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Contemporary Performance - Opportunities
This course examines how the time-and site-specific experience of performance art is translated into physical material with sustainability. It investigates into the relation of physical remains to ephemeral artistic practice, their meaning for the inscription into history, and ways of use for artists, scholars, and curators.
The course presents various theories related to the concept of the archive, modes of documentation ranging from traditional to contemporary, as well as examples of use of archival material in artistic and exhibition practice. Students will consider how documenting strategies are changing in relation to new technologies and media and what the implications are for the concept of the “archive”.
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Contemporary Performance - Opportunities
The main objective of this course is to prepare the participants to develop an idea into a live performance art piece. In the process, participants will practice how to think critically about performance art and find their unique way of expression. In order to gain historical and disciplinary perspective, participants will learn about precedents such as Futurism and DADA, the development of the scene in various parts of the world, leading artists such as Yoko Ono, Marina Abramovic, or Vito Acconci, as well as crucial festivals and exhibitions.
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Contemporary Performance - Opportunities
Sarah Lawrence College Theatre Program is a community of generous and engaged artists who value diverse, intentional, and rigorous research, process, and creation. We hold each other and ourselves accountable to responsibly challenge ourselves and each other to foster our growth as individuals and collaborative artists. We support innovation, not only in the art we produce but also in the systems we make to learn, share, and create. Through an interdisciplinary curriculum that prioritizes equality, care, and experimentation, we aim to create an artistic environment steeped in joy to envision and build a better future. This is an open and inclusive community where everyone is welcome.
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Contemporary Performance - Opportunities
SerformanceP is accepting participants online-live, in person, and/or prerecorded video/gif.
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Contemporary Performance - Opportunities
Opportunity: The Saison Foundation | Online Research Residency 2021/22 Where: Online When: November 10, 2021, until February 10, 2022 Deadline: August 26, 2021 Online Application:
[https:] Fee to Participate or Apply: Free Description Of Opportunity: Online Research Residency supports creative research for international dance/performance artists who are expected to play an important role in the international performing arts scene, with aims to build an international network for contemporary performing arts and to enhance mutual understanding. Online Research Residency offers artistic development opportunities to research and spend time building links with the other participating artists. – Online residency period: November 10, 2021, until February 10, 2022 – Grant: 350,000 yen (JPY) – 5 international artists will be selected for this online research residency including a Japanese artist For details, please see the following link
[https:] Photo: Kristīne Brīniņa, Melting into the earth (2021) “Online Research Residency 2020/21” participating artist How To Apply: To request an application form, please fill out the Google Form below, no later than 5 p.m. on Thursday, August 26, 2021 (Japan Standard Time).
[https:] Please read the application guidelines carefully and check the eligibility before applying.
[https:] Contact Email:inamura@saison.or.jp Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Aerowaves is on the hunt again for twenty talented emerging choreographers based in geographical Europe.
You can now apply to become a Twenty22 artist with the opportunity to have your work presented at the Spring Forward festival in May 2022 in Elefsina (Greece), and also by many of our Aerowaves partners around Europe.
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Contemporary Performance - Opportunities
Opportunity: Performing arts international residency in Italy Where: Italy When: From May 2022 to October 2023 Deadline: October 2021 Online Application: Please send an email info@kultursciok.com Fee to Participate or Apply: There is a contribution for lodging asked to each artist by contract normally a minimum of 120 euros per person. Description Of Opportunity: Kulturfactory is the new spot for contemporary artists. In Domicella ( Naples ) Active since 2018 thanks to outstanding artists from all over the world this place became an important reference for artists dedicated to contemporary experimental live and video works . The residency length is normally between 8 and 10 days maximum, with a few exceptions. Kulturscio’k is a not-for-profit company dedicated to producing, discovering, supporting international contemporary artists working in art, music, film, literature, architecture, theater, fashion and other creative disciplines and fostering opportunities for multi-disciplinary dialogue. Innovation and development of new forms. The element of collaboration and exchange is one of the founding principals of the company and factory-residency a new way to host artists , with the hope that by bringing together different areas of practice, we will generate new creative outlooks, unparalleled research and exciting new impulses. The goal of the residency is to create a dialogue a new way to form and perform. To choose work that have as an objective to experiment and to explore unknown paths. To meet new collaborations . The artist residency co-exists with the guest accommodation. The resident artists become part of the community life. The small village of Domicella. How To Apply: A residency program that runs all year long. Application to the Kulturfactory Residency program is made through an email requests including examples of work and CV information, as well inviting applicants to detail what they hope to achieve. Promising applicants are then selected by the company and asked to sign a contract where residency conditions and lodging are clarified : info@kultursciok.com Contact Email:info@kultursciok.com Website:
[www.kultursciok.com] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
From 6th July to 15th August we’re dancing again at eight locations in Vienna: Several times a day, in any weather, 113 teachers will offer insights into different dance styles – from ballet and bodywork to jazz and hip hop, voguing and yoga. The 189 classes are open to all age groups and abilities, no previous knowledge necessary. Thanks to the generous support of the Arbeiterkammer Wien, all workshops are once again free of charge!
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Contemporary Performance - Opportunities
Agora Cultural Center in Wrocław in cooperation with artistic organizations from the Czech Republic, Slovakia, Hungary and Poland invites you to participate in Open Call as part of the international festival OPEN AIR Theater Festival. The recruitment is directed to young artists related to various materials of circus, theater and music, stage design, for whom building new values at the meeting point of different cultures, using various fields of art, is an important creative element. Climate change, which affects us beyond all possible divisions, will become our workshop topic. The aim of the week-long residency in Wrocław is to create a unique, interdisciplinary project based on the ideas and cooperation of four representatives from each Visegrad country.
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Contemporary Performance - Opportunities
Opportunity: Little Fun Palace Nomadic School Where: Trento When: from 23 to 29 August 2021 Deadline: July 25 2021 Online Application: Fee to Participate or Apply: free participation Description Of Opportunity: Little Fun Palace is back as a Nomadic School questioning how space produces reality. Aiming to experiment new forms of learning and sharing-knowledge around Performing Arts, the Nomadic School considers space and landscape as aesthetic territories that have political implications without using the words of politics. It problematizes the Performing Arts by interacting with other disciplines such as Natural Sciences, Architecture and Anthropology. Through workshops, experiments, meetings, and micro-performances, participants will be encouraged to reconsider their centrality and periphery within a shared space such as the stage. Little Fun Palace Nomadic School takes place at 1600m above sea level. For the second year in a row the caravan will be in Viote on Mount Bondone, a natural biotope in Trentino – South Tyrol and a mountain pasture area for sheeps and cows. Taking place in the middle of the Alpine landscape, life and study will not be detached and participants will camp at the Vigolo alpine hut, near the Alpine Botanical Garden of MUSE – Science Museum. By immersing totally in the alpine landscape, Little Fun Palace Nomadic School leaves behind the representative distance cultivated by academic and artistic institutions. The selected participants will share the Nomadic School with some mentors who, respecting their practices, will tackle the role of space and how it produces reality. Mentors are: + Attila Faravelli (musician and sound-designer) + Enrico Malatesta (percussionist and sound-researcher) + Claudia Castellucci (dramaturg, choreographer and teacher) + Dehlia Hannah (philosopher e curator) + Helen Wiesinger (botanist, MUSE collaborator) + Mattia Venco (chef) + Silvia Costa (artist, theatre director and performer) + Studio Folder (research and visual design agency) + Plus one mentor to be soon announced. How To Apply: The Open Call is addressed to anyone interested in the production and perception of space. People from disciplines such as theatre, dance, architecture, geography, anthropology, philosophy, natural sciences, literature, music, visual arts and design can participate. 12 participants will be selected and they will have guaranteed board and lodging for the entire period. + send your CV (max 1 A4 page) including email and phone number. + send a text (max 1 A4 page) that shows your interest and why you want to participate. + send the complete application by 25 July 2021 + send to info@oht.tn.it – Re: LFP Nomadic School 2021 | Alpine pasture Contact Email:info@oht.tn.it Website:
[www.oht.art] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Let’s go glocal: show|real needs your ideas for a playful get-together performance programme. Submit your application and create a glocal audience-pleaser. The audience-voting ticket sales system will decide which performances will get through to the final. The three finalists will receive a production budget of 3000 € each.
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Contemporary Performance - Opportunities
Kulturfactory is the new spot for contemporary artists. In Domicella ( Naples ) Active since 2018 thanks to outstanding artists worldwide, this place became an important reference for artists dedicated to contemporary experimental live and video works. The residency length is normally between 8 and 10 days maximum, with a few exceptions.
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Contemporary Performance - Opportunities
Opportunity: Open Call for performers in Venice Where: Venice, Italy When: September 13 – October 17 Deadline: Monday, June 28, 2021 Online Application:
[https:] Fee to Participate or Apply: no fee Description Of Opportunity: Seeking performers for the exhibition “The Soul Expanding Ocean #2: Isabel Lewis”, curated by Chus Martínez. From September 17 to October 17, 2021, Ocean Space will host a live exhibition by the artist Isabel Lewis (b. 1981, Santo Domingo, Dominican Republic), which explores Venice, the sea and memories related to it through the Church of San Lorenzo, where Ocean Space is located. This new performance will draw on storytelling, singing, and dancing as tools to explore the history of merchants, trade routes, encounters with cultures, indigenous traces, and tales of the city. We are looking for 10 students and 10 professional performers to participate in a durational group performance that will take place every Friday and Saturday from September 17 to October 17, with additional rehearsals on September 13 and 14. Application deadline: Monday, June 28, 2021. How To Apply: All applicants must be able to confirm that they are available every weekend (Friday–Saturday) between September 13–October 17, 2021. In the online application form here, you will be asked to provide: – Contact Information – A picture of yourself (JPEG, PDF) – A CV/resume (PDF) – A two-minute video in two parts (MP4, MOV) – The privacy policy signed by the candidate For the video: In the first minute, please introduce yourself and answer the following question: <Which forms of engagement do you personally practice that you feel contribute to living a good and flourishing life today?>. The other minute should be a recording of yourself dancing to a favorite song as though you were dancing alone somewhere private. Video can be filmed simply on a mobile phone or computer camera. There is no need for extra production, editing, or special effects in the videos. Very large files (above 10 MB) or videos that are longer than two and a half minutes will not be considered. If you require technical support, please email: office@ocean-space.org. The application deadline is on June 28, 2021. Online interviews with the artist may be arranged between July 1–25, 2021, and the final selection will be made and communicated by July 30, 2021. The application form can be completed in either Italian or English. For further information please contact: office@ocean-space.org. Contact Email:sara@ocean-space.org Website: www.ocean-space.org These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: LAST CALL – POOL 21 INTERNATIONALES TanzFilmFestival BERLIN Where: DOCK 11, Berlin, Germany When: September 8th – 11th 2021 Deadline: 14th July 2021 Online Application:
[https:] Fee to Participate or Apply: no participation fees Description Of Opportunity: Deadline: July 14th, 2021 +++extended!+++ Festival: September 8th – 11th, 2021, DOCK 11 Berlin // PROFILE // POOL 21 will present a selection of fascinating dance film productions from all over the world, making the event a meeting place for creatives involved in the fields of dance, film, fashion, and advertisement. The focus of the festival is on films that create independent film choreographies through the intense interplay between dance and cinematic tools like camera and editing. // PARTICIPATION // All dancers, choreographers, filmmakers and artists are invited to apply with short filmchoreographies and dance animations. Films should not be longer than 30 minutes and not merely a documentation of a dance piece. // PEARLS & ARTIST PRIZE // The curatorial team of POOL 21 will create a film programme from all submissions, which is presented on the Festival evenings. The selected films – our PEARLS – are on a par and reflect the diversity of the genre. POOL supports selected artists with an artist prize, the PEARLS ARTIST PRIZE. How To Apply: // APPLICATION MATERIALS // Applications can be submitted online.
[https:] – Preview link for the jury (can be inserted into the online application form) * Only if your film is chosen for the programme: – Screening copy of the film – Completed and signed online application form scanned to: info@pool-festival.de – 3 digital film stills, minimum 300 dpi – Optional: biography, video testimonies, and other useful information Contact Email: assistenz@dockart.de Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Contemporary Performance Practices – 2021 summer intensive training Where: online (via Zoom) When: July 12-23, 2021 Deadline: July 9, 2021 Online Application:
[https:] Fee to Participate or Apply: Free to apply, Cost to attend Description Of Opportunity: CPP/Contemporary Performance Practices, a summer intensive training program founded by WaxFactory‘s Ivan Talijancic is now accepting applications. Inaugurated in 2019, CPP 2021 was reimagined for the pandemic as a virtual training intensive, with the extraordinary participating of instructors from two world-renowned ensembles: New York’s SITI Company (co-founded by Anne Bogart) and Sasha Waltz & Guests company (Berlin, Germany.) CPP is accepting a limited number of applicants and will take place via Zoom July 12-23. Discount offer! Anyone applying for the program via this referral is eligible to receive a 10% tuition discount using the code CP10.
[https:] How To Apply:
[https:] Contact Email:ivan@waxfactory.org Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
This course, which follows a workshop format, focuses on acquiring hands-on experience with technical tools that produce Extended Reality (XR) experiences. Students learn how to use and build virtual reality works and environments with web-based platforms such as Artsteps, Mozilla Hubs, or Spoke. Students also have the opportunity to learn basic coding with A-Frame in order to produce interactice WebVR.
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Contemporary Performance - Opportunities
Opportunity: OPEN CALL starts for lone I some at the international online-offline festival TENDER ABSENCE Where: online Deadline: 2021-06-13 Online Application: td.ongoing-project.org/open_call_lone_some_2021.pdf Fee to Participate or Apply: zero Description Of Opportunity: lone I some is a programme for the online-offline festival TENDER ABSENCE. We celebrate ‘glocality’ – artists worldwide are invited to participate. We offer a production budget of 1000€, tech support etc. Tender Absence: on- and offline festival for a playful get-together. Let’s celebrate ‚glocality’-we treasure local characteristics and its global connection beyond the physical localization. We open up a space for experiments that break through confines, create moments of intimacy between artists and spectators and share new perceptions of local stories and worldwide attachment. Tender Absence offers open calls and audience voting to explore innovate formats of multi-layer-games, interactive performances, walks and series of talks.
