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72304 items (72304 unread) in 50 feeds
Calls 1
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Arshake Calls
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Artservis (1256 unread)
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CALL | http://soundandmusic.org (158 unread)
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CEMuTAN - Calls (5 unread)
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Creative Applications - calls (12 unread)
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culture360.org (1439 unread)
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DATABASE OF VIRTUAL ART
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Digicult (477 unread)
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E-artnow calls (1665 unread)
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On the Move
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re-title.com artist opportunities
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Calls 2
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a-n.co.uk
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Alliance of Artists Communities
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ART DEADLINES LIST
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ArtRubicon Call
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artshow (2878 unread)
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C4E - callforentries.com (259 unread)
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California Art Council (4523 unread)
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Call - PixContests
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CALL - platform beta
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Call for Artists – New Rochelle Council on the Arts
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CIPAC
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Contemporary Performance - Opportunities
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George's Art List
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Calls 1 (100 unread)
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St Petersburg | School of Innopraktika & Russian Seasons call for art, music, choreography participants
» culture360.org
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Multidisciplinary international and contemporary live works art residency in Italy
» resartis.org
Deadline: 20 Mar 2021
Country: Italy -
Rockland Residency: Fall 2021
» resartis.org
Deadline: 20 Mar 2021
Country: United States -
Creative Spring in Leipzig
» resartis.org
Deadline: 21 Mar 2021
Country: Germany -
AIR/HMC, Budapest International Artists Residencies 2021
» resartis.org
Deadline: 21 Mar 2021
Country: Hungary -
Belgrade Art Studio Residency ONLINE Residency
» resartis.org
Deadline: 25 Mar 2021
Country: Serbia
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6x6x2021 International Call For Art
» re-title.com artist opportunitiesGlobal Exhibition of Thousands of Artworks
Deadline: International Postmarked Deadline is April 2
Application fee: Free!Rochester Contemporary Art Center's (RoCo) international small art phenomenon returns for the 14th year! 6x6 WILL be installed and we will maintain normal gallery hours this year!
Participate in the The International Small Art Phenomenon as it returns for the 14th year with thousands of original artworks, made and donated by celebrities, international & local artists, designers, youth and YOU. Each artist may enter up to three artworks of any medium (2D or 3D). Artworks must be six inches square and signed only on the back, to be exhibited anonymously. Participation is free. All artworks will be exhibited and for sale to the public for $20 each to benefit RoCo. Artists’ names will be revealed to the buyer upon purchase and all artworks remain on display through July 18. Limit three artworks per school group (no limit for colleges). Thank you for your participation!
6x6x2021
Postmarked Deadlines
International by April 2 / U.S. by April 12
Global Online Preview Begins: May 14 at 10am
In-Gallery Preview: May 31 - June 4
Virtual Opening & Artwork Sale : June 5
Global Online Purchasing Begins: June 8
Sold Out Artists’ Names Revealed Online: July 2
Exhibition Dates: June 5 - July 18, 2021Link
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2 and 4 Week Cost Free Residencies in Los Angeles (Nov 1, 2021–Mar 31, 2022)
» resartis.org
Deadline: 15 Mar 2021
Country: United States
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Whistling in The Dark
» re-title.com artist opportunitiesOpen Call to Boston USA area Visual Artists, Kingston Gallery Inc
Deadline: March 12, 2021 ET
Application fee: $25 USDCALL FOR WORK: Whistling in The Dark
Kingston Gallery, located in Boston's SoWA arts district, is calling for entries for the juried exhibition, Whistling in the Dark, which will be open from July 28-August 29, 2021. Our distinguished jury of artists includes Lavaughan Jenkins, Jeesoo Lee, and Jamal Thorne.
We welcome work that is visually engaging and will foster a broader dialogue about the influence of art. The gallery will hold related public events weekly through its series Kingston Conversations.
Kingston Gallery welcomes a wide range of visually compelling work from a diverse group of artists representing the Boston art community. We strongly encourage submissions from BIPOC artists.
All media will be considered, and alternative media is welcomed. There is no minimum size requirement, but installed work may not exceed 6 feet in height.
http://www.kingstongallery.com/exhibitions/2021/august-whistling-in-the-dark.php
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VIDEONALE.18: Fluid States. Solid Matter
» Arshake CallsCon trentuno lavori selezionati su millenovecento, VIDEONALE.18, titolato «Fluid States, Solid Matter», apre uno spazio di riflessione su un mondo che cambia dove interrelazioni sociali, politiche, economiche e interrelazioni ecologiche sono riassestate e nuovi ordini sono costituiti in dinamiche complesse.
Su quali basi viviamo, pensiamo agiamo oggi? Come stiamo costruendo una base per il prossimo futuro? Concetti occidentali antropocentrici – dai diritti umani, con la nozione della proprietà privata fino alla fondazione di stati – sono basati sull’assunzione di un sovra-regno individuale, un corpo fisso e autonomo dai contorni distinti e confini chiari rispetto al proprio ambiente. Come questo corpo, il modo in cui lo percepiamo e il suo posizionamento nel mondo, cambia dal momento in cui lo concepiamo come un fluido, costantemente impegnato a mutare in relazione con altri corpi e con i suoi dintorni umani, naturali e più che umani?
Questa idea di «Bodies of Water» (Astrida Neimanis) non solo liquefà la nostra concezione di una separazione chiara tra umani e natura, ma capovolge anche altre gerarchie e confini stabiliti, fornendo uno spazio di pensiero sui nuovi e complessi sistemi di riferimento dove ci muoviamo assieme con il nostro corpo. Se accettiamo questo come base di una futura forma di coesistenza, come questo altera la nostra percezione rispetto all’altro? Quali nuove possibilità di cooperazione politica, sociale, ecologica ed economica potrebbero essere immaginate come plausibili?
VIDEONALE.18, Fluid States. Solid Matter, Festival for Video and Time-Based Arts, March 4–April 18, 2021 v18.videonale.org Opening Day: March 3, from 11am CET on videonalefestival.org
Festival Days: March 4–6, livestream on videonalefestival.org
Streaming VIDEONALE.18 works: March 3–7 on videonalefestival.org
Exhibition: March 4–April 18 at Kunstmuseum Bonn Artists: Paula Ábalos, Tekla Aslanishvili, Eliane Esther Bots, Viktor Brim, Adam Castle, Eli Cortiñas, Mouaad el Salem, Mahdi Fleifel, Ellie Ga, Beatrice Gibson, Russel Hlongwane, Heidrun Holzfeind, Che-Yu Hsu, Sohrab Hura, Ida Kammerloch, Michael Klein & Sasha Pirker, Michelle-Marie Letelier, Dana Levy, Anne Linke, Lukas Marxt & Michael Petri, Bjørn Melhus, Ana María Millán, Morgan Quaintance, Úna Quigley, Aykan Safoğlu, P. Staff, Rhea Storr, Ingel Vaikla, Ana Vaz, Emily Vey Duke & Cooper Battersby, Gernot Wieland
images: (cover 1 ) VIDEONALE.18. Ida Kammerloch ResusciAnne © Ida Kammerloch (2) VIDEONALE.18. Bjõrn Melhus SUGAR © Bjõrn Melhus & VG-Bildkunst (3) VIDEONALE.18. IdaKammerloch. ResusciAnne © Ida Kammerloch.
L'articolo VIDEONALE.18: Fluid States. Solid Matter proviene da Arshake.
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The Alpine Fellowship 2021
» culture360.orgdeadline
01 Apr 2021
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Fish Factory Creative Centre of Stöðvarfjörður – March 2021
» resartis.org
Deadline: 01 Mar 2021
Country: Iceland -
Belgrade Art Studio Residency
» resartis.org
Deadline: 03 Mar 2021
Country: Serbia -
Ilhabela Island – Brazil / Multidisciplinary residence // 2021 Schedule
» resartis.org
Deadline: 07 Mar 2021
Country: Brazil -
Open call to apply for a residency at AqTushetii 2021
» resartis.org
Deadline: 09 Mar 2021
Country: Georgia -
Listening, Meditation & Laughter with Laraaji
» resartis.org
Deadline: 14 Mar 2021
Country: Global -
Open Call for Curator-in-Residence 2021-2022
» resartis.org
Deadline: 14 Mar 2021
Country: United States -
Online Plant School
» resartis.org
Deadline: 15 Mar 2021
Country: Global -
LAST CALL!!! 2021 A4 International Artist in Residence International Exchange Program
» resartis.org
Deadline: 15 Mar 2021
Country: China -
The Bottega Projects Montebuono Residency
» resartis.org
Deadline: 15 Mar 2021
Country: Italy -
Open Call: Hello, can You Hear Me?” / “We’ll meet again!
» resartis.org
Deadline: 15 Mar 2021
Country: Lithuania -
Belgrade Art Studio Residency
» resartis.org
Deadline: 17 Mar 2021
Country: Serbia -
Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS
» resartis.org
Deadline: 17 Mar 2021
Country: Serbia -
The Artist Residency Project at the School of Visual Arts – ONLINE
» resartis.org
Deadline: 18 Mar 2021
Country: Global -
sumac project – spring and summer residency, ontario, canada
» resartis.org
Deadline: 19 Mar 2021
Country: Canada
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Japan | Aomori Contemporary Art Centre residency call 2021
» culture360.orgdeadline
21 Mar 2021 -
Virtual Crossovers: ASEF & ENCATC e-residency for arts journalists | Open call
» culture360.orgdeadline
22 Mar 2021 -
Triennale Grenchen | open call for miniprint competition
» culture360.orgdeadline
30 Apr 2021
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Daniel Knorr: Flagship Store at IKOB - Museum of Contemporary Art
» E-artnow callsIKOB - Museum of Contemporary Art
IKOB - Museum of Contemporary Art presents Knorr's first solo exhibition in Belgium, an overview of his sculptural work of the last three years. The...
