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November 30, 2020
Saison Foundation | Online Research Residency 2021
» ‎ culture360.org

deadline
10 Dec 2020

November 29, 2020
FRAME > TUNNEL VISION
» ‎ Arshake Calls

FRAME cattura Tunnel Vision (2019) di Pavel Korbička, installazione che gioca con la percezione, le luci, i colori, il rapporto tra oggetto e spazio, ed il loro attraversamento.
Pavel Korbička, Tunnel Vision, 2019, installazione realizzata per la mostra Deflection,
The Brno House of Arts, 2019, foto: Jan Vermouzek image via

L'articolo FRAME > TUNNEL VISION proviene da Arshake.
November 28, 2020
VIDEO POST > Le sillage de la mémoire
» ‎ Arshake Calls

VIDEO POST rilancia Le sillage de la mémoire di Guillaume Cousin. Una macchina genera grandi anelli di fumo, rendendo visibile il movimento dell’aria e le particelle che la compongono. Per un momento, quanto di invisibile si nasconde alla nostra percezione è sotto i nostri occhi, la sua esistenza diventa tangibile. Questo progetto è stato presentato durante la notte bianca il 3 ottobre 2020 nella Chiesa di Sant’Eustachio a Parigi. Guillaume Cousin, Le sillage de la mémoire, 2020
Il video è stato realizzato in occasione della sua presentazione durante la notte bianca a Parigi, nella chiesa di Sant’Eustachio.

L'articolo VIDEO POST > Le sillage de la mémoire proviene da Arshake.

culture360.ASEF.org > freelance consultants (editor and Social media & web analytics Coordinator)
» ‎ On the Move

28.11.2020
culture360.ASEF.org is designed to stimulate cultural engagement and enhance mutual understanding between Asia and Europe by providing relevant information through weekly updates on news, events, opportunities and resources.. culture360.ASEF.org is currently looking for freelance consultants to take on the roles of Editor and Social media & web analytics Coordinator in 2021. Candidates do not have to be based in Singapore but should be a national of an ASEM member country (check the list in the announcement). Deadline: 11 December 2020.
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November 27, 2020
call: xCoAx 2021
» ‎ netEX - networked experience

Deadline: 31 January 2021
Call for entries

xCoAx 2021 Call for papers, artworks, performances

Dates & location of event context
Dates: 12-16 July 2021
Location: Online

xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all.

The focus of xCoAx is on the unpredictable overlaps between the freedom of creativity and the rules of algorithms, between human nature and machine technology, with the aim to evolve towards new directions in aesthetics.

xCoAx has been an occasion for international audiences to meet and exchange ideas, in search for interdisciplinary synergies among computer scientists, artists, media practitioners, and theoreticians at the thresholds between digital arts and culture. Starting in 2013 in Bergamo, xCoAx has so far taken place also in Porto, Glasgow, Lisbon, Madrid, and Milan.

Due to the CoViD-19 pandemic, xCoAx 2020 was online and, building on that experience, so will be the 2021 edition.

xCoAx 2021’s keynote speakers are philosopher of technology Yuk Hui and new media artist Špela Petrič.

Call for papers, artworks, performances
xCoAx 2021 calls for papers, artworks, performances and research works-in-progress by scholars, artists, performers and students, respectively, working on any of the multi-disciplinary facets of this event, which will take place online from Monday, July 12th to Friday, July 16th 2021.

Topics
You are invited to submit theoretical, practical or experimental research work in the form of papers, artworks, and performances, on a range of topics that includes but is not limited to the following:

Computation
Communication
Aesthetics
X
Algorithms / Systems / Models
Artificial Aesthetics
Artificial Intelligence / Creativity
Audiovisuals / Multimodality
Design
Interaction
Games
Generative Art / Design
History
Mechatronics / Physical Computing
Music / Sound Art
Performance
Philosophy of Art / of Computation
Technology / Ethics / Epistemology

Important dates

Submission deadline: January 31
Notifications to authors: March 29
Registration deadline for authors: April 12
Delivery of final versions of papers and artwork/performances/symposium abstracts for the proceedings: April 12
Delivery of final versions of multimedia files and video presentations for the website: May 10
Welcome and opening: July 12
Doctoral symposium: July 13
Discussions of artworks and performances: July 14
Discussions of papers: July 15 & 16
Closing party: July 16

entry fee –
For each accepted submission, one author will have to register as below before April 12. Registrations will open after the notifications of the reviews (March 29, 2021).

Author registration: € 100.
Reduced registration: € 25 (for authors without academic affiliation).
Doctoral symposium: € 25.

Attendance to xCoAx 2021 is free and does not require registration.

6. Contact adresses/URL
[xcoax.org] . info@xcoax.org
call: GlogauAIR – residency
» ‎ netEX - networked experience

Deadline: 30 November 2020
Call for entries

Open Call for Artists at GlogauAIR residency
For 3 or 6 months in Berlin Kreuzberg

Open Call 2021 On-line // On-site Artist Residencies at GlogauAIR 2021

GlogauAIR’s welcome applications for the year 2021 from all around the world and various backgrounds and disciplines. Join us in our 3 to 6 months residency and take your time and space to research, create, produce, and present your work, alongside with other talented artists in the lively atmosphere of Berlin.
More detailed information can be reached at [https:]]
Deadline November 30, 2020 | 12:59pm

Monthly fees apply , accommodation 600 Euro a month, program fee and technical support 1500 Euro

[https:]]
call: Mailart – Free as a Bird
» ‎ netEX - networked experience

Deadline: 31 July 2021
Call for entries

Theme: Free as a Bird
Make a creative postcard. Use your imagination. No return of cards. Your work will be published and exposed (if possible).

* maximum size A4 (29,7 cm by 21,0 cm)
* techniques are free, example drawing, collage, photo, ect.
* send before august 2021
* please write your name, address, country and Email-address

Send to:
Alex Witter, Jonckbloetplein 24, 2523 AR Den Haag, The Netherlands
call: Arquetopia Artist Residencies
» ‎ netEX - networked experience

Deadline: 13 December 2020
Call for entries

Arquetopia Foundation & International Artist Residencies
Puebla, Mexico – Oaxaca, Mexico – Cusco, Peru

All Residency Programs for Artists, Designers, Writers, Curators & Art Historians
(Instructional & Non-Instructional)
All Dates in 2021

Apply Now through Sunday, December 13, 2020. Spaces are limited. Residency applications are evaluated for selection as they are received vs. after the deadline has passed.

Website: [www.arquetopia.org]
E-mail info@arquetopia.org for more information.

Founded in 2009, Arquetopia Foundation is an internationally established, award-winning nonprofit arts and cultural foundation with a social scope that emphasizes critical thinking through artistic practices. Our comprehensive, customized International Artist-in-Residence Programs www.arquetopia.org/residencies-general-info are the largest and most reputable in Latin America, with an array of contents anchored in a solid structure of collaborations with prominent cultural institutions, renowned experts, and notable artists. We are invested in approaching art and art history with a critical perspective by understanding Mexico and Peru’s complexity in context and incorporating nuances in narratives and interpretation especially of the 3,000-year heritage of visual culture of these two countries. Our residency programs offer competitive professional opportunities for emerging and mid-career, national and international artists, designers, curators, art historians, art educators, writers, journalists, and cultural researchers age 20 and over.

Arquetopia is distinguished worldwide for its array of unique residency programs with substantial content. Our residency spaces function exclusively for productive art professionals, writers, and researchers and include structured, informative programs; a network of collaborative workspaces, institutions, and studios; and personalized project support.

[www.arquetopia.org]

Paradise Air > Longstay Programme 2020-21 (Japan)
» ‎ On the Move

27.11.2020
PARADISE AIR's annual LONGSTAY programme invites artists to Matsudo, Japan. In 2021, the programme will involve both an online and a physical residency, with activities stretching from March - November 2021. Applications are open internationally. Deadline: 25 December 2020.
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George Town Festival > Open Call for Proposals 2021 (Malaysia / Online)
» ‎ On the Move

27.11.2020
George Town Festival is an annual festival held in Penang's capital, George Town. In 2021, GTF hope to curate a hybrid festival and are interested in hearing from artists who are creating online works or whose performances are manageable in spaces where physical distancing is achievable. Works can be new or existing, and in any art form. Deadline: 20 December 2020.
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November 26, 2020
Light Art Space (LAS) – Judy Chicago Rainbow AR
» ‎ Arshake Calls

Attraverso questa nuova collaborazione con LAS, Chicago porta avanti la sua lunga serie Atmospheres, invitando il pubblico globale a sperimentare una nuova Smoke Sculpture TM (scultura di fumo) in realtà aumentata (RA).

Quella di Chicago, nota artista, autrice, femminista, educatrice e intellettuale, è una carriera pluridecennale. La sua serie Atmospheres è nata alla fine degli anni Sessanta, sfruttando la pirotecnica per produrre rielaborazioni complesse, presentate come performance effimere e legate all’ambiente in cui si realizzano, destinate a trasformare e ammorbidire il paesaggio.

Il lavoro di Chicago è profondamente radicato nell’esperienza fisica di queste opere, e Judy Chicago Rainbow AR segna una nuova tappa nel lungo legame dell’artista con la pirotecnica, utilizzando le nuove tecnologie RA per allargare i confini del mezzo.

Chicago, in stretta collaborazione con LAS e con gli experience designer di International Magic, ha realizzato una Smoke Sculpture TM in forma nuova, che approderà nel mondo digitale. In questo periodo d’incertezza, in cui i ritrovi sono limitati e le nostre relazioni con gli spazi pubblici e privati stanno cambiando, Judy Chicago Rainbow AR sarà accessibile al pubblico indipendentemente da dove questo sia, consentendogli di vivere una propria esperienza legata al luogo in cui si trova, attivando il proprio ambiente e “abbellendolo”. L’opera sarà disponibile tramite app, che potrà essere scaricata da Google Play o App Store e sarà compatibile con moltissimi dispositivi mobili.

Il lavoro di Chicago è profondamente radicato nell’esperienza fisica di queste opere, e Judy Chicago Rainbow AR segna una nuova tappa nel lungo legame dell’artista con la pirotecnica, utilizzