municipality of Rovigo and with the support of Cassa di Risparmio di Padova e Rovigo Foundation and of the Italian Ministry of Culture and Tourism. Born in Rovigo in 1994 under the artistic direction of Teatro del Lemming, Festival Opera Prima became immediately an event able to lead to critical attention a new theatrical generation that, in the 90s, was completely excluded from the Italian theatre scene. OPERA PRIMA became a “home” and a reference point for this generation, that soon proclaimed itself “Generation of the Invisible Theatres”. The Festival was really important to support those artists stand out. In recognition of this activity, in 1996 the Festival was the winner of the UBU “Giuseppe Bartolucci” prize, awarded by a jury led by the critic Franco Quadri. Coherently with its history, this new edition of Opera Prima wants to host and enhance the multiplicity of trends and researches in European theatre scene. It also wants to represent a bridge between different theatrical generations: in addition to the performances selected by this call, every year there will be four important artists or European historical theatre groups, that have to invite to the festival an unknown young artist or an unknown young group. Object This call for entries is open to groups or artists that practice experimental theatre throughout Europe.We consider EXPERIMENTAL THEATRE those pieces that really question the different elements of theatre as the dramaturgy, the actor, the role of the spectator and the scenic space. In other words, experimental theatre is all that unconventional theatre pursuing the autonomy of scenic language from a written play; the redefinition of the scenic space; the reformulation of the role and the gaze of the spectator; an original actors’ training; a bond that connects the actors to the company’s project. Participation requirements The call is open to individual or groups of Italian and European artists operating in the field of theatre and performing arts, structured in any legal form that allows them to fulfill the administrative and bureaucratic practices necessary to finalize their performance. Only artistic projects that conduct an experimentation with scenic languages, according to the points mentioned above, are eligible for selection. The Festival artistic direction selects original works that have not been yet performed, as well as works that have already had their debut, but which have not yet reached an adequate circulation and/or visibility. Publication of results The association “Festival Opera Prima” will contact the representative person of the selected performances once the selection process has been completed. Conditions The selected performances are going to be included in the 2018 edition of Festival Opera Prima. All expenses and practices concerning copyrights, organization, communication, staff, promotion of the event will be in charge of the organization of the Festival. At each selected company will be paid, after the presentation of an invoice, a fee that has to be agreed. To the people working in the performance will be guaranteed the possibility of lodging at an affiliated guest house. Calendar and venue of performance All the performances will take place from the 13th to the 16th of September 2018 in Rovigo inside the venues used by the Festival. The performances can even be realized in unconventional locations or outdoor. The artistic direction could ask the selected companies to realize more repetitions of the performance. Obligations Selected candidates commit to: support the promotion of FESTIVAL OPERA PRIMA throughout their channels (website, social, press office…); respect Festival praxis regarding set-up times and rules; perform the selected work on the agreed day or days. Participation in the announcement implies full acceptance of this regulation. The organization reserves the right to decide on issues not expected by this regulation. How To Apply: Submissions have to include: The artistic curriculum of the company or of the artist; Artistic form and technical specifications of the performance; link to the full video of the performance (if the proposal consists of a debut, link to previous works). All the submissions have to be sent by e-mail to: operaprimafestival@gmail.com having on the object of the mail “Submission to Opera Prima Festival 2018” by 12.00 pm on the 14th July 2018. Other ways of sending materials are not accepted. Participants authorize, pursuant to Law 196/2003 and to GDPR – European Regulation no. 2016/679, the processing of personal data and the use of the sent information for all the purposes related to the announcement. Contact Email:organizzazione@teatrodellemming.it Website: www.festivaloperaprima.it LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: PAVEMENT: A Festival of Pop-up Performances in Public Spaces (Portland, OR) Deadline – July 6

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PAVEMENT: A Festival of Pop-up Performances in Public Spaces (Portland, OR) August 2nd 2018 Deadline: July 6 Online Application: [https:] Fee to Participate or Apply: 0 Description Of Opportunity: Risk/Reward seeks individual artists or collectives that would like to create a short form ( under 10 minute) performance in a site-specific location along the First Thursday Gallery walk in the Pearl District of Portland, Oregon on August 2nd. Longer or durational performance will be considered on a case by case basis. One development workshop will be offered to discuss and workshop your piece prior to the festival. About Risk/Reward: Risk/Reward champions artists and audiences who push the boundaries of the performing arts. We promote a supportive and equitable arts ecology that: Empowers artists who live and work in our region. Cultivates audiences that are hungry for adventurous performance work. Forges collaborations across artistic disciplines and communities. Ignites ideas and provokes possibilities. About PAVEMENT: National and local artists will engage with the environment and the community through short form site-specific performances in public spaces throughout the First Thursday gallery walk enlivening our streets with unexpected images and experiences. Submissions should: Be site-specific You don’t need to know the exact site of your performance, but please put any architectural elements that your piece requires ( sidewalk, stairs, elevated platform, tree etc.) Be self contained ( any technical elements/props must be part of the performance and require no prior set up or clean up) – All types of performances will be considered including dance, performance art, theatre, etc.) Artists are required to: -Attend meeting/workshop on June 30th at Artists Rep to rehearse and get feedback. -Be available at least two hours before the start of the event for a dry run/walk through. To Submit please fill out this form by July 6th at noon PST * please direct any questions to tracyCfrancis@gmail.com How To Apply: Apply online here: [https:] Contact Email:tracycfrancis@gmail.com Website: [risk-reward.org] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Education: Master in Directing of Devised and Object Theatre (Prague, CZ) July 9, 2018