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DRAWING RESIDENCY
» resartis.org
Deadline: 01 Mar 2021
Country: France
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call: Earth Action Art Show 2021
» netEX - networked experienceDeadline: 5 March 2021
Call for entriesEarth Action Art Show – Call for Art 2021
April 1-30, 2021 in Berkeley, CAEarth Action Initiative is a collective of Berkeley graduate students and community members. We aim to nurture a community in which climate action integrates into our everyday lives. To execute this vision, we organize an annual conference featuring community-building workshops that highlight current environmental efforts, while inspiring new initiatives to combat climate change.
The Earth Action Art Show is an extension of this mission. Raw climate data, research papers, scientific jargon and non-sensical political banter on climate change can be overwhelming and difficult to internalize. We believe art may provide a more relatable and intimate experience to connect with issues facing our climate, and inspire action in a way data cannot.
This past year, the pandemic brought about loss and hardship for all. Yet, as we sheltered in place, we saw many positive effects on our environment – wildlife returned to urban areas, and air pollution abated to less egregious levels. This year’s Art Show centers on the theme “Wildlife,” to celebrate a positive aspect of the pandemic amidst a year of adversity.
The focus of EAI is direct action. Consequently, the art show also acts as an opportunity to raise funds for mini action grants, awarded in our local community through a proposal process. Artists whose artwork is accepted will have the opportunity to display their artwork for sale, as well as the option to donate all or a portion of sale proceeds to our action grant fund. Due to the Covid-19 pandemic, this year’s Art Show will be primarily virtual, with a limited selection of artworks displayed in local small business venues in Berkeley, CA.
Entry fee: NONE
6. Contact addresses/URL: earthactioninitiative@gmail.com (email) and [https:]] (website with online submission form)
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FRAME > ThingThingThing
» Arshake CallsFRAME cattura un momento di ThingThingThing (2019-) di Yang Wang & Zhenzhen Qi del duo ZZYW, progetto incluso nella mostra «World on a Wire», attualmente al Hyundai Motorstudio Beijing e online worldonawire.net. ThingThingThing produce una simulazione live dove entità generate dai fruitori interagiscono in un mondo tridimensionale in continua evoluzione.
Yang Wang & Zhenzhen Qi (duo ZZYW), ThingThingThing, 2019 – ongoing, parte della mostra «World on a Wire» presso Hyundai Motorstudio Beijing e online. ThingThingThingL'articolo FRAME > ThingThingThing proviene da Arshake.
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Call for Spring / Summer Retreat AiRGuiniguada Gran Canaria 2021
» resartis.org
Deadline: 01 Mar 2021
Country: Spain
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Call for applications: MA Contemporary Arts Practice at Bern University of the Arts
» E-artnow callsBern University of the Arts
The MA Contemporary Arts Practice (MA CAP) at Bern University of the Arts is a multidisciplinary program for artists working in the fields of Fine...
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Desert 23´S – An artist-led expedition at the driest place on earth with indigenous culture & ecology.
» resartis.org
Deadline: 01 Mar 2021
Country: Chile
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LIVE WORKS Free school of Performance di Centrale Fies > Open call (Italy)
» On the Move
27.02.2021
Created in 2013 by Centrale Fies, in collaboration with Viafarini, LIVE WORKS - Free School of Performance is a platform dedicated to live contemporary practices that contribute to deepening and broadening the idea of performance, following the current evolution of performance and its styles. In times of continuous change Centrale Fies and the curatorial team of LIVE WORKS add two important news to the Call of this edition including fellowship and travel grants' support. Deadline: 30 March 2021.
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Konvent International Residency (Spain)
» On the Move
27.02.2021
The residences at Konvent have the goal of becoming a platform to aid artists and creators by providing the adequate conditions of space and concentration required for investigation in a unique environment such is the Cal Rosal textile colony. Konvent has an International open call for creators with no restrictions of age, origin nor discipline and that are interested in undertaking a research or creation project at Konvent. Deadline: 14 March 2021.
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VIDEO POST > Offset XYZ
» Arshake CallsWhat, if you are not understood?
What, if your environment were alien to you?
What, if you just want to be accepted?What, if you were an AI?
VIDEO POST rilancia Offset XYZ, scultura cinetica e oggetto che si trasforma nel movimento guidato da un’intelligenza fisica e artificiale. L’oggetto, che si adatta ad una proporzione riconosciuta nel Modulor Man di Le Corbusier, è autonomo e imprevedibile, possiede un suo tempo di base, una sua coscienza, una sua realtà, imita i patterns comportamentali dell’uomo e li astrae in azioni e processi.Non solo la scultura è mobile, ma è anche intelligente e cerca di adattarsi all’ambiente e ai suoi abitanti.
Andreas Lutz, Offset XYZ, 2018L'articolo VIDEO POST > Offset XYZ proviene da Arshake.
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Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS
» resartis.org
Deadline: 01 Mar 2021
Country: Serbia -
Tropic 08´N – An artist-led expedition into one of the richest biomes on earth with indigenous culture & ecology.
» resartis.org
Deadline: 01 Mar 2021
Country: Panama
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Lift > Concept touring (UK / International / online)
» On the Move
26.02.2021
LIFT is creating an online residency and commissioning project for artists to develop Concept-Touring, installation and performance projects. They are supporting projects where the idea, process, work, travels but the artist does not. LIFT actively encourages submissions from those with less visibility in the arts. The organisers specifically welcome applications from women, people with disabilities, people who identify as LGBTQI+, those with low-income backgrounds and those from Black, Asian, ethnically diverse, Indigenous and migrant identities. This opportunity is for UK and internationally based artists. Deadline: 19 March 2021.
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A arte Invernizzi: Opening exhibitions March 2, 2021
» E-artnow callsA arte Invernizzi
The A arte Invernizzi gallery is contemporarily opening three exhibitions on Tuesday 2 March 2021 from 5 until 8.30 p.m.The gallery's lower floor is...
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call: Sonic Bites 2021
» netEX - networked experienceDeadline: 19 March 2019
Call for entriesCryptic is inviting UK artists to submit screen-based audiovisual works for Sonic Bites 2021
In response to continuing lockdowns Cryptic presents Sonic Bites, a sensory series of audiovisual appetisers. Broadcast at 13.00 GMT (and available for 24 hours) on the second and fourth Thursday of every month, Sonic Bites offers a welcome lunchtime escape.
We are looking for completed screen-based audiovisual works with music and sound at their core. Accepted works can include: motion graphics; generative video, film, digital animation, 3D video and/or 360.
Selected artists will receive a £200 fee plus an online platform for their work supported by an experienced, international arts company.
Artists must be based in the UK and submitted works should be between 5 – 10 minutes long.
Cryptic is an equal opportunities and inclusive organisation. We want to inspire more people to discover, engage with and participate in the arts and we recognise that the diversity of our artistic programme, audiences and workforce is key to our success. We welcome applications from artists who are currently underrepresented or under-supported within the arts sector (including, but not limited to under-represented Black, Asian and Minority Ethnic backgrounds, LGBTQ+ identities, gender identities, socioeconomic backgrounds, those with disabilities and/or caring responsibilities).
APPLY HERE by 12noon (GMT) on Friday 19 March 2021
[https:]]If you require additional support in completing your application or have any questions please contact Rachel at crypticprojects@gmail.com or phone +44(0)7933 571 117.
For details of all our upcoming events please visit:
[cryptic.org.uk] [sonic-a.co.uk] [cryptic.org.uk] [linktr.ee] -
call: VRHAM! – Real In
» netEX - networked experienceDeadline: 15 March 2021
Call for entriesVRHAM! – Real In
Virtual Reality Festival Hamburg
4-12 June 2021REAL-IN is an alliance made of
2 major EU festivals: La Manufacture/performing arts in Avignon, VRHAM!/Visual arts and Interactive design in Hamburg; 2 innovative cultural institutions in 2 major European cities and world ranked events in creative industries: MEET Digital Culture Center in Milan and Espronceda, Institute of Art and Culture, in Barcelona), and an award-winning production company, Dark Euphoria, located in Marseille, specialised in new media and digital artistic experiences.
Start of the residency
End of April / Beginning of May 2021Showcase
2 days in the course of VRHAM! Festival (4 – 12 June 2021) in Hamburg/GermanyWe are now looking for creators and artists working in the field of Interactive Arts who want to (further) develop their already existing artistic project (or a work in progress) by exploring the possibilities that lie in the innovation of 3D-scanning technologies. We want to encourage groundbreaking, forward-thinking implementations of this technology and participative interaction into your artistic work. We want to support visionary approaches in digital storytelling and see your project evolve by adding an additional layer of participation and collective accessibility. The final project aim is to showcase the results of the residency within the framework of a conference for relevant experts and industry stakeholders during VRHAM! festival in Hamburg (4-12 June 2021), to present the final project state to the public as well as to engage in a fruitful exchange with experts in the field.
WHO CAN APPLY?
The calls are open to creatives and artistic teams with an interavtive arts project (in development or finalized) into which they would like to implement a collective and interactive dimension.I.Individual artists or teams of individual artists
You can come from any country of the Member States of the European Union, their Overseas Countries and Territories or the UK.II. Artistic and creative organisations
You must be legally registered as a legal entity (SME, non-profit organisation). You must be established and work in one of the Member States of the European Union, their Overseas Countries and Territories or the UK.HOW TO APPLY
You must submit your application in English via our application form to present your project.