[https:] https://web.facebook.com/OngoingProjectKollektiv How To Apply: Register at td.ongoing-project.org/register/register.php and submit your concept until 13th June 2021 Contact Email:tender.absence@ongoing-project.org Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Wild Project is currently accepting artist submissions for its WILD CULTUREcuration program. WILD CULTURE will produce the work of 15-20 artists, prioritizing projects by female, BIPOC and LGBTQIA+ artists, across theatre, performance art, music, visual art, and dance later this spring and summer.
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Contemporary Performance - Opportunities
Opportunity: Performance Garten 8 Where: Cologne, Tanzfaktur When: 4. Sept. 2021 Deadline: 30.06.2021 Online Application:
[https:] Fee to Participate or Apply: no Description Of Opportunity: Wir befinden uns im Zustand globaler Trance. Selbst die begrifflichen Wurzeln der Trance sind spürbar: Mit den letzten Monaten haben wir eine neue Erfahrung des »Überschreitens« gemacht, einige entwickelten die »Angst vor dem Bösen«. Die Ereignisse haben uns aufgespannt zwischen Aktivität und Passivität, höchster Aufmerksamkeit und körperlicher Starre, zwischen totaler Fokussierung auf das Hier und Jetzt und Ausflüchten in erträumte Ferne, zwischen ratio und Rausch. Zugleich hat die Suche nach Trance eine lange Tradition: Seit mehreren tausend Jahren hat sie der Mensch kultiviert und zur Technologie gemacht. Religionen, Künste, Militär, Wissenschaft und YouTuber:innen haben sich ihre Praxen angeeignet und ihr Potential erforscht. Wie die Kognitionswissenschaft zeigt, können tranceartige Zustände zur Weiterentwicklung und Ausbildung neuer neuronaler Netze führen. Welche Trancen lassen sich entwerfen, um unsere gegenwärtigen mentalen Netze neu zu spannen? Der 8. Performance Garten sucht performative künstlerische Arbeiten, die sich mit verschiedenen Aspekten der Trance auseinandersetzen. Erwünscht sind möglichst breite Lesarten und Annäherungen. Der Call richtet sich an Nachwuchskünstler:innen und erfahrene Künstler:innen gleichermaßen. Willkommen sind performative Arbeiten unterschiedlicher künstlerischer Disziplinen und Medialitäten (zB Video-/Tanz-/Musik-/Lecture-Performances). Nicht-regionale Künstler:innen werden gebeten, ein Konzept für eine digitale Version ihrer Arbeit beizufügen. Zur Veranstaltung erscheint eine begleitende Printpublikation. Das Programm ist kostenfrei und, soweit es die geltenden Richtlinien zulassen, offen für alle. Als Begleitprogramm sind individuelle Künstler:innengespräche, sogenannte TWALKS, vorgesehen. Die Künstler:innen haben die Möglichkeit, hierfür eine textile Edition zu gestalten (Details tba). Den Künstler:innen wird eine Aufwandsentschädigung sowie eine Reisekostenpauschale für An- und Abreise gezahlt. Übernachtungskosten können nicht übernommen werden. Bewirb dich bis zum 30. Juni 2021. English Translation: We are in a state of global trance. Even the conceptual roots of trance are palpable: In the last few months we have had a new experience of “going beyond”, some developed the “fear of evil”. The events stretched us between activity and passivity, maximum attention and physical rigidity, between total focus on the here and now and evasions into dreamy distant places, between ratio and intoxication. At the same time, the search for trance has a long tradition: man has cultivated it and turned it into technology for several thousand years. Religions, arts, military, science and YouTubers: inside have adopted their practices and explored their potential. As cognitive science shows Trance-like states can lead to the further development and formation of new neural networks. What trances can be designed to re-tension our current mental networks? The 8th Performance Garden is looking for performative artistic works that deal with various aspects of trance. The broadest possible readings and approximations are desirable. The call is aimed at young and experienced artists alike. Performative works from different artistic disciplines and medialities (e.g. video / dance / music / lecture performances) are welcome. Non-regional artists are asked to include a concept for a digital version of their work. An accompanying print publication will appear for the event. The program is free and, as far as the applicable guidelines allow, open to everyone. As an accompanying program, individual artist talks, so-called TWALKS, are planned. The artists have the opportunity to design a textile edition for this (details tba). The artists are paid an expense allowance as well as a flat-rate travel allowance for arrival and departure. Accommodation costs cannot be covered. Apply by June 30, 2021. How To Apply: Der 8. Performance Garten sucht performative künstlerische Arbeiten, die sich mit verschiedenen Aspekten der Trance auseinandersetzen. Erwünscht sind möglichst breite Lesarten und Annäherungen. Der Call richtet sich an Nachwuchskünstler:innen und erfahrene Künstler:innen gleichermaßen. Willkommen sind performative Arbeiten unterschiedlicher künstlerischer Disziplinen und Medialitäten (zB Video-/Tanz-/Musik-/Lecture-Performances). Nicht-regionale Künstler:innen werden gebeten, ein Konzept für eine digitale Version ihrer Arbeit beizufügen. Den Künstler:innen wird eine Aufwandsentschädigung sowie eine Reisekostenpauschale für An- und Abreise gezahlt. Übernachtungskosten können nicht übernommen werden. Bewerbunsgschluss: 30. Juni 2021. English Translation: The 8th Performance Garden is looking for performative artistic works that deal with different aspects of trance. The broadest possible readings and approximations are desirable. The call is aimed at young and experienced artists alike. Performative works from different artistic disciplines and medialities (e.g. video / dance / music / lecture performances) are welcome. Non-regional artists are asked to include a concept for a digital version of their work. The artists are paid an expense allowance as well as a flat-rate travel allowance for arrival and departure. Accommodation costs cannot be covered. Application deadline: June 30, 2021. Contact Email:Performancegarten@gmail.com Website: www.performancegarten.de Photo: “Cloak Work – The walking coat duet”, miriam flick.art & Jannis Eggelsmann These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Global Connect Program Where: Global When: 2021-2022 Deadline: 31 May, 2021 Online Application:
[https:] Fee to Participate or Apply: N/A Description Of Opportunity: IETM Global Connect is a new programme launched and led by IETM – International network for contemporary performing arts and created with the support of IETM’s Associate Members. IETM Global Connect is one of IETM’s initiatives to make the network more diverse, inclusive and accessible. IETM Global Connect is open to performing arts professionals worldwide (producers, artists, managers, presenters, etc) who have at least 5 years of professional experience in the field and are committed to increase global awareness, inclusion, accessibility and connectivity – in the sector at large and in their communities. Selected IETM Global Connectors will have the opportunity to enlarge their international connections, develop new skills and knowledge, actively share their fresh perspectives with the IETM network and bring their inspirations to their communities. To achieve this, they will receive the IETM membership for 2021-2022 – thus getting free access to all IETM events. They will also take part in the yearly IETM Global Connectors Gathering and will benefit from a travel bursary to attend one IETM event. The first open call for 2021-22 Global Connectors is now open. You can discover more about the programme and application criteria, and find the online application form on this page. Application deadline: 31 May at 17:00 CEST How To Apply: Selection Criteria: here Application form: here Contact Email:tatiana.papastoitsi@ietm.org Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Auditions MA Performance Practices Where: Online, Arnhem, Netherlands When: 21-27 June Deadline: 6th of June 2021 Online Application: yes Fee to Participate or Apply: Tuition Fees (2020-21): € 1,084 Description Of Opportunity: HOME OF PERFORMANCE PRACTICES and ArtEZ University of Arts is now open to applications from artists looking to join our Master’s programme from Autumn 2021! The ArtEZ Performance Practices programme welcomes independent and responsible artist-researchers, wishing to further, and more rigorously, advance their careers in performance art, live art, contemporary theatre, conceptual choreography, experimental dance or visual art. The Master Performance Practices is a two-year, low-residence, high-intensity master’s degree course offering 5 specializations: Choreography Theatre Practices Performance Art Digital Performance De-disciplined Body in Performance Our curriculum is at the forefront of both artistic and intellectual inquiry and facilitated by a team of internationally renowned practitioners and researchers. Students design rigorous lines of research, investigating, challenging, and reshaping the role of the artist, and contributing to the advancement of performance in their chosen fields. If you are an artist with a curiosity for learning, a spirit of experimentation, an ambition to grow, and committed to artmaking as a life-long practice in dialogue with peers and audiences, you will find your place at our HOME OF PERFORMANCE PRACTICES. How To Apply: You need to create an account by registering for ArtEZ University of the Arts. All required documents are to be uploaded onto this account. The mandatory application documents for admission are: A motivation letter A clearly formulated Artistic Research Proposal Two letters of recommendation from professionals in the field. Curriculum Vitae Links to your work Contact Email:u.vonmeier@artez.nl Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Lugar Futuro 2021 Where: Viseu, Portugal When: 12-14 nov 2021 Deadline: 27 june 2021 Online Application:
[https:] Fee to Participate or Apply: No participation fee! Participation grant up to 1.000 euros Description Of Opportunity: LUGAR FUTURO FESTIVAL aims to promote young dance creators and performers and to be a platform for the première of “new works”, as well as for the presentation of “first works” by dance students or young choreographers, besides promoting the discovery of new values by the invited programmers. The weekend program, with artistic direction by Leonor Keil, will consist of the presentation of shows, master classes and a closing meeting, in a perspective of exchange of experiences between the invited schools, students, teachers, creators and interpreters participants, in an effective sharing with the public of Viseu. For this first year, the program has confirmed the participation of the Ana Maletic School of Contemporary Dance Zagreb and of Academia de Dança de Almada. One of the highlights will be the presentation of a selected set of First Works by young Portuguese and foreign choreographers, which promises to surprise by the diversity “and freshness” of the proposals. The Lugar Futuro Festival in its second edition presents itself as a vibrant platform for young artists and for renowned choreographers, aiming at a continuous opening of the public to contemporary dance. How To Apply: Contact Email:geral@lugarpresente.com Website: www.lugarpresente.com These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Learn contemporary and classical ballet dancing from our company members and also famous international teachers. The Elite training programme provides participants a unique opportunity to train as versatile and multi-disciplinary dancers, working and training alongside Budapest Dance Theatre, one of the leading dance companies in Hungary.
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Contemporary Performance - Opportunities
How To Be Together articulates and investigates this pivotal question through the creation of a “camp”, a temporary eco-sustainable village, a utopian community that will settle in Santarcangelo di Romagna from the 9th to the 18th during next Santarcangelo Festival edition. In July the camp, previously developed as a site-specific space making project in June 2021, will open its spaces to a group of 50 participants eager to collaboratively dive deep into this question.