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The Master in Directing of Devised and Object Theatre DAMU Deadline: July 9, 2018 Apply Online:� [https:] Extended Deadline for submissions to MA in Directing of Devised and Object Theatre is July 9, 2018. a 2 year English language program at the Department of Alternative and Puppet Theatre (KALD), Prague, Czech Republic. Learn New Ways to Do Theatre PROGRAM OVERVIEW The Master in Directing of Devised and Object Theatre offers advanced studies in the practice of theatre-making with a twofold focus: learning the process of devising a theatre performance from scratch, with a strong emphasis on a visuality of expression. Students will learn to create theatre performances with strong visual, spatial, object and media (low tech) aspects, as well as working in other related performance forms such as scenographic installations, sound performances, and other types of performances with strong visual and spatial dramaturgy. The process will be based in devising techniques: creating thematic, conceptual, and/or documentary projects that are not based in pre-written plays, but are created mainly through the process of rehearsing, often as collaborative work of the whole creative team. Students will learn to work with variety of authentic, found, and created material: poetry, images, fragments of plays, songs, historical events, personal stories, scientific findings, common knowledge, pop culture etc. Students will further learn a conceptual approach to research and development of materials, creating specific performance structures (in the sense of narrative, space, and relationship to audience), for specific material, and proposing new ways for audience to perceive/experience the performance to provide the students with skills to become independent authors. SKILLS ATTAINED – Directing theatre performances with strong visual and spatial components – Devising performance from a variety of material – Devising using one’s own material (not only interpreting already existing material) – Research and development of material – Creation of a variety of dramaturgical structures and research of material – Performing, and working with performers – Performance designing (scenography) COURSE LEADER MgA. Sodja Zupanc Lotker works as a dramaturg for independent devised theatre, dance, media and site-specific projects, working often in unusual performance spaces in Czech Republic, USA, Brazil etc., for instance with CIA Dani Lima, Lotte van den Berg, Farm in the Cave, Cristina Maldonado as well as Lhotakova/Soukup dance company. She was Artistic Director of the Prague Quadrennial of Performance Design and Space 2008-2015, and has curated numerous exhibitions and events for the PQ since 1999. She has been teaching and giving lectures at Visual Arts Academy in Brno, Academy of Performing Arts in Prague, Columbia University, Yale School of drama, KhIO Oslo, Central School of Speech and Drama London, Kiasma Helsinki and a number of festivals and symposia. WEBSITE: [https:] CONSTACT: sodja.zupanclotker@damu.cz

Opportunities: Visual Music Vortex Festival Open Call (Boulder) Deadline – August 15th 2018

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Opportunities: PAWA2018 Open Call (Wellington, NZ) Deadline – July 18th

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PAWA2018 OPEN CALL (Wellington) November 14-18th Deadline: July 18th Online Application: [https:] Fee to Participate or Apply: Description Of Opportunity: Open Call – Performance Artists 2018 PAWA 2018, 14th-18th November, Wellington City, New Zealand We are now accepting applications for the second edition of Performance Art Week Aotearoa. PAWA is a 5 day performance art festival dedicated to showcasing performance artwork from around Aotearoa and the world, developing knowledge and building community connections. We encourage artists to stay for the full week if possible, as our programme includes heaps of awesome opportunities to learn new techniques, network with other artists, and view lots of amazing performance art pieces! PAWA aspires to be an accessible event so most of our events will be koha or low cost. We are looking to create a diverse programme with durational, participatory, indoor, public, and site-specific performances, alongside workshops, discussions, and other undefinable happenings. PAWA 2018 is open to a range of thematic performance works, as we aim to construct a festival from what artists have to offer; instead of dictating a theme. play_station gallery and Thistle Hall will be hosting PAWA 2018, however, to accommodate for a variety of performances, we are happy to discuss the use of other sites and public spaces. (This year we are especially interested in showcasing projects that are engaging with public space.) What we can offer? PAWA will provide artists with a $100 transport subsidy for all artists coming from outside Wellington. PAWA will provide an artist fee for each participating artist that will be a minimum of $50 (more if funding provides). PAWA will provide accommodation for any artists coming from outside of Wellington. PAWA will provide a free breakfast for four days during the festival. As a participating artist, you will have free access to all events taking place in the festival. PAWA will provide you with high-quality photographic documentation of your work. If you are interested in holding a workshop or a discussion there will also be a fee provided. How To Apply: Send us a proposal for your work that includes the concept, the pragmatics of what you will actually do, any technical or spatial needs you may have, and any photography or video that is relevant to the piece. We want to know a bit about you and your practice so please include a CV or an introduction to who you are, what you are about and why you would like to be involved – feel free to present this information as formally or informally as you like. Please include any links you may have to your own website, former work, your Instagram, etc. **Let us know if you intend to attend the whole festival.** Please send us this information in ONE PDF document or a video file using your full name as the title. (If you are neurologically diverse or have physical limitations that will impact your ability to send in a PDF or video proposal, please get in touch with us, we are open to accepting other kinds of proposals.) We are happy to discuss any queries you may have, just get in touch! Email us your applications at performanceartweekaotearoa@gmail.com or contact Sara Cowdell on 0273761729 Due 5pm, 18th July 2018. Contact Email:performanceartweekaotearoa@gmail.com Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Permalink for 'Opportunities: City of Women – Open Call For Producers, Programmers, Art Directors, Curators And Journalists! (Ljubljana, Slovenia) Deadline – 26. 7. 2018'

Opportunities: City of Women – Open Call For Producers, Programmers, Art Directors, Curators And Journalists! (Ljubljana, Slovenia) Deadline – 26. 7. 2018

