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call: Kunstraum NY Artist Residency 2020
» ‎ netEX - networked experience

Deadline: 31 October 2019
Call for entries

Kunstraum Artist Residency 2020

3 month residencies for 2 artists in a quarterly cycle starting January 1, 2020. Brooklyn, New York.

Starting January 2020, Kunstraum now offers 3-month residencies for two artists (national and international) in a quarterly cycle.

Founded by artists for artists, Kunstraum is a studio hub, incubator, and gallery space in Brooklyn with the mission to provide affordable spaces to artists that fosters exchange and networking opportunities. Located between the historical neighborhood of Clinton Hill and newly developed Navy Yard, Kunstraum spreads out between two bright and renovated artist lofts.

Each residency includes a studio space inside our subdivided lofts and access to our gallery space, participation in our summer show in August, sales opportunities via an online gallery, and a great artist

community to meet and interact with. The resident artist will be offered two studio visits per month by curators, gallerists, critics, art advisers, social media promotion and a feature of your work on our website. Our internal monthly newsletter includes news, events, an open call list with grants, exhibition, and residency opportunities. All resident artists are invited to attend our gallery events to meet the steady community of artists, designers and filmmakers as well as mingle with incoming artists and curators of our ongoing exhibition program.

The studio spaces have 24/7 access with 13ft ceilings, a freight elevator, slop sink, secure Wifi and are used for non-toxic materials only – the painters work on non-toxic basis. Blick Art Supply, hardware stores, post office, print shops, supermarkets, restaurants, and delis are just 1.5 blocks away, and Home Depot is as close as 10 blocks.

No living is included. The resident artist is responsible to find own living arrangements. Referrals to short- term listings can be provided.

For more info, please visit kunstraumllc.com and on Instagram Kunstraumllc.

Fees:

The residency fee is $600 per month for a 3-month term and following starting dates 1/1/2020; 4/1/2020; 7/1/2020; 10/1/2020, included is:

– Studio space with 24/7 access (workspace only no living)
– Two studio visits per month by New York curators, gallerists, critics, art advisers (full list below) – Social media promotion
– Website promotion
– Access to gallery space between ongoing exhibition program (4 shows per year)
– Summer show participation including professional documentation and online sales for 6 months – Access to events and community, networking with other New York creatives

To Apply:

Send one PDF no larger than 8 MB to Helene, helene@kunstraumllc.com with the headline: Kunstraum Artist Residency Application.

Include the following:
– Statement of Motivation with starting date/s – 250 word – Statement on private or public funding plan – 100 word – Portfolio with max. 10 pages with 10-20 images

– Optional: 2 links to 1-2 mins video excerpts (specify cue in and out) – CV with max, 10 pages
– Links to website, Instagram, recent exhibition or press

Deadline: October 31st at midnight of your local time zone.

Notification of residency offer: December 1st, 2019
Acceptance with one-month deposit requirement: December 15th, 2019

Any questions please reach out to Helene, helene@kunstraumllc.com. We are looking forward to receiving your application!

Logo design competition for ASEAN 2020 Year of Identity
» ‎ culture360.org

deadline
23 Nov 2019

2020 World of WearableArt Awards Competition
» ‎ WOOLOO.ORG

Deadline Mar. 30, 2020
Competition
Architecture, Design, Mixed Media, Other, Painting, Performa...
Each year, World of WearableArt invites designers, artists and makers from around the world to realise the unimaginable and challenge the conventional as they create works of art that will be brought to life on stage in the internationally renowned World of WearableArt Awards Show in New Zealand.
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RMN Classical - CALL FOR Electroacoustic Works 2020
» ‎ CALL | http://soundandmusic.org

Composition, Digital, Electronic, Live Music & Installations, Sound art

October 14, 2019
LAST MINUTE OPEN CALL FOR ARTISTS
» ‎ WOOLOO.ORG

Deadline Oct. 20, 2019
Residency, Exhibition
Drawing, Installation, Mixed Media, Painting, Performance, P...
"PILOTENKUECHE" is an international art program based in Leipzig, Germany. One of our accepted artists is not able to come and we re looking for artists to participate in our program from January – March 2020.
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Sampo artist residency (solo performers)
» ‎ TransArtists

In an effort to support the creation and interpretation of contemporary music, Musinfo association organizes a residency for soloists who wish to
Open Call AI LAB
» ‎ TransArtists

The AI Lab (European ARTificial Intelligence Lab) is a follow up project of the European Digital Art and Science Network and offers international artists
"ROSE" Residency Programme 2020/21
» ‎ TransArtists

The Istituzione Bologna Musei announces the 2020/2021 edition of the "ROSE" Residency Programme. "ROSE" has the purpose to foster the international mobility

call: xCoAx 2020 — 8th Conference on Computation, Communication, Aesthetics & X
» ‎ netEX - networked experience

Deadline: 31 January 2020
Call for entries

xCoAx 2020 — 8th Conference on Computation, Communication, Aesthetics & X
8–10 July, Graz

You are invited to submit theoretical, practical or experimental research work that includes but is not limited to the following topics:
Computation Communication Aesthetics X Algorithms / Systems / Models Artificial Aesthetics Artificial Intelligence Audiovisuals / Multimodality Creativity Design Interaction Games Generative Art / Design History Mechatronics / Physical Computing Music / Sound Art Performance Philosophy of Art / of Computation Technology / Ethics / Epistemology.

Entry fee – € 90 TO € 220

info@xcoax.org
[xcoax.org]

INTERNATIONAL OPPORTUNITY CALL OUT FOR ARTISTS
» ‎ re-title.com artist opportunities

VENICE VENDING MACHINE 9 in association with Venice Agendas

Deadline: 12/11/2019

Application fee: NONE

CALL OUT FOR ARTISTS - INTERNATIONAL OPPORTUNITY

THE VENICE VENDING MACHINE 9

ART-E-MOTION IN ASSOCIATION WITH

VENICE AGENDAS 2019

Venice Agendas creates a critical international platform for debate with informed institutions, artists, critics, audiences from around the world. The project was founded by Bill Furlong and Mel Gooding and has featured at every Venice Biennale since 1999. Agendas grew out of audio arts, which began in 1973, the audio arts archive is now located at the Tate.

Since 2011, workinprogress, Clare Fitzpatrick and Terry Smith with Mark Segal have continued the series of topical, intelligent and informative discussions, talks, debates, events and artist commissions. Mel Gooding and Bill Furlong along with Vittorio Urbani of Nuova Icona continue to support and mentor the project.

THE VENICE VENDING MACHINE 9 "MERCATUS LIBER - FREE MARKET”

WILL TAKE PLACE AT HAMILTON HOUSE BRISTOL

22 NOVEMBER TO 24 NOVEMBER 2019

COINCIDING WITH THE CLOSE OF THE VENICE BIENNALE & IN ASSOCIATION WITH VENICE AGENDAS

DEADLINE FOR DELIVERY OF WORK MIDNIGHT 12TH OF NOVEMBER 2019

Artists are invited to create and submit 2 small pieces of work around the idea:

“MERCATUS LIBER – FREE MARKET”

The work, in any media, maximum dimension 8.8 cm diagonally will be packaged with the artists’ name and contact details in a 100mm transparent plastic sphere. This can include: Painting, Drawing, Sculpture, Photography, mini-Installation, Video in the form of memory stick & less than 3 minutes long. Musicians, Poets and Writers are also encouraged to collaborate with Visual Artists to present their works ensemble in a visual form.

The works will be placed in the Venice Vending Machine and will be available through random selection ONLY by engaging in a conversation with the curator of the machine who will actively promote the artists.

ARTISTS ARE ASKED TO ENTER 2 PIECES OF WORK. ARTWORK CAN BE EITHER ORIGINALS, MULTIPLES OR LIMITED EDITIONS.

The question “HOW DO YOU VALUE ART?” has been central to the Venice Vending Machine since its inception.

Please respond with your artwork to the following: What does the word “MARKET” suggest to you?

In a society where the art market is controlled by economic, political and social mechanisms influenced by capitalistic ventures, where does the artist stand, what is your aim in making art, what inspires you?

How do you perceive the idea of an art market? Is it a place that defines the opportunity for work, trade, is it transactional? Or, is it a forum, a piazza, a meeting point, where ideas, hopes, aspirations and dialogue are exchanged?

What makes you persevere with your work in such a harsh and competitive environment where life and risk run parallel to delivering an expression of the self or a new perspective of an ideal, a glimpse of who we are, a perception of a different reality?

• Are there new ways in which we can work as artists?

• Can art serve as a catalyst beckoning a new way forward?

• Can we think of new contexts where art can be appreciated for its genuine intrinsic value?

• Can we work together to inspire and support each other?

THE VENICE VENDING MACHINE 9 MERCATUS LIBER – FREE MARKET

www.venicevendingmachine.com

VENICE AGENDAS 2019 THE MARKET

[https:]]

ART-E-MOTION, a Tate Exchange Associate member will transport & install the work, produce an online catalogue, market, promote & curate the participant artists.

The Venice Vending Machine project is a “collaborative, participatory, inclusive live art public installation”, conceived by Venetian artist Marina Moreno, and managed by ART-E-MOTION. Its aim is to question the role and the value of Art in our society, whilst aiming to promote emerging artists alongside some famous and established ones. It creates an intriguing game for the participants who feel compelled to enjoin and involve themselves in a dialogue with the artist Marina Moreno.

Since the first Venice Vending Machine installation in 2011, it has involved over 600 artists from every continent and arts field throughout the world and has attracted professionals such as curators, art historians and art collectors while extending the possibility of an encounter with people that normally would not be interested in “Art”.

VVM is a serious reflection on the dynamics of the market and the function of the gallery, whilst reestablishing for a moment the freedom of the use of art in its function of displacement, surprise and subversion of pre-established rules.

It is totally different from the other automatic art distributors because VVM is not a selling mechanism or a visualization of art works but it is a participatory experience of open dialogue on the value of art. Here, instead of paying to receive a commercial product, people are invited to negotiate with Marina on the value of art in order to acquire a small art work hidden in a recyclable small plastic ball dispensed at random by the automatic machine. They will never know which of the numerous art works will be acquired until the transaction is completed.

The Venice Vending Machine has travelled and been channeled through the performance of Marina Moreno at sites including the Venice Biennale, Tate Exchange Liverpool, Yan Huang Art Museum Beijing, Altonale Festival Hamburg, Art Hostel Leeds.

THE VENICE VENDING MACHINE 9

WILL TAKE PLACE AT

HAMILTON HOUSE BRISTOL

22 NOVEMBER TO 24 NOVEMBER 2019

DEADLINE FOR DELIVERY OF WORK MIDNIGHT 12TH OF NOVEMBER 2019

For further information visit:

www.venicevendingmachine.com or email to: contact@venicevendingmachine.com

Facebook @marina.moreno.7374 @venicevendingmachine

Instagram @marinamorenoartist @venicevendingmachine

Twitter @MachineVenice @artemotionco

Marina Moreno: cell +44 (0)7453278283

Facebook @VeniceAgendas

Instagram @veniceagendasartists @VeniceAgendas #va19themarket #va19_workinprogress

Twitter @Venice_Agendas

SEA Foundation - AiR Tilburg call for 2020/2021 residencies
» ‎ culture360.org

deadline
15 Nov 2019

AAMC Foundation Engagement Program for International Curators (USA)
» ‎ On the Move

14.10.2019
The AAMC Foundation Engagement Program for International Curators is a 12-month programme currently accepting applications from non-US based curators (International Awardees) and US-based curators (US Liaisons) working on or having worked within exhibitions and projects that explore historical art of the United States (c. 1500-1980). Deadline: 24 October 2019.
Read more
DeVos Institute of Arts Management > Global Arts Management Fellowship (USA)
» ‎ On the Move

14.10.2019
The DeVos Institute Fellowship is designed for individuals who have dedicated themselves to management, rather than artistic leadership, supporting leaders in positions of decision-making authority in developing, implementing, and refining organisational strategies over a three-year, cohort-based engagement. The next cohort runs 2020-2022. Deadline: 15 November 2019.
Read more

Sampo artist residency (solo performers)
» ‎ CALL | http://soundandmusic.org

Composition, Digital, Electronic, Experimental, Live Music & Installations, Performance, Sound art

WKV Stuttgart: Sleeping with a Vengeance, Dreaming of a Life
» ‎ E-artnow calls

Württembergischer Kunstverein Stuttgart
From October 19, 2019, to January 12, 2020, the Württembergischer Kunstverein is showing the most comprehensive version to date of the exhibition...
]a[ academy of fine arts vienna: Special School for Sculpture
» ‎ E-artnow calls

Exhibition dates | October 18 - December 14, 2019
Opening | October 17, 2019, 7.00 p.m.Welcome address | Johan F. Hartle, Rector and Ingeborg Erhart, Vice-Rector for Art and TeachingIntroduction |...

October 13, 2019
Kunstraum Artist Residency 2020
» ‎ WOOLOO.ORG

Deadline Oct. 31, 2019
Residency
Conceptual, Design, Digital, Drawing, Film, Mixed Media, Pai...
Each residency includes a studio space inside our subdivided lofts and access to our gallery space, participation in our summer show in August, sales opportunities via an online gallery, and a great artist community to meet and interact with.
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Open call 2020 > Compass Festival (United Kingdom)
» ‎ On the Move

13.10.2019
The organisers are preparing the fifth edition of the biennial Compass Festival in November 2020 taking place in Leeds, UK. The organisers invite project proposals from artists working in any medium whose practice is based in interactive public participation, co-creating or engagement. The festival has grown in scale and ambition over the first four editions and is characterised by the exploration of communality, community building, place-making and individual experience. Deadline: 8 November 2019.
Read more
Voices of Cultures > The role of culture in non-urban areas of the European Union
» ‎ On the Move

13.10.2019
The call is open to representatives of the cultural and creative sectors (professional organisations, cultural institutions, non-governmental organisations, European networks, foundations, private organisations, local/regional authorities etc.) with relevant expertise on the topic “The role of culture in non-urban areas” who would like to contribute to discussions with the European Commission. Deadline: 10 November 2019.
Read more

Playing for Time – call out for 13-18’s
» ‎ CALL | http://soundandmusic.org

Performance

October 12, 2019
Barcelona Exhibition Open Call: Video & Animation Art
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2019, @ 11PM
- Location:Carrer de la Ciutat de Granada, 42 Barcelona, Spain 08005
OPEN CALL: International Open Call for Video, Animation, Moving Image Artworks
DEADLINE: November 5th, 2019
ARTIST NOTIFICATION: November 12th, 2019
OPENING RECEPTION DATE: November 22nd, 2019
THEME: RISK EVERYTHING

Some leave their homes, families, and belongings.
Some leave a rubble of hopes, dreams, and aspirations in their wake.
Some leave ...
2 fully-funded residencies available for artists, curators and art writers
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2019, @ 10AM
- Location:Tilburg, the Netherlands
SEA Foundation – AiR Tilburg invites applicants for its 2020/2021 residency program. The residencies are designed for visual artists, curators and writers whose work and life demands both a rigorous engagement as well as an urgency to propel progress in their practice. The SEA Foundation’s individual shaped residency program ...
VIDEO ART MIDEN // CALL FOR ENTRIES 2019-20
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2019, @ 11PM
- Location:[international]
Video Art Miden - call for entries [video art]

Deadline: November 30, 2019

Video Art Miden invites all video artists and video creators to participate in the next events & collaborations of Miden.

The call is open to every creator (individuals, groups or organizations) of any nationality and background.

There is ...
Signal Culture now accepting artist, toolmaker & researcher residency applications for...
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2019, @ 11PM
- Location:68 North Ave Owego, NY
Signal Culture is an experimental media art residency located in Owego, New York. We are now accepting applications for our Artist, Researcher and Toolmaker in Residence program for the Winter/Spring 2020 season.

Artist In Residence Program
The Signal Culture Artist in Residence program offers time, space and studio access ...
PhD in Music and Multimedia Composition at Brown University
» ‎ Rhizome.org Opportunities
- Deadline:Dec 12 2019, @ 11PM
- Location:Providence, Rhode Island, USA
Admissions are now open at Brown University for fully-funded Ph.D.’s in the Music and Multimedia Composition program. We encourage applicants from a wide range of diverse influences and methods to apply. Students in the program will produce, analyze, and perform original works that may include the use of ...
Call for Artists: CURRENTS New Media 2020
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2019, @ 11PM
- Location:Santa Fe, NM USA
Be a part of our 2020 Artist Lineup!
Artist submissions are open for CURRENTS 2020 New Media Festival until November 5, 2019.

With 10 years of new media production, display, and support in its wheelhouse, CURRENTS New Media has become known as one of the leading emerging media arts festivals ...
DE-CONSTRUKT Jan/Feb 2020 Residency Open Call
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2019, @ 12AM
- Location:41 Seabring Street, 3rd Floor Brooklyn NY 11231 USA
Live, work and engage with the local community of Red Hook, Brooklyn at our studio DE-CONSTRUKT. Share a beautiful spacious 2600 sq. ft. loft with beautiful skylights, a photography darkroom, art book library, wet sinks, and event space. Private fully-furnished bedrooms, one with a separate studio, with shared bathroom and ...
MEGALITH - OPEN CALL FOR AESTHETIC EXTREMOPHILES
» ‎ Rhizome.org Opportunities
- Deadline:Oct 10 2019, @ 11PM
- Location:Svalbard
MEGALITH - Open Call
https://megalith.metamerlabs.io/call

OPEN CALL FOR AESTHETIC EXTREMOPHILES

Megafauna
Microbiota
Fancy Flora
Figments and fragments
at the frontiers of culture

- If your art was a wild animal, what would it be?
- If your art had DNA, what would it look like?
- If your art migrated ...

Switzerland | call for entries 10th International Paper Triennial
» ‎ culture360.org

deadline
15 Nov 2019

BEAM CAMP 2020
» ‎ re-title.com artist opportunities

Propose a Project

Deadline: 06 January 2020

Submission fee: none

Project link- [https:]]

Beam Camp is a collaborative building and design summer camp in Strafford, NH that works with kids aged 10-17 to make the seemingly impossible possible. Our award-winning program has been featured in the New York Times, Wired, NPR, and designboom, and offers young people the opportunity to cultivate hands-on skills while exploring innovative thinking, design, problem solving and the creative process.