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Contemporary Performance - Opportunities
Opportunity: INTERNATIONAL OPEN CALL FOR ARTISTS / VIII° EDITION INTERNATIONAL FESTIVAL OF ART, THEATRE AND NEW TECHNOLOGIES “THE WONDERS OF POSSIBLE” (ITALY) Where: CAGLIARI (ITALY) When: November/December 2021 Deadline: 01/07/2021 Online Application: mail to info@kyberteatro.it Fee to Participate or Apply: free Description Of Opportunity: Between November and December 2021, Kyber Theatre organises in Cagliari (Italy) the 8th Edition of the International Theatre, Art and New Technologies Festival called “The Wonders of Possible”, LMDP Festival is the first of this kind in the whole Italy. Its aim is to promote the interrelation between artistic and technological languages. Kyber Teatro – spin off of L’ Aquilone di Viviana (theatre and new technologies company, LMDP Festival organizer), addresses to Italian and International artists, also emerging companies and/or under 35 artists, an Open Call to submit their projects about “Interaction between arts and technologies”. Who can attend – The participation is open to: – Artists and Companies of every nationality – Also emerging companies and under 35 artists – to who works individually or in a group of maximum 3 people. Eligible projects: • Theatre and new technologies plays • Art and new technologies performances • Installations that explore and realize the interaction between artwork, exhibition space and observers with the contribution of technology Application Deadline: the 1st of JULY 2021. The theme of LMDP Festival is the interrelation between theatre, arts and new technology. Economic conditions. The winners of the Open Call will have guaranteed the full coverage of the costs for mobility (travels to Cagliari, board and accommodation); coverage of agility costs and the “attendance fee” for the presentation of their performance for 2 evenings. If possible, we will cover also any material required for the presentation of the performance / show / installation (it will be subject to agreements with our technical director). The winners, if interested, can present a technological artistic workshop with an entrance ticket for the audience. Publication Applying for the call, the artists must provide a short biography and an abstract of the project and they agree that the material related to the project could be published on the Festival website and/or presented to the press for promotional purposes. Archiving process Artists authorise Kyber Teatro – L’aquilone di Viviana to present their work, to store the material and make it accessible through the Festival’s website. All rights to the artwork and images will remain to the artist. The Organization is also entitled to document the event in all its phases through audio recordings, video or images. How To Apply: Application materials must be sent by the 1st of JULY 2021, to the mail: info@kyberteatro.it The application must contain: • Artist’s CV; • Detailed description of the project (in PDF); • Technical rider; • Selection of max 5 photos; • Link audio / video material (Vimeo or Youtube). The result is going to be notified only to selected projects by the Month of SEPTEMBER 2021. Contact Email:info@kyberteatro.it Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Call for entries DANCE AND MEDIA JAPAN International Dance Film Festival 2021 Where: Tokyo, Japan When: October, 2021 Deadline: June 30, 2021 Online Application:
[www.dance-media.com] Fee to Participate or Apply: free Description Of Opportunity: CALL FOR ENTRIES: DANCE AND MEDIA JAPAN International Dance Film Festival 2021 Accepting entries for films featuring dance. Entry starting: 1st March 2021. Deadline: 30th June 2021. Online Screening: Planned in October 2021. Screening Event ONLINE screening in October 2021. OFFLINE screening in theaters is under consideration depending on the situation of COVID-19 in Japan. How To Apply: Entry starting: 1st March 2021. Deadline: 30th June 2021. Online Screening: Planned in October 2021. Screening Event ONLINE screening in October 2021. OFFLINE screening in theaters is under consideration depending on the situation of COVID-19 in Japan. Qualification Entry to the festival is open for all, regardless of profession, nationality, or age. Entry Regulations ・Films must be uploaded on VIMEO or YOUTUBE to enter. ・There is NO ENTRY-FEE required. ・There are NO PAYMENT OF ROYALTY for the screening. ・We only accept dance films or dance videos. We DO NOT accept video documentation of stage performances or promotion materials. ・All rights in the film including the visual images, music, cast and other elements must be cleared for the screening. ・International dance film Festival is not a competition. ・An individual may enter multiple dance films. ・Films selected as the “International Dance Film Festival 2021 Selection” are planned to be screened in several online and offline events in Japan throughout 2021-2022. About Selection ・Only selected works will be screened at the festival. ・The films will be judged and selected by Naoto Iina, director and producer of Dance and Media Japan. ・Films judged and selected as part of the “International Dance Film Festival 2021 Selection” are to be screened around Japan. Profile of Judge Naoto Iina Iina is the producer and director of “International Dance Film Festival”. He has founded Dance and Media Japan to create a fusion between performing arts and digital media. Iina is also the Editor-in-chief of the online Butoh program “Re-Butoooh” (published by NPO Dance Archive Network). He currently teaches at Tokyo Zokei University as Associate Professor and is also a Lecturer at Za Koenji Theatre Creation Academy. How to enter Please mail to us the information below. 1. URL and PASSWORD of the film. (Film must be uploaded on VIMEO or YOUTUBE) 2. Country and City 3. Released date 4. Name of applicant 5. e-mail address 6. Short description and profile. English is preferred though any language is accepted. Address for Entry and Inquiries International Dance Film Festival Office entry2021@dance-media.com Contact Email:it.wasnt.a.boojum@gmail.com Website:
[www.dance-media.com] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Online Course “New Technologies for Performance Art” Where: online When: May 7-28, Fridays 6-8pm CET Deadline: May 6, 2020 Online Application:
[https:] Fee to Participate or Apply: EUR 175 Description Of Opportunity: Online course: “New Technologies for Performance Art Part 1: An Introduction to the Extended Reality Spectrum and related Performance Work” This course is devoted to one of the most pertinent cultural trends of the present: immersion and its technologies. It addresses central questions such as: What does the turn to the immersive mean for us? Why is it happening? Who benefits ? How is it changing the way we create, share, and preserve art and culture? How does it transform the field of performance art? Experiential technologies or XR technologies, which include virtual reality (VR), augmented reality (AR), and 360 photo and video capture, propose knowledge production through an immersive encounter. At the same time, they put central aspects of performative practice such as notions of liveness and corporeality up for renegotiation. The field of Digital Humanities highlights the ongoing tension of pairing computational methods which are often more quantitative and positivist with arts and humanities practices that shepherd a more qualitative reflection or approach. This class brings together a set of theoretical and practical resources that illuminate the friction of that combination in powerful ways. Students will not only learn about historical and current techniques of immersion but will be expected to think critically and reflect on the work of artists producing XR related work. Dates: May 7-28, Fridays 6-8pm CET How To Apply: Enroll at
[https:] Contact Email:info@ecc-performanceart.eu Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: APPLY NOW // Nonclassical Associate Composers Scheme Where: UK When: 2021-22 Deadline: 26 April 2021 Online Application: nonclassical.co.uk/acs-apply Fee to Participate or Apply: 0 Description Of Opportunity: WE’RE LOOKING FOR FOUR UK-BASED COMPOSERS WHO DISPLAY EXCEPTIONAL ABILITY AND POTENTIAL TO JOIN NONCLASSICAL’S ASSOCIATE COMPOSERS SCHEME IN 2021/22. Our Associate Composers Scheme supports the artistic development of unsigned and unpublished composers, who are creating exciting new contemporary classical, electronic and experimental music. The scheme has been developed to give early career artists a 360-degree view of what it takes to be a composer in today’s musical landscape. THE ASSOCIATE COMPOSERS SCHEME 2021/22 OFFERS: A paid commission of £1,500 to write a 3-5 minute orchestral piece for Southbank Sinfonia, premiered as part of their 2022 programme A paid commission of £750 to write an open score piece for the Contemporary Music for All Festival in March 2022 The opportunity to record a short piece for Nonclassical’s compilation series Outside the Lines in autumn 2021 for release in early 2022 The opportunity to curate a live event for Nonclassical’s 2021–22 programme Professional mentoring, training and coaching sessions from established composers and industry figures and a qualified coach shaped around your interests, skills gaps and goals WE ARE LOOKING FOR: Composers over 18 UK-based composers Artists without a recording or publishing contract Composers who have never received a paid orchestral commission Artists displaying exceptional ability and potential from any genre and/or musical background who can work with notated music – this does not have to be traditional Western musical notation, and may include practices such as graphic notation or text instruction scores Candidates whose career and artistic development would significantly benefit from this opportunity We particularly welcome applications from underrepresented and/or marginalised groups in music, including but not limited to women, Black, Asian or ethnically diverse, and/or disabled artists. The programme requires an ongoing, part-time commitment over the course of 18 months (from July 2021 to December 2022). We understand participants are likely to want to balance their activities with other commitments. Please note that this is not a salaried position, and composers will not receive a bursary for participation besides paid commission fees. Nonclassical will also provide a budget of financial support to remove any barriers to participation; this includes travel, accommodation, childcare, assistance. Individual circumstances will be taken into consideration upon offer of a place on the scheme. How To Apply: Details on website: www.nonclassical.co.uk/acs-apply Contact Email:sophie@nonclassical.co.uk Website: www.nonclassical.co.uk/acs-apply These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Wirtualne Muzeum Antropocenu announces an international open call for our next exhibition “Niezaspokojony Głód//Endless Hunger”. From March 15 – April 3rd, 2021 we invite artists — regardless of background, education and nationality to submit works to our inaugural exhibition.
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Contemporary Performance - Opportunities
The Lowell Chamber orchestra is looking for two transgender vocalists - one mezzo-soprano and one baritone - for a production of Laura Kaminsky’s “As One” in November 2021. Vocalist should have a demonstrated experience performing opera or musical theatre.
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Contemporary Performance - Opportunities
Multidisciplinary, inclusive and collaborative: Our Festival provides a platform for artists from all disciplines to present their work to the public.
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Contemporary Performance - Opportunities
Opportunity: Open Call: 2022 Vilcek Prizes for Creative Promise in Dance Where: USA When: Spring 2022 Deadline: 06/11/2021 Online Application: Fee to Participate or Apply: Free Description Of Opportunity: The Vilcek Foundation will award three Vilcek Prizes for Creative Promise of $50,000 each to young, immigrant artistic directors, choreographers, and performers who demonstrate outstanding early achievement in dance. Applications are open from now through June 11, 2021. The 2022 Vilcek Prizes for Creative Promise in Dance: -Recognize and celebrate young foreign-born dance and movement artists -Highlight the many ways that immigrants’ contributions enrich our culture and society -Provide valuable support to artists at a pivotal point in their career -Dancers, choreographers, and artistic directors are eligible to apply -Categories for consideration include ballet, ballroom, contemporary, cultural, jazz, modern, urban, and tap Please read the following eligibility requirements carefully. Applicants must: -Have been born outside the United States of America to non-American parents. -Not be more than 38 years old as of December 31, 2021 (born on or after January 1, 1983). -Have lived in the United States for at least four years (or immigrated to the United States on or before December 31, 2017). -Be one of the following: a naturalized citizen or a permanent resident of the United States; a H-1B or O-1 visa holder with a valid visa stamp; a H-4 visa holder with a valid EAD card; a recipient of Deferred Action for Childhood Arrivals (DACA) relief; an asylee or an asylum seeker who has applied for asylum and has a valid EAD card. -Have at least five years of professional experience in dance. -Not be enrolled as a student (full-time or part-time). -Have work presented in at least three paid professional engagements. -Intend to pursue a career in the United States. -Not be a past recipient of the Vilcek Prizes for Creative Promise in any category. Full information is available online at: vilcek.co/danceobcpp2022 How To Apply: Visit vilcek.co/danceobcpp2022 to access and complete your online application. Applications must be submitted by June 11, 2021, at 5pm ET. You will be required to: -Provide personal information -Upload a PDF of your CV with a history of performances and other professional activities -Upload a PDF with documentation of your valid immigration status -Provide video work samples (up to 20 minutes) -Provide up to 5 press clippings about your work -Complete three essay questions #1 Please describe your most important projects. We are interested in learning about the intention behind each of those projects, your artistic foundations, and creative approaches you developed based on your personal or professional path. (2,000 characters max) #2 What do you hope to achieve through your work and how do you think it contributes to the development of dance as an art form? (2,000 characters max) #3 Describe the circumstances of your immigration to the United States and how your experience as an immigrant informs and enriches your approach to dance. (1,500 characters max) -Provide the names and contact information of 2 references -Submit a completed application by 5:00pm EDT, June 11, 2021 A panel of distinguished jurors will evaluate the applications based on their excellence, innovation, and impact. The 2022 Vilcek Prizes for Creative Promise will honor dance professionals who exemplify excellence and creativity and whose work showcases the possibilities of dance as a language and a means of expression. The individuals chosen will have demonstrated exceptional independence and creativity by their 38th birthday. Recommendations of the jury will be submitted to the Vilcek Foundation’s Board of Directors for final approval. All three winners will be considered equal in standing. The winners of the 2022 Vilcek Prizes for Creative Promise in Dance will be announced in fall 2021. Prizewinners will be invited to attend the Vilcek Foundation’s annual awards ceremony in New York City in the spring of 2022. Travel expenses and accommodations will be covered by the foundation. Contact Email:creativepromise@vilcek.org Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Pro.Beta opens a space so that you can bring your craziest ideas and concepts to the stage, therefore the BETA PUBLICA Association will select one or two pieces from those presented in Pro.Beta as part of the lineup of this VIII Edition. If you have an idea and want to have an opportunity to share it with the BETA PUBLICA audience, don't miss the opportunity and show us what you are capable of by presenting your idea in Pro.Beta.
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Contemporary Performance - Opportunities
The focus of this course is the critical and practical consideration of these creative constraints as we examine the practice of using task-led activities as a means to conceive and compose performance. Weekly discussions and practical experiments are informed by selected critical reading and examples of case study artists (e.g. Calle’s ‘Rules of the Game’, Cage’s ‘Chance procedures’ and Goat Island’s ‘Directives’).
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Contemporary Performance - Opportunities
PARL invites performance art makers and groups to join a 10 days research and development program in Ljubljana, Slovenia from 22 - 31 August 2021. The program is open for performance art, devised theater, contemporary dance, intermedia projects and hybrid forms. PARL provides every participant a studio space and presentation venue.
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Contemporary Performance - Opportunities
This call for entries is opened to national and international groups or artists that practice experimental theatre.
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Contemporary Performance - Opportunities
M1 Singapore Fringe Festival is looking for performing and live artworks from artists from all around the world to propose works around the theme The Helpers for Fringe 2022
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Contemporary Performance - Opportunities
HOME OF PERFORMANCE PRACTICES and ArtEZ University of the Arts welcomes applications for the two-year, low-residence, high intensity master's degree programme in 5 specializations
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Contemporary Performance - Opportunities
Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė, Lina Lapelytė, the authors of the Venice Biennale 2019 Golden Lion winning opera-performance “Sun and Sea (Marina)” (www.sunandsea.lt) are looking for singers/performers to cover two roles in the upcoming world tour
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Contemporary Performance - Opportunities
LIVE WORKS – Free School of Performance OPEN CALL - 6 artists will be selected and each artist will have:an annual fellowship of € 3,000.00, kick Off Seminar in the dates 10-13 June 2021, during Live Works Summit 2021*, a 15 day individual residency at Centrale Fies, a residency (optional) in an international partner structure, and a collective residency together with all the selected artists, at Centrale Fies, in the summer 2022 in the frame of Live Works Summit 2022
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Contemporary Performance - Opportunities
PACT Zollverein Residencies 08-12 2021Open Call Online applicationClosing date for applications: 25 Feb 2021 Running all year round since 2002, the residency programme is at the heart of PACT Zollverein’s day to day work. Open to professional artists from home and abroad who work in the areas of dance, performance, media arts or music and closely linked to PACT’s two other core strands of activity in presenting work and facilitating research and development, the programme is a key element in PACT Zollverein’s profile as an Artists’ House supporting lively exchange between practice and theory. While occupying their own designated space and essentially working independently, residents may choose to take advantage of various kinds of production support such as dramaturgy, technical assistance, project management as well as press and publicity. Thanks to the support of the Ministry for Culture and Science of the State of North Rhine-Westphalia, residency recipients receive a grant to cover their living expenses and travel costs. Residences are awarded twice a year by an international jury. A residency project will not have a public showing. A residency incorporates the following Studio space (from 69 to 173 sq. m.) Local accommodation (max. 4 people) Period of min. 4 weeks (at a stretch) Weekly grant allowance for all of the residency project participants (max. 4 people) Travel costs covering one journey only per participant to and from PACT Zollverein (max. 4 people)* Technical equipment (by arrangement and subject to availability) Professional technical support (by arrangement and subject to availability) *Principally, the least environmentally harmful means of transport available should be chosen. Please note that due to the current highly dynamic COVID-19 situation, we reserve the right to make adjustments to the terms of residencies in consultation with the applicants if necessary. The residency programme is supported by the Ministry for Culture and Science of the State of North Rhine-Westphalia More information PACT ZollvereinJuliane BeckBullmannaue 20aD-45327 Essen residenz@pact-zollverein.de Go to Residency Insights to learn what the residency artists have been working on. Photo: ©Dirk-Rose
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Contemporary Performance - Opportunities
EXPERIMENTICA is a live art festival in Cardiff that encourages risk, collaboration, and exchange between artists and audiences.
The festival commissions and hosts a dynamic programme of live art, performance and interdisciplinary projects.
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Contemporary Performance - Opportunities
The main objective of this course is to prepare the participants to develop an idea into a live performance art piece. In the process, participants will practice how to think critically about performance art and find their unique way of expression. In order to gain historical and disciplinary perspective, participants will learn about precedents such as Futurism and DADA, the development of the scene in various parts of the world, leading artists such as Yoko Ono, Marina Abramovic, or Vito Acconci, as well as crucial festivals and exhibitions.
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Contemporary Performance - Opportunities
This online course examines how the time-and site-specific experience of performance art is translated into physical material with sustainability. It investigates into the relation of physical remains to ephemeral artistic practice, their meaning for the inscription into history, and ways of use for artists, scholars, and curators.
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Contemporary Performance - Opportunities
Originally from Alaska, Emily is of the Yup’ik Nation, and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as portals and installations, engaging audiences within and through space, time, and environment—interacting with a place's architecture, peoples, history and role in community.
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Contemporary Performance - Opportunities
Onassis AiR, the (inter)national artistic research residency program in Athens (Greece), invites artists, curators, designers, activists, collectives, educators, legal advocates, performance makers, economists, architects, filmmakers and other practitioners from any medium of expression or discipline to apply for the second iteration of The School of Infinite Rehearsals: Movements V–VIII, running between September 2021 and June 2022.