[real-in.eu]WHAT WE OFFER
1 week of residency in Marseille (FR) provided by Dark Euphoria with 2 technical directors experts in creating digital and interactive experiences, to develop sketches and prototypes during the residency.
Remote follow-up and technical support for your project (2-6 months following the residency)
Production and prototyping costs (up to €10,000)
Showcase in major EU events related to creative industries
Networking and peer-learning
Communication and promotion
Mentoring by renown experts in the field -
call: ZK/U Residencies Berlin
» netEX - networked experienceDeadline: 18 April 2021
Call for entriesRESIDENCY AT ZK/U BERLIN
Residency Program
ZK/U hosts a multidisciplinary residency program, offering a living and working space for practitioners of all kinds (artists, researchers, activists, professionals of various fields) whose work or approach explores the dynamics and experiences of the city. The residency program welcomes applications with proposal framed as:
• a conceptual, contextual and interventionist contemporary artistic position,
• research or experimentation in the fields of urbanism, geography, anthropology, architecture and the humanities.
The common theme and interests that link the work of ZK/U residents allow mutual learning, spontaneous collaborations, discussions and exchanges to emerge, enriched by the diversity of disciplines and profiles of the residents. The ZK/U building, a former train station building located in a dynamic public park, is a space for urban experimentation and cross-disciplinary collaborations. Hosting regular public events for a diverse audience, ZK/U is also a lively cultural venue. Residents are encouraged to involve themselves with ZK/U’s cultural program and to propose their own formats.
More information on the residency can be found here.
(If you are an artist or cultural practitioner with curatorial experience based on the African continent, please see our current Open Call for the fully funded TURN2 Curatorial Research Residencies at ZK/U.)Conceptual framework
Applicants are encouraged to formulate their project proposals with the conceptual discourses of ZK/U in mind.
What we provide
• a studio-apartment for living and working
• access to communal spaces (kitchen, terrace, library)
• a special residency program of weekly dinners, monthly studio visits and bi-monthly open studio events (OPENHAUS)
• the possibility to take part or be part of ZK/U’s public events
• support to locate events, resources, and urban discourses relevant to the residency fellows’ research interests
• support to create self-initiated public events or formats (additional costs may apply)
• promotion of the residency fellows’ work online and locallyCosts
For individual residents or groups, depending on the type of studio-apartment and the length of stay (3-8 months), the residency fees are between €550 and €850 per month. The fees cover all utility costs, space usage and participation in the residency programming. The residency period can take place anytime within the next two years after the selected resident is notified.COVID-19
Since spring 2020, the COVID-19 pandemic has posed a world-wide challenge to all, including the cultural field. The ZK/U residency has stayed open throughout the pandemic and was able to constantly adapt to the changing situation and regulations, ensuring the safety of its community and a continuation of its programming in diverse forms when possible. However, bringing non-EU-based future residents into the EU has been quite difficult and will likely remain so as long as border restrictions are not relaxed or lifted. In all cases, the ZK/U team will do everything possible to ensure a safe stay at the residency.Construction at ZK/U
From Summer 2021 to Autumn 2022 (planning status of Feb 2021) the public spaces of the ZK/U building will be expanded. The residency will still be open normally but the planned construction will likely affect the working and living situation at ZK/U. We will try to offer alternative spaces for showcasing your work for our regular OPENHAUS. Please consider this when you apply for a residency within this time frame.For updates please check: ZK/U Extension
How to apply: [https:]]
Residency Program & Space: http://www.zku-berlin.org/residency/
Conceptual discourses: [https:]]
FAQ: [https:]]
Application Form: [https:]]
Share: [https:]]
If you can’t find what you are looking for on our website, kindly send an email to: apply@zku-berlin.org
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GAME OVER. Loading: Amerigo Mariotti
» Arshake CallsAmerigo Mariotti è il secondo protagonista dell’‘indagine’ di Azzurra Immediato per GAME OVER. Loading, fase di ricerca di GAME OVER. Future C(o)ulture, progetto finalizzato alla ricerca e allo studio di nuove «entità culturali», volte alla ricostruzione del futuro. Con un background in architettura e design, Mariotti è co-fondatore di Adiacenze, spazio espositivo bolognese ibrido, dinamico, vera e propria fabbrica di innovazione culturale dedicata all’arte emergente e all’indagine sul contemporaneo in tutte le sue forme nell’ottica di comprendere quello che sarà il futuro e il ruolo dell’arte nell’ambito culturale italiano.Azzurra Immediato: Quali sono i bisogni che, oggi, la società dovrebbe e vorrebbe veder espressi attraverso la cultura, dunque, anche mediante la creatività e le idee di ogni singolo?
Amerigo Mariotti: Credo che la cultura abbia oggi una necessità che incontra il bisogno stesso della società alla quale si rivolge: creare le circostanze per provare a comprendere il proprio tempo, e le complessità che lo animano. Viviamo una contemporaneità affatto semplice, stratificata, multidimensionale, multi identitaria. La cultura ha il dovere di sollevare quesiti, questioni, domande – la società ha la necessità di essere solleticata, incuriosita e stimolata nella formazione di una posizione critica nei confronti del proprio tempo, aprendo lo sguardo, lasciandosi spiazzare, coinvolgere, e perché no, informare.
Come immagini possa originarsi la nascita di nuove entità culturali? Cosa è per te una ‘nuova entità culturale?
Un contenitore eterogeneo, di mescolanze, dove varie competenze possano interagire, innestarsi, contaminarsi. Dove si esplorino possibilità. Una nuova entità culturale, a mio avviso, dovrebbe fungere da facilitatore, da connettore tra le professionalità: una rete, che unisca l’importanza della conoscenza al potere della visionarietà.
‘Ibridazione culturale’ e ‘superamento delle frontiere del sapere’: chimera o realtà? È possibile pensare a un nuovo habitat innovativo ed innovato in cui cultura ed altri universi del sapere possano dialogare e fondersi?
È possibile, certo. In un certo senso, soprattutto in ambito di ricerca, questa fusione è già una realtà. E con sempre maggiore frequenza, la ricerca oggi si fa nelle università come nelle aziende, nei laboratori, nelle fondazioni, nelle istituzioni. Attraverso convegni, residenze, occasioni mirate di studio e sperimentazione. È auspicabile che questa pratica di contaminazione si estenda e che si intensifichi la compartecipazione tra i differenti ambiti, tra arte e scienza, incoraggiando un approccio multidisciplinare al fare cultura, al passo col proprio tempo.
Sono convinto che una metodologia di pensiero multilaterale, un processo di creazione ibrido, vada a rafforzare mutualmente ogni ambito coinvolto nella sperimentazione. È già attualità, ma la mia speranza è che si possano vedere sempre più realtà nelle quail, ad esempio, un artista lavora in uno studio di architettura, così come in un ufficio ricerca e sviluppo di un’azienda o all’interno di una università.
immagini: (cover 1) Andrea Abbatangelo, Prospettive Calderara, 2020 (2) Sara Bonaventura, Iconoplast, 2021 (3) Amerigo Mariotti, Portrait
Amerigo Mariotti: Nasce nel 1978 a Lanciano in provincia di Chieti. Dal 2010 è fondatore e direttore artistico, insieme a Daniela Tozzi, dello spazio espositivo ADIACENZE. Lavora nell’ambito dell’arte, del design e dell’architettura tra Bologna e San Salvo in Abruzzo, dove si occupa del suo studio associato. Ad Adiacenze si occupa di scouting, progettazione e allestimento delle mostre e dei progetti speciali. L’intervento di Amerigo Mariotti è parte della serie di indagini condotte da Azzurra Immediato come parte di Loading, fase preliminare di GAME OVER, progetto finalizzato alla ricerca e allo studio di nuove “entità culturali”, persone, oggetti o ricerche provenienti da diversi ambiti disciplinari (i.e. fisica, bio-robotica, AI, agricoltura, medicina) e al loro traghettamento nel mondo dell’arte. Si tratta di una ricerca ma anche di un gesto che va oltre il semplice dialogo interdisciplinare e diventa piuttosto radicale: un vero e proprio ‘trapianto’ di ambiti di ricerca indirizzato alla predisposizione di future c(o)ulture, dove la “creatività” corrisponde ad “invenzione” ed “invenzione” corrisponde a contribuire ad una trasformazione. Una scintilla, un segnale di mutazione genetica, un cambio di direzione, un cortocircuito. Un’energia diversa che sia il segnale di un cambiamento in atto e che possa costituire nuova linfa vitale per il sistema della Cultura. Questa prima fase è una fase investigativa e si rivolge a visionari, pensatori ibridi di vari settori, inclusi quelli della cultura, che possano esprimersi sulle necessità attuali, ciascuno in relazione al proprio ambito disciplinare e, in linea più generale, nel rispetto della cultura e della società ad ampio raggio. Project team: Anita Calà Founder and Artistic Director of VILLAM | Elena Giulia Rossi, Editorial Director of Arshake | Giulia Pilieci: VILLAM Project Assistant and Press Office | Chiara Bertini: Curator, Coordinator of cultural projects and collaborator of GAME OVER – Future C(o)ulture | Valeria Coratella Project Assistant of GAME OVER – Future C(o)ulture. Interviste pubblicate di Azzurra Immediato: Leonardo Jaumann(Arshake, 28.01.2021. Interventi precedenti: Intervista a Primavera De Filippi (Arshake, 21.01,2021); Intervista a Valentino Catricalà di Anita Calà e Elena Giulia Rossi(Arshake, 04.02.2021); Intervista multipla di Stefano Cagol a Antonio Lampis, Sarah Rigotti, Tobias Rehberger, Michele Lanzinger, Stefano Cagol (Arshake, 11.02.2021); Intervento video di Andrea Concas (Arshake, 18.02.2021).L'articolo GAME OVER. Loading: Amerigo Mariotti proviene da Arshake.