An intergalactic salvage station struck by a meteor, a solar-powered cinematic riff on a French film from 1902, a 2-story arboreal kaleidoscope: every year, Beam Camp solicits proposals for unique and spectacular large-scale projects that serve as the centerpiece for a 25-day session of camp, during which they are built and brought to life by 100 campers and staff. Our Project Team works with the winning designers (Project Designers) to translate their designs into the camp context. Precision of craft, skill, and imaginative thinking are paramount in our projects and the work of our staff and campers — please take some time to familiarize yourself with our past projects.

PLEASE READ THESE CRITERIA. SUBMISSION FORM BELOW.

Project Proposals must be:

Compiled into one document

Submitted in .pdf or .doc/.docx format using the form below

Submitted no later than 11:59PM EST on Sunday, January 6th, 2020

Beam Camp is looking for the following:

Proposals from creative individuals and teams, including but not limited to Artists, Designers, Filmmakers, Architects, Builders, Engineers, Musicians, Fabricators & Technologists

Visionary ideas that culminate in a unique, ambitious, and spectacular Artwork

Proposals that communicate a clear vision (sketches, diagrams, and other visuals are always helpful) and represent your/your team’s expertise

Projects that:

allow us to create the majority of the components onsite and from scratch

utilize a range of materials, processes and techniques

take advantage of Beam’s facilities, community, landscape, and rural setting

Beam Camp Disciplines and Facilities include:

Full wood and metal shops, equipped with a range of hand and power tools

Welding facilities

Textile, dye and sewing stations

Ceramic studio

Molding and casting facilities

Performance space

Audio equipment and instrument selection

Food Garden and Commercial Kitchen

Project Proposals must include:

The title of your proposal, accompanied by a brief description of the project (3 sentences)

A detailed description of the project, along with applicable visuals (sketches, diagrams, renderings, etc. are encouraged)

Information about all the participants: names, emails, experience (resume, CV, portfolio, etc.) and phone numbers of everyone involved

You are NOT required to:

Include nature, children, or camp as a theme in your project proposal

Provide a detailed breakdown of how your project would be realized by 100 Beam campers (that’s our job)

Be at Beam for the entire camp session if your proposal is chosen; the length of your visit depends on your schedule and the needs of the project

Budget and Expectations:

Project Designers will receive a stipend of $3,000.

Project Designers will be reimbursed for all reasonable travel costs related to site visits

Beam Camp will allot a budget of $12,500 for Project materials and expenses, including those related to prototyping and design

Project Designers should have a general understanding of the processes, techniques and materials involved in their proposal

Project Designers must be available for weekly Skype meetings January 30 through June 30 in order to facilitate any necessary development, prototyping and problem solving

Project Designers must be able to provide plans according to the project schedule

Schedule:

Friday, October 11, 2019: 2020 Beam Project RFP opens

Monday, January 6 2020: RFP closes; all proposals must be submitted by 11:59pm EST

Tuesday, January 14 2020: Semi-finalists notified

Wednesday, January 29 2020: Project Designers are selected

Sunday, May 24 2020: Final project plans/blueprints due

July 2 — July 26 2020: Projects are realized at Beam Camp

Project Proposals must be:

Compiled into one document

Submitted in .pdf or .doc/.docx format using the form below

Submitted no later than 11:59PM EST on Sunday, January 6th, 2020

Incomplete proposals will not be considered; please make sure yours is complete before submitting. If you have any questions regarding the proposal process, acceptable formats, or anything else, please do not hesitate to contact us: projectproposals @ beamcenter.org

VIDEO POST > Energy Flow
» ‎ Arshake Calls

VIDEO POST propone Energy Flow di Andrea Polli artista pioniera nell’aver esplorato clima ed ecologia attraverso la sonificazione dei dati. Per questo progetto, in collaborazione con Ron Gdovic della produttore delle turbine eoliche WindStax, ha restituito visibilità alla velocità dei venti registrata in tempo reale dalle stazioni climatiche localizzate sul ponte attraverso 27.000 luci LED colorate. Il progetto era pensato come installazione temporanea per il Rachel Carson Bridge nel 2016 per celebrare il bicentenario della città di Pittsburg e poi esteso per i due anni successivi, fino al 2018.
Andrea Polli, Energy Flow, 2016 – 2018, Rachel Carson Bridge, Pittsburg, USA Il progetto è stato realizzato grazie al supporto di Covestro, LLC ed il supporto logistico di Duquesne Light Company e Allegheny County.

L'articolo VIDEO POST > Energy Flow proviene da Arshake.

Independent Residencies in the Leighton Artists Studios
» ‎ WOOLOO.ORG

Deadline Dec. 04, 2019
Residency
Conceptual, Mixed Media, Other, Painting, Residencies
Self-directed residencies in the Leighton Artists Studios offer you the ability to delve into your work as a solitary retreat in one of our purpose built studios.
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Call for Entry: RISK EVERYTHING - A Group Exhibition in Barcelona
» ‎ WOOLOO.ORG

Deadline Nov. 05, 2019
Competition, Art Fair
Design, Digital, Film, Installation, Mixed Media, Photograph...
International Art Call for Group Exhibition in Barcelona. RISK EVERYTHING is a 6 Foot (2 m) digital installation that is a part of a larger exhibition, RISK, that will take place in Barcelona in November 2019.
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October 11, 2019
WAO Photography Award
» ‎ re-title.com artist opportunities

Fall Call for Submissions

Deadline - November 17, 2019

Submission fee: $25

Chandler Smith, Moire Circles 01

Archival Pigment Print Mounted on Masonite 20 x 20 in.

Edition of 5 plus 1 Artist’s Proof, 2019

The Working Artist Photography Award is a quarterly $1000.00 Art Purchase Award, available to all photographers and photo-based artists working in all traditional and non-traditional genres, photography mediums, and styles.

We make it easy to submit! Just send us your website and pay our small review fee found at: [https:]] .

info@workingartist.org

Working Artist Org. is dedicated to discovering, collecting, and promoting great art and artists.

[https:]]

Open Call for the 9th Geumgang Nature Art Biennale 2020 (South Korea)
» ‎ On the Move

11.10.2019
The Geumgang Nature Art Biennale in Gongju-si, South Korea is open to submissions from nature artists on the theme of 'Neomixed Era with Neobalanced Encounter'. Deadline: 15 October 2019.
Read more
Theatertreffen > International Forum – Open Call 2020 (Germany)
» ‎ On the Move

11.10.2019
The International Forum is an 18-day scholarship programme organised by Theatertreffen in cooperation with the Goethe-Institut and Pro Helvetia to promote young artists from all around the world. This open call is aimed at artists interested in theatre – up to the age of 35, and from all artistic disciplines. Deadline: 8 December 2019.
Read more
U-mkt Open Call (Taiwan)
» ‎ On the Move

11.10.2019
With its material contexts preserved, U-mkt in Taipei transfigures the role of a traditional market into a study base of traditional market culture and daily life, also an open platform for reviving old towns. The applicants for this call must be engaged in the fields of culture, art, design, architecture, urban studies or urban & rural development, either apply as an individual, group or incorporated association. There are no limits on nationality. Deadline: 16 October 2019.
Read more
Online exhibition > Call for artists with a migrant background
» ‎ On the Move

11.10.2019
EU Research Project is organizing a digital art exhibition to provide an opportunity to look at migration experiences from the perspective of refugee and migrant artists.The art exhibition “Displaced bodies and hearts” aims to exhibit work dealing with the sufferings and hopes of people on the move due to forced displacement. This exhibition is organized within the framework of the Horizon 2020 project, “RESPOND: Multilevel Governance of Mass Migration”. The project is funded by the European Union and supported by the Universities of Cambridge, Uppsala and Göttingen. Deadline: 30 October 2019.
Read more

October 10, 2019
2 fully-funded residencies available for artists, curators and art writers
» ‎ WOOLOO.ORG

Deadline Nov. 15, 2019
Residency, Exhibition, Grant, Biennial/Festival, Curatorial Proposal, Publication
Activism, Architecture, Conceptual, Curating, Design, Digita...
SEA Foundation – AiR Tilburg invites applicants for its 2020/2021 residency program. The residencies are designed for visual artists, curators and writers whose work and life demands both a rigorous engagement as well as an urgency to propel progress in their practice.
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DON’T SWEAT IT! Platform 20 years
» ‎ rivet.es

Platform

call: COCA 2020
» ‎ netEX - networked experience

Deadline: 21 February 2020
Call for entries

COCA20

The cool context of contemporary art | March 21st, 2020 | Online

The cool context of contemporary art

International Artists from 91 countries joined the 1st edition.

Up to € 8.000 for an artistic production.

We are thrilled to kick off the COCA20 | 2 EDITION.

The search for the best international contemporary artists has begun!

Our aim is to produce artistic projects, to stimulate the education of professional careers and to establish connections between artists and private collectors.