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Open Call For Producers, Programmers, Art Directors, Curators And Journalists (Ljubljana, Slovenia) 5. 10. – 8. 10. 2018 Deadline: 26. 7. 2018 Online Application: info@cityofwomen.org Fee to Participate or Apply: Free Description Of Opportunity: THE WOMEN WARRIORS ARE COMING! Save the date. Be part of the fiercest happening in October. We are proud to announce the 24th International Festival of Contemporary Arts – City of Women. Five intense festival days of exhibitions, performances, concerts, debates, workshops and socializing, with several events that will last till the end of October. It was 1995 when a unique and impressive fusion of high politics, civil society, women movements and activism, contemporary arts, performance and feminist culture took place in a small East-European country called Slovenia. Its capital Ljubljana became “City of Women”. Since then, the International Festival of Contemporary Arts – City of Women brings together from all over the world, diverse feminist, gender and critical theory experts and bold, unconventional and amazing women artists with strong artistic proposals, and a taste for experiment and social awareness. The Association for the Promotion of Women in Culture – City of Women aims to encourage intersectional discussions on feminism and promotes gender equality in the Arts and produces innovative, high-profile and cutting-edge art events. Come and discover some of our boldest and rewarded performers and authors! Within the 24th International Festival of contemporary Arts – City of Women a special focus will also be dedicated to Slovene artists. With this call, we invite you to join us on the Slovene focus. With additional networking opportunities and new professional experiences, City of Women is offering you also the total program insight, as well as support for travel and accommodation costs between 5. 10. – 8. 10. 2018 for some of you. If you are curious about us, have a look at our online video archive [https:] which includes many excerpts and statements from our previous artists and guests. How To Apply: Please apply till the 26th of July 2018 with a short bio and/or presentation of your organization to info@cityofwomen.org. Contact Email:info@cityofwomen.org Website: www.cityofwomen.org LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: 2019 S&R Foundation Washington Award (Washington DC) Deadline – August 3, 2018

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Opportunities: OPEN CALL – POOL International Dance Film Festival (DOCK11, Kastanienallee 79, 10435 Berlin) Deadline – 2nd July 2018

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OPEN CALL – POOL International Dance Film Festival (DOCK11, Kastanienallee 79, 10435 Berlin) 12-15th September 2018 Deadline: 2nd July 2018 Online Application: [www.pool-festival.de] Fee to Participate or Apply: – Description Of Opportunity: Festival: September 12-15 at DOCK 11, Berlin Deadline: 2nd July 2018 PROFILE The 12th edition of POOL will present a selection of fascinating dance film productions from all over the world, which makes the event a meeting place for creative people involved in the fields of dance, film, fashion and advertisement. POOL focuses on the intense interplay between dance and the techniques of film, exploring the possibilites and boundaries of the art form. PARTICIPATION All dancers, choreographers, filmmakers and artists are invited to apply with dance short films and dance animations.  Films should not be longer than 30 minutes and also not a pure documentation of a dance piece. PROGRAMME & PEARLS The POOL 18 jury will create a film programme from all submissions and select the winner films, the PEARLS 18. PEARLS are the equal winners of POOL – INTERNATIONALES TanzFilmFestival BERLIN and will be honored with a price. Selected films will be screened on ikono.tv. If you have any further questions you can contact us at all times. How To Apply: APPLICATION AND PARTICIPATION DOCUMENTS Applications can be submitted online. Preview link for the jury (can be insert into the online application form) Only if your film is chosen for the programme: Filled and signed online application form as scan to info@pool-festival.de 3 digital film stills, minimum 300 dpi Optional: biography, video testimonies and useful informatio Contact Email:info@pool-festival.de Website: [www.pool-festival.de] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Open Call – Dirty Debut – Call For Young Performance Artists (Berlin, Germany)

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Opportunities: CHOP SHOP: Bodies of Work – Call for Choreographers (Bellevue, WA, USA) Deadline – July 18, 2018

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CHOP SHOP: Bodies of Work – Call for Choreographers (Bellevue, WA, USA) February 16 & 17, 2019 Deadline: July 18, 2018 Online Application: [bit.ly] Fee to Participate or Apply: None Description Of Opportunity: CHOP SHOP: Bodies of Work 2019 – Call for Choreography WHO: Individual artists and dance companies working in contemporary dance and based in the U.S. or Canada WHAT: CHOP SHOP: Bodies of Work, a contemporary dance festival WHEN: February 16 & 17, 2019 WHERE: Meydenbauer Center Theatre, Bellevue, WA, USA DEADLINE FOR APPLICATION: 11:59 PM (PDT), Wednesday, July 18, 2018 CHOP SHOP: Bodies of Work is seeking U.S. or Canada based individual artists and dance companies with contemporary dance work to be presented at the 2019 festival (February 16 & 17, 2019), alongside master classes and a free community outreach program. Approximately eight individual artists and/or dance companies will be selected and their work will be presented in both festival performances (Saturday evening and Sunday matinee). In addition to participating in the festival performances, artists have the opportunity to offer a master class for intermediate/advanced level dancers, lead free and open to all community dance classes and lectures, participate in a lecture/demonstration on the art of choreography, engage directly with audiences through post-show Q&A sessions, and network with fellow artists. BACKGROUND CHOP SHOP was founded in 2008 on the mission to forge deeper connections between artists and audiences, offer insight on contemporary dance and its creative process, and promote and share work that is accessible to both new and experienced dance viewers. Since its founding, CHOP SHOP has shared and championed the work of more than 350 individual artists from 59 dance companies, welcomed 850+ Experience Dance Program participants to free and open to all ages and abilities dance classes, and invited numerous dance students to engage directly with professional artists in 55+ master classes. ELIGIBILITY & FEE This call is open to all individual artists and dance companies working in contemporary dance and based in the U.S. or Canada. Works presented at CHOP SHOP must be 10 minutes or less in length. “Works in progress” are accepted and considered, but your video work sample should show at least 75% of the completed work. Works still in conceptual form will not be considered. A modest performance stipend is paid to participating individual artists and dance companies. Artists offering master classes and/or community outreach classes receive an additional teaching stipend. While we encourage applications from beyond the Pacific Northwest, please be advised that the festival is unable to assist with travel, transportation, and/or accommodation costs. How To Apply: APPLY To learn more about CHOP SHOP and access the application form, please visit� [bit.ly] Contact Email:lizzy@chopshopdance.org Website: [https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: OPEN CALL for Int. Contemporary Art Festivals STARTAS (Rokiskis, Lithuania) Deadline – 25 June 2018

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Opportunities: ArtEZ Master of Theatre Practices