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call: 3rd MUTE festival 2021
» netEX - networked experienceDeadline: 20 April 2021
Call for entriesMUTE festival (3rd edition)
Dates & location of event context
21may – 6 June
Casa Cava
47 Via San Pietro Barisano
Matera, Basilicata 75100Cineteatro Don Bosco
Piazza don Bosco
Potenza, Basilicata 85100MUTE is an international festival devoted to experimental film and video, aiming at investigate the relationship between image and sound.
The mission of MUTE is to provide local and regional audiences with an opportunity to view a wide variety of contemporary experimental works, focused on artistic excellence, different styles, forms, and nationalities.
Part of the cultural program of Matera 2019 European Capital of Culture and spin off of Ma/In festival, MUTE has become an independent festival that offers a program of live cinema, performances, live sonorization of classic silent film.The third edition will be held from 21st of May to 6th of June 2021 in Basilicata, South Italy.
21-22-23 of May in Potenza – Cineteatro Don Bosco
4-5-6 of June in Matera – Auditorium Casa cava
Over the span of 6 days, the festival will show premieres, retrospectives, tributes, audio-visual performances, and discussion panels.MUTE Festival is opened to artists who want to submit experimental works.
The call is composed by 3 different categories:
– Experimental Mutations: found footage, essay film, video performance, expanded cinema, experimental animation, experimental documentary, video art;
– Visual Mutations: virtual reality, 360° inmersive cinema;
– Sound Mutations: new sonorization of short silent film or documentary or footage.Only short films with a maximum runtime of 20 minutes. No restrictions on the date of completion, premiere status or whether your work has been made available online
An international jury will selected the artworks to be screened. Only selected works will be in the festival’s program.
Official Selection: Films selected for screening will be notified via email.
Award Winners: The winners (one per categories) will be invited to accompany their film to the MUTE festival and accommodation expenses will be covered by the Organization.The festival is organized by LOXOSconcept, a non-profit cultural centre, active in the realization of experimental movies, sound art works, artistic installations and promoting research into the aesthetic, analytical, musicological and scientific aspects of music.
Awards & Prizes
– Winner Experimental Mutations
– Winner Visual Mutations
– Winner Sound MutationsRules & Terms
– Registration for the Festival competition, takes place exclusively through FilmFreeway
The festival registration fee varies from €10.00 to €20.00 for each work– By submitting, the participant filmmaker/artist acknowledges and agrees that if selected for the festival – their film will be screened in a live venue in front of live audience.
– By submitting, the participant filmmaker/artist acknowledges and agrees for the MUTE Festival to use publicity material (film, production stills, posters, clip etc.) from selected films to promote the festival in print and online.
– Selected works will remain in the archive of the festival and be used during screenings; details of screenings will be communicated to the artists prior to the event;
– All selected works will be promoted through our social media and website with a dedicated page with synopsis, film stills and trailer. For this purpose, we recommend that projects must be fully entered on FilmFreeway, including film stills, production pictures, downloadable poster, and trailer or teaser.
– The Artist certifies that she/he is the sole author of the Artwork, that this is an original work that does not copy other preexisting works.
– The personal data supplied by the artists will be treated in accordance with Law 675/96 (“Privacy Policy”), the Legislative Decree n. 196/2003 (“Privacy Code”) and the art.13 Regulation EU 2016/679 (G.D.P.R), even for inclusion in databases operated by the LOXOSconcept cultural association. Any television, radio, recordings, and broadcasts of the works participating in the award for the promotion of the artists or the festival itself through marketing and communication are authorised by the artist without any additional obligation for the organization and without prior request of consent from the artist.
entry fee – YES 10/15 EUR
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call: Artists 4 Peace – Issue 4!
» netEX - networked experienceDeadline: 1 March 2021
Call for entriesArtists 4 Peace Call for Submissions Issue 4!
March 29, 2021 International
At Artists 4 Peace, we dedicate space to the works of people who focus their practice in peace and sustainable living. We collect works in a number of mediums including Architecture, Dance, Film/Video, Multidisciplinary, Music, Theatre, Science, Visual Arts, Written Word, and works from young artists from the age of 18 and below. New issues are released every two months and we continually accept submissions throughout the year, regardless of deadline.
Please apply if you feel your creativity emerges as a response to the need of peace and sustainability, we’d be honored to have your work featured upon our next issue!
To submit, please visit “ [www.artists4peace.org] ” and click the “Submit/Collaborate” tab at the top of the page to begin and apply!
And for those who wish to see, listen, and experience connecting through the works of our previous issues, please visit our website here: www.artists4peace.org
entry fee – no
[www.artists4peace.org]
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Call for submissions> ISPA 2021 COMPETITION
» Arshake CallsDeadline: Grant Submission 01.04.2021; Photo & Story Submission 06.09.2021
Quando: Annuncio vincitori Ottobre / Novembre 2021
Link website
L’Italian Sustainability Photo Award è un concorso fotografico aperto a tutti, l’ingresso è gratuito senza barriere geografiche o professionali. L’ISPA nasce per raccontare la storia della sostenibilità in Italia nei settori ambientale, sociale e di governance e per farlo si ispira ai valori espressi nell’acronimo internazionale “ESG”: Environmental, Social and Governance. I criteri ESG provengono dal mondo economico e finanziario e sono generalmente sinonimo di impegno e consapevolezza. Il materiale fotografico inviato per l’iscrizione al Concorso ISPA 2021 (Foto singole, Racconti fotografici, progetti di sovvenzione) deve essere pertinente a uno di questi tre temi.Una prestigiosa giuria di fotografi, photo editor e giornalisti internazionali assegnerà premi per la migliore foto singola e il miglior racconto fotografico. Inoltre: la giuria selezionerà un progetto fotografico e fornirà un supporto tangibile sotto forma di una borsa di studio del valore di 10.000 euro.
L'articolo Call for submissions> ISPA 2021 COMPETITION proviene da Arshake.
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test
» resartis.org
Deadline: 28 Feb 2021
Country: Andorra
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Netherlands | De Appel Curatorial Programme
» culture360.orgdeadline
15 Mar 2021
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call: Mail Art – Sweet Miel Art
» netEX - networked experienceDeadline : 1 June 2021
Call for entriesSWEET MIEL ART
final honey performance in Perugia Italia, all arrival will be shown online at [www.mail-art.it]
SWEET MIEL ART, you’re free to interpretate…entry fee – no
Contact adresses/URL mail-art@mail-art.it [www.mail-art.it]
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call: Hopper Prize 2021
» netEX - networked experienceDeadline: 18 May 2021
Call for entriesHopper Prize
call: $3,500 Artist GrantsThe Hopper Prize is now accepting entries for our Fall 2021 artist grants.
We have increased grant awards to $3,500.We are offering artist grants in the amount of $3,500 (2 available) and $1,000 (4 available) to artists worldwide working in all media. In total, 6 artists will receive unrestricted cash grants.
Grant submissions will be juried by Selby Nimrod, Assistant Curator, MIT List Visual Arts Center and María Elena Ortiz, Curator, Pérez Art Museum Miami.
Our open call provides you with a direct path to get your work in front of these forward thinking exhibition makers. In addition to grants, 30 artists will be selected for a shortlist. Additional exposure is available via our online Journal as well as our Instagram feed @hopperprize, currently reaching an audience over 55k.
Explore the past winners archive at [https:]] .
Submit your work at [https:]]
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call: TAPES – MAIL ART PROJECT
» netEX - networked experienceDeadline: 15 August 2021
Call for entriesTAPES – MAIL ART PROJECT
Show on line on:
[https:]]The project is just related to the audiotape as an object. Please send me your tapes manipolated, smashed, broken, etc etc…
Entry fee: None
Submission address:
Silvano Pertone
Via Nuova Cantalupo 42a/1
17019 Varazze, Savona (Italy)Info:
psycheoutfanzine@gmail.comBlog:
[https:]]
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Ireland | Open Futures 2021 call for dance and digital arts exchange projects
» culture360.orgdeadline
05 Mar 2021
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Guarda 2027: Art(e)facts Biennial calls for artists, architects and designers for projects with artisans (Portugal)
» On the Move
24.02.2021
Art(e)facts Knowledge Biennial promotes a call for two projects created by artists, architects and designers, to be produced in collaboration and in residencies held at workshops of artisans from the municipalities of Fundão, Guarda and Manteigas in Portugal. The biennial intends to promote collaborations between artists and artisans and to create a contemporary legacy of artworks that value the territory and the reinterpretation of traditional knowledge. Art(e)facts is organized by the Architecture and Territory programme of Guarda’s bid for European Capital of Culture 2021 and the theme of the 2021 edition – Supernatural Togetherness –, proposes alliances between species and generations to save the future. Deadline: 19 March 2021.
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Big Pulse Dance Alliance (BPDA) > Open air commissions (Europe)
» On the Move
24.02.2021
Big Pulse Dance Alliance / BPDA is a 4-year partnership (2021-2024) of 12 European dance festivals and institutions united by their passion to promote, strengthen and broaden the reach of the contemporary dance sector. They are inviting Expressions of Interest from artists interested in developing portable, ecologically aware choreographic ideas with the 12 pan-European BPDA partners. Deadline for the expression of interest: 16 April 2021.