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Contemporary Performance - Opportunities
"School of Disobedience" is a nomadic, experimental and non-formal performance art school and fight club at the same time, based on questioning, criticizing, protesting, resisting and defying. Composed of thematic classes, the program introduces the concepts of oppression, domination, exploitation, marginalization, powerlessness and violence from a critical feminist perspective.
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Contemporary Performance - Opportunities
The Open Program at the Festival #LearningPlanetAn online celebration of International Day of Education January 24th and 25th 2021 Join The Workcenter of Jerzy Grotowski and Thomas Richards to participate in the second edition of the #LearningPlanet Festival, taking place online, and for free, on January 24th and 25th 2021, on the occasion of the International Day of Education. Initiated by CRI and UNESCO, the Festival is co-designed and co-organised with the #LearningPlanet open community, bringing together organizations and networks from around the world. The theme for this year is ‘Learning to take care of oneself, others, and the planet’. #LearningPlanet Festival invites learning communities, students, teachers committed individuals, to share and celebrate their most significant learnings and achievements. Its grassroots, online programme will offer a range of sessions adapted to all ages: inspiring video talks, LIVE conferences and debates, educational and creative workshops, scientific and artistic activities, digital experiments, films and documentaries, etc. Register hereFor more information, please visit:
[https:] follow Learning Planet on social media: Twitter, Facebook, Instagram and Linkedin: @learningplanet_
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Contemporary Performance - Opportunities
Opportunity: Audition for a High Performance Dance Programme Where: Terrassa (Barcelona) When: March the 6th Deadline: February the 14th Online Application:
[https:] Fee to Participate or Apply: Free Description Of Opportunity: The PAR en Dansa is a 40 hours per week High Performance Programme, directed by Rodolfo Castellanos. It offers technical development and individualized monitoring to the dancers, who work as a company with their own productions. The Terrassa Cultural Center serves as a platform for dancers to establish direct contact with international companies programmed in the city. How To Apply: Fill out the form for an online or onsite audition on our website:
[https:] Contact Email:rroig@fudnacioct.cat Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Forma y Sustancia International Performance Art Festival warmly invites artists to submit proposals for the fifth edition of FORMA Y SUSTANCIA International Performance Festival, organized by RACA. There are no restrictions regarding topics of themes: you choose what interests you. Because of the current worldwide situation, the festival will be held online, including screenings in some spaces that are yet to be defined.
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Contemporary Performance - Opportunities
The Master in Directing of Devised and Object Theatre offers advanced studies in the practice of theatre-making with a twofold focus: learning the process of devising a theatre performance from scratch, with a strong emphasis on a visuality of expression. Students will learn to create theatre performances with strong visual, spatial, object and media (low tech) aspects, as well as working in other related performance forms such as scenographic installations, sound performances, and other types of performances with strong visual and spatial dramaturgy.
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Contemporary Performance - Opportunities
The Organization for the Democratization of the Visual Arts (ODBK) invites visual artists from all countries, working in all kinds of mediums to present an artwork proposal for an exhibition that motivates and inspires equality, diversity and democracy for the art world.
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Contemporary Performance - Opportunities
Kit Modus seeks proposals for new works to be created via virtual choreographic residency. The Atlanta-based company is committed to transporting audiences into a world of innovative movement by developing and presenting an expansive repertoire of original contemporary dance works by outstanding choreographers.
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Contemporary Performance - Opportunities
Guidelines and tools about how to face the creation process methodology and staging a performance-based in an alternative post-dramatic conception for performers who explore the borders of a non-traditional dramaturgy.
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Contemporary Performance - Opportunities
Opportunity: R.A.W. (Recorded Action Web-Exhibition) Where: Online When: 15-1-2021 Deadline: 18-12-20 Online Application: bbeyond@europe.com Fee to Participate or Apply: No Description Of Opportunity: Bbeyond are pleased to announce an Open Call for our upcoming online Performance Art Video exhibition – R.A.W. (Recorded Action Web-Exhibition)One applicant will be selected to perform at Bbeyond’s upcoming 20th Anniversary Performance Event next year (2021) which will be a paid opportunity, subject to pandemic restrictions. Submission Deadline – Friday the 18th of December 6pm We are looking for Performance Art videos up to 3 minutes in length made within the last 5 years. How To Apply: Please send; Title, Year and a Short Description (Max. 100 words) accompanied by a Short Bio/Artist Statement of (Max. 150 words) by email to – bbeyond@europe.com Please We-transfer your video of no more than 3 minutes in length to bbeyond@europe.com Videos should be Mp4 and no larger than 80MB – We welcome Videos filmed on any device. Unfortunately, we are unable to provide an Artist fee for Selected works – Artists will gain exposure by having their work shown and promoted across our Online platforms. We are an equal opportunities organization and welcome submissions from artists from every background and community working in Performance Art. Contact Email:bbeyond@europe.com Website:
[bbeyond.live] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
The Digital Arts and New Media program with an emphasis in new performance welcomes applications for admission in the Fall of 2021. In this two year program students will create work in an interdisciplinary studio, cultivate fluency in contemporary performance practices, and deepen their critical understanding of the role of performance in the public sphere. The Future Stages program is led by Marianne Weems, founder of the New York-based performance and media ensemble The Builders Association (www.thebuildersassociation.org). Students will have the opportunity to work with Weems on research and production, both in California and New York City. Future Stages invites those who want to investigate new models of creating, presenting, and consuming performance. Ideal candidates will be directors, media designers, performers, and other artists who have some experience in contemporary performance practices.
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Contemporary Performance - Opportunities
Kulturscio’k is a not-for-profit company dedicated to producing, discovering, supporting international contemporary artists working in art, music, film, literature, architecture, theater, fashion, and other creative disciplines and fostering opportunities for multi-disciplinary dialogue.
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Contemporary Performance - Opportunities
Every year, danceWEB offers participation in all workshops, research projects as well as attendance at all performances of the ImPulsTanz festival plus mentoring by an artistic coach to about 60 dancers and emerging choreographers from more than 40 countries.
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Contemporary Performance - Opportunities
Opportunity: Online course “New Technologies for Performance Art” Where: online When: November 30-December 21st, 2020; Mondays, 6-8pm CET Deadline: November 29th, 2020 Online Application: Enroll online at:
[https:] Fee to Participate or Apply: EUR 175 Description Of Opportunity: “New Technologies for Performance Art” – Online Course at ECC Performance Art With Francesca Albrezzi This course is devoted to one of the most pertinent cultural trends of the present – immersion and its technologies – and its impact on the creation, reception, exhibition, and collection of performance art. Students are introduced to new immersive technologies available to performance artists, curators, and scholars, such as virtual reality, augmented reality and 360 photo and video capture. In addition, the course addresses central conceptual and ideological questions such as: What does the turn to the immersive mean for us? Why is it happening? Who benefits? Who doesn’t? How is it changing the way we create, share, and preserve art and culture? The histories of art, photography, and film for useful comparisons for what is being experienced in the present with the rapid development and assimilation of digital applications. Reality, after the surrealist twenties, could never again be seen as simple or continuous, describable empirically or through induction. As once science fictions now become scientific realities, and as the virtual inches closer to becoming indistinguishable from the actual, how do we understand the changing dynamics between new technology and human understanding? This class brings together a set of resources that will illuminate the friction of that combination in powerful ways. Students will not only learn about historical techniques of immersion but will be expected to think critically and reflect on their own relationships with technology – not judging it as good or bad, but as a complex exchange that is worthy of time and thought. November 30-December 21, 2020 Mondays between 6-8pm CET Fee: EUR 175 How To Apply: Enroll online at:
[https:] Contact Email:info@ecc-performanceart.eu Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Oper Call, Videodance Festival Where: Theatre or City Park in Cagliari, Italy When: December 2020 or september 2021 Deadline: 30/11/2020 Online Application: Fee to Participate or Apply: NO fee Description Of Opportunity: Call for entries 2020 REPRISE Welcome to the second part of the 8th edition of Breaking 8- International Festival of Videodance. The selected works will be screened in december 2020 (dates still to confirm) or during the international contemporary dance festival FIND 39- Festival Internazionale Nuova Danza 2021, in Cagliari, Italy. A restricted selection might be proposed, prior notification to the authors, to our international partner videodance festivals and presented in further cultural events organized by Breaking 8. Breaking8 does not include a competition and it’s a free of charge event for authors and audience. Please do not submit works for which you are charging a fee. This edition focuses on short works, preferably not exceeding 5 minutes runtime. However, not much longer works can apply. Let our audiences know your works, share your perspective on the ever evolving genre of videodance! How To Apply: To participate download the application form
[https:] please compile and send it to breaking8vd@gmail.com. You can submit up to three works until 30/11/2020. No entry fee. Contact Email:breaking8vd@gmail.com Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: MDOCS Storytellers’ Institute Visiting Fellows Where: Saratoga Springs or Virtual- Due to the Covid-19 Pandemic, the 2021 Storytellers’ Institute may happen virtually. If you choose to apply, please be prepared for either a virtual or in-person Institute experience. When: June 1st- July 2nd 2021. Deadline: December 5th Online Application:
[mdocs.skidmore.edu] Fee to Participate or Apply: yes Description Of Opportunity: Calling all Artists, Storytellers’ and Documentarians working in Creative Non-Fiction mediums. Applications to be a Visiting Fellow in the 2021 MDOCS Storytellers’ Institute are now open!!! Who *Non-fiction-based artists working in any and all mediums (performance, theater, sound, painting, photography, sculpture, film, video, word, installation, etc.)* What *A 5-week funded residency organized around the theme of Co-creation: Delights, Discontents & Dislocations* Where *Saratoga Springs or Virtual- due to the Covid – 19 Pandemic, we cannot say whether or not the Institute will be running virtually or in person* When *June 1st- July 2nd 2021* Why *Because you want to be inspired by a multidisciplinary, multi-generational, creative and intellectual community. * Fellowship includes: Community and feedback from a renowned group of multidisciplinary artists/storytellers/documentarians $2500 honorarium Travel stipend of up to $500 (only if in person) Public presentation/exhibition opportunities Access to production equipment Room and board for the duration of the Institute (only if in person) Workspace access to Skidmore facilities (only if in person) How To Apply: Requirements: Applicants must have a non-fiction-based practice and propose a non-fiction-based project. Because of this year’s theme, applicants must be members of collaborative teams that span artistic or academic mediums/disciplines, or single applicants who propose projects that are collaborations with other artists, communities or institutions. Applicants must have an interest in teaching and learning. Accepted Fellows are expected to fully engage with Institute events and be in residence for its duration (except for non-Forum weekends). If a Fellow is not in residence for the full Institute, their stipend will be reduced. Please take a look at the schedule from a past Storytellers’ Institute here and expect that the 2021 Institute will follow a similar schedule. What you need to apply: A completed application, which includes a work sample that demonstrates your experience in non-fiction creative work. This can be written word, video, photography, audio, performance documentation, etc. One letter of recommendation sent to storytellersinstitute@skidmore.edu before the deadline or your application will not be considered. Contact Email:storytellersinstitute@skidmore.edu Website:
[mdocs.skidmore.edu] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
The Kurt Weill Foundation Grant Program awards financial support worldwide to not-for-profit organizations for performances of musical works by Kurt Weill and Marc Blitzstein, to individuals and not-for-profit organizations for scholarly research pertaining to Kurt Weill, Lotte Lenya, and Marc Blitzstein, and to not-for-profit organizations for relevant educational or scholarly initiatives. Grant proposals in support of performances of authorized versions of works will be accepted for the 2021 grant cycle (for performances occurring between 1 January 2021 and 1 July 2022). Next application deadline: 1 February 2021.
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Contemporary Performance - Opportunities
Welcome to the 2nd Season of the SLC Performance Lab Podcast. Produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program, the SLC Performance Lab interviews visiting artists to the MFA Theatre Program's Grad Lab, one of the core classes of the program where grads work with guest artists and develop group generated performance pieces monthly. Maiko Kikuchi is a multidisciplinary artist working in illustration, painting, drawing, collage, sculpture, animation and puppetry/ performance.