» ‎ Contemporary Performance - Opportunities

ARTEZ MASTER OF THEATRE PRACTICES EXTRA CALL FOR APPLICATIONS Deadline for Applications: Thursday, 14th June Are you interested in developing your artistic practice through discourse, experimentation and feedback? Do you see research as a practice that enriches and sharpens your art making? Do you wish being part of an international group of artists in dialogue with the contemporary field of the performing arts? We welcome applications from practitioners in the fields of dance and theatre seeking to deepen their artistic practices through research, experimentation and feedback. The ArtEZ Master of Theatre Practices is a programme for artists who wonder, for inventors of problems and question-makers, who look for expanded ways of acting, of moving and being moved in the performing arts and in the world. The ArtEZ Master of Theatre Practices is a practice-as-research programme working with practitioners who employ experimentation, research and theory to expand their theatre and dance practices. We see the individual question of a student to have the potential to resonate in the world, and encourage it’s critical development over the two years of the programme. Rethinking how we act with new ecologies of co-presence and participation, the ArtEZ Master of Theatre Practices is committed to the empowerment of the professional practices of artists through research, experimentation and feedback. Participants design the trajectory of research in close dialogue with a team of experienced tutors and mentors, and in contact with inspiring guests from an international network in the performing arts. We welcome applications from: Practitioners who hold a BA in Theatre or Dance, or associated fields, and aim at developing their artistic experience and professional expertise. Students who are able to self-organize and sustain autonomous periods of work as well as welcome collaboration, being open to work with and learn from peers. Artists with a curiosity for learning, a spirit of experimentation, and an ambition to grow, who are committed to art-making as a life-long practice in dialogue with peers and audiences. Deadline for Applications: Thursday, 14th June See conditions for Application: www.artez.nl/en/course/theatre-practices/admission The Master of Theatre Practices is a member of the ArtEZ Graduate School, an experimental, de-disciplined, and collaborative collective shaped by knowledge and research that examines the forms, formats, and function of design and arts practices. Alongside their work within specific courses of study, students, teachers and researchers of the Graduate School are encouraged to devise and deliver seminars, workshops and exchanges that are open to the ArtEZ community, wider artistic and academic fields and the public.

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Opportunities: Company Christoph Winkler / Berlin (Berlin) Deadline – 01.09.2017

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Opportunities: International Open Call For Festival Of Theatre Art And New Technologies LMDP 2018 – 5th Edit. (Cagliari, Italy) Deadline – 15/07/2018

» ‎ Contemporary Performance - Opportunities

International Open Call For Festival Of Theatre Art And New Technologies LMDP 2018 – 5th Edit. (Cagliari, Italy) November – December 2018 Deadline: 15/07/2018 Online Application: By Email Fee to Participate or Apply: Free Description Of Opportunity: Between November and December 2018, Kyber Teatro organises in Cagliari (Italy) the Fifth Edition of International Theatre, Art and New Technologies Festival called “Le meraviglie del Possibile”. LMDP Festival is the first of this kind in the whole Italy. Its aim is to promote the interrelation between artistic and technological languages. Kyber Teatro – spin off of L’Aquilone di Viviana (Festival’s theatre company, creator and manager), addresses to Italian and International artists an Open Call to submit their projects about “Interaction between arts and technology”. Who can attend The participation is open to artists of every nationality, working individually or in a group. Eligible projects Theatrical plays, performances. Installations that explore and realize the interaction between artwork, exhibition space and observers with the contribution of technology. Application (deadline the 15th of July 2018) The theme of the fifth edition of LMDP Festival is the interrelation between theatre, arts and new technology. The application must contain: Artist’s CV; Detailed description of the project (in PDF); Technical rider; Selection of max 5 photos; Link audio / video material (Vimeo or Youtube). The result is going to be notified only to selected projects by the 15th Of August 2018. Publication Applying for the call, artists agree that the projects should be represented at the Festival. Selected artists must provide a short biography and an abstract of the project. They also agree that the material related to the project could be published on the Festival website and/or presented to the press for promotional purposes. Archiving process Artists authorise Kyber Teatro – L’aquilone di Viviana to present their work, to store the material and make it accessible through the Festival’s website. All rights to the artwork and images will remain to the artist. The Organization is also entitled to document the event in all its phases through audio recordings, video or images. Application materials must be sent to: info@kyberteatro.it Kyber Teatro – L’Aquilone di Viviana Soc. Coop. Via Newton 12, 09131 Cagliari (Italy) Tel: +39 0708607175 – Mob: + 39 3470484783 info@kyberteatro.it How To Apply: BY MAIL TO INFO@KYBERTEATRO.IT Contact Email:info@kyberteatro.it Website: www.kyberteatro.igt LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Open Call – Trans-Borders International Work Session (Barcelona, Spain) Deadline – 15th July 2018