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ÆFLUENTS > production and investigation residency (Euroregion Pyrenees Méditerranée)
» On the Move
24.02.2021
ÆFLUENTS is a project powered by the Euroregion Pyrenees Mediterranee and led by the Association of Integral Management of Sociocultural Services Idea (Idea Cultural Association) (Catalonia), and counts with the cooperation of cultural organisations such as the Centre for Investigation and Contemporary Culture Casa Planas (Balearic Isles), RZM collective (Catalonia) and Slash Culture (Occitanie). Gender and place of origin are indifferent, but the applicant must be resident in Catalonia, the Balearic Islands or Occitanie. Deadline: 21 March 2021.
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Art Like Salt > 2021 Open Call for Residency Artists (Korea)
» On the Move
24.02.2021
Taepyung Salt Farm X LAMPLAB seeks artists to submit entries for the jury-based exhibition, ‘Art Like Salt.’ The winners will be chosen to participate in a residency programme in Shinan, designated a ‘Slow City’, in South Jeolla Province, South Korea, with the opportunity to create work in any of the following format, photography, video, installation, sculpture, or sound with the theme of ‘Dear Friend'. Due to the COVID-19, the Korean government is not issuing new visas for foreigners including tourists. You must either have a visa issued before or have Korean citizenship, or currently in South Korea in order to participate in the residency programme. Deadline: 2nd of April 2021.
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Dear You, al MAMbo … e per posta
» Arshake CallsAlla sfida di esplorare nuove modalità di relazione, oltra al digitale il MAMbo – Museo d’Arte Moderna di Bologna risponde con il progetto Dear you, a cura di Caterina Molteni che impiega un mezzo più tradizionale, la posta. I sei artisti invitati, Hamja Ahsan (Londra, 1981), Giulia Crispiani (Ancona, 1986), Dora García (Valladolid, 1965), Allison Grimaldi Donahue (Middletown, 1984), David Horvitz (Los Angeles, 1982) e Ingo Niermann (Biefeled, 1969),sono accomunati da una pratica fortemente legata alla poesia, alla scrittura e alla performance.
Concepiti come poesie, brevi racconti, istruzioni per atti performativi e come dispositivi relazionali, i lavori che verranno realizzati dialogheranno con la dimensione creatrice del linguaggio, guardando alla lettura come una esperienza trasformativa.Dear you nasce da una riflessione sui confini e sulle potenzialità dello spazio intimo. Considerando le attuali condizioni di semi-isolamento a cui la popolazione mondiale è costretta, il progetto si sofferma sull’intimità non solo come sofferta solitudine, ma come luogo di una possibile e vitale autodeterminazione.
Il progetto intende osservare l’indagine introspettiva e il suo esercizio come spazio di trasformazione, concependo l’identità come una dimensione in divenire, possibile fonte di importanti rivoluzioni politiche e sociali ma anche emotive e sentimentali.
Dear you si propone di rivalutare condizioni ed esperienze emotive come la fragilità e l’emotività, esaltandone gli elementi generativi. Incita a nuove forme di amore, erotismo, amicizia e lealtà, riflettendo su possibili risorse emotive e fisiche capaci di espandere il nostro spettro di auto rappresentazione e di desiderio personale e collettivo.
Allo stesso tempo, le artiste e gli artisti riflettono su temi di fondamentale rilevanza nella nostra contemporaneità come la perdita di contatto fisico e le relative ripercussioni sulla vita emotiva, la diminuzione della vita sociale condivisa e la necessità di creare nuove strategie di relazione e di cura, al di là dell’esperienza digitale.
Dear you richiama espressamente la corrispondenza amorosa per accentuare il forte intimismo innescato dalla ricezione di una lettera. In particolare si vuole sottolineare come la corrispondenza postale sia capace di alimentare dinamiche di cura grazie alla capacità di trasformare una voce lontana in qualcosa di tangibile e prossimo. Il progetto permette inoltre la comunicazione e fruizione di opere d’arte fisiche oltre i confini geografici nazionali oggi bloccati e fortemente regolamentati dalle restrizioni imposte dalla pandemia globale, favorendo così lo scambio di idee e di gesti di attenzione.
Il MAMbo invita il suo pubblico a partecipare e diventare lo «you» destinatario di questa corrispondenza artistica. Per ogni iscrizione, Dear you prevede la spedizione di sei lettere, una per artista coinvolto. Ogni busta conterrà un’opera in forma di lettera e un testo di accompagnamento sul progetto. È previsto l’invio di una lettera ogni 2 settimane, indicativamente tra marzo e maggio 2021.
Dear You, Museo MAMbo a cura di Caterina Molteni, Bologna, 19.02 – 14.03.2021 L’adesione a Dear you avviene tramite iscrizione online dal sito del MAMbo a partire dal 19 febbraio e fino al 14 marzo 2021. Durante la registrazione sarà richiesto l’indirizzo di spedizione al quale verranno recapitate le lettere. Sono previste modalità differenziate di acquisto in base alla residenza fiscale di chi esegue il pagamento.
immagini: Alexa Karolinski e Ingo Niermann, «Oceano de amor», 2019. Video still (2) Giulia Crispiani, «Ossesso», 2020, veduta della performance presso Il Colorificio, Milano. Courtesy l’artista e Il Colorificio, Milano, ph: Claudio Giordano (3) David Horvitz, Letters sent by David Horvitz to Ruth Wolf-Rehfeldt. Courtesy l’artista e ChertLüdde, Berlino (4) Dora García, «EXILE», 2014 – in corso. Veduta di allestimento dell’installazione presso Witte de With Art Center (ora Melly Art Center), Rotterdam. Ph: Dora García (5) Hamja Ahsan, «Shy Radicals», 2020. Video still (6) Dora García, «THE PLAGUE», 2018. presso ProjecteSD, Barcellona. Photo Roberto Ruiz
L'articolo Dear You, al MAMbo … e per posta proviene da Arshake.
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Perform Europe > Call for jury members
» On the Move
23.02.2021
Perform Europe is looking for Jury members! Do you believe that international touring of performing arts works must and can be more sustainable, balanced and inclusive? Do you want to have an impact on the future of performing arts touring? Then apply to join the Perform Europe Jury! Deadline: 8 March 2021.
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IMPROVISA - Life in Motion Consortium > Open call for artists (Poland, Slovenia and Greece)
» On the Move
23.02.2021
The IMPROVISA - Life in Motion Consortium invites EU artists to submit proposals with new approaches to engage audiences in cultural and heritage contents through the principles of improvisation and the use of mobile technologies. Applicants must belong to one of the EU member states. The organisers are looking for artists with experience in video and photography, and also those who work in sound art and sampler editing. Deadline: 15 March 2021.
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Victoria Vesna. [Alien] Star Dust
» Arshake Calls“We are stardust
We are golden
And we’ve got to get ourselves
Back to the garden”Questi versi di Joni Mitchell (1969) aprono la pagina dedicata di [Alien] Star Dust: Signal to Noise: un progetto creato da Victoria Vesna e co-prodotto con un team di artisti e scienziati per esplorare la «polvere di stelle», un pulviscolo impalpabile, visibile ad occhio nudo tramite la sua deposizioni sulla superficie terrestre, risultato dell’unione tra particelle provenienti da terreno, rocce, montagne e deserti di tutto il mondo, con piccole quantità di materiale di origine spaziale proveniente da stelle, comete e meteoriti. Questa polvere, che si muove trasportata dal vento, porta con se anche minuscole particelle di terreno benefico e sostanze nutritive, nonché batteri, inquinamento, virus e spore potenzialmente dannosi. Victoria Vesna analizza questo fenomeno attraverso il suono, l’installazione e la meditazione online, rendendo la tecnologia un mezzo di riflessione sull’Interconnessione tra noi, il nostro pianeta e l’universo, oltre che un mezzo di auto-riconoscimento come parte di una grande unicità.
L’installazione fisica di [Alien] Star Dust attinge ad una collezione di meteoriti che sono atterrati in tutti i continenti, selezionati in stretto dialogo con il direttore del museo di Vienna, il geologo Christian Koeberl e il curatore di meteoriti Ludovic Ferrière. I meteoriti sono una fonte immaginaria che riconduce al concetto delle polveri Aliene, veicolato anche da micro-meteoriti ingranditi e stampati in 3D sospesi nell’aria. La mostra è stata presentata in anteprima nel 2020 al Museo di storia naturale di Vienna, il giorno prima che l’intera città chiudesse a causa di COVID 19.
Una delle tante particolarità del progetto consiste proprio nella sua evoluzione in una meditazione guidata globale, collaborativa e partecipativa che, secondo l’artista «porta i partecipanti in uno spazio di guarigione e trascendenza attraverso immagini e vibrazioni» distanziandosi da una semplice installazione, ma prendendo la forma di un rituale che avvolge e completa l’intera esperienza. Durante il periodo di crisi generato dall’emergenza Covid19 e dalla conseguente quarantena, è diventato evidente come la collettività abbia bisogno di cercare dei mezzi che possano soddisfare un bisogno di contemplazione e connettività, in contrapposizione al dolore e senso di vuoto provato da molti. Vesna «facilita» l’azione proponendo l’immedesimazione in una materia celeste, sempiterna è costantemente in movimento, in contrapposizione totale con le restrizioni motorie, la paura della morte e i rischi reali generati dal momento storico.