Prizes

Our international jury will assign to all COCA members an acknowledgment:

Winner

The production of an artistic project of up to € 8,000.00 max.

121 finalists

The finalists profiles will be viewed by collectors and selected by House of Collectors for a collective exhibition.

They will also have maximum visibility of their online profile at cocaproject.art.

Selected Artists

The profiles of the selected artists will be published online on cocaproject.art.

NO entry fee

[www.cocaproject.art]

Gli artisti visivi e i linguaggi televisivi a La Sapienza di Roma
» ‎ Arshake Calls

Tre studiose, Francesca Gallo, Paola Lagonigro, Martina Rossi, curano un workshop all’Università La Sapienza di Roma per raccontare, attraverso artisti e teorici protagonisti, di quando la televisione era al centro della sperimentazione creativa. Soprattutto, si racconta di cosa significhi sperimentare a tutto tondo, quando le aziende mettevano a disposizione studi e strumenti, consapevoli del fatto che sperimentare non lascia spazio ad una organizzazione definita in termini temporali e comporta necessariamente qualche fallimento.

Gli artisti partecipano a vario titolo ai programmi tv, firmando sigle, linea grafica, scenografie, ma anche sperimentazioni mai andate in onda, alcune delle quali saranno proiettate e commentate nel corso della giornata. La televisione, infatti, ha rappresentato sia un modello comunicativo da cui prendere le distanze, sia un nuovo medium da esplorare nelle sue specificità linguistiche e tecniche per grafici, pittori e scultori, interessati in particolare alle arti elettroniche.

L’artista pioniere Pietro Galifi racconterà di trent’anni di immagini elettroniche della TV analogica allo streaming in rete. La studiosa Martina Rossi parlerà delle scenografie televisive di Pino Pascali. Le sculture in TV di Fabrizio Plessi saranno al centro del racconto di Paola Lagonigro, Bruno Munari in TV. Silvia Moretti della poetronica di Silvia Moretti. Chiara Mari parlerà di Giulio Macchi, autore televisivo in conversazione con l’arte contemporanea; Pasquale Fameli dell’arte in tv negli anni Novanta e di Blobcartoon. Marco Maria Gazzano racconterà delle esperienze di Mario Sasso con la televisione, incluse quella delle pionieristiche sigle TV, e del tuo intreccio con le tecniche tradizionali. Le Tel(e)visioni di Ugo Nespolo saranno messe a fuoco dell’intervento di Anna Luigia De Simone. Questi e tanti altri contributi per ricordare e discutere di una fase della televisione (e della tecnologia in generale) del tutto sperimentale, una sperimentazione che negli anni è slittata nel confronto delle tecnologie entranti, oggi spesso appiattita (non sempre) in un utilizzo passivo o manieristico delle tecnologie. I singoli interventi saranno intervallati da discussioni con importanti studiosi, come Valentina Valentini, Raffaella Perna e Tommaso Casini dello IULM di Milano che in serata chiuderà l’incontro nel confronto con la studiosa Francesca Gallo, tra le curatrici del workshop.
Gli artisti visivi alle prese con le forme e i linguaggi della televisione, a cura di Francesca Gallo, Paola Lagonigro, Martina Rossi Università di Roma La Sapienza. Facoltà di Lettere e Filosofia, Aula Odeion. Museo dell’Arte Classica, 18 Ottobre, 2019.10.00 – 18.30

L'articolo Gli artisti visivi e i linguaggi televisivi a La Sapienza di Roma proviene da Arshake.

call: Sowing Seeds Residency in India
» ‎ netEX - networked experience

Deadline: 30 October 2019
Call for entries

Open call for
sowing seeds international artist village residency
from 19th jan. to 30 th jan. 2020 udaipur Org.
By Kaman art foundation rajasthan , india

Deadline: 30 October 2019
Result: 5th Nov. 2019

[https:]]

[https:]]

kamanartfoundation@gmail.com

contact us for all info.
7976323568, 8209750762

Cap Innovation Contest
» ‎ rivet.es

Desall

Lisbon | 13th International Conference on the Inclusive Museum - call for proposals
» ‎ culture360.org

deadline
03 Nov 2019
Horizons Arts-Nature in Sancy - call for projects 2020
» ‎ culture360.org

deadline
12 Nov 2019

October 09, 2019
SIMULTAN Festival 2019
» ‎ WOOLOO.ORG

Deadline Oct. 14, 2019
Exhibition, Biennial/Festival
Digital, Installation, Intervention, Mixed Media, Performanc...
SIMULTAN is an annual festival dedicated to media art and artistic experiment, creating a bond between different media. The 14th edition will take place in Timisoara (RO) between 7-10 November 2019, under the motto THERE WILL BE A TIME WHEN IT WILL NOT BE.
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CALL FOR ART / SUMMER MARATHON 2020
» ‎ re-title.com artist opportunities

Deadline: 4 November 2019

Submission fee: £10

ABOUT

Formerly the Contemporary Visions annual group exhibition, the annual open call (now in its 10th year) has merged to encompass the highly successful SUMMER MARATHON*, which debuted at the gallery in 2019 to outstanding reception. The inaugural summer marathon presented a revitalised approach to the traditional ‘group show’ format, presenting international artists in back-to-back solo exhibitions (in lieu of one group show) during the summer period. Through this unconventional approach, each of the exhibiting artists was able to fulfil their vision and stage a complete solo exhibition for a one-week period. Many works were sold to both private and public collections, Florence Hutchings had a sell-out exhibition and Jan Sebastian Koch whose first-ever solo show was a near sell-out.

The BEERS London Annual Open intends to explore current themes, trends, and innovations in contemporary art across all artistic disciplines. Artists anywhere in the world are invited to submit an application for consideration, and applicants will be vetted by a jury of artistic professionals, and selected artists will exhibit in a one-week solo exhibition at Beers London gallery in the heart of East London’s vibrant art community during the 2020 SUMMER MARATHON. That’s right: at least 6 artists will be selected to present week-long solo exhibitions over the summer of 2020.

In the past, applicants and exhibitors have gone on to solo-exhibitions or inclusions in art-fairs with BEERS London; inclusion in gallery Director Kurt Beers’ various publications like 100 Painters of Tomorrow / 100 Sculptors of Tomorrow; placement in public or private collections; representation by Beers London or other galleries; and countless opportunities with other galleries. Last year alone, Milo Matthieu and Marion Fink were discovered through the open call and are now represented by Beers London.

ELIGIBILITY

Artists working anywhere in the world, at any stage of their career are invited to apply.

EXHIBITION DATES

8 July to 23 August 2020 and the Summer Marathon will include an opening preview on Wednesday 8 July and a closing preview on Wednesday 19 August 2020. For each of the other weeks we will have a casual reception each Saturday from 2-4pm with the exception of the first exhibition and the last.

*Dates are subject to slight change.

Wednesday 8 July to Sunday

Wednesday 15 July to Sunday

Wednesday 22 July to Sunday

WEEK OF 27 July CLOSED

Wednesday 5 August to Sunday

Wednesday 12 August to Sunday

Wednesday 19 August to Sunday to August 23

IMAGE SUBMISSION

· All media is accepted. Including painting, photography, sculpture, video (see below), and all two-dimensional and three-dimensional work, new-media and any non-traditional media. We recommend that you do not apply with work that is dated prior to 2018.

· Submit up to 4 JPEGS of different works. Please label as: title_media_sizeincm_year.jpg

· Filenames must be no longer than 140 characters

· Maximum file size is 3MB per image

VIDEO SUBMISSIONS

Artists working in video or time-based media can submit up to 4 video links, accompanied by video stills.

· Upload videos to a password-free hosting site such as Vimeo or Youtube. Due to the amount of submissions, videos protected by passwords cannot be viewed.

· Videos should be no longer than 1 minute in length. Artists of interest may be contacted to submit videos of a longer runtime.

ARTWORK RESTRICTIONS

There are no restrictions to the dimension of exhibited works apart from a gallery ceiling height of 2.75m.

Work should be available for sale during the exhibition dates.

DEADLINE

The deadline is on Monday 4 November, 2019 until midnight (GMT+1)

FEE

There is a processing fee of £10 to submit – payable directly from the site by credit/debit card or Paypal.

RESULTS

Results will be posted online and sent to the emails provided by each applicant. However, in many instances pertinent information is overlooked or redirected to applicants’ spam filters, so we recommend checking the BEERS site for updates. We kindly ask that you refrain from emailing the gallery as updates will be posted to our website as decisions progress.

HOW TO APPLY

Submit all information directly to the online application system, using a laptop or desktop computer (the system does not currently work on mobile).

Applications sent via post or email will not be considered.

*JURY

Kurt Beers

Director of BEERS London & Author of ‘100 Painters of Tomorrow’ & ‘100 Sculptors of Tomorrow’

London (UK)

Hector Campbell

Art Historian, Writer & Curator

London, UK

Florence Hutchings

Artist

London, UK

Edwin Oostmeijer

Real Estate Developer & Art Collector

Amsterdam, The Netherlands

Dylan Turk

Founder & Curator, KIN and Special Projects Editor, Architecture & Design, Crystal Bridges Museum of American Art

Bentonville, Arkansas

Marina Vranopoulou

Gallery Director and Curator

Athens, Greece

CONTACT

If you encounter any issues with the application process, please contact:

support@beerslondon.com

For general enquiries contact: info@beerslondon.com

Thank you in advance for your application and we wish you the best of luck!