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Open Call – Trans-Borders International Work Session (La Vilella teatre, Barcelona, Spain) 5th-9th September 2018 Deadline: 15th July 2018 Online Application: by email produccio@ciasargantana.cat Fee to Participate or Apply: Free Description Of Opportunity: OPEN CALL FOR ACTORS, DIRECTORS, PERFORMERS, SINGERS, MUSICIANS, DANCERS, VIDEOMAKERS, PHOTOGRAPHERS, VISUAL ARTISTS, PHD STUDENTS AND RESEARCH FELLOWS II INTERNATIONAL WORK SESSION The roots Directed by Jordi Pérez cia. Sargantana 5th – 9th September 2018 La Vilella – Barcelona | Catalonia Within the frame of Trans-borders laboratory With the collaboration of Institut de cultura de l’Ajuntament de Barcelona In the 15th anniversary of the company, and after ending the 10th “La Cuina” research group period we trigger a new series of encounters with creators from all around the world. In those 15 years of work we have developped a personal approach to the performing arts as a vehicle to connect the audience with themselves through the live on stage. In each production, we’ve tried to create a meeting space where we could share an essencial question with the audience. In order to set the frame and improve our methodology we created “La Cuina” research group, which has been been working for almost 10 years. The trans-borders International work sessions let us start a new investigation journey through a series of deep anthropological, sociological and polytical questions that involves our nowadays existence. This open call invites international artists to respond to these questions, following the principle of openness and sharing that has always characterized our work as a company. Trans-: «across», «beyond», «through» This new shared journey aims to continue the pursuit that started with our “La cuina” research group, but going beyond its work through what we’ve began. We want to continue the pursuit of an universal language capable of connecting our nowadays audience with its present, connected with its past and that let them project their world to the future. Quantum physics ideas such as quantum, multiverse, observer, mass-energy; NLP – neuro-linguistic programming – , as well as the introduction of new technologies and the use of traditional music are some of the basis that will set our path. This work sessions aims to go further not only living through action, thus freeing the creator to be able to transcend, but also in the dramaturgy of the action, defying the relationship with the audience through our bodies, the time and the space. The Roots We choose “the roots” as the subject of this II work session, in both senses: the source or origin and the essencial part. Some of the question that could guide our session are: – Which is our essence as human beings? Which is our origin / essencial part? – Which is our essence as creators? – Where do we come from? – Is there any universal connexion with our past? – What still remains in our present from our ancesters? – Are those origins able to connect creator and audience? – Which is the essencial part to connect with the audience? How To Apply: The OPEN CALL will close on 15th July 2018. The participants will be selected by 31st July 2018. The International Work Session, within the trans-borders laboratory, will take place from 5th to 9th September in Barcelona (Catalonia) at the La Vilella Teatre. In order to enroll it is necessary to send an email to produccio@ciasargantana.cat with: – Letter of motivation. – CV – Example of your work, in the format that suits the best to you (non-mandatory but helpful). Participation is free of charge. Contact Email:produccio@ciasargantana.cat Website: � [www.ciasargantana.cat] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Interim Seeks Multimedia Work (Online) Deadline – 09/01/2018

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Opportunities: Performing Art 3 Days / Prolegomena and Hawsers (Pisa, Italy) Deadline 31st May 2018

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Performing Art 3 Days / Prolegomena and Hawsers (Teatro Rossi Aperto, Pisa, Italy) 28.29.30 – 06 – 2018 Deadline: 23:59 / 31st May 2018 Online Application: [https:] Fee to Participate or Apply: Free Description Of Opportunity: Performing Art 3 Days / Prolegòmeni e Gómene Collettivo Superazione – Teatro Rossi Aperto in Pisa, Italy 28.29.30 – 06 – 2018 Starting from a free analysis of the concept of /Prolegòmeni e Gómene (Prolegomena and Hawsers)/, the artists are asked to develop that topic in the form of a performance, in accordance with the following Regulation. The performance shall be played live during the 3 days Performing Arts Festival which will take place at Teatro Rossi Aperto in Pisa. Prolegòmeni e Gómene (Prolegomena and Hawsers) Prolegòmeni – esplanatory dissertations introducing a theory, the subject of a study, a doctrine. Gómene – twisted hemp hawsers, mooring ropes for boats. Hence: a line of words meant to validate other words, to unite or divide; a material line supported by gestures, to leave or land. Prolegòmeni e Gómene, they have much in common in addition to the wonderful and suggestive assonance of the terms; they show two different yet similar relational ways implying a motion which is both approaching and detaching. Thoughts have a long way to go before recognizing the docking (or sailing) place in a harbour, in a location with a sense of unknown, belonging, somebody. Much of the definite motion, be it leaving or coming back, becomes more precise through reasoning and speculation. Individual behaviours leading to collective meanings cannot help introducing personal thoughts and actions. It can happen in art, inside or outside the “polis”, but it’s always part of an adventure. How To Apply: 1 – Criteria for participation The call is open to single artists or groups working with contemporary languages in the field of performances. Both unpublished projects and projects that have already been shown will be accepted, provided that they are suitable to be played in the non-conventional spaces of Teatro Rossi Aperto and relevant to the proposed theme. Each artist/company can present only one project. 9 to 12 performances will be selected. 2- How to participate Participation is free. All submitted materials will be archived by the festival organizers and won’t be returned. In order to participate, the following documents shall be submitted: 1. The application form included in this open call, filled in all its parts; 2. A PDF document illustrating/describing the performance and containing all the information needed to understand its execution and poetics. Maximum 2 pages. If the performance has already been shown, the document should also contain a link to a full video documentation of the work. Application forms and PDF documents shall be submitted no later than May 31st 2018 at 23:59 to the e-mail address collettivo.superazione@gmail.com. The selected artists will be provided with: Spaces for the performances Technical support* Buffet during the 3 evenings of the festival Promotion of the event After the selection, a visit to the location will be organized for all the artists who would like to check the place.* The festival will take place in non-conventional spaces. All technical requests should therefore be discussed and agreed with the organizers, who will reserve the unquestionable right to evaluate the feasibility of the project. Participants agree to indemnify the organization from all liability for any injury or damage which may occur in the venues of the festival. All the expenses for the materials needed for the performance and transportation costs are to be borne by the artist. Teatro Rossi Aperto asks the viewers to leave Ass. Cult. Collettivo SUPERAZIONE via Sandro Pertini 121/8 – Calenzano 50041 (FI) c.f. 94265170483 – collettivo.superazione@gmail.com [https:] a free contribution. 50% of the income (impossible to be quantified now) will be divided among all the artists. 50% of the income will remain at Teatro Rossi Aperto. 3- Selection: Collettivo Superazione will make a first selection of the projects based on their originality, appeal of the artistic languages used, feasibility and CV of the proposers. At the end of the selection, all participants to the call will receive a communication with the results, be they positive or negative, no later than June the 3rd at 23:59 Once the artistic committee has identified the most interesting projects, the organizers will check their feasibility with the artists before confirming the positive final outcome of the selection. 4 – Changes and cancellation The organizers reserve the right to implement at any time supplementary measures or changes to this Regulation, concerning organization, efficiency and safeguard of the artistic level of the festival, without affecting its nature. Should the event not take place for technical and organizational reasons or due to force majeure, the organizers will reserve the right to adopt other suitable solutions which will be immediately communicated to the people concerned. 5- Planning and execution The festival will take place on 28, 29, 30 June at Teatro Rossi Aperto, via Collegio Ricci, 1 – Pisa Each day will be reserved to 3 or 4 artists who will choose one of the available locations in the venue (for further information please visit [www.teatrorossiaperto.it] or write to collettivo. superazione@gmail.com); performances will be realized during the opening hours of the venue, according to a calendar to be determined. Please send your proposal to collettivo.superazione@gmail.com before 23:59 / 31st May 2018. Contact Email:collettivo.superazione@gmail.com Website: [superazione.wordpress.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: LA Dance Project – Volunteer and Free Master Class Opportunity (LA Dance Project Studios, Los Angeles, United States) Deadline –