Trasmettendo in diretta da Integratron il 21 dicembre, il giorno del solstizio d’inverno, i partecipanti all’evento online sono stati accompagnati nella meditazione guidata dall’artista, attraverso un’immersione metaforica nelle polveri aliene, terrestri e artificiali che viaggiano in lungo e in largo sulla terra recando una realtà invisibile pregna di complessità. «La maggior parte di noi -spiega l’artista- vive la vita quotidiana senza essere consapevole delle polveri extraterrestri che potrebbero essere sul pavimento della loro cucina, proprio qui sulla terra. Il segnale alieno (inteso come testimonianza di unione universale) si perde nel rumore umano, e la meditazione di gruppo diventa quindi un mezzo per rivendicare la nostra cittadinanza universale piuttosto che planetaria, entrando in contatto con questa materia ancestrale».
L’audio è una parte fondamentale di [Alien] Star Dust. L’animazione sonora è diventata parte della meditazione guidata, ed é basata su una composizione di suoni creata dagli studenti della UCLA Ivana Dama e Clinton van Arnam, ulteriormente spazializzata dal compositore di suoni surround Paul Geluso, sotto la direzione concettuale della Vesna: Strati di segnali tratti dallo spazio si mescolano al rumore prodotto dall’uomo e melodie di varie culture, ampliando l’esperienza di connessione profonda e antica tra l’uomo e la «polvere di stelle». Alla base dell’intero complesso dei suoni, ci sono dei rumori oscillanti derivati dai dati live del coronavirus programmati da John Brumley. Rhiannon Catalyst aggiunge la sua voce ultraterrena all’esperienza, e Geluso introduce un flauto e un drone per aiutare i viaggiatori della mente partecipanti ad entrare in un’altra dimensione.
L’artista ha anche utilizzato registrazioni raccolte da antenne che fungono da ricevitore di segnali radio riflessi dalle scie di plasma delle meteore, rumori tratti dai radar di sorveglianza spaziale francese GRAVES, frequenze registrate della NASA, suoni creati dall’attrito all’interno del sismometro della sonda spaziale InSight (SEIS), suoni da Marte e vibrazioni prodotte dal Sole.
L’ultima aggiunta alla composizione sonora è stata unita appena prima di finalizzare il progetto, quando gli astrofisici hanno annunciato il rilevamento di raffiche superveloci di onde radio che vibrano attraverso la Terra dallo spazio profondo in uno schema ripetuto, lampi che si verificano probabilmente da miliardi di anni.
Questo insieme di suoni, umani e spaziali, suggerisce che c’è una sorta di macchina naturale nell’universo che pompa vibrazioni regolari di energia radio attraverso l’universo, con il quale l’artista vuole farci entrare in connessione attraverso una celebrazione digitale.
Secondo Vesna, è importante che ascoltiamo e decodifichiamo questi messaggi dallo spazio per comprendere come ogni essere vivente sia composto da una combinazione di diversi elementi provenienti dal Big Bang: idrogeno, elio, fosforo, carbonio e ossigeno, tutti derivanti dall’esplosione di un’unica, gigantesca stella.
Then can i walk beside you
I have come here to lose the smog
And i feel to be a cog in something turning
Well maybe it is just the time of year
Or maybe it’s the time of man
I don’t know who l am
But you know life is for learning
We are stardustJoni Mitchell, Woodstock
immagini (tutte): Victoria Vesna, «[Alien] Star Dust: Signal to Noise», 2020
L'articolo Victoria Vesna. [Alien] Star Dust proviene da Arshake.
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FRAME > Qingming
» Arshake CallsCon FRAME entriamo nel monumento online concepito da Jiabao Li in memoria delle vittime del COVID-19. Si può lasciare il nome, camminare in senso anti-orario per commemorare le perdite. Il monumento prende forma dalle tracce lasciate dal cammino e rimarrà come monumento permanente di fronte al Wuhan Hongshan Auditorium in tutte le principali mappe online.
L'articolo FRAME > Qingming proviene da Arshake.
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Dezentral > Open Call for Hallstatt AIR Programme ‘Deep Walks’ (Austria)
» On the Move
22.02.2021
Hallstatt AIR is an artist in residence programme that offers a selection of Austrian and international guest artists the opportunity to realise contemporary and interdisciplinary art projects during a stay of several weeks in Hallstatt. The duration of the residency is one month, taking place 19 April – 20 May 2021. Deadline: 17 March 2021.
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Asia-Europe Foundation > ‘Virtual Crossovers’ Residency for Arts Journalists (Online)
» On the Move
22.02.2021
The Asia-Europe Foundation (ASEF) through its arts website culture360.ASEF.org and ENCATC, the European network on cultural management and policy are launching an open call for Virtual Crossovers, an e-residency for emerging arts journalists from Asia and Europe. This e-residency will be held online for a period of 4 weeks (1 April - 1 May 2021) and will offer an opportunity for capacity building, networking and peer collaboration for 2 emerging arts journalists (one from Asia and one from Europe), with a focus on cultural diplomacy and international cultural relations. Deadline: 22 March 2021.
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CreArt > Artist Residency in Skopje (Macedonia)
» On the Move
22.02.2021
The city of Skopje and its Cultural Informative Center are inviting applications for a residency that will take place in Skopje from 15 May until 15 June 2021. This call is open to artists born or resident in cities of the CreArt network: Genoa and Lecce, Italy; Liverpool, UK; Clermont - Ferrand and Rouen, France; Zagreb, Croatia (member of HDLU); Kaunas, Lithuania; Lublin and Katowice, Poland; Aveiro, Portugal; Skopje, Macedonia. Artists from Genoa should be under 35. Deadline: 5 April 2021.
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CreArt > Open Call for Creadores 2021 Exhibition (Spain)
» On the Move
22.02.2021
The organisers of the Creadores (Creators) Exhibition in Valladolid, Spain are inviting applications from artists to show their work and participate in internal debates around the event. This call is open to artists born or resident in cities of the CreArt network: Genoa and Lecce, Italy; Liverpool, UK; Clermont - Ferrand and Rouen, France; Zagreb, Croatia (member of HDLU); Kaunas, Lithuania; Lublin and Katowice, Poland; Aveiro, Portugal; Skopje, Macedonia. Artists from Genoa should be under 35. Deadline: 15 March 2021.
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Teatroskop programme > Two grants: Touring and Capacity building + Artistic cooperation grants
» On the Move
22.02.2021
Initiated in 2011 by the French institute in Paris, the French Ministry of Culture and the French Ministry of European and Foreign Affairs, TEATROSKOP is a program designed to boost the cooperation between France and South-East Europe in the field of performing arts in its most contemporary and audacious forms. These two calls have the specificity to embed the question of environmental sustainability. Deadlines: 7 March 2021 for the Touring and Capacity building's grant (deadline extended) and 21 March 2021 for the grant on artistic cooperation projects.
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Call for Applications: Cultures of the Curatorial - Master of Arts Program at the Academy of Fine Arts Leipzig
» E-artnow callsAcademy of Fine Arts Leipzig
The Academy of Fine Arts Leipzig is welcoming applications for the MA Program Cultures of the Curatorial. Cultures of the Curatorial is a graduate...
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WOC@Home – Online Artist Residency
» resartis.org
Deadline: 25 Feb 2021
Country: Global -
Open Call for Herzliya – Leipzig
» resartis.org
Deadline: 28 Feb 2021
Country: Germany -
OPEN CALL for Autonomous Activity Program 2021 Summer / YUI-PORT AIR / Niigata, Japan
» resartis.org
Deadline: 28 Feb 2021
Country: Japan -
OPEN CALL for Invitation Program 2021 Autumn / YUI-PORT AIR / Niigata, Japan
» resartis.org
Deadline: 28 Feb 2021
Country: Japan
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REAL-IN > First open call by WHAM! > Interactive Arts
» On the Move
21.02.2021
REAL-IN* aims at EXPLORING crossroads of cultural, audiovisual and creative sectors for immersive and interactive proposals, exploiting 3D scanning technologies combined to XR settings. The first call is presented by VRHAM! and focuses on interactive arts. The call is open to Individual artists or teams of individual artists as well as artistic and creative organisations. You can come from any country of the Member States of the European Union, their Overseas Countries and Territories or the UK. Deadline: 15 March 2021.
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REAL-IN > First open call by VRHAM! > Interactive Arts
» On the Move21.02.2021
REAL-IN* aims at EXPLORING crossroads of cultural, audiovisual and creative sectors for immersive and interactive proposals, exploiting 3D scanning technologies combined to XR settings. The first call is presented by VRHAM! and focuses on interactive arts. The call is open to Individual artists or teams of individual artists as well as artistic and creative organisations. You can come from any country of the Member States of the European Union, their Overseas Countries and Territories or the UK. Deadline: 15 March 2021.
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VIDEO POST > Meditation
» Arshake CallsVIDEO POST rilancia Meditation di Trace Bloom. Ciotole di metallo ruotano su una struttura stampata in 3D che gira grazie alla luce così come la luce guida le braccia che colpiscono il metallo e producono un suono tutto proiettato nella meditazione.
Trace Bloom, Meditation, 2021L'articolo VIDEO POST > Meditation proviene da Arshake.
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Barcelona | ADD+ART 2021 - call for proposals
» culture360.orgdeadline
15 Mar 2021
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call: 8th Prisma Art Prize
» netEX - networked experienceDeadline: 12 May 2021
Call for entriesPRISMA ART PRIZE – 8TH EDITION
venue: Atelier Montez, Rome – late 2021________________________
Il Varco s.r.l.s organizes the 8th edition of PRISMA Art Prize, an art prize that takes place every three months online with cash award, that will end with an annual group exhibition at the end of the fourth edition of the same year at Atelier Montez in Rome, with some of the artists that took place in the quarterly editions, chosen by the art direction.
This will be the last edition of the second year. The date of the exhibition will be communicated in due time.We are looking for paintings, drawings, graphic art and engravings of any size and on any support. The call for entries is open to every artist without limitations of age, place and country of origin.
The submission has a fee of € 25 and it allows the submission of up to three works.
However is possible to submit 5 more artworks paying an addiction of 5€ for each further work. You can submit directly on the website and you can pay through Stripe or PayPal. The upload of the pictures of all your works must be done inside the form. In 48 hours from the submission your work will be judged by our artistic direction, that will communicate whether one of the submitted works will be finalist in the competition or not.All the finalists will be put in the on-line gallery forever and they will compete for the quarterly award of € 500 and for the service’s prizes given by our partners Biafarin inc. and Vivivacolors. They will also be in consideration for the annual exhibition.
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Media Art Fund & Media Art Fellows – Call for projects
» DigicultTwo new funding programs of the Ministry of Culture and Science of the State of North Rhine-Westphalia (NRW) will support cooperative media art & digital culture projects of institutions and independent initiatives in NRW. The Call for Projects is addressed to all institutions and initiatives, alliances and collectives, places and spaces of media art & digital
The post Media Art Fund & Media Art Fellows – Call for projects appeared first on Digicult | Digital Art, Design and Culture.
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Artmobia
» E-artnow calls
ABOUT ARTMOBIAArtmobia is a new platform connecting artists, galleries, artist residencies, curators, art writers and other users with one another,...
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GAME OVER. Loading: Andrea Concas
» Arshake CallsChi è il vero professionista di cui necessita il mondo dell’arte?
L’imprenditore Andrea Concas risponde a questa domanda inquadrando l’importanza della trasversalità delle personalità che lavorano nel mondo dell’arte. Comunicazione e divulgazione sono aspetti fondamentali perché la conoscenza possa arrivare a destinazione nel modo quanto più corretto possibile, soprattutto se ci si addentra in ambiti disciplinari sperimentali.
Il suo intervento è il quinto appuntamento di GAME OVER Loading. Andrea Concas parla di arte e innovazione come art entrepreneur, docente, divulgatore e speaker in tutto il mondo.È fondatore e CEO della startup dell’arte Art Backers, di Art Rights piattaforma per la gestione e certificazione delle opere d’arte, e di ArtBackers.Agency agenzia di Marketing Culturale e Comunicazione dedicata al mondo dell’Arte 3.0. Ha dato vita alle gallerie d’arte The AB Gallery e fondato ProfessioneARTE.it, la prima community online per la formazione, aggiornamento e orientamento verso le professioni dell’arte. Ha ideato il primo «Libro ChatBOT» del mondo dell’arte con la collana «100 Domande 150 Risposte», edita da Mondadori Electa, che grazie ad ArteConcasBOT, risponde alle domande sugli artisti, sulla loro vita, le opere e il mercato. A Marzo 2021 sarà pubblicato il terzo Libro ChatBOT «Frida Kahlo». È autore del libro ProfessioneARTE – I protagonisti, le opportunità di investimento, le nuove sfide digitali, la prima guida per chi dell’arte vuole fare la sua professione. Ha pubblicato a maggio 2020 L’Arte Post Coronavirus. Strategie digitali per i professionisti dell’Arte in formato eBook, edito da Edizioni Piemme, dove svela le migliori strategie digitali per la ripartenza, rivolte a galleristi, musei, artisti, collezionisti, curatori, case d’asta e professionisti dell’Arte e della Cultura.Con i suoi video e canali social promuove e supporta l’arte ogni giorno. Art Rights sta innovando, digitalizzando e automatizzando il processo di autentica delle opere d’arte tipico degli Archivi d’Artista, offrendo questa opportunità anche ad Artisti, Gallerie, Curatori, Musei e Professionisti a favore dell’autenticità e tracciamento dello storico. «Dietro ogni startup c’è una visione, la nostra è stata quella di supportare l’arte, gli artisti e i professionisti nel loro percorso quotidiano con l’aiuto delle nuove tecnologie. Oggi stiamo vivendo una vera e propria corsa all’oro digitale, una nuova Era per il mondo dell’Arte, alla ricerca di strumenti e opportunità online per far fronte alla fisicità perduta». (Andrea Concas, Founder Art Rights) L’intervento di Andrea Concas è parte di Loading, fase preliminare di GAME OVER, progetto finalizzato alla ricerca e allo studio di nuove “entità culturali”, persone, oggetti o ricerche provenienti da diversi ambiti disciplinari (i.e. fisica, bio-robotica, AI, agricoltura, medicina) e al loro traghettamento nel mondo dell’arte. Si tratta di una ricerca ma anche di un gesto che va oltre il semplice dialogo interdisciplinare e diventa piuttosto radicale: un vero e proprio ‘trapianto’ di ambiti di ricerca indirizzato alla predisposizione di future c(o)ulture, dove la “creatività” corrisponde ad “invenzione” ed “invenzione” corrisponde a contribuire ad una trasformazione. Una scintilla, un segnale di mutazione genetica, un cambio di direzione, un cortocircuito. Un’energia diversa che sia il segnale di un cambiamento in atto e che possa costituire nuova linfa vitale per il sistema della Cultura. Questa prima fase è una fase investigativa e si rivolge a visionari, pensatori ibridi di vari settori, inclusi quelli della cultura, che possano esprimersi sulle necessità attuali, ciascuno in relazione al proprio ambito disciplinare e, in linea più generale, nel rispetto della cultura e della società ad ampio raggio. Project team: Anita Calà Founder and Artistic Director of VILLAM | Elena Giulia Rossi, Editorial Director of Arshake | Giulia Pilieci: VILLAM Project Assistant and Press Office | Chiara Bertini: Curator, Coordinator of cultural projects and collaborator of GAME OVER – Future C(o)ulture | Valeria Coratella Project Assistant of GAME OVER – Future C(o)ulture. Interventi precedenti: Intervista a Primavera De Filippi (Arshake, 21.01,2021); Intervista a Leonardo Jaumann di Azzurra Immediato,(Arshake, 28.01.2021), Intervista a Valentino Catricalà di Anita Calà e Elena Giulia Rossi(Arshake, 04.02.2021); Intervista multipla di Stefano Cagol a Antonio Lampis, Sarah Rigotti, Tobias Rehberger, Michele Lanzinger, Stefano Cagol (Arshake, 11.02.2021)L'articolo GAME OVER. Loading: Andrea Concas proviene da Arshake.
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KuBa Residency April and May 2021
» resartis.org
Deadline: 28 Feb 2021
Country: Germany
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Cultural Adaptations > Artist Bursaries for the Cultural Adaptations Conference (Online)
» On the Move
18.02.2021
The Cultural Adaptations conference, taking place online from 2-5 March 2021, will provide artists with some unique opportunities for professional development and networking over four afternoons (12pm – 5.30pm GMT) of interactive and practical sessions showcasing innovative and creative approaches to solving complex climate challenges. Cultural Adaptations are offering bursaries for 10 professional artists/creative practitioners. The bursaries are open only to practitioners in European regions with a GDP per capita under 75% of the EU average. Registration opens on 12 February 2021 and will be closed the form once the maximum number of eligible applications has been reached.
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OneBeat > Virtual Residencies and OneBeat Lebanon for Musicians and Sonic Artists (Online)
» On the Move
18.02.2021
OneBeat is running two virtual exchanges for musicians and sonic artists in response to the COVID-19 pandemic: OneBeat Virtual (12 July – 6 September 2021 or 20 September - 17 November 2021; for musicians from 44 countries) and OneBeat Lebanon (5-26 July 2021; for musicians from the US and Lebanon). Applicants for both programmes should be aged 19-35. Deadline: 26 February 2021 (OneBeat Lebanon) / 10 March 2021 (OneBeat Virtual).
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YUI-PORT > Artist in Residence Programme (Japan)
» On the Move
18.02.2021
Located in Niigata, Japan, YUI-PORT is a cultural centre focused on international exchange and cultural activities for young people. Artists or groups working in any genre are invited to apply for a three-month residency to take place 1 September – 30 November 2021. Deadline: 28 February 2021.
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Aomori Contemporary Art Centre > 'Invisible Connections' Artist in Residence (Japan / Remote)
» On the Move
18.02.2021
This year Aomori Contemporary Art Centre (ACAC) in Japan will run its residency programme for both in-person and remote participation. Various residency periods are available between September and December 2021, divided into two-week blocks. Applications are open to individuals and groups, and to curators, researchers, artists, and others engaged in artistic pursuits. Deadline: 21 March 2021.
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AAC > Taiwan Virtual Exchange & Mainland China / Hong Kong / Macau In-person and Virtual Exchange
» On the Move
18.02.2021
AAC – the Asian Cultural Council is supporting two exchange programmes: a virtual exchange programme between Taiwan and Asia and between Taiwan and the United States, and a second in-person and virtual programme for exchange between Mainland China / Hong Kong / Macau, Asia and the United States. Proposed activities can include online research, online training, online study, and online exploration, but should take place between 1 June 2021 – 1 June 2022. Deadline: 31 March 2021.
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konS – Platform for Contemporary Investigative Art > Call for Art Projects (Slovenia)
» On the Move
18.02.2021
The konS – Platform for Contemporary Investigative Art seeks to support up to five investigative art productions (in progress or brand new) at the intersection of art and science. Selected artworks will be developed in the laboratories of konS partners in Slovenia with the assistance of associate partners. Deadline: 26 February 2021.