APPLY NOW

BEERS London

1 Baldwin St.,

London,

EC1V 9NU

Tel: +44(0)2075029078

www.beerslondon.com

call: Video Art Miden
» ‎ netEX - networked experience

deadline: 30 November 2029
Call for entries

VIDEO ART MIDEN // CALL FOR ENTRIES 2019-20

Video Art Miden invites all video artists and video creators to participate in the next events & collaborations of Miden. The call will be open until November 30th 2019.
The call is open to every creator (individuals, groups or organizations) of any nationality and background.
There are no thematic or morphological restrictions, but for the next edition Miden is particularly interested in video art, video-performance, video-dance, experimental music videos, animation.

In addition, Miden addresses a special call for the following thematic tributes:
-a tribute to Ophelia.
-a special call under the theme “Safe Mode”, which will be curated and exhibited in collaboration with TILT platform. “Safe Mode”, known to every computer user as a tech term, should be also used anthropologically and metaphorically, to describe and explore processes and phenomena of modern life, based on politics, human behavior and psychology. TILT is a creative platform of artists, researchers and theorists. The TILT platform creates and presents art projects and exhibitions, explores and intervenes in the public space and on the Internet. More info on the concept of “Safe Mode” can be found here.
-a special call under the theme “Frontpage”, which will be curated and exhibited in collaboration with curator Eva Maragaki (AxionArt) and the European Communication Institute (ECI). The exhibition is scheduled to take place in Athens in spring of 2020. For this specific project Miden is seeking for video art works which make creative use of news and headlines in newspapers, magazines and the internet.
-a special tribute to the history of Greek video art, for which Miden invites visual artists from Greece who incorporated video in their artistic practice since the ’80s and ’90s to send their early art videos (or video documentations of video-installations and performances) from this period. Curators who would like to contribute their research on this theme are also welcomed.

There is no entry fee.

Entry forms and preview links can be submitted electronically until November 30, 2019 at festivalmiden[at]gmail.com.
More info, entry regulations & entry form can be found at: [www.festivalmiden.gr]

_______________

Video Art Miden is an independent organization for the exploration and promotion of video art. Founded by an independent group of Greek artists in 2005, it has been one of the earliest specialized video-art festivals in Greece and builded an international festival identity, presenting an annual video art festival for a decade. Since 2015, Miden continues its work changing its form to a more flexible and broadened event programming, setting as basic aims to stimulate the creation of original video art, to help spread it and develop relevant research.
Through collaborations and exchanges with major international festivals and organizations, it has been recognized as one of the most successful and interesting video art platforms internationally and as an important cultural exchange point for Greek and international video art. It also provides an alternative meeting point for emerging and established artists and a communication hub between artists, organizations, festivals and art spaces around the world.
Miden screening programs have traveled in many cities of Greece and all over the world, and they are hosted by significant festivals, museums and institutions globally.

(*Miden means “zero” in Greek)

Art directors: Gioula Papadopoulou | Margarita Stavraki

Info: www.festivalmiden.gr |
www.facebook.com/videoartmiden | www.instagram.com/videoart_miden
e-mail: festivalmiden[at]gmail.com
call: Signal Culture Residency Winter/Spring 2020
» ‎ netEX - networked experience

Deadline: 1 November 2019
Call for entries

Signal Culture
Now Accepting Applications for Artist, Researcher and Toolmaker Residency Programs for Winter/Spring 2020
Signal Culture is an experimental media art residency located in Owego, New York. We are now accepting applications for our Artist, Researcher and Toolmaker in Residence program for the Winter/Spring 2020 season.

Artist In Residence Program
The Signal Culture Artist in Residence program offers time, space and studio access for artists in the field of experimental media art. The Artist Studio features a wide range of media tools, both new and old, for use in a real time audio/video/data processing system. Our philosophy is to create a space for experimentation and for artists to develop a dialogue with the range of tools available. As such, we do not expect artists to create finished works, rather we encourage our residents to spend time exploring conceptual and material practices. We do not accept undergraduate students or masters degree candidates.

Researcher In Residence Program
The Signal Culture Researcher in Residence program offers time, space and studio access for researchers in the field of experimental media art. Eligible applicants can be art historians, curators, critics, archivists, preservationists, writers who want to know more about media practices or artists who are spending time learning more about material or theoretical concerns surrounding media. This program also has access to the Toolmaker equipment, including a wide variety of electronic components, media devices, cameras and other items of interest.

In addition to time and space to conduct research, Signal Culture is building both online and on-site research centers to provide our residents with a variety of digital and printed materials. We provide free WiFi and computer access if you do not bring your own. We do not accept undergraduate students or Masters degree candidates.

Toolmaker in Residence Program

The Signal Culture Toolmaker in Residence program offers time, space and studio access for toolmakers in the field of experimental media art.

What is a toolmaker?

Eligible toolmaker applicants can include, but are not limited to hackers, circuit benders, software developers, engineers, and audio or visual instrument builders.

In addition, if you are an artist who is looking to figure out an interactive interface, design an installation environment, build a system of sensors or learn to program a specific piece of software for use in your art and you do not have a reason to use the artist in residence studio system, this is a good program for you.

The toolmaker studio offers access to a variety of spare parts, electronic components, IC’s, soldering equipment, Raspberry Pi computers, Arduino and Making Things boards, sensors, etc. There can be access to both Mac & PC computers available, but it is suggested that you contact us with specific questions if you require specialized equipment. We do not accept undergraduate students or Masters degree candidates.

In addition to the studios, resident spaces feature:

– Shared kitchen, common area, dining room and deck
– A private bedroom and work space
– Private bathroom for researcher/toolmaker residents, shared bathroom for artist residencies
– Shared fridge, pantry, kitchen appliances & dishes
– Shared library of printed, digital and time based media
– Easy access to shopping and events in Owego
For more information about the facilities, go to
[signalculture.org]

Signal Culture is located 3.5 hours northwest of New York City. There is no fee for the residency, but you are responsible for your own transportation and for all your expenses.

Learn about our past residents:
[signalculture.org]

Deadline for applications is November 1st @ 11:59pm EST.
Download the application and instructions here: [signalculture.org]

[www.signalculture.org]
info@signalculture.org
call: 2 fully-funded residencies by SEA Foundation
» ‎ netEX - networked experience

Deadline: 15 November 2019
Call for entries

2 fully-funded residencies available for artists, curators and art writers
2020/2021, Tilburg, the Netherlands
entry fee – 35 euro per application

2 fully-funded residencies available for artists, curators and art writers SEA Foundation – AiR Tilburg invites applicants for its 2020/2021 residency program. The residencies are designed for visual artists, curators and writers whose work and life demands both a rigorous engagement as well as an urgency to propel progress in their practice. The SEA Foundation’s individual shaped residency program is limited to 8 participants per year. Duration up to 3 months.

Shared values
We believe that contemporary art practise requires both flexibility as well as stability, a
self-directed approach, and a guided environment. We seek candidates who envision a
solid plan for development and production and who are willing to participate with the
rhythm, which propels our artist-led organisation.

Disciplines
Visual art, fibre art, drawing & painting, sculpture, media art, design, curating, art
critique, art theory, artistic research, architecture, sound artists, performance artists.

For whom
● Professional artists, curators and art writers
● Regardless of gender or region
● Established, mid-career or emerging practice
● Minimum age: 25 at the start of the residency
● Duo’s/collectives may apply as well
● Residents may be accompanied by a partner
● We expect you to master the English language sufficiently to be able to converse
and collaborate with fellow participants and staff.

The residency aims
● To support the production of art and the theory of art.
● To evoke discourse on art and art practices within a local and global context.
● To promote and relay critical and researched based production of art.
● To facilitate exchange between art intermediaries and artists, creating an expert network.

Fully funded residency awards
Two applicants of the Open Call will receive the award of a fully-funded residency. This
award includes free use of the live/work studio and a stipend of € 550 euro per month
when in residence. In addition, SEA foundation covers the costs of a public event,
exhibition or the production of an artist’s book.

How to apply
● Applying is done digitally and in English via the online application form.
● The application should contain the completed application and documentation.
● For duos/collectives: only one of you needs to fill out the form.

Deadline 15.11.2019 at Noon 12:00 CEST
Application contains
● Completed application form.
● Samples work from the past 5 years.
● All mages in the portfolio should have captions providing information on size.
materials and year of production.
● Curriculum Vitae (max. 3 pages).
● Include a selfie at work.
● Proof of payment of the €35,- application fee.
● Use www.WeTransfer.com and address to info@seafoundation.eu.
● Send in One .pdf
● Max 25 pages and max. 15mb.

[https:]]

Sebastián Contreras. Poiesi
» ‎ Arshake Calls

Alviani ArtSpace, spazio di ricerca e di contaminazione tra linguaggi artistici e tecnologici, all’interno dell’Aurum di Pescara, presenta Poiesi, la mostra personale di Sebastián Contreras a cura di Lucia Zappacosta e Antonio Zimarino con il patrocinio dell’Assessorato alla Cultura del Comune di Pescara.