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Contemporary Performance - Opportunities
Interdisciplinary, Collaborative, Expansive, and Rigorous – 2 Year MFA in Theater and Performance (New York)Deadline: January 1, 2021Apply to the Theatre graduate program today» The Master of Fine Arts in Theatre at Sarah Lawrence College supports students through research and practice to develop their unique artistic voice and robust creative practice to engage with the contemporary field. With the guidance of faculty and thesis advisors who are working artists, curators, and organizers, the program offers an advanced study of theatre and performance that is interdisciplinary, collaborative, expansive, and rigorous. More Information:Website –>Instagram–>Facebook–>Season Website–> We encourage students to bring their own histories, experiences, and stories into the ecosystem of the program to share in the development of new questions, political urgencies, and social engagement. Why pursue your MFA in Theatre at Sarah Lawrence College? Our curriculum crosses the boundaries of design, acting, directing, management, performance, technology, writing, producing, voice, movement, civic engagement, and much more. No two students’ course of study will be the same. Your individual program will be created in consultation with the program director in response to your background and interests. We encourage collaboration and want you to bring your histories, experiences and stories into the ecosystem of the program, sharing in the development of new questions, political urgencies, and social engagement. You’ll graduate from the program with a strong professional network and an understanding of how to situate and advocate for yourself in the field. An emphasis on the development of original work provides you the opportunity to explore theatre-making from diverse creative perspectives, such as puppetry, improvisation, playwriting and collaborative creation. You will benefit from our close proximity to the unparalleled offerings of New York City and connections with theatres and theatre organizations through internships and fieldwork experiences. The Theatre Outreach program also provides opportunities for teaching placements in schools, colleges, senior centers, half-way houses and prisons. We are consistently ranked among the Best College Theatre Programs by the Princeton Review. Graduate Record Examination (GRE) scores are not required for admission. The application deadline is January 1, 2021Apply to the Theatre graduate program today»Request More Information» Interdisciplinary – The program emphasizes theatre and performance making as an integrative process.Collaborative – Students work closely in classes, conferences, and productions with the faculty, guest artists, their graduate cohort, and the undergraduate theatre community.Expansive – We emphasize the development of original work, grounded in a study of historical and contemporary forms and in expansive articulations of performance frameworks.Rigorous – Embodiment, process, feedback, and reflection are at the core of graduate curricular work. Program Overview The Master of Fine Arts in Theatre Program facilitates students’ development in deepening their artistic practice, building new skill sets, articulating their research and performative goals, and situating and advocating for themselves in the field. The Sarah Lawrence College Theatre MFA Program is focused on deep collaboration, community building, and interdisciplinarity. We support performance and theater artists through a curriculum crossing the boundaries of design, acting, directing, management, performance, technology, writing, producing, voice, movement, civic engagement and much more. Students have the advantage of taking classes within the music and dance programs as well to supplement their practice. We encourage students to bring their own histories, experiences, and stories into the ecosystem of the program to share in the development of new questions, political urgencies, and social engagement. Together we will research and practice theatre and performance to expand the possibilities of critical togetherness through body, story, and experience. Deadline: January 1, 2020Apply to the Theatre graduate program today»Request More Information» Program Outline For an M.F.A. in theatre, students will earn a total of 48 course credits (24 in the first year and 24 in the second). Students are accepted on a full-time basis; exceptions are made only in extraordinary circumstances. Required courses in the M.F.A. program: Contemporary Collaborative Performance (Year 1) Performance Research (Year 1) Studio (Year 1) Grad Lab (Year 1 & 2) Practice/Thesis (Year 2) Survey (Year 1 & 2) Practicum (Year 1 & 2) Take a look at our course offerings for 2020/2021 Other than these required courses, students chose paths according to their interests and needs. The goal is to create an interdisciplinary course of study that builds on current skill sets and explores theater and performance aspects that are new to them. Graduate students participate in one or more practicum activities per year. These may include season productions, guest art residencies, downstage season, independent student groups, or internships. Students take one analytical class per year during the graduate program (history, theory, survey, dramaturgy, etc.). Apply Today Students may apply for fall entry to the Master of Fine Arts in Theatre program. Applicants must have received a Bachelor of Arts or equivalent degree from an accredited college or university. Graduate Record Examination (GRE) scores are not required for admission. The application deadline is January 1, 2020Apply to the Theatre graduate program online»Request More Information» Faculty A caring and generous faculty support your creative practice and growth. Some of the faculty include: Caden Manson (Director of the Theatre Program) Stew Melisa Tien David Neumann Caden Manson Sibyl Kempson Sandra Daley Tei Blow See a full list of faculty» Monthly Guests Each month, the program invites nationally and internationally recognized artists to mentor and lead workshops during Grad Lab classes. Some of the past guests have included: Okwui Okpokwasili Rachel Chavkin Jennifer Kidwell Ping Chong Mimi Lien Steve Cosson/The Civilians Lear deBessonet Lisa Kron Kristin Marting Koryu Nishikawa V Holly Hughes Deadline: January 1.Apply to the Theatre graduate program online»Request More Information» More Information:Website –>Instagram–>Facebook–>Remote Website–>
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Contemporary Performance - Opportunities
Produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program, the SLC Performance Lab interviews visiting artists to the MFA Theatre Program’s Grad Lab, one of the core classes of the program where grads work with guest artists and develop group generated performance pieces monthly. Beth Pickens was interviewed by Kyrie Ellison(SLC 21) on Zoom.
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Contemporary Performance - Opportunities
Opportunity: OPEN CALL 2021 | Annual Grant | Residency Program ZARATAN AIR Where: Zaratan – Arte Contemporânea, Lisbon, Portugal When: 2021 Deadline: 15/11/2020 Online Application:
[https:] Fee to Participate or Apply: Free Description Of Opportunity: OPEN CALL 2021 | Annual Grant Residency Program ZARATAN AIR DEADLINE | From 15th October to 15th November, 2020 (24H00) ELIGIBILITY | Emerging and professional artists, performers, musicians, curators, writers and other cultural agents are eligible to apply. The residency program is designed for international artists – or national artists residing abroad – for the development of artistic projects, individual or collective. Zaratan defends a multidisciplinary and experimental attitude, where all the areas and the languages of the artistic expression are considered. DURATION | 4 weeks GRANT | Once a year Zaratan offers a 4 weeks residency grant, which covers the studio and accommodation fees for one artist selected through the applications process. THE OPEN CALL IS NOW OPEN FROM 15th OCTOBER TO 15th NOVEMBER, 2020. ABOUT ZARATAN AIR | Driven by the desire to intensify and exchange knowledge with artists through creative and productive practices, in 2015 Zaratan announced the promotion of an international art residency. Our goal is to mix experienced artists with emerging artists and give them the possibility to bring their work in an experimental context through exchange and collaboration within the local network. The artists-in-residence at Zaratan are given the opportunity to develop a project over a fixed period of time, and to reflect and consolidate their artistic practice in the specific context of Lisbon. We provide private accommodation, 24/7 private working studios, technical assistance, promotion and communication support, open public presentation of the residency process. Although labs and technique-specific facilities are not available, we will do our best to fulfill the artist’s needs, providing logistical support for producing work and events within our network of partners and collaborators. All artists are encouraged and welcome to share the outcome of their residency through talks, performance, open studios or other format of public presentations. APPLICATION EVALUATION | Applications are evaluated by a selection committee comprised of artists, curators, community members and space board members. Applicants will be notified via email as soon as possible after selections have been made. Beside being submitted for our annual grant, the applications will be evaluated for our regular program of residencies in 2021, which requires the payment of a residency fee. If accepted, we are available to assist residents with funding applications. MORE INFORMATION | residencies@zaratan.pt | +351 967580235 | www.zaratan.pt How To Apply: APPLICATION PROCESS | If you wish to apply to our annual grant please email us at residencies@zaratan.pt with the following information (1 PDF file not exceeding 24mb): – Bio/CV; – Portfolio or website; – Description of the work/project you intend to carry on during the residency; – Period you intend to stay at Zaratan. Contact Email:residencies@zaratan.pt Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Are you making digital performance? We have put together a list of helpful tech. (these are linked to Amazon, but you can find them in many online stores). 1. Web Cam – ( you don’t need one if you have a built-in camera on your computer, but it can be helpful to put an external webcam at a higher level for better angles for performance and don’t want to put your computer at risk of falling to the ground)
[https:] 2. Ring Light – (helpful for filling in face evenly. we prefer the RGB LED kind so we can also work with color)
[https:] 3. Bluetooth mic – (These are helpful if you are performing further than a few feet from the webcam. Check your webcam before you buy, because some webcams get good audio from even 10 feet away)
[https:] 2. Green Screen – (you can use virtual greenscreen backgrounds in Zoom, but to get a crisp background and full-body presentation at different distances, it is best to use an actual green screen hung behind you)
[https:] 3. RGB LED Colored lights for room fill – (we like these because you can use an app control the colors)
[https:] 4. Ethernet Cable to direct link your computer to your internet router – (It can be very helpful for frame rate and frame drop to directly plug your computer into your internet router instead of over wifi)
[https:] 5. Ethernet to USB C Adapter – (If you have a computer made in the past 10 years you will most likely need an ethernet adapter to your usb or usb c port on your computer)
[https:]
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Contemporary Performance - Opportunities
As part of the encuentro CONTINUO LATIDO AMERICANO DE PERFORMANCE 2020,
Latinoamérica Extendida: Europa (Latin America Extended: Europe) invites Latin American artists living in Europe to propose works in the following formats: video-performance, video documentation of a performance, photo-performance
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Contemporary Performance - Opportunities
Opportunity: Choreographic Convention V: Movement Research, Sofia Where: Goethe Institut-Bulgaria / Online When: 10th and 11th of October 2020 Deadline: None Online Application: None Fee to Participate or Apply: None Description Of Opportunity: Choreographic Convention V: Movement Research, Sofia October 10 – 11, 2020 at 11 AM – 5 PM UTC+03 As a part of the “Choreographic Convention” Programme of the project “Life Long Burning – Towards a Sustainable Ecosystem of Contemporary Dance in Europe” Curated by Iva Sveshtarova, Angelina Georgieva, Willy Prager, Stephan A. Shtereff Ever since its introduction into dance-making by the pioneers of modern dance, and especially since experimental dance collectives turned improvisation into an artistic practice in the United States in the 1970’s, movement research has generally been understood as a process of finding and generating movement material beyond existing dance vocabulary. Movement is differentiated as an essential materiality of dance, and research takes place in the body of the dancer. The body experiments with kinetic potential or appropriates movements from different spheres of life, on the basis of which it develops movement language. But movement research also operates on a much broader level, which we can only briefly outline here. Contemporary choreography has complicated the attitude that the body and movement are the main means of expression in dance. They have been subjected to radical deconstruction, examining their culturally assigned meanings. The notion of choreography as an expanded practice has largely emancipated itself from dance and has become increasingly interested not in the individual expressiveness of the body and movement and in shaping them through various techniques, but in the relations they create with other bodies and objects in multi-layered aesthetically organized situations, as well as in their socio-political significance. Digital and dance artists have incorporated new technologies as a creative and research tool that expand the notions of bodily boundaries. Various software programs make it possible to capture, analyse and reconfigure movement in any environment – physical, virtual, visual or acoustic… The growing interest in the history of dance in recent decades has raised questions of the possibilities for archiving, researching and reconstructing the kinetic knowledge of the past. The Choreographic Convention: “Movement Research” offers a space for dialogue and reflection on new perspectives and approaches to movement research. Over the course of two days, through talks, presentations, conversations with artists and theoretical discussions, the meeting will focus on the following main topics: movement research as an artistic practice, as a form of work with dance archives and its interactions with new technologies and in social movements and contexts. The meeting will be accompanied by an artistic programme with performances related to these topics. How To Apply: The International Choreographic Convention will be held live, in compliance with all anti-epidemic measures and will be broadcast online on the Antistatic International Festival for Contemporary Dance and Performance’s Facebook page (@antistatic.international.festival), where no registration is needed. Due to the anti-epidemic measures, the seats in the hall are a limited number that is why a pre-registration via e-mail at antistaticfest@gmail.com is mandatory. Free entrance. The working language will be English. * Please be aware that the programme may be altered in occasion of unexpected changes in anti-epidemic measures. Contact Email:info@a25cultfound.org Website:
[antistaticfestival.org] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Call for submissions Ensemble Ouvert Where: Worldwide, based in Canada When: Rolling admissions Deadline: Rolling deadline Online Application:
[https:] Fee to Participate or Apply: No fee Description Of Opportunity: In 2011, Silvy Panet-Raymond launched The Missing Link Project in Berlin. Since then other versions have taken shape: Paris, 2014 and Rennes (France) 2018. Ensemble Ouvert (loosely translated as open / together or open-ended set) is a project that is created with contributions by over 100 artists from around the world. By engaging in the Ensemble Ouvert project, artists provide dynamic opportunities for their work and the work of others to generate new perspectives beyond the usual models of collaboration, exchange, and authorship. It’s not about making work around one person’s vision or having someone decide what the work is about. It’s about making work that is both autonomous and committed. Each artist commits to contributing material created by them, without copyright infringement. You are invited to discover what has been accomplished by browsing the website ensembleouvert.com How To Apply: To participate, simply enter your information here and we will follow up:
[https:] Contact details: ensembleouvert@gmail.com Contact Email:ensembleouvert@gmail.com Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
This practice-based online course focuses on the concept of memory as immediate inspiration and tool for creating performance art. Through joint analysis of historic and contemporary examples by artists such as Franko B., La Pocha Nostra, Kimsooja, Preach R Sun, Jodie Lyn-Kee-Chow, or Miao Jiaxin, participants will approach different forms of memory such as personal vs. collective, and the discourses connected with them: from emotion such as love and loss, to issues of identity, gender, and race, or experiences of migration, displacement, and diaspora.
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Contemporary Performance - Opportunities
Opportunity: the Incurable Caravan’s Online Car Show Where: Online (Virginia, USA-based) When: May 2020 Deadline: December 1st, 2020 Online Application:
[https:] Fee to Participate or Apply: 0 Description Of Opportunity: About The Incurable Caravan’s Online Car Show is an indefinite online exhibit. All works accepted should expect to be a single element on a larger, scrolling page. The Car Show seeks to intersect traditional, popular, experimental, and outsider styles with an enthusiasm towards all approaches to art-making. We welcome all interpretations of media and automotive transportation. Guidelines Works submitted should include, allude to, or represent some elements of a car (doors, windows, wheels, engines, memories, etc.), but how you choose to present these elements is up to you. Not all internal spaces with windows are cars, and not all cars have doors. Your car can be literal, abstract, heartfelt, playful, technical, emotional, or all of the above, to any degree of detail. Any media capable of existing online is encouraged, especially media that are normally challenging to program or format in other contexts. This includes: literary: poetry, short prose (< 1000 words), haiku, interviews, interactive fiction static visual: all traditional visual media: drawing, painting, photography, graphic/product design. For sculpture, 3D photoscans or multiple photos are acceptable. moving visual: short film (< 3m), silent animations (gif/mp4), filmed choreography 3D: any 3D model or scene below 50k polygons audio: short pieces or songs (< 3m, loopable or not), interactive web audio, original sound design haikus (< 10s) multimedia: any combination of the above web: any self-contained webapps, games, data viz, generative art, net art, or CSS/SVG/Canvas animations, size restrictions TBD Proposals for categories not included in this list and works-in-progress are allowed, as long as evidence of progress can be demonstrated on submission. Older works are also allowed, as long as they relate to a car in some form. Formatting The works included in the Car Show will be assembled as a single, scrolling page. We will make a best effort to format everything in a way that respects individual artistic visions, while also taking into account the data limits of viewers around the globe. This means: Media (images, audio, video) used in the Car Show may be compressed and resized smaller than the original sources sent in your submission. We will balance image/audio quality vs file size and maintain aspect ratios. Works that depend on extremely large file sizes might not work as well in this context. Poetry and prose (or other text-based media) will be included as text rather than images if possible. We are able to reflect your original formatting (including whitespace, font weights/sizes/families, colored text censoring) if desired, and will make a best effort to do so. Works that require a large number of different fonts or unique text effects may be displayed as SVG instead. Caveat: the Car Show will not be able to pay for web fonts that require licensing. Non-standard media (3D objects, data viz, JS canvas art, etc) may be displayed with relevant Javascript libraries rather than as images. We’ll work with selected artists to find good solutions for these works. Hosting The Car Show will host the works submitted for as long as possible. We will make a best effort to keep a consistent domain name, but a backup/redirect will always exist on the hosting artist’s webpage (Becky Brown). Artists selected will be sent both links when the Car Show is released. Files hosted by the Car Show are only intended for the exhibition webpage. Artists selected must agree to refrain from using the Car Show’s hosted media files of their works as personal hosting. If displaying your work requires hosting outside our own (due to file sizes or using embedded services), we will not be able to pay for those services. Agreements All work remains your own. We do not require submitted works to be exclusive to the Car Show. You affirm that you created the work you are submitting. If you’re a performer and you’d like to submit a recording of yourself playing a piece written by someone else, ask them to submit the form on your behalf. How To Apply: View the submission form here. All works should be sent as links that do not expire––i.e., no WeTransfer. Each artist or collective can submit works in multiple categories, but you must submit a separate form for each work you intend to submit. Exception: 5 haikus/sound design haikus can be submitted in a single submission form. Contact Email:rlb9fd@virginia.edu Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Arthouse Jersey Virtual Retreat 2020 Where: Online When: 17th – 21st November 2020 Deadline: 12th October Online Application: Fee to Participate or Apply: free Description Of Opportunity:| Arthouse Jersey Virtual Retreat 2020 17th November 2020 – 21st November 2020 Digitally connecting artists from across the world Calling all Artists! Theatre-Makers. Dancers. Filmmakers. Writers. Visual Artists. Musicians. Designers. Story-Tellers… ArtHouse Jersey is seeking established and emerging artists from all backgrounds and practices to apply for an inspiring 5 days of creative workshops facilitated remotely by Sue Hill (Wildworks, Eden Project). This new virtual retreat will support artists to re-engage with their practice and explore new approaches to making work, particularly in light of the challenges associated with the pandemic. Over the last few months our lives have been impacted in immeasurable ways. This is an opportunity to come together in a safe environment and use the tools and platforms that are currently available to us to collaborate with artists without the pressure of a deadline or expectation of a fully finished outcome. Artists will be taken through a program of fast-paced exercises and activities designed to motivate, engage, and reawaken your creative muscles. How To Apply: Interested Artists are asked to apply by filling out the following short application form and sending up to 4 examples of their work (as digital files) by email to Francesca Duncan (francesca@arts.je) by Midnight on 12 October 2020. Application form here:
[https:] Contact Email:francesca@arts.je Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
"Performance for Camera" course is designed to support the creative and intellectual growth of students. We will examine works by cutting-edge artists and consider the conceptual and technical aspects of new media and performance artwork.