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PRISMA ART PRIZE - 8th edition
» Rhizome.org Opportunities- Deadline:May 5 2021, @ 12AM
- Location:Via di Pietralata, 147/A-B, 00158 Roma RM
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Human-Machine-Fellowship, 20,000 Grant, Young Academy of Arts, Berlin
» Rhizome.org Opportunities- Deadline:Apr 4 2021, @ 7AM
- Location:Berlin/Germany
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Artists from all disciplines may apply online for ... -
COURSE ONLINE ABOUT THE KEY EXHIBITIONS AND HISTORY OF THE VENICE BIENNALE
» Rhizome.org Opportunities- Deadline:Feb 2 2021, @ 10PM
Deadline for applying: February 28, 2021
School for Curatorial Studies Venice
www.corsocuratori.com
Why is the Venice Biennale still the leading international art shows? The Venice Biennale has been for over 120 years one of the most prestigious cultural institutions. The arts exhibition saw some ... -
AIR/HMC, Budapest International Artists Residencies 2021
» Rhizome.org Opportunities- Deadline:Feb 2 2021, @ 8AM
- Location:Budapest, Hungary
the Artists-in-Residence Program and exhibition in 2021 at AIR-HMC, Budapest-Hungary.
Deadline: February 25, 2021
For applying, please write us for more info and application form to
bszechy@yahoo.com .
Application fee $20
We are looking forward to receiving applications of artists who have interest ...
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Business, art, and technology – Better Factory Open Call
» DigicultBetter Factory unlocks equity-free funding opportunities and premium services for collaborative experiments to bring the European Manufacturing Industry to the forefront of the digital transformation. Better Factory invites European Manufacturing SMEs, Artists, and Technology suppliers to engage in a set of one-year collaborative experiments to redesign
The post Business, art, and technology – Better Factory Open Call appeared first on Digicult | Digital Art, Design and Culture.
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Oliver Ressler alla Gallery Apart
» Arshake CallsI veleni abbracceranno la Terra come un focoso amante.
E nel mortale abbraccio, i cieli avranno l’alito della morte e le fonti non daranno più che acque amare e molte di queste acque saranno più tossiche del sangue marcio del serpente.
Gli uomini moriranno di acqua e di aria, ma si dirà che sono morti di cuore e di reni
Profezia di Rasputin (XIX secolo)
Fino al 12 Marzo presso The Gallery Apart sarà possibile visitare «In And Against The War On Terra», la seconda personale romana dell’artista austriaco Oliver Ressler. La mostra approfondisce le questioni climatiche legate all’inquinamento ambientale e al capitalismo fossile, divenendo una chiara riflessione sull’antropocene e il «climate change» e su ciò che è possibile fare concretamente per tutelare la salute del pianeta. Il lavoro di Oliver Ressler viaggia sul confine sottile che esiste tra attivismo politico e performance art e nasce da un passato dell’artista come documentarista.
Il nucleo principale della mostra ruota attorno all’installazione video a 6 canali intitolata Everything’s coming together while everything’s falling apart che riprende i momenti della battaglia alla giustizia climatica e la lotta degli attivisti contro il sistema capitalistico nel quale le questioni etiche sono schiacciate dagli interessi economici. Tra i video della serie è presente il film su Code Rood nel quale gli attivisti hanno bloccato il porto di Amsterdam a causa della consistente movimentazione di carbone.
L’opera video è girata in presa diretta dall’artista che ha contribuito in tal modo a partecipare a queste rivolte di massa; è presente un forte senso estetico, paesaggi meravigliosi si alternano a scenari industriali esaltati dalle tute bianche anticontaminazioni chimiche indossate dagli attivisti; inoltre l’artista ha scelto di sottotitolare le scene in italiano per far arrivare allo spettatore il messaggio in maniera più comprensibile possibile.
Nella parete di fronte al monitor troviamo quattro fotografie della serie «How Is the Air Up There?» che ripercorrono i momenti dell’occupazione del bosco tedesco di Hambach in cui gli attivisti si sono insediati sugli alberi costruendo case per evitare il disboscamento pianificato dall’azienda elettrica RWE che vorrebbe raderlo al suolo per ricavarne lignite. Una delle quattro opere fotografiche documenta un atteggiamento tipico di queste proteste in cui si finisce per insultare, infatti su uno stendardo appeso ad un albero gli ambientalisti hanno scritto «FUCK RWE».
Tra le altre stampe presenti in mostra troviamo Red Line Against Fossil Capitalism, si tratta di uno still-frame tratto dal video su Code Rood; e poi ancora le opere Every round-trip ticket on flights from New York to London costs the Arctic three more square meters of ice e Arctic permafrost is less permanent than its name suggests le quali riportano delle scritte grafiche in 3D che nel primo caso si inseriscono all’interno del permafrost che si sta degradando e nel secondo caso ricordano il fenomeno del suolo poligonale causato dal criosollevamento, un effetto che provoca il rigonfiamento di terreni umidi come conseguenza del gelo-disgelo. In particolare questi ultimi due lavori si rivelano essere delle profonde e veritiere riflessioni ma anche dei paradossi, letteralmente «Arctic permafrost is less permanent than its name suggests», che significa, infatti: « il permafrost artico è meno permanente di quanto suggerisce il nome».
Passando al piano inferiore, nel basement della Apart è presente una grande videoproiezione dell’occupazione del red carpet del Venezia Film Festival da parte di 200 attivisti che si sono battuti per il riscaldamento globale.
La parola e l’immagine in questa personale si mostrano dunque i veicoli più immediati che l’artista utilizza per interporsi tra la società e la battaglia ambientale.
Sono storie reali quelle che riporta Ressler nelle sue opere, documentari di storia e avvertimenti. Le fotografie e i video sono evidenti scosse alla coscienza di chi vede il riscaldamento globale come un problema da lasciare alle future generazioni dimenticando però che le stesse saranno formate dai propri figli e dai propri nipoti.
Oliver Ressler, In and Against the War on Terra, The Gallery Apart, Roma, 08.01 – 12.03.2021immagini: (cover 1 ) Oliver Ressler, «Artic permafrost is less permanent than its name suggests», 2019, stampa digitale, cm 82×104 (framed), Edition 5+1 AP, courtesy l’Artista e The Gallery Apart Roma, foto: Giorgio Benni (2) Oliver Ressler, «In and Against the War on Terra», 2021, installation view at The Gallery Apart (ground floor), courtesy l’Artista e The Gallery Apart Roma, foto: Giorgio Benni (3) Oliver Ressler, «Every round-trip ticket on flights from New York to London costs the Artic three more square meters of ice», 2019, stampa digitale, cm 75×104 (incorniciata), Edition 5+1 AP, courtesy l’Artista e The Gallery Apart Roma, foto: Giorgio Benni (4) Oliver Ressler, «How is the Air up there?», 2018, stampa digitale, cm 64,5 x 89 (incorniciata), Edition 5+1 AP, courtesy l’Artista e The Gallery Apart Roma, foto: Giorgio Benni (5) Oliver Ressler, Red Line Against Fossil Capitalism, 2017/2019, stampa digitale, cm 102 x 76,5 (framed), Edition 5+1 AP, courtesy l’Artista e The Gallery Apart Roma, foto: Giorgio Benni (6) Oliver Ressler, «In and Against the War on Terra», 2021, installation view a The Gallery Apart (basement), courtesy l’Artista e The Gallery Apart Roma, foto: Giorgio Benni.
L'articolo Oliver Ressler alla Gallery Apart proviene da Arshake.
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Open Call – Driving the Human: Eco-Social Renewal
» DigicultFrom February 10 to April 9, 2021, Driving the Human invites designers, artists, scientists, initiatives, and agents from any fields of expertise from anywhere in the world, to join us in shaping sustainable and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach.
The post Open Call – Driving the Human: Eco-Social Renewal appeared first on Digicult | Digital Art, Design and Culture.
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Australia | Futuring Craft Conference - call for presentation proposals
» culture360.orgdeadline
15 Mar 2021
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FALL 2021 RESIDENCY CALL FOR CONTEMPORARY ART and WRITING near Barcelona
» resartis.org
Deadline: 28 Feb 2021
Country: Spain -
FALL 2021 RESIDENCY CALL FOR CONTEMPORARY ART and WRITING near Barcelona
» resartis.org
Deadline: 28 Feb 2021
Country: Spain
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THE BARON PRIZE
» re-title.com artist opportunitiesThe BARON PRIZE is open to artists, filmmakers, photographers working in any medium and from anywhere in the world
Deadline April 01 2021
Application fee £20The BARON PRIZE is a biannual award, which recognises artists, photographers and filmmakers who have created projects investigating gender, sex, sexuality and identity politics. BARON Books was launched in 2011, stocked worldwide in 20 different countries, many of our books are in collections including the book collections at MoMA NYC and The LUMA Foundation.
The first and second edition of the BARON PRIZE was judged by a transnational panel including Ashleigh Kane (Dazed & Confused); Chiara Bardelli Nonino (Italian Vogue); Ché Zara Blomfield (Art Editor Baron & Curator); Petra Collins (Curator & Photographer) Sue Webster (Artist), Bruce LaBruce (Artist & Director) and Nadia Lee Cohen (Photographer).
Past winners have included Matthew Grubb, Frances Wilks and Ramona Wang.
The third edition of the BARON PRIZE will be judged by a panel including Julie Verhoeven (artist), Matthew Holroyd (Baron Founder), Sunil Gupta (photographer) and PZ Today (Creative Director).
The BARON PRIZE is open to artists, filmmakers, photographers working in any medium and from anywhere in the world, over the age of 18 are invited to apply for the 2021 edition of the BARON PRIZE. The winner will be announced in June 2021 and the winners prize is £1000 and a £1000 gift certificate to spend at Baron Books.Link [https:]]