Il gioco creativo di Sebastiàn Contreras si muove sul filo sottile dell’incontro tra il concetto e la struttura materiale/immateriale delle nuove tecnologie. Gli oggetti digitali e non, propri del nostro quotidiano dialogano con l’universo simbolico di una cultura essenzialmente umanistica, coinvolgendola e facendola entrare negli asettici processi dei byte. Smartphone e software, vengono indotti dall’autore a formare, intervenire, rappresentare e interagire con idee e forme dell’immaginario letterario. In altre opere, oggetti in plexiglass o nel plexiglass (a suggerire trasparenza e immaterialità) portano incisi o contengono tracce del loro incontro con l’immaginario letterario. Il risultato di tale processo ha la capacità di proporre “oggetti” appena definibili che costringono lo spettatore alla domanda di “senso” ovvero a tentare di colmare o ricostruire il processo mentale e materiale che accosta parole, oggetti, scritture che appartengono a campi sensoriali, cognitivi e operativi distanti.

Contreras ci offre dei “casi di studio” che ci propongono un approccio complesso al reale con cui i visitatori sono chiamati ad interagire, in modo tale che il processo poietico diventi anche nostro, fornendoci esempi di come esso ancora sia una “necessità” ineludibile dell’Umano per offrire un attimo di coscienza nel fluire incosciente del fare.

Tali proposte concettuali mirano alla possibilità che le opere riavviino la curiositas umanistica, il senso del dubbio e della domanda e che tale domanda porti nella coscienza il frutto del dubbio, ovvero, l’attenzione al senso delle cose. E questo proprio oggi, dove tutto sembra flusso inarrestabile nella comunicazione immateriale, nella banalizzazione incessante dell’uso. L’artista educa alla sensibilità e il suo scopo non è risolvere “il problema” ma proporre il problema.

La mostra è inserita nelle proposte di Amaci per la Quindicesima Giornata del Contemporaneo del 12 ottobre, in quella giornata si verificherà lo stato dell’arte di “grazie per le finalità” una delle opere in mostra che richiede una partecipazione attiva del pubblico: l’artista mette a disposizione un numero su cui è attivo il servizio whatsapp, i visitatori mandando una foto riceveranno una poesia personalizzata che l’autore scriverà a quattro mani con il suggeritore di parole del suo cellulare, una forma di iniziale intelligenza artificiale.

Con questa mostra l’Alviani ArtSpace si espande oltre gli spazi delimitati del celebre tunnel Alviani al di là del piazzale Michelucci, sempre all’Aurum. Lo spazio ormai dal 2011 è un punto di riferimento per l’arte contemporanea e le nuove tecnologie nella regione Abruzzo. A questa mostra seguirà un ultimo evento per questa stagione artistica – afferma Lucia Zappacosta, direttore dello spazio – una mostra collettiva per ripercorrere, attraverso opere inedite, il lavoro degli oltre 50 artisti che hanno collaborato in questi anni con l’Alviani ArtSpace. (dal comunicato stampa)
Poiesis. Sebastián Contreras, a cura di Lucia Zappacosta e Antonio Zimarino (sponsor: Pescarabruzzo Foundation. Technical sponsor: Masciarelli Vini Alviani ArtSpace, Pescara, fino al 18 ottobre (su appuntamento)
immagini (tutte): Poiesis. Sebastián Contreras, Alviani ArtSpace, ottobre 2019, exhibition view, photo: Silvia Mazzota

L'articolo Sebastián Contreras. Poiesi proviene da Arshake.

Theatertreffen Stückemarkt 2020 by Berliner Festspiele – Open Call 2020 (Germany)
» ‎ On the Move

09.10.2019
The Stückemarkt’s jury of renowned international artists will select a total of five works from among the submissions. The commission supports a realisation of a new production at a partner theatre in Germany. Various forms of authorship lead to a theatre piece, therefore submissions can include plays and projects – e.g. site-specific projects, theatrical interventions, narrative spaces – as well as performances that are based on documentary material and located on the interface of different artistic disciplines. The organisers are particularly interested in young authors and artists who explore new narrations and perspectives, creating innovative, world-building languages. Deadline: 17 November 2019.
Read more
Center Stage Season 5 (USA) > call for nominations for performing artists from Colombia &...
» ‎ On the Move

09.10.2019
Center Stage will support U.S. tours of five performing arts ensembles total from Colombia and Peru during the period of June-November 2021. Nominations may be submitted by anyone, including presenters, artists and their representatives, U.S. Embassy personnel, regional arts organizations, state arts agencies, international institutions, and individuals in the U.S. and abroad knowledgeable about performing arts ensembles in the identified countries. Deadline: 15 October 2019.
Read more
Magnum Foundation > Photography and Social Justice Fellowship (USA)
» ‎ On the Move

09.10.2019
Magnum Foundation’s Photography and Social Justice Program expands diversity and creativity in the field of documentary photography through capacity-building and critical explorations of photography and social change. With New York City as a cultural resource, the program provides space for interdisciplinary experimentation, mentored project development, and cross-cultural, critical discourse at the intersection of photography and social justice. Deadline: 15 October 2019.
Read more
Max Planck Institute for Empirical Aesthetics > INHABIT Artist in Residence Programme (Germany)
» ‎ On the Move

09.10.2019
The INHABIT Artist in Residence Programme invites artists from a wide range of visual and performing arts disciplines to spend up to three months developing a new work or existing project that speaks to the collaboration between arts and science. Deadline: 3 November 2019.
Read more
Platform > International Artist in Residency Programme, 'Don't Sweat It' (Finland)
» ‎ On the Move

09.10.2019
The Finnish organisation Platform (based in Vaasa) is seeking artists in residence for the period June 2020 - June 2021. Applicants are expected to apply with projects that have a minimum of two months - and preferably three months - duration, and that respond to this year's theme, 'Don't Sweat It'. Deadline: 20 October 2019.
Read more
ASSITEJ > Next Generation residency programme in Tokyo (Japan)
» ‎ On the Move

09.10.2019
The Next Generation (NG) residency programme is designed to support artistic and cultural exchange and collaboration between international artists (aged 36 years or below, and interested in theatre for young audiences) at ASSITEJ events. The next NG programme will be held 14-24 May 2020 in Tokyo and will gather 25 artists, critics, producers and researchers, from Asia and around the world. Deadline: 18 October 2019.
Read more

October 08, 2019
Applications for Mokuhanga AIR
» ‎ TransArtists

MI-LAB Committee is pleased to open a call for application for 2019 Mokuhanga Artist-in-Residence at Lake Kawaguchi. Artists who want to learn/improve Japanese

Helsinki International Curatorial Programme 2020 - open call
» ‎ culture360.org

deadline
31 Oct 2019
France | International Residency for Animated Films
» ‎ culture360.org

deadline
04 Nov 2019

MakerArt alla Maker Faire Rome – The European Edition 2019
» ‎ Arshake Calls

Arriva MakerArt l’inedito progetto dedicato alla relazione tra arte contemporanea e nuove tecnologie di Maker Faire Rome – The European Edition 2019, manifestazione promossa e organizzata della Camera di Commercio di Roma, attraverso la sua Azienda Speciale Innova Camera che si svolgerà presso la Nuova Fiera di Roma dal 18 al 20 ottobre 2019.
Maker Faire Rome, alla sua settima edizione, è il più importante appuntamento in Europa dedicato all’innovazione tecnologica alla portata di tutti. Per la prima volta si apre all’arte contemporanea attraverso la creazione di percorsi sinergici e integrati tra maker e artisti internazionali selezionati dal curatore della sezione Valentino Catricalà.

MakerArt, immaginata come una sorta di vera e propria lente sul contemporaneo all’interno della fiera, propone lo snodarsi di una successione d’installazioni interattive lungo il percorso della manifestazione, in modo da coinvolgere il pubblico e rappresentare i tanti e diversi modi di interpretare la cultura dell’innovazione tecnologica. Oltre a grandi installazioni d’intelligenza artificiale, robotica, sound art, videoarte, la sezione prevede dei “pop up art”, ovvero degli happening in grado di “spiazzare” continuamente lo spettatore nel suo percorso.

Inoltre, per la prima volta in Italia, una novità assoluta nel panorama nazionale e peculiare a questo spaccato fieristico, gli artisti avranno la possibilità di collaborare con le aziende del settore tecnologico creando un vero connubio tra arte, scienza e innovazione tecnologica.

Le opere, basate sia su proposte di concetti utopici sia su progetti realizzabili collegati a temi universali quali la vita umana, la salvaguardia dell’ambiente, le relazioni sociali, si propongono di stimolare attraverso la creazione artistica interrogativi e riflessioni che riguardano ognuno di noi e il mondo che ci circonda.

Trentuno presenze con provenienze rappresentative di tutto il mondo: Belgio, Canada, Italia, Russia e USA compongono la rosa degli artisti rispondente a profili internazionali di altissimo livello.