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LA Dance Project – Volunteer and Free Master Class Opportunity (LA Dance Project Studios, Los Angeles, United States) May 16th – June 9th Deadline: Online Application: [https:] Fee to Participate or Apply: Description Of Opportunity: L.A. Dance Project is thrilled to announce “LIVE from 2245,” the inaugural performance series of the company’s newly opened hybrid performance/work/creative headquarters. We are looking for enthusiastic dance fans and supporters to assist us with various front of house tasks during our performances, May 16 – June 9, 2018. As a thank you for your time and energy, you will receive a ticket to the performance on the night you work. Additionally, volunteers will receive a special invitation to a private company rehearsal -AND- a master class taught by an LADP dancer. Performance Details: LIVE from 2245 L.A. Dance Project Studios 2245 E. Washington Blvd. May 16 – June 9, 2018 Preview Performances May 16 + 17 Opening Night May 18 NO Sunday/Monday performances Program A: Second Quartet by Noé Soulier, Bach Studies (Part 1) by Benjamin Millepied [LA Premiere] Program B: Martha Graham Duets by Martha Graham, Hearts & Arrows and On the Other Side by Benjamin Millepied Volunteers Details: -6:30 pm arrival -Volunteers will help usher guests into the theater, work the box office, or sell merchandise. -For each show day you sign up for, you can expect to work with us for approximately 3 hours (90 minutes working and 90 minutes watching the show). Join Us! June 9th- Open rehearsal from 4-6pm at 2245 June 12th- Master class with David Freeland from 10am – 11am in Studio B (teacher subject to change) How To Apply: Sign up for as many of the performances as you’d like! Sign up here: [https:] Contact Email:studiomanager@ladanceproject.org Website: [ladanceproject.org] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: LUCKY CHANGEMAKER Call for Entries!

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In 2016 LUCKY TRIMMER launched the LUCKY CHANGEMAKER. This initiative supports artistic projects that use a creative practice as an innovative conduit for a social cause or as a catalyst for social change. Annually LUCKY TRIMMER grants a 500 € award to the recipient of the LUCKY CHANGEMAKER to contribute to the development, continuation or realisation of his/her project. What is the LUCKY CHANGEMAKER grant for? – Projects that embody the LUCKY spirit and that are engaged with physicality, movement and performance. All artistic disciplines are eligible (dance, visual arts, theatre, film/video, music, performance-based arts, interdisciplinary arts). – Projects that increase environmental awareness, promote social equality, showcase art’s social dimension, address cultural responsiveness and social responsibility. – Projects that engage socially underprivileged community members who would normally not have access to culture as equal partners, that encourage under resourced communities to overcome barriers, to participate in creative process and that create equitable access to culture. Who can apply? – Any individual artists, collectives or institutions, regardless of their geographic location. – Artists addressing critical social issues of our times. There are social situations in the world that are deeply affecting people. Our goal is to use art that is engaged emotionally and intellectually to inspire anyone to be agents of change. – We value the process as much as the product. Relationship building is a key goal and projects do not have to automatically result in a physical artwork or a performance. Workshops, training, studio practice are eligible, if they directly relate to achieving outcomes of a community-based project. How to apply? Applicants must submit their proposals via the online form:� [https:] The deadline for sending in applications is Saturday June 30th, 2018 The initiative/project must be implemented in 2018/2019 (latest by April 2019). Curious? Interested? LUCKY TRIMMER is looking forward to receiving your applications! Do not hesitate to contact us for further queries and watch our short video documentary to immerse yourself into the LUCKY TRIMMER universe:� [https:] www.luckytrimmer.com

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Opportunities: Moose Art Space The Hague: Global Call for Video Artists & Filmmakers (Netherlands, The Hague) Deadline – 05/15/2018

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Opportunities: Ballet Master (Theaterhaus Stuttgart, Germany) Deadline – 05/31/2018

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Opportunities: Acting and Devising Intensive in Thailand (Bankok, Thailand) Deadline – 04/29/2018 – Fee