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Contemporary Performance - Opportunities
Opportunity: Open Call For Women Artists Where: Berlin, Germany When: 2020- Deadline: 23.09.2021 Online Application: spacesoundground@gmail.com Fee to Participate or Apply: none Description Of Opportunity: I would like to initiate a multidisciplinary performative art collective of Women who have Endometriosis. Goals are: Empowerment, collective support, creating artistic projects and spreading awareness of the impact this condition has on Women’ s lives. The projects created should not all necessarily pertain just to the topic of endometriosis or all aim at performative actions. The main starting point is creating a specific context, a safe space many Women artists would like to experience. If you relate or know Women who could potentially be interested, please forward this call for artists along with the Email to contact me: spacesoundground@gmail.com Briefly about me: I am Barbara Toraldo a Berlin-based performer working with dance, music, and video. I have extensive experience in Instant composition in performance and researching creative processes. Furthermore, I studied German sign language and am a co-founding member of the feminist art collective Femme Fraktale. You can write me in German, English or Italian.
[https:] https://www.facebook.com/FemmeFraktaleBerlin/ How To Apply: Please contact me just if you are a Woman artist who relates to the condition of endometriosis. Write me an E-mail with a few words about your self and if possible links to your work. Peace & Rock! Contact Email:spacesoundground@gmail.com Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Convocatoria Abierta · Apèl Louvri · Open Call · Appel Ouvert · Open Oproep (Puerto Rico) Where: Puerto Rico (open to the Caribbean islands) When: from the 3rd to the 9th of May 2021 Deadline: SEPTEMBER 14, 2020 Online Application:
[mezcolanza.pr] Fee to Participate or Apply: 0 Description Of Opportunity: This encounter of Caribbean artists in the archipelago of Boriken (Puerto Rico) is born from the urgency of embodying our Sea of Islands as an antithesis to the current segregation of the Caribbean. The main objective is to unite and exchange creations, sensibilities, resistances, and knowledge among our Caribbean islander neighbors, through the art of performance. From Boriken (Puerto Rico), one of the oldest colonies in the world, this call is launched for the production and presentation of original performance pieces by islander artists living in the Caribbean. This first edition of Mar de Islas performance encounter of the Caribbean will be held from the 3rd to the 9th of May 2021. 6 artists from 6 different islands will be selected to gather and create our Sea of Islands. 3 ecosystems are proposed: the sea, the forest, and the city. Each artist will have the possibility of working in one of these ecosystems in order to create an on-site performance piece. The artists will have a residency period for creating the artworks prior to their public presentation. In addition to the performances, the encounter will have a pedagogical offer through a series of performative workshops available to the general public. These workshops will be taught by local artists, but also by the selected artists who wish to offer a workshop. These workshops will be taught by local artists, as well as by the selected artists who wish to offer a workshop. The encounter will feature an opening act at the University of Puerto Rico with a discussion together with activists, academics, artists and thinkers from the Caribbean. How To Apply: CONDITIONS The call is open to artists from the Caribbean islands, who are currently living in the Caribbean. Only original works created for the encounter will be accepted. 6 artists from different islands will be chosen. The selected artists are responsible for managing their visas in advance. We will offer support with this procedure. The artists grant the image copyrights of their work to MAR DE ISLAS with the purpose of being part of the files generated by the encounter (digital and with the possibility of being published and / or exhibited). The participation in this call implies the unconditional acceptance of all and each of its conditions. TO PARTICIPATE SEND Personal details (Full Name – Island of Residence – Email – Telephone Number) Reply yes or no to the following question: Have you ever processed or currently have a visa for entering the United States? (This answer will not be exclusionary) Biography and Statement Curriculum vitae Portfolio of recent works and links (website, Instagram, Youtube, etc.) All the information must be sent in a same document in pdf format to the email: mar.de.islas.encuentro@gmail.com Contact Email:mar.de.islas.encuentro@gmail.com Website:
[mezcolanza.pr] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Art in Odd Places (AiOP): NORMAL, curated by Furusho von Puttkammer, invites proposals for its sixteenth annual public art and performance festival taking place from Avenue C to the Hudson River along 14th st in Manhattan, NY. AiOP welcomes innovative multi and interdisciplinary hybrid projects including installation, sculpture, and performance which can be presented in the public realm. We encourage projects that explore & expose the American Mythos, and that actively engage the public. There is no application fee.
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Contemporary Performance - Opportunities
Artists, musicians, poets, performers, and creative citizens are invited to participate in ARTICA 2020 Eternal Return, a multi-media, outdoor arts festival. All are welcome to create, participate and celebrate artistic expression.
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Contemporary Performance - Opportunities
Opportunity: STARTS.EE art+science residency “How to wear sensations?” Where: Tallinn, Estonia When: September 2020 (negotiable) Deadline: 24.08.2020 Online Application:
[https:] Fee to Participate or Apply: free Description Of Opportunity: In this residency, we invite an artist and a scientist/technologist to experiment with (1) analysis and processing of biological markers such as heart rate variability or electrodermal activity, and (2) mapping of resulting biological patterns onto multisensory (tactile or auditory-tactile) patterns to be delivered via wearables like bracelets or vibrating clothing in artistic scenarios. The example scenarios may include but are not limited to raised self-awareness (e.g., CogoNovo or Magic lining projects), tele-empathy or other collective engagement experiences (e.g., elektron.live). We are looking for a scientist/technologist and an artist to collaborate on the topic of wearables for biofeedback. The applicants are expected to apply for the residency position individually. The selected applicants will later form a two-person team working together to explore the proposed topic. How To Apply: Send a motivation letter (up to 1 page A4) explaining your interest in the residency collaboration and a link to your artist portfolio or research track record/ CV by August 24th (deadline extended), 2020 to hci@tlu.ee. Contact Email:bohdana@elektron.art Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: OPEN CALL CAOS 2021 Where: Turin (IT) When: January / April 2021 Deadline: 30th September 2020 Online Application:
[https:] Fee to Participate or Apply: 0 Description Of Opportunity: officine CAOS – Turin (IT), is seeking emerging artists from abroad, working in the fields of contemporary theatre and dance, performance or multimedia art, in order to present their work during the winter season 2021. We particularly wish to engage with cross-disciplinary and performance art works, lasting up to 40 min. The offer includes the following: > Performance space > Technical equipment and assistance > Accommodation (max 4 people | 2 twin rooms + kitchen) > An overall reimbursement of 1.100€ > High profile publicity in print, online and elsewhere > Nice ambiance Schedule > wednesday: arrival, accommodation > thursday: setup and rehearsal > friday: rehearsal and public presentation > saturday: second public presentation > sunday: departure During the same week there will be two companies: a company from Italy and another from abroad. As there is one single theatre space, which is divided in two separate stage spaces by only a backdrop, there will be 2 different time slots of around 3h each for the use of the stage during the day of thursday and friday. Public presentations will take place on friday and saturday at 21h for the company from Italy and at 22h for the company from abroad. How To Apply:
[https:] Contact Email:stefano.bosco@stalkerteatro.net Website: www.officinecaos.net These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Online course “Performance Art Archives and Documentation Where: online When: Sept 1-22, 2020, Tuesdays 6-8pm CET Deadline: August 28, 2020 Online Application: yes Fee to Participate or Apply: EUR 175 Description Of Opportunity: This online course examines how the time-and site-specific experience of performance art is translated into physical material with sustainability. It investigates into the relation of physical remains to ephemeral artistic practice, their meaning for the inscription into history, and ways of use for artists, scholars, and curators. The course will present various theories related to the concept of the archive, modes of documentation ranging from traditional to contemporary, as well as examples of use of archival material in artistic and exhibition practice. Students will consider how documenting strategies are changing in relation to new technologies and media and what the implications are for the concept of the “archive”. For more info please visit our website at:
[https:] How To Apply: Enroll online at:
[https:] Contact Email:info@ecc-performanceart.eu Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: project grants for performances on “dignity and receptivity in times of distance keeping” Where: Germany, Europe When: Start August, 1st 2020 Deadline: September, 15th 2020 Online Application: stipendium@himmelheber-stiftung.de Fee to Participate or Apply: 0 Description Of Opportunity: Project description (GERMAN):
[https:] We award up to 6 project grants to artists who work on a performance or installation on the theme “dignity and receptivity in times of distance keeping”. The central point is the connection between human dignity and human receptivity (physical, emotional). A critical, artistic and personal examination of the topic should be negotiated. The work should be shown publicly, but this is not mandatory. If live, it should be available via live stream. The work is to be documented on video. A high-quality video (min. 1280 × 720 pixels) that depicts the work in an appropriate and artistically demanding manner must be delivered promptly, duration approx. 8-12 min. This video will be made available online on the project page. This also includes a short interview and an accompanying text on the artistic placement, which will also published online. Language: German or English. In the case of English, the accompanying text must be translated into German. The artists are completely responsible for the execution and completion. The property rights of the material remain with the artists, the Max Himmelheber-Stiftung (foundation) and the Wuerdekompass e.V. (association) receive an unrestricted, non-commercial right of use and distribution, naming the artists. The project grant is € 750, or up to € 1000 if the need is justified. Half of the payment is made with the acceptance and the other half with the delivery of the video and text material. The completion should take place as early as possible, at the latest by November 30th, 2020. The grants can be awarded before the deadline. They are not tax exempt. How To Apply: Submit a project outline with max. 4 pages. It should contain the idea, conception, execution, contributors and, if necessary, financing. It is also possible to send in a short draft in order to explore interest in the full draft. The call for applications is open until September 15, 2020 or until all grants have been awarded. Only natural persons are allowed to apply. The minimum age is 18 years. We try seriously, neither positively nor negatively, to discriminate on the basis of group-specific characteristics. Omitting such characteristics (e.g. gender, age, origin) in the application does not represent a disadvantage. A portrait photo should be avoided. The naming is voluntary. We reserve the right to withdraw the acceptance of the grant if it becomes clear after the acceptance that the applicant has fraudulently deceived or is contrary to the goals of the free, democratic order, in particular the inviolability of human dignity. The judges’ decision is final. Contact Email:stipendium@himmelheber-stiftung.de Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: 2021-2022 Studio and Curatorial Fellowships Where: NXTHVN, 169 Henry St, New Haven, CT 06511 When: June 2020 Deadline: November 1, 2020 Online Application: Fee to Participate or Apply: US $35 Description Of Opportunity: Each June, NXTHVN welcomes up to seven artists, two curators, and eight New Haven high school students to its annual Fellowship and Apprenticeship programs. Through a proprietary curriculum that focuses on mentorship, professional development, and skills training, members of the cohort cultivate their individual practices within a collaborative, community-driven context. Each fellow mentors a local high school apprentice, providing them with hands-on instruction in studio and curatorial practices. Through active participation in NXTHVN’s year-long programs, early-career artists and curators make the personal strides and interpersonal connections that advance their careers. NXTHVN’s year-long Fellowships provide: a generous stipend disbursed quarterly throughout the Fellowship year, which runs from early June to late May optional, partially-subsidized housing in Dixwell, New Haven dedicated work and/or studio space with 24-hour access monthly professional development workshops facilitated by field experts culminating exhibition and catalogue organized by curatorial fellows and featuring work by studio fellows opportunity to design and participate in artist-led projects and public programming vocabulary and skills for navigating the art market that often go untaught in MFA programs Expectations include: completing the entire 11-month residency program relocation to New Haven spending at least five hours per week mentoring a high school apprentice How To Apply:
[https:] For further inquiries or an application fee waiver, please contact NXTHVN at hello@nxthvn.com. Contact Email:hello@nxthvn.com Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Open Call for texts on Argentine performance art Where: Worldwide When: Rolling base Deadline: Rolling base Online Application: Fee to Participate or Apply: No fee Description Of Opportunity: Argentina Performance Art is the first research digital platform on Performance Art in Argentina. We are looking for critical texts, articles, papers, reviews and essays about Argentine performance. If you are a researcher, artist, art critic, curator, teacher and/or student we invite you to submit your work for review. How To Apply: Please submit your work by email to info@argentinaperformanceart.com Please include the following information: – author’s name – title of your work – a brief summary of your work (3-4 lines) – short bio (up to 200 words) Submissions will be evaluated by our editorial team. We’ll notify you by email in case your work is selected. Contact Email:info@argentinaperformanceart.com Website: www.argentinaperformanceart.com These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: CROSS Award Where: Italy When: from january 2021 Deadline: 15th september 2020 Online Application:
[www.crossproject.it] Fee to Participate or Apply: 0 Description Of Opportunity: OPEN CALL CROSS Award 2020 – VI edition LIS Lab Performing Arts – in collaboration with Fondazione Piemonte dal Vivo and Ricola – announces the fifth edition of the ‘International CROSS award’ for artists and companies in the field of performing arts and music, with particular attention to original productions focused on the close interaction between artistic creation and environment, understood as landscape, territory or community. With respect to the profound changes that shake our everyday life, CROSS Award 2020 aims to be an incubator of images and practices which are engaged on the rewriting of the present as well as the re-appropriation of public spaces. The award aims to promote investigation and artistic expressions related to the combination of different styles and genres, considering multi-language practices and the mix of techniques and codes pertaining to the various performing arts as reward factors. The artistic creation aims to be a mean of research and intervention on the reality. Through their relational and permeable quality, performative arts represent the place to build again trust on the community and social dimension of our experience of the world. The goal of the competition is to identify new productions – thoroughly unpublished – that put in dialogue the language of the body and of the stage performance with musical composition, without any restrictions or constraints of kind, category or practice. The call is open to individual artists, professionals and companies. The project must be submitted as a production that can be developed during the different phases of the residency and that could include multiple expressive practices at the same time (as such: dance, music composition and interpretation, DJset, live soundtrack, composition of a soundtrack, activity of noise music, theatre, body performance, urban performance and dance, walkways, participated workshops, singing, new technologies, video art, motioncapture, readings, site-specific design). For this edition will be selected 5 projects for a 15-day residence in Verbania (Italy) with a fee for the production of € 2.000,00 each. How To Apply:
[www.crossproject.it] Contact Email:info@crossproject.it Website:
[www.crossproject.it] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Aerowaves #Twenty21 Open Call Where: Elefsina, Greece When: 6 – 9 May 2021 Deadline: 16 September 2020, at 12:00 CEST Online Application: Application form and information. Description Of Opportunity: Aerowaves is a hub for dance discovery in Europe with a network of partners in 33 countries. The network is looking for the next Twenty talented emerging choreographers based in geographical Europe. You can now apply to become a Twenty21 artist for the opportunity to have your work presented at the Spring Forward festival next year in Elefsina (Greece) on 6 – 9 May 2021, and also by 27 of our partners around Europe. IMPORTANT RULE CHANGE As usual, previous Aerowaves applicants, successful or unsuccessful, may apply again – but not with the same work. However, anyone that submitted a work in 2019 may apply again with that same work (or a new one) in 2020, due to the exceptional circumstances brought about by Covid-19. Sounds interesting? Read more about it and apply. Deadline: 16 September at 12pm CEST. Application form and information. How To Apply: Application Tips Read the eligibility criteria thoroughly before putting your application together Get your application in as early as possible Give yourself plenty of time to upload your video to Vimeo – technical hitches cause stress, especially at the last minute! Make sure the video of the work you are submitting is of the highest possible quality and correct length Let your national Aerowaves representatives know that you are applying and invite them to see your performance live PROVIDING YOUR VIDEO ON VIMEO Please upload your video to Vimeo (preferably in HD) and include the link in your application form. If you have a Vimeo Plus account please enable ‘download’ in the settings so we can download it. If you don’t then upload a version to Vimeo that is less than 500MB (to avoid paying a subscription), and send a bigger file (if available) via a service like We Transfer, to info@aerowaves.org. The ideal dimensions are 1920 x 1080 in HD, but please try to keep your file to under 2GB. There must be a version of the work online, and we must also have a copy on file Use the privacy settings if you do not wish it to be public, but include the password in your application form Please include a 100 word statement about the work in the description box of your Vimeo upload – it can include factual and contextual information about the work (also include this 100 word statement and a 100 word biography in the notes section of the application form). We use your Vimeo links to share with Aerowaves Partners before our Annual Meeting in October – so that they can do their homework! TIPS FOR MAKING YOUR VIDEO Since our selection process is assisted by watching a video recording, it’s really important that you think about how your work will come across. The video should be a fairly simple record of a public performance of the work from beginning to end If you are applying with an edited version of a longer work, the video you provide must be of the shortened version. This version must be available for performance It should include close-ups and wide shots – think about how best to represent the work in terms of details / angles / capturing the scale Promotional videos are not acceptable, nor are videos of any work other than the one with which you are applying to Aerowaves Please try and keep the size of the file to under 2GB Contact Email:claudia@aerowaves.org Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: hungry eyes festival – festival at the intersection of film, performance and installation art Where: Gießen, Germany When: 5th -7th of February 2021 Deadline: 31.08.2020 Online Application: Fee to Participate or Apply: no Description Of Opportunity: For its fourth edition, hungry eyes festival is once again looking for artistic works that situate themselves at the intersection of film, performance and installation art and question film in an interdisciplinary way. This year hungry eyes festival will take place in the urban exhibition space KiZ (Kultur im Zentrum) and poses the question of how cinematic works can relate to, as well as challenge that space. A program consisting of short film series, performative and installative works will explore what constitutes the medium film and how cinematographic elements and working methods can be translated into other media. What can cinematic work mean in the context of installation art and performances if it does not only mean the playing of audiovisual clips? To what extent can also a short film address its own form and play with performative elements? By which means does film become a field of experimentation that expands its own concept and practice in an interdisciplinary approach? From a ballet of overhead projectors, an exhibition with flip-books to a silent movie screening with virtual reality glasses – everything is possible. hungry eyes festival is looking for your short films, installation art and performative formats! Apply with your works until 31st of August 2020! Since we are particularly interested in interdisciplinary works, we also want to encourage artists to apply with projects that do not fit perfectly into one of these categories! How To Apply: Please fill out the application form and send it to kontakt@hungryeyesfestival.de no later then August 31st. You can find more detailed information on our website Open Call as PDF Application Form Contact Email:kontakt@hungryeyesfestival.de Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Artist in Residency Four Plus One Elements Where: Tinos island, Greece When: September 26th – October 18th 2020 Deadline: 15 August Online Application:
[https:] Fee to Participate or Apply: Description Of Opportunity: Kinono Tinos Art Gathering introduces the thematic proposal “Four (plus one) Elements”, borrowing the four natural elements (earth, water, air, fire) and distinguishing their partnership in the creation, over time, of the peculiar natural and man-made environment of the island of Tinos. By creating different conditions of studying space, which monitor the cycle-chain of transformation from one natural element to another, Kinono imagines the partnership of a combination of two elements, under the influence of time, in each one of the hand-picked locations, as follows: Fire-Water/Koumelas Quarries, Water-Earth/Plain of Komi, Earth-Fire/Ismael village, Fire-Air/Papargyras Lighthouse, Air-Earth /Kakia Skala, Air-Water/Livada Beach. We invite participants to stay on the island for a period of three weeks, to work with natural matter, to reflect on current ecological, social issues, cultural and local issues, to establish collaborative communities, and to create original site-specific, collective, theoretical and tangible works in a non-urban environment. Offered by the residency (more details in the pdf): -Accommodation in rooms/and or hostels -Round trip Athens-Tinos (exclusively from Rafina port) -Sustenance during the introductory host activities (first 3days) and the closing activities (last 3days) -Basic Food supplies -Leased cars/coaches -Partial cover of cost of transport (gas) to all residency sites -Kinono can cover partial cover of production cost (early communication with Kinono is paramount) and suggest solutions How To Apply: We invite those interested to choose one element, along with one of the three respective locations, stating in their application their desired method of participation in the residency (full duration / limited (guest) duration or online). Application form and detailed information on the residency, here (link):
[https:] Contact Email:info@kinono.gr Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Opportunity: Young Urban Performances 2020 Where: Osnabrueck, Germany When: September 5, 2020 Deadline: July 31, 2020 Online Application:
[https:] Fee to Participate or Apply: no Description Of Opportunity: When: September 5, 2020 Where: Public space, Osnabrück What: Long Durational live performances, installations & videos Who: Performance artists Until when: 31 July 2020 Between rest and sprint, in restless patience, new realities are created. Waiting offers space for reflection, new and lateral thinking. In exchange with oneself, in twos, but never more than in threes. Now we feel comfortable and uncomfortable in being alone, but we also love and hate what we have in common. Conecting the disconectedness… Let’s meet outside and be alone together. On September 5, 2020, in Osnabrück, in the city centre, wherever there is. We as the curatorial collective Young Urban Performances (YUP) ask ourselves »What did you think about? Which themes are currently central to you? How do you rethink?« Introduce us to your performative works! We are looking for Long Durational live performances or works that are easily repeatable or installations and video works with performance art approaches. Your concept should be adaptable to the public space and avoid physical contact with the audience. Unfortunately, we are not able to offer overnight accommodation for this event in Osnabrück, but we would like to ensure a fair fee and the payment of travel expenses. We look forward to receiving your entries until July 31, 2020. How To Apply: Please fill out this application form:
[https:] Contact Email:application@young.urban.performances.de Website:
[https:] These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Every year the Tanztage Berlin is the very first festival to kick off the new year in the city. Since it was founded in 1996, the festival has evolved into an important platform both nationally and internationally for upcoming choreographers in Berlin.
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Contemporary Performance - Opportunities
Open Call – Dystopia Festival – Sound Art (Berlin, Germany)Deadline July 1, 2020Apply: Online The Dystopia Festival brings diverse sound art viewpoints together in an exhibition that deals with current dystopian moments, as well as those of an imagined future. Dystopias have gained immense importance in recent years. Not only in fiction, but also in reality, the dystopian signals have been increasing, whether by authoritarian-led states, in threats posed by global Internet corporations, by drastic climate developments – or, most recently, by the corona pandemic. The dystopian always carries the germ of the utopian within it however, even if only as a warning to us not to let things go so far- as we have witnessed during the Corona period, when, for example, Venice’s canals became clear again, or, when the sky over Beijing became clear as well. Berlin – Brazil / Oct. 16 – Nov. 01 2020 Following on from the premiere of the double edition Dystopie Berlin-Istanbul (2018/2019), our guest country this year will be Brazil. In addition to artists from Brazil, we invite sound artists from Europe to submit new or existing works that deal with the topic of “dystopia” in the broadest sense. Sound art possesses the particular artistic potential, through its creation of atmospheres and it’s resonating in unusual spaces, to make the ambiguity between dystopia and utopia perceptible to the senses: dystopian scenarios of society & state, nature & climate, cognition & communication captured in sound. These can be situations that, depending on the context, appear as dystopian or utopian sketches, reacting to ambiguously interpretable, world-wide processes, including digitalization, globalization, climate change, economic imbalance as well as social, religious and ethnic confrontations and aspects of de/recolonization. The focus on Brazil gives the festival its current, political thrust – the individual works are not meant to be fixed on this however, but rather to operate from within their own context. With this open call we would like to offer sound artists the opportunity to develop new works that react to these dystopian signals and express them in different sound-artistic perspectives, whereby “sound-artistic” explicitly may include visual, object-like and space-related means in addition to sound. Due to the uncertain situation regarding Corona, please note that we prefer installation works. The Alte Münze (Old Mint) in Berlin-Mitte serves as the main exhibition venue, with cellars and vaults in very different sizes. The Errant Sound gallery space is available for the additional exhibition of works, and especially the path between these two locations, on the banks of the Spree, offers locations where sound artistic interventions in public space are possible (depending on permission). For Alte Münze and on the banks of river Spree site-specific works are welcome. A visit of the locations is planned for artists on June 12th, 12 o’clock : Please register by festival@errantsound.net (We will meet in front of the Café The Greens / Haus 3 on the Alte Münze public area). A PDF with photos is available for artists who are unable to visit the location: Open Call -PDF- Artists living in Brazil will be invited for the festival directly. The open call is for sound artists living in the European region. Climate-friendly travel by train is preferable – if at all possible. The festival wants to establish a sustainable cooperation with the Brazilian sound art scene and we hope to continue the Dystopie-Festival in Brazil in 2021. Selected works produced for Berlin 2020 will then be shown in Brazil. Jury Open Call Head of Jury: Julia Gerlach (Akademie der Künste Berlin) Laura Mello (Artistic director Dystopie Festival 2020) Georg Klein (Artistic director Dystopie Festival 2020) Prof. Alexandre Fenerich (Universidade Federal do Rio de Janeiro) Prof. Kirsten Reese (Universität der Künste Berlin) Mario Asef (Errant Sound Vorstand) Budget The festival is organized by Errant Sound – an artist run project space, not an institution. Therefore only a limited budget is available: Artist fee for existing works: 500€ . Artist fee for new works produced for the festival: 1500€ . Production budget: 1500€ on average per project, including costs for materials and special equipment (also rented equipment). If your project will be selected a precise cost calculation will be needed. Transportation, travel and accomodation costs will be covered by the festival. Save our climate: if possible please come by train and avoid flights. How to apply 1. Fill in the online application form (incl. short project proposal) here2. Send us a long CV and a portfolio with 3 of your recent works as PDF (Max. 10MB) to contact@dystopie-festival.net, and optional a long project description PDF (Max. 5MB). Application deadline July 1st 2020 Apply now The festival is organized by Errant Sound e.V. and kindly funded by Kulturstiftung des Bundes and Berliner Senatsverwaltung für Kultur und Europa. OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
“Not a festival, but a collective training for the thought, to the action, to the present”. XLCENTRALE FIES, DRO (TN) – ITALYColophon XL was and will be the new format of Centrale Fies, originally conceived for the 40th anniversary of Drodesera and the 20th of Fies. Today it finds a new correlation in the analysis of an “oversize” that breaks the summer one shot , weaving together all the annual events of Centrale Fies. From the 17th of July to the 8th of August, XL will take place again, live and on site, every weekend. In the meantime, initiatives continue on the Centrale Fies website