(dal comunicato stampa)
MakerArt alla Maker Faire Rome – The European Edition 2019, 18 – 20 Ottobre, 2019 Artisti: Pier Alfeo, Mattia Casalegno, Cod.Act, Joseph DeLappe, Joaquin Fargas, Anna Frants, Richard Garet, Alessandro Giannì, Elena Gubanova e Ivan Govorkov, Giang Hoang Nguyen (a cura di Re:Humanism), Sergey Komarov e Alexey Grachev, Via Lewandowsky e Carlo Caloro, LU.PA., Matteo Nasini, Simone Pappalardo e José Angelino, Chiara Passa, Donato Piccolo, Maria Grazia Pontorno, Martin Romeo, Aura Satz, Federico Solmi, Lino Strangis, Mat Toan, Patrick Tresset, Bill Vorn.
immagini: (cover 1) Joaquiìn Fargas, Rabdomante, 2019 (2) Mattia Casalegno, «Grass Roller», 2017 (3) Bill Vorn, «Hysterical Machine», 2010 (4) Giang Hoang Nguyen, «The Fall», 2018, Foto di Giorgio Benni. Courtesy Alan Advantage (5) Chiara Passa, «Compressions Houses», 2015, 3D video sculpture

L'articolo MakerArt alla Maker Faire Rome – The European Edition 2019 proviene da Arshake.

The Los Angeles Billboard Art Exhibition
» ‎ WOOLOO.ORG

Deadline Oct. 23, 2019
Competition
Activism, Conceptual, Design, Digital, Drawing, Mixed Media,...
The Billboard Creative (TBC) is accepting submissions from all art disciplines now through October for its 5th annual billboard art show, which will be presented on billboards across Los Angeles.
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14th ARTE LAGUNA PRIZE – OPEN CALL FOR ARTISTS AND DESIGNERS
» ‎ WOOLOO.ORG

Deadline Nov. 27, 2019
Competition
Architecture, Design, Digital, Drawing, Installation, Interv...
Applications are open for the fourteenth edition of Arte Laguna Prize, one of the most influential and longest-running competitions for emerging artists and designers.
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call: Videos on the topic- Layers
» ‎ netEX - networked experience

Deadline: 25 October 2019
Call for entries

OPEN CALLS FOR VIDEO SUBMISSIONS: Layers

Screening to be held November 9th 2019
American Fabrics Arts Building
1069 Connecticut Ave.
Bridgeport, CT 06607
USA

OPEN CALLS FOR VIDEO SUBMISSIONS: Layers

Open call for short (under 10 minutes), single-channel video works to be included in a screening held in conjunction with the Bridgeport Art Trail in Bridgeport CT, USA.
This screening seeks work that deals with layers. Layers can be interpreted texturally, literally, or abstractly. These ideas can be engaged with in depth or in a general sense.
The screening will be held at the American Fabrics Building on November 9th 2019 and will run for the duration of the event. No screening fees available at this time.

Please send a link to the online preview of your work (or an expression of interest if you will FTP the video) by October 25th, 2019. Please include name, title, date, duration, a brief statement, bio, and country of origin.

Also if your video is password protected please include it is the submission.

Accepted works will be transferred via online FTP program, or website (Vimeo preferred).

Submit videos to heidenvideo@gmail.com with subject header ” LAYERS OPEN CALL”

No fee for Artists

contact: heidenvideo@gmail.com
call: 14th Arte Laguna Prize
» ‎ netEX - networked experience

Deadline: 27 November 2019
Call for entries

14th edition of Arte Laguna Prize
In addition to the exhibition in Venice at the Arsenale, the contest lands in Moscow and the cash prizes increase

Applications are open for the fourteenth edition of Arte Laguna Prize, one of the most influential and longest-running competitions for emerging artists and designers. The Prize continues its mission of promoting creative talents through art residencies, exhibitions, festival participations and collaborations with companies and this year Arte Laguna has established an important new partnership with MMOMA – Moscow Museum of Modern Art, bringing to Moscow in 2021 a selection of over one hundred works.
With fourteen years of history the Prize, organized by the Cultural Association MoCA (Modern Contemporary Art), gives artists the opportunity to join a huge network of collaborations worldwide, exhibit in the breathtaking location of the Arsenale of Venice, win cash prizes of a total amount of 40.000 euro and much more.
New this year is Arte Laguna World [https:] the contemporary art platform that connects artists to collectors and art professionals.

The new edition of Arte Laguna Prize renews the section dedicated to design, giving it a new interpretation that is more art-oriented and supported by Assarredo/ FederlegnoArredo: “Giving voice to art and its expressions is fundamental”, states Claudio Feltrin, President of Assarredo, “it allows us to maintain a link with our cultural roots, to which art draws, and helps us to build a bridge to the future, thanks to the work of young artists who propose new languages. Through the collaboration with MoCA (Modern Contemporary Art) in Venice, we want to support artistic projects capable of enhancing culture and design”.

The international jury, led by Igor Zanti, curator of the Prize since its first edition and director of IED Florence, will be composed of: Iwona Blazwick – director of the Whitechapel Gallery in London; Karel Boonzaaijer – designer, architect and professor at the German Universities Fachbereich Gestaltung and FH Aachen; Valentino Catricalà – contemporary art curator and art section director of the Maker Faire – The European Edition; Aldo Cibic – fundamental name of made in Italy design in the world; Erin Dziedzic – Chief Curator at the Kemper Museum of Contemporary Art in Kansas City, Missouri; Zhao Li – professor at the Central Academy of Fine Arts in Beijing and curator of the Chinese Pavilion at the 53rd Venice Biennale; Riccardo Passoni – director of GAM – the Modern Art Gallery in Turin; Vasili Tsereteli – Director of the Moscow Museum of Modern Art.

The jury will select the best applications from the ten disciplines in the competition, which will be on display at the Arsenale Nord in Venice from March 21st to April 13th 2020. Among the exhibited works, the jury will identify four absolute winners who will win the cash prizes of 10,000 euro each.

The Prize obtained a medal from the President of the Italian Republic and is organized with the patronage of the Ministry of Foreign Affairs, the Ministry of Cultural Heritage, the Veneto Region, the Municipality of Venice, the Ca’ Foscari University of Venice, the European Institute of Design and FederlegnoArredo.

Artists and designers from all over the world can participate in the competition without any limitation, the applications must be submitted by November 27th 2019.
More information and the terms and conditions are available on [www.artelagunaprize.com]

Artist in Residence Prizes
A program of art residences in Italy and abroad to allow an artistic experience of growth in contact with a new environment or a new culture, to create new works and to participate in new activities in a multicultural environment. The residencies are assigned to six artists and are: Fabrica in Treviso, Gridchinhall in Moscow, Espronceda in Barcellona, Basu Foundation for the Arts in Kolkata, Farm Cultural Park in Favara (Sicily), Maradiva Cultural Residency in Mauritius.

Business for Art Prizes
Collaborations with companies in order to connect artists with entrepreneurs who see creativity as a form of communication and productive momentum. This year an artist Under25 from the painting section will win a € 2,500 prize and a collaboration with the Venetian company Majer; three artists will win a € 1000 prize each and spend a month at the Outofblue tourist facility in La Palma – Canary Islands, where they will have the task of enhancing the spaces with site-specific interventions.

Artist in Gallery Prizes
Organization of 2 exhibitions in international Art Galleries, including setting up, vernissage and catalogue. The venues are: Galerie Isabelle Lesmeister in Regensburg, Germany and Jonathan Ferrara Gallery in New Orleans, United States.

Partecipation in Festivals and Group exhibitions
Selection of eleven artists for participation in collective events in Slovenia at Art Stays Festival and in Beijing with the events organized by Art Nova 100.

Sustainability and Art Prize dedicated to alluminium
The special prize with the CIAL consortium and Ca’ Foscari that rewards with 3,000 euros the best Reuse, Reduce, Recycle proposal for aluminum packaging recycling.
http://www.artelagunaprize.com #artelagunaprize #premioartelaguna Press Office
Alessandra Lazzarin
+39 347 2790099 – ufficiostampa@premioartelaguna.it

Elena Pardini
+39 348 3399463 – elena@elenapardini.it

Stories of the South
» ‎ WOOLOO.ORG

Deadline Jan. 04, 2020
Exhibition
Photography, Exhibitions
A photography exhibition that pays homage to the quirky, and ever changing region, the South.
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MOOC Create in Public Space / Créer dans l'Espace Public
» ‎ On the Move

08.10.2019
Till the 9th of December 2019, you can access this MOOC packed with tools and inspiration to help you understand and play a role in artistic creation in public space. Thanks to FAI-AR, IN SITU, Creative Europe, ARTCENA and the French Ministry of Culture Ce MOOC vous propose un parcours disponible jusqu'au 9 décembre 2019 combinant outils et inspirations pour mieux comprendre la création en espace public et pour en devenir des acteurs. Merci à la FAI AR, IN SITU, Europe créative, ARTCENA et le Ministère français de la culture.
Read more

October 07, 2019
call: Venice Biennale Summer School
» ‎ netEX - networked experience

Deadline: ! March 2020
Call for entries

AT THE VENICE BIENNALE SUMMER SCHOOL IN CURATORIAL STUDIES VENICE OPEN CALL

3rd June – 1st September 2019

The School for Curatorial Studies is an ambitious and challenging project promoted since 2004 and conceived as a school committed to experimentation and interdisciplinary thinking. The main goals are to spread the knowledge in the field of visual arts and to introduce the students to the professions related to the art world, focusing on contemporary curatorial theory and practice and contemporary museology. The School’s activities are meant for all those interested and passionate in art, graduated students or professionals who want to deepen their knowledge and improve their practical skills. The School’s teaching staff is formed by Italian and international professionals, scholars, historians and art critics of recognized experience. Among them: Matt Williams (curator), Filippo Lotti (Sotheby’s), Chiara Barbieri (Peggy Guggenheim Collection), Francesca Colasante (Pinault Collection), Andrea Goffo (Found. Prada), Nicola Lees (Serpentine London).