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Acting and Devising Intensive in Thailand (Bankok, Thailand) June 10 – 23, 2018 Deadline: 04/29/2018 Online Application: [culture-collective.com] Fee to Participate: $2,900 Description Of Opportunity: In 2015, artist / teacher Loni Berry created Culture Collective Studio, an English speaking theatre in Bangkok, Thailand. The award-winning theatre is now hosting a 12-day acting training intensive. A maximum of 12 international students participate in this unique multi-cultural experience. Students share their time between class work in Culture Collective’s black box theatre and field-trips to historical and famous sites. The classwork includes workshops with master teachers in Thai dance, Thai puppetry, and Thai theatre makeup. Students then incorporate their experiences into an original / ensemble devised performance of a Thai story. The workshop culminates with a final performance presented to a public audience. Students also study the Gister Method of Acting (developed by Earl Gister, former chair of the Yale School of Drama’s MFA acting program), with focus on character development and text analysis and a guest master teacher will focus on ensemble and devised creation training. This workshop emphasizes the role of the actor as a storyteller. Students collaborate to devise a script (dialogue and movement) to tell the story of the disappearance of Jim Thompson. The Gister Method is used to focus on character development and interactions with other actors as they share in telling this story. Some of the devising strategies covered in the workshop are idea mapping, research, storyboarding, improvisation, rapid prototyping, iteration, and an open frame works approach to rehearsal. Acting is taught by Loni Berry. He is the artistic director of Culture Collective Studio, is from the United States and holds graduate degrees from Brown University and the Yale School of Drama. He studied acting with Earl Gister, directing with Lloyd Richards and Anne Bogart, and playwriting with August Wilson and Paula Vogel. He has written, directed and performed in plays at several theatres, including American Place Theatre, Great Lakes Theater Festival, Hartford Stage, The Kennedy Center (American College Theatre Festival), LaJolla Playhouse, New York Stage and Film, The Public Theatre, and Seattle Repertory Theatre. He has over 30 years of experience as a teacher of acting, directing, and playwriting, including Williams College, Smith College and University of California San Diego. In addition, he is the founding director of Oakland School for the Arts, in Oakland, California. He is a former professor at Mahidol University and currently teaches at International College, Suan Sunandha Rajabhat University. Devising is taught by Caden Manson. He is Head of the Directing Program at Carnegie Mellon University, where he focuses on performance and theater. He is the artistic director of New York-based, new media performance ensemble Big Art Group. His theatrical works have been presented at theatres and festivals throughout Europe, Canada, and the United States. His scholarly works have been included in major publications worldwide. The workshop brings his 20 years of experience and expertise in devising theatre that will certainly prove to be an exciting experience for all involved. How To Apply: Applicants should submit the following via email: • Completed application form (see page 12) • Link to a 2-minute video showcasing the applicant’s talent(s) as an actor. • Two letters of recommendation from faculty or acting instructors. • Liability waver • $50 USD application fee. This fee is non-refundable but will be applied to tuition. The video links and letters of recommendation should be submitted to INFO@CULTURE-COLLECTIVE.COM The application deadlines is April 29, 2018 FEE: $2,900 USD This fee includes the following: • Intensive acting training • Teaching supplies • Accommodations at 5-star hotel (Chatrium Hotel Riverside) • Local transportation (related to workshop) • Breakfast and Lunch • Tickets to four performances (Thai dance, puppetry, contemporary theatre) • Tours of Bangkok (approximately 20 sites) • Dinner at traditional Thai restaurant (one night) • Headshots • Souvenir DVD The tuition fee does NOT include the following: • Airfare • Telephones • Non-Workshop related Transportation • Medical Insurance • Dinner* * Meals in Thailand are relatively inexpensive Contact Email: info@culture-collective.com Website: [culture-collective.com] Address: 3rd. fl. Chatrium Residence Riverside Bangkok, 26/276 Charoenkrung Soi 70, Wat Prayakrai, Bang Kholaem, Bangkok 10120 Phone Number: +66 89 876 5400 LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Call For Scores On Art Health Care (BOSTON/NYC) Deadline – 04/28/2018

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Opportunities: Open Call, Buffer Fringe Performing Arts Festival V (Nicosia, Cyprus) Deadline – 06/04/2018

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Buffer Fringe Performing Arts Festival V Open Call (Nicosia, Cyprus) 1-4 November 2018 Deadline: 06/04/2018 Online Application: [home4cooperation.info] Fee to Participate or Apply: Applicants do not have to pay any costs to participate or apply. Description Of Opportunity: Buffer Fringe Performing Arts Festival’s programming offers both local and international artists a platform to showcase their work and is organized in a way that artists can meet and interact both amongst themselves and with the audiences in a true celebratory spirit of multiculturalism and peaceful coexistence. Taking place in a divided country, Buffer Fringe Festival assumes more responsibilities than an arts festival taking place elsewhere. It is one of a kind in Cyprus and the world. For this year’s edition of the festival, we particularly welcome performances that deal with the concept of a “Breaking Point”, exploring the theme on a broader social, global, or very intimate and personal level. «Breaking Point» The point at which a situation becomes critical, the point at which an entity gives way under stress, or the point at which something loses its force or validity. We are looking for all forms of experimental performance work and physical- visual- and devised- theater formats, which can contain (but are not limited to) drama, music, dance, acrobatics, installation/visual art and other cross-disciplinary elements. We are particularly interested in participatory, durational and/or site-specific formats. While we accept performances in all languages (surtitles in English must be made available), we also encourage work that does not exclusively rely on language. Support: Buffer Fringe 2018 is offering a fee of up to €800, an opportunity to meet other artists, access to all other performances and parallel events of the festival, share your experience over social and networking events and an opportunity to expose your work to other international festival directors. A selection of 2-3 festival performances – selected by a committee of local and international performing arts professionals – will be given the opportunity to tour around Cyprus (and/or internationally to a selected European Partner Festival) as part of the Festivals ‘Buffer Fringe on Tour’ format. How To Apply: Interested applicants can apply via filling out the application form here: [home4cooperation.info] The application forms should be sent to admin@home4cooperation.info. Requirements/parameters: · Duration between 30’ to 70’ minutes (Exceptions are durational and/or Loop performances) · Minimal Technical Requirements and works that are adaptable to unusual venues/stages (Please supply a technical rider and fill out the section ‘Production Details’) · If language is used, English subtitles must be available for the performance Contact Email:communications@home4cooperation.info Website: [home4cooperation.info] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

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Opportunities: Indigenous Choreographers at Riverside Gathering 2018 (UC Riverside, CA) Deadline – 04/27/2018

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INDIGENOUS CHOREOGRAPHERS AT RIVERSIDE 2018 Gathering (University of California, Riverside; Riverside, CA, United States) April 27 – May 6, 2018 Deadline: 04/27/2018 Online Application: [icr.ucr.edu] Fee to Participate or Apply: 0 Description Of Opportunity: Dancing Toward a Future Rooted in Ancestral Knowledge Dance artists from Guatemala, Mexico, New Zealand, and the United States will offer dance performances and workshops at UC Riverside. Indigenous dancers from across the globe will unite at the University of California, Riverside for a two-week interdisciplinary dance experience. Dance artists from Guatemala, Mexico, New Zealand, and the United States will offer dance performances and workshops at the seventh-annual Indigenous Choreographers at Riverside Gathering(ICR) set to take place from April 27 to May 6. All events are free and open to the public. The annual ICR event is meant to create a space where indigenous dance artists can come together to share work, connect with each other, and – along with invited scholars, UCR students, and community members – discuss the social, political, and historical implications of indigenous dance, said UCR’s Jacqueline Shea Murphy, ICR’s creator and associate professor of critical dance studies in UCR’s Department of Dance. This year’s two-week ICR gathering is being produced in collaboration with the annual UCR Native American Student Program’s annual Medicine Ways Conference. Shea Murphy is co-directing this year’s event with María Regina Firmino-Castillo, assistant professor in UCR’s Department of Dance, and with the guidance of Jack Gray and Rulan Tangen, world renowned indigenous dance leaders. This year’s featured artist is Grupo Sotz’il, a Guatemalan eight-member Kaqchikel and Mam Maya music and dance collective formed in 2000. These eight members created Grupo Sotz’il as a way to strengthen knowledge and arts, two components the artists say have been suppressed in Guatemala since the Spanish invasion in 1524, and through decades of recent genocidal and neocolonial violence against Guatemala’s 24 indigenous nations. The internationally renowned group presents multi sensory dance works that reflect the present and envision the future, while being firmly rooted in the knowledge of their ancestors. The group has won many awards, and recently performed at the Smithsonian National Museum of the American Indian. Their presentation at UCR is part of an international project funded by New England Foundation for the Arts National Dance Project with its prestigious annual touring award. Grupo Sotz’il will be in residence at UCR for two weeks performing original dance and music, offering workshops, and participating in the ICR’s scholarly dialogues. The 2018 ICR program opens with a video screening, lecture-demonstration, and conversation with Grupo Sotz’il on Friday, April 27, at 7 p.m. at the Culver Center of the Arts in downtown Riverside. On Thursday, May 3, 6:30 p.m., also at the Culver, Grupo Sotz’il members will take part in a dance and ceremony exchange with invited national and international dance artists, including: Will Madrigal and the Mountain Cahuilla Bird Singers; Lukas Avendaño; Louise Potiki Bryant; Jack Gray; Sam Mitchell; Rulan Tangen; and Ni’Ja Whitson. Among the invited artists’ recent honors are UCR assistant professor Ni’Ja Whitson’s 2017 Bessie Award, Rulan Tangen’s 2018 Kennedy Center Citizen Artist Fellow Recognition Award, and New Zealand-based Louise Potiki Bryant’s 2016 Harriet Friedlander Residency. Potiki Bryant is also a visiting assistant professor in the UCR Dance Department this spring. Colloquia, workshops, and lecture-demonstrations scheduled as part of this year’s ICR gathering include a writers workshop on Friday, April 4. This day-long event will bring renowned indigenous dance artists and scholars, including choreographer Emily Johnson and scholar Karyn Recollet, to campus to work together on a proposed new anthology on Critical Indigenous Dance Studies. These events culminate on May 5 at 6 p.m. when Grupo Sotz’il will perform “Uk’u’x Ulew: Heart of Earth” at UCR’s R’Garden near lot 30. This 60-minute original performance and ritual will feature fire, water, earth, and air simultaneously interacting in harmony and conflict. From their collusion and collision, K’aslemal, life, is born. Shea Murphy envisioned and started building the ICR project many years ago. Noting how indigenous perspectives were largely omitted in the emerging field of dance studies, despite the influence of indigenous dance in modern dance, moved Shea Murphy to dedicate her research to critical indigenous dance studies and to create spaces such as the ICR. “ICR grew from my having that sense that, even though throughout my adult life I had only been taught one way of seeing the world, what had been presented to me as truth was in fact far from it,” said Shea Murphy, who has engaged with indigenous dance for more than 20 years. View the full schedule: icr.ucr.edu/2018-schedule How To Apply: See website Contact Email:mariafc@ucr.edu Website: [icr.ucr.edu] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

The post Opportunities: Indigenous Choreographers at Riverside Gathering 2018 (UC Riverside, CA) Deadline – 04/27/2018 appeared first on Contemporary Performance.

Opportunities: William Fisher – Working With Decroux, Solo Training/ Ensemble Making (Paris) Deadline – 05/05/2018

» ‎ Contemporary Performance - Opportunities

William Fisher working with Decroux and after Solo training/ Ensemble making (Paris) May 5 Deadline: 05/05/2018 Online Application: [pasdedieux.com] Fee to Participate or Apply: free Description Of Opportunity: Open to all, William Fisher will give a free conférence / demonstration about his work as a teacher, performer, and director. William Fisher was a student and assistant of Etienne Decroux from 1980-1983 and has continued to devise work while working in academia including a 20+ year association with SITI Company’s Viewpoints training. Founder and artistic director of Zeta Collective in San Francisco and Los Angeles 1985-1991, William’s work as a director has been presented at Zeta Collective, Los Angeles Contemporary Exhibitions (LACE), The Dubrovnik Festival, The Vienna Theatre Festival, and Kampnagel (Hamburg). He was 2009 Fulbright Fellow at the Iceland Academy of the Arts in the Theatre Department Theory and Practice Program. In August of 2017 William returned to the Borgarleikhúsið (City Theatre, Reykjavik) to direct a staged reading of Small Lives / Big Dreams by SITI Company. He is translating and preparing the text into French for production. William held appointments and taught workshops at the Marcel Marceau School, California Institute of the Arts, UC -Irvine, UNC – Chapel Hill, MKFM Pula, CDU / Imaginary Academy Grožnijan, Croatian Academy of Drama Arts, Zagreb (Croatia), and Theatre Academy London. For 19 years, William was head of the Theatre Performance Program and subsequently Director of the School of Theater at Ohio University. He is currently Professor of Theatre at Butler University where he teaches performance, directing, physical theatre, and devised theatre. How To Apply: For reservations follow link to the bottom of the page: � [pasdedieux.com] Contact Email:wmfisher1@me.com Website: [pasdedieux.com] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.

The post Opportunities: William Fisher – Working With Decroux, Solo Training/ Ensemble Making (Paris) Deadline – 05/05/2018 appeared first on Contemporary Performance.

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