[www.centralefies.it] which from the 25th of June also outlines the first online exhibition of ‘INBTWN – In Between’, a programme curated by Claudia D’Alonzo. The XL programming is designed to develop in progress until March 2021. It is divided into chapters, some have already been written, others are to be rewritten and others to be imagined. A writing shared by the artists, the curators, specialists and spectators that is capable of accompanying us through this time, networking with a community able to imagine the festival as something to be transformed. It is to this networking, to this community, that we turn, to face and reach 2021. From the 25th of June on the Centrale Fies website INBTWN – In Between, the second chapter of XL. With INBTWN the curator Claudia D’Alonzo will expand the theme of the relationship between body and technology, between the online space of the website and incursions into physical spaces, through heterogeneous perspectives offered by four artistic events. The first two are scheduled for June and July and will be presented by IOCOSE, Elena Biserna and Anna Raimondo. These contributions involve languages and practices inside and outside the network, making the website a laboratory space, in transformation during the review. Afterwards, from the 17th of July and for every weekend until the 8th of August it will be the turn of Hyperlocal, a programme curated by Barbara Boninsegna and Filippo Andreatta, with Anagoor, Chiara Bersani, MK, Jacopo Jenna, Mali Weil, OHT, CollettivO CineticO and Alessandro Sciarroni, Giorgia Ohanesian Nardin, Marco D’Agostin, Underground. On the 25th of July, the second event of INBTWN will take place, this time online, with Elena Biserna and Anna Raimondo. From the 6th to the 17th of July, two of the seven projects selected for LIVE WORKS Vol 8 will be exhibited at Centrale Fies, curated by Barbara Boninsegna and Simone Frangi. The artists Giulia Crispiani (IT) & Golrokh Nafisi (IR/NL) together with Göksu Kunak (TR/DE) will present the first results in a study visit for the public on the 17th and the 18th of July 2020. Hyperlocal takes place in an exceptional time, but does not want to be an emergency programming: each work within the programme is not simply a new version of the existing one but the result of a development of the work that the artists have imagined as consistent with their own research. The care of the performing art starts from the support, from the residences, from becoming a place where everything is worked, enhanced, articulated before the being shown to the public. All performances will take place in the external spaces of Centrale Fies, while the internal spaces will be transformed by immersive exhibitions, conceived to broaden the vision on the theatre and the performance. Storia Notturna [Night Story ] is the collective exhibition curated by Simone Frangi and Denis Isaia. The protagonists of the exhibit are Mercedes Azpilicueta, Chiara Camoni, Darius-Robin Dolatyari-Dolatdoust, Francesco Fonassi, Luca Frei, Raffaela Naldi Rossano, Anna Perach. The artists will activate the works on display in a long day performance on Sunday 19 July. The idea of XL was born before the onset of the recent months, marked by uncertainty. This idea comes with the desire to abandon the format of the summer festival to explode, expand and aggregate all the projects of a place of research and artistic production such as Centrale Fies. This formula exploded over time, in the disciplines, practices and issues addressed, capable to see art and culture as means of collective training in thought and action, fortifying its ability to enter the narrative and nutritional processes of an artistic and alpine territory. But while the explosion of activities, practices and methods of curation connected with Centrale Fies was taking place, prompting us into being united with one another, inspiring us with forests, new Pangeas and “hyper” natures, an earthly and invisible being witnessed the collapse of our certainties, further strengthening the awareness of a world where humans have never been the focus or the unicum, but only a small percentage of the existing. “The programming of Centrale Fies”, says Dino Sommadossi, founder of Centrale Fies, “has always been only the tip of the iceberg of a complex job of research, design and organization with dozens of professionals, to eventually open up to the public performances that they are not entertainment, but a real collective moment, an active means of articulating the thought to different directions, to bring to light the minor narratives that the mainstream has always left on the margins. Whatever still happens, we will try to preserve the virtuous circle of care and attention that has guided all the actions of the centre in all these years, and now everyone will be asked to do the same, to take care of a piece of ecosystem through mutual actions: we will plea the building, the forms and forces of nature all around, none excluded, we will call upon the public, as well as the curators, artists and hosted and passer-by artists”. Barbara Boninsegna, artistic director of Centrale Fies states: “We believe that now it is important to devote time to the observation of this present which is more unexplored and shapeless than ever, and to bring out questions thanks to which you can try to imagine other ways of inhabiting spaces and meet the bodies. The era we are going through requires a new way of narrating our projects, which become the Chapters of a new story between the virtual and the real”. Finally, inspired by the Wood Wide Web, the support and nourishment network for forests, with PERFORMANCE WIDE WEB, Centrale Fies wants to share projects, conversations, programmes by artists, curators and workers that are active in the sphere of performative practices. This is a further way to stay together in a time when this is impossible, escaping from the nets to fill spaces left empty and enhance the time for thinking, study, organization, strategy, nourishment and finally, collection, of each project. In this way the online channels of Centrale Fies, the social accounts and the website, become an Observatory, which collectsobservations and practices; projects created over the last months by other organizations; contemporary or historical works of art that have experimented with heterogeneous forms of presence and use, archival documents, readings and theoretical references. A place full of dialogue, study and research, fuelled by the multiple perspectives of the ‘exploded curatorship’. Furthermore, this year, Centrale Fies has thought of a “Deadline is Dead” font as a gadget of this 40th anniversary. The font can be downloaded for free. It is halfway between Goth and Metal, originating from the crasis of the imageries of Fies. Prologue – XL – 2019 – March 2020curated by Barbara Boninsegna, Filippo Andreatta, Simone Frangi, Denis Isaia and Alma Söderberg Chapter I – “Ssssh. Hear, now “ – April – May 2020by Dogyorke, F. De Isabella Chapter II – INBTWN – In Between – online since June 25, 2020curated by Claudia D’Alonzo Chapter III – LIVE WORKS vol 8 – May 2020 – March 2021curated by Barbara Boninsegna, Simone Frangimentor 2020 Krystel Khoury / 7 selected artists Chapter IV- Storia Notturna [Night Story] – 17 July – 8 August, 2020curated by Simone Frangi and Denis Isaia Chapter V – Perform! – July – December 2020curated by Hannes Egger and Denis Isaia with Valeria Marchi Chapter VI – Hyperlocal – 17 July – 8 August 2020curated by Barbara Boninsegna and Filippo Andreatta To be continued… To stay up to date on the XL programming please visit
[www.centralefies.it] Photo ©OHT-19 luglio 1985 MoniQue foto Courtesy Centro Santa Chiara 01
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Contemporary Performance - Opportunities
Open Call symposium 2020 – Variations of Beckett Symposium dates: 31st July – 2nd AugustDeadline: 30th June “In his dreams he had been warned against this change. Seen the dear face and heard the unspoken words, Stay where we were so long alone together, my shade will comfort you.”– Samuel Beckett, Ohio Impromptu (1981) Variations of Beckett/Schouskollektivet invites artists from all fields to participate in a three-day symposium. The themes we will be researching are time, memory, and dreams. These are central to Samuel Beckett’s work, but reach well beyond this specific context. We are inviting artists to research these themes using their own artistic practices, and thereby also contributing to an exchange between artists working with artistic research. Our wish is to open up the works of Beckett to others who may not know him already and to learn something new in this process. The text we will use as a starting point is Beckett’s one-act play “Ohio Impromptu”, but where we’ll end up we’ll find out together! >> The research questions we want to examine are:- What is the impact of togethering when examining self in times of isolation? – How can we explore individual dreams and memories collectively?– How do we perceive the concept of time in performance?>> Interested? We recommend reading the whole open call on our web-pag
[https:] Who are we? Read more about us here:
[https:] >>How does it work?We will stay for a period of three days at Nesodden (outside of Oslo) where we’ll work together in a group. The Variations of Beckett’s artists will guide the participants through the whole process. We will have prepared a series of tasks in advance which we will solve together in the time we have, and end up in a performance on the third day. This performance will be open to an audience both physically and digitally, so it’s important that you wish to work towards a work in progress presentation in order to participate. This call is thus primarily directed at artists working with performance, but we are open for others to join as well.This is a retreat where all the artists live and eat together at Nesodden after the program for the day has ended. More information will be provided once we have contacted the selected participants. We will cover food and housing, whilst the participants will cover travels. Please note: There may be changes to our program, and we will in this case update this event. This might lead to parts of the program being at Nesodden and in Oslo.> We can accommodate maximum 10 participants. > Participating through zoom will be an option, and we will decide upon arranging part of the symposium digitally once we have read through the applications. > Fill out this form by the 30th June
[https:] Questions? Send us a message on Facebook or email: schouskollektivet@gmail.comFollow the event on facebook for updates:
[https:]
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Contemporary Performance - Opportunities
Opportunity: BE A PART OF THE 2020 SPIDER FESTIVAL Where: Ljubljana, Slovenia When: Between 17 and 20 June 2020 Deadline: 27. May 2020 Description Of Opportunity: Spider Festival, a festival of radical bodies, began to knit its web back in 2010 in Ljubljana under the umbrella of Pekinpah, while the artistic guidance is always in the hands of local artists. It brings together and interlaces bodies, thus opening a possibility for intense critical thematizations of a complex cultural-political atmosphere, social frictions and paradoxes, contemporary taboos and most urgent topics – through an artistic expression, of course. Unconventional approaches and discourses, anti-hegemonic objections and proposals of something better, new, hybrid genres, dance art which is only rarely presented in the mainstream, all this is Spider Festival. We were preparing the 2020 edition of the 9th Spider Festival. We were contemplating the continuation of our core thought: the movement of evolution. Suddenly, a break occurred. The lockdown intensified the already present rules of engagement. Involution ad infinitum. Now what? Consider this as an alternative thought: Involution, not as mere shrinkage, but as an inalienable internal dynamics of an organism, or better, organisms. The process of becoming a spatial social network, a horizon of horizontal face-to-face encounters with all their collisions and frictions, a non-hierarchical participatory construction of movement as language and knowledge, and vice versa. Yes, now this. We are inviting you to create the Spider Festival 2020. We dont want to welcome you to how it was before. We’ve therefore abandoned our carefully prepared festival program. We’ve abandoned all indoor events. Our dance floor will be set in the natural environment of the Tivoli Park and other partner’s sites in Ljubljana. More information on
[https:] How To Apply: Proposals should include: – written proposal; max. 1 page A4, – artist/team presentation, – video links (if applicable), – social media profile links (optional) – precise technical riders, – 2 hi-res photos, – credits, including supporters. More information on
[https:] Deadline for applications: 27 May 2020 Send applications to: katja.gorecan@pekinpah.com Results will be published on www.spiderfestival.com by 1 June 2020. You will receive a letter of acceptance by email. Contact Email:katja.gorecan@pekinpah.com Website:
[https:] OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
The main goal of Gangaray Artistic Program operated by Gangaray Dance Company is to create professional standards in contemporary performing art.
The program offers an intensive international training program led by contemporary dance professionals.
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Contemporary Performance - Opportunities
Buffer Fringe Performing Arts Festival (BFPAF) showcases new and experimental work by local and international artists, challenges physical and artistic barriers, and creates opportunities for artists to meet and exchange ideas.
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Contemporary Performance - Opportunities
Kulturscio’k is a not-for-profit company dedicated to producing, discovering, supporting international contemporary artists working in art, music, film, literature, architecture, theater, fashion, and other creative disciplines and fostering opportunities for multi-disciplinary dialogue.
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Contemporary Performance - Opportunities
For 2020’s edition of performingbordersLIVE (March – November 2020), performingbordersLIVE and LADA invite proposals for two digital conversations by curators, artists, researchers, activists, thinkers and/or other professionals working in Live Art. Applicants will be interested in adding new perspectives on the relations between the ideas and the lived experiences of borders within Live Art practices, and in exploring the potentialities of digital conversations as a way to re-imagine and share knowledge-production within the field.
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Contemporary Performance - Opportunities
Opportunity: The Graduate School of the Berlin University of the Arts is offering fellowships Where: Graduate School/ Berlin University of the Arts When: 1st April 2021 Deadline: 25th May 2020 Online Application: yes Fee to Participate or Apply: 0 Description Of Opportunity: The Graduate School of the Berlin University of the Arts is a postgraduate and international programme of studies for highly qualified graduates in all disciplines who have already developed their own artistic positions and who have already carried out an artistic professional practice of at least three years at the time of application. Interested persons are asked to submit an artistic research project that can be completed within two years. The fellowship programme is aimed at graduates in all artistic and scientific disciplines who understand exchange with other disciplines as being an essential part of their work. The fellowship gives recipients the possibility to work intensively for two years on researching, producing and finalising their own project. Please note that we understand the term “artistic” as based on the disciplines and practices here at the university, encompassing all four faculties (Fine Arts – Architecture, Media, Design – Music – Performing Arts). The Graduate School will award four fellowships. How To Apply: The application process takes place in three stages. The first stage (pre-application) takes place in two steps: At
[https:] you will find our online application form, which you should fill in completely. This includes the submission of a short presentation video (min. 2 to max. 4 minutes long) in which you respond to the following questions in front of the camera: How do you understand your artistic work? In what contexts do you place your practice (artistic, social, historical)? What inspires you? Please upload this video to Vimeo and provide the link (and password if applicable) in the online application form. Please note that the jury will not evaluate the technical quality of the video. In a further step, please send the following documents in a PDF file (max. 10MB) as an email attachment to gs-application@udk-berlin.de: – Curriculum vitae, indicating the minimum three years of artistic professional practice – Letter of motivation (1 to 2 A4 pages, min. font size 11) in which you respond to the following questions: How would your professional career benefit from being granted this fellowship? What do you expect from the artistic-intellectual exchange among the scholarship holders of the Graduate School? How do you see your contribution to this forum? How would you translate your artistic practice and central aspects of your research project into an idea for an interdisciplinary teaching concept? – Project presentation (size 1 to 2 A4 pages, min. font size 11) – Copy of the university degree certificate (equivalent to the Master’s degree or Diploma) or proof of outstanding artistic aptitude, which is proven by at least three years of successful professional experience in the form of relevant professional documents – up to 3 work samples from your own artistic practice (online cross-references are to be inserted as hyperlinks in the PDF) The application deadline is Monday, 25/05/2020 (10:00 am Berlin local time) Please also note: The deadline for submitting your application is determined by the time of the electronic receipt of the application at the UdK Berlin. Experience has shown that the submission of applications takes a long time, especially in the last hours before the deadline, due to overloading. We would therefore like to point out as a precaution that it is advisable to submit your application as early as possible. Applications received after the deadline will not be considered. For further information regarding the application process, please visit
[https:] as well as our FAQ. Contact Email:magdalena.weidemann@intra.udk-berlin.de Website:
[https:] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
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Contemporary Performance - Opportunities
Castle of our Skins (COOS), a Boston-based non-profit dedicated to celebrating Black artistry through music, is seeking a Creative-in-Residence for its 2020 – 2021 season.
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