The program:

The Summer School in Curatorial Practice will take place during the International Biennale Venice. With an interdisciplinary approach, the course provides practical training and experience within museums and exhibition settings. Its international faculty includes curators and museum professionals, artists and critics. The course is designed to increase students understanding of the intellectual and technical tasks of the curator figure. English-taught lectures cover both theoretical and practical topics that go from the history of contemporary visual arts and practices of exhibition-making, to Exhibition Management. The students will participate in weekly activities, such as artist studio visits, tours of exhibition spaces, networking events and workshops. The program culminates with the set up of the exhibition.

The Summer School includes visits of specific art venues all over the city of Venice during the International Venice Biennale. A series of selected case studies will offer the students an opportunity to observe the development of contemporary art. The School’s goal is to align these specific theoretical lectures with a practical approach. Besides the theoretical lectures, a series of laboratories and workshops aims to introduce the students to the work of critical text writing, press releases and to structure all the different aspects of publishing. The students will be offered the possibility of a gallery training and of setting up together – with one of our tutors, their exhibition in Venice, as a final project of the course.

The first module:

June 3rd – August 5th, 2020

The first module involves 350 contact hours:

1. History of Curatorial Practices
2. Exhibition Design
3. Aesthetics and Cultural Theory
4. Contemporary Art History
5. Cultural Events Management and Organization
6. Curating Exhibitions
7. Fine Arts Management.
8. Fundraising and Marketing / Workshop
9. Communication Strategies and Artistic Events Promotion / Workshop
10. Workshop on Critical Writing
11. Artist Studio Visits and Visits of the International Biennale

Optional: Trip to a European Art center.

Meeting artists, curators, institution directors, art collectors.

August 7th –12th, 2020

We warmly recommend to take part.

The program is very intensive: Bruxelles is an art city and is offering many opportunities: private galleries, collections. We will visit artist studios and public galleries and Museums of contemporary art.

The second module:

August 17th – 21th, 2020

The second module is dedicated to individual researching and finalizing the exhibition project. During this period of time the students will have to face practical duties, such as coordinating the artists, managing transportation and insurance policies, promoting and curating the promotional material.

The third module:
August 24th – September 1st, 2020

The last part of the course lies in the production of the event. During this period of time all the work concerning the final event will take place. The students will coordinate the arrival and the display of the works of art and supervise all the different aspects related to the event, such as promotion, organization, last details about the publication, opening. After the presentation to the public, the student will be given the tools to professionally document the event.

Duration and structure

The course has a duration of 450 hours. The participants will develop themes as well as concepts, organization, acquisition, communication and the concrete implementation of their skills together with the course director and international guests (artists, curators, architects, critics, fine arts scientists and publishers of art journals).

Application deadline: March,1st 2020.

The application form must be sent by e-mail before the deadline (March 1st 2020) of the Curatorial Program to:

Xac – School for Curatorial Studies
San Marco, 3073, 30124 Venice
Email: curatorialschool@gmail.com
Tel: +39 0412770466

The application form can be downloaded at www.corsocuratori.com, where you can find more information about our curatorial program and your stay in Venice.

The Summer school has a limited number of places available.

Information:

info@corsocuratori.com

Korea Arts Management Service > Special Grant for Presenting Korean Performance
» ‎ On the Move

07.10.2019
International presenters – whether festivals, venues or networks – are invited to apply for grants to present Korean artists / artistic companies within the period January 2020 – December 2021. Deadline: 22 November 2019.
Read more
RIXC > 'Risk Change' Residency Programme – Migration and Ecology (Latvia)
» ‎ On the Move

07.10.2019
RIXC's 'Risk Change' Residency programme welcomes applications from artists who are critically exploring the topics of migration and ecology. Residencies last one month and can be taken at RIXC's main base in Riga or at their Rural Lab in the Latvian countryside. Deadline: 1 November 2019.
Read more
Frame Contemporary Art Finland > Curatorial residencies in Helsinki 2020
» ‎ On the Move

07.10.2019
The Helsinki International Curatorial Programme (HICP) offers residencies in Helsinki for curators of contemporary art. In 2020 there will be one-month residencies offered in April and September. Applicants should have at least 2-3 years professional experience in curating, either within an institutional context or independently. Deadline: 31 October 2019.
Read more
NEF Animation > International Artist Residency Programme (France)
» ‎ On the Move

07.10.2019
NEF Animation supports writing and creative research in the field of animated film by developing artist residency programmes that encourage international mobility. In 2020, there will be two residency periods: April 2020 and October 2020. Deadline: 4 November 2019.
Read more
Europeana Research Grants Programme – 2019 Call for Submissions
» ‎ On the Move

07.10.2019
The 2019 Europeana Research Grants Programme supports events that bring together cultural heritage professionals and researchers interested in digital cultural heritage. Grants are intended for cultural heritage and/or research institutions based in the EU member states (with some exceptions). Deadline: 31 October 2019, 23:59 CET.
Read more
Sundance Institute > 2020 Theatre Lab (USA)
» ‎ On the Move

07.10.2019
Applications are now open for Sundance Institute’s 2020 Theatre Lab. The organisers invite you to bring your current unfinished project – no matter the genre or topic – and get the time and space you need to experiment with it. Running 6-26 July 2020 at Sundance Mountain Resort, Utah, USA. Open to artists from the US and Middle East / North Africa region. Deadline: 1 November 2019, 5.00pm EST.
Read more

Winter Writers Residency
» ‎ resartis.org

Deadline: 15/10/2019
Location: Spain
Belgrade Art Studio Residency 2020
» ‎ resartis.org

Deadline: 15/10/2019
Location: Serbia

'Show Your Work: Professional Presentation for Curators' Online Course by Node Center
» ‎ E-artnow calls

Node Center for Curatorial Studies
SHOW YOUR WORK: PROFESSIONAL PRESENTATION FOR CURATORSA New Online Course by Node CenterThis course will help you to bring out the best in your...

October 06, 2019
Open Call for Artists: VENICE INTERNATIONAL PERFORMANCE ART WEEK 2020 • CO-CREATION LIVE FACTORY "Dissenting Bodies Mark...
» ‎ WOOLOO.ORG

Deadline Dec. 07, 2019
Residency, Biennial/Festival
Activism, Intervention, Performance, Sound, Residencies, Bie...
OPEN CALL FOR ARTISTS: VENICE INTERNATIONAL PERFORMANCE ART WEEK 2020, Venice, Italy | For those artists and performers who wish to strengthen their creativity and intellectual freedom, refine their practice, expand their vision, explore new territories.
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October 05, 2019
THEME | THE FOUND OBJECT
» ‎ WOOLOO.ORG

Deadline Oct. 31, 2019
Exhibition, Competition
Photography, Exhibitions, Competitions
Praxis Gallery seeks photographic works the explore the “found object” as pure visual form, or as a catalyst for investigating broader issues such as subjectivity and socialization, memory and loss, or love and death.
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OPEN CALLS FOR VIDEO SUBMISSIONS: Layers
» ‎ WOOLOO.ORG

Deadline Oct. 25, 2019
Exhibition, Biennial/Festival, Other
Digital, Drawing, Film, Installation, Mixed Media, Other, So...
Open call for short (under 10 minutes), single-channel video works to be included in a screening held in conjunction with the Bridgeport Art Trail in Bridgeport CT, USA.
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OPEN CALL FOR VIDEO SUBMISSIONS: Layers
» ‎ re-title.com artist opportunities

Deadline: 25 October 2019

Submission fee: none

Open call for short (under 10 minutes), single-channel video works to be included in a screening held in conjunction with the Bridgeport Art Trail in Bridgeport CT, USA.

This screening seeks work that deals with layers. Layers can be interpreted texturally, literally, or abstractly. These ideas can be engaged with in depth or in a general sense.

The screening will be held at the American Fabrics Building on November 9th 2019 and will run for the duration of the event. No screening fees available at this time.

Please send a link to the online preview of your work (or an expression of interest if you will FTP the video) by October 25th, 2019. Please include name, title, date, duration, a brief statement, bio, and country of origin.

Also if your video is password protected please include it is the submission.

Accepted works will be transferred via online FTP program, or website (Vimeo preferred).

Submit videos to heidenvideo@gmail.com with subject header " LAYERS OPEN CALL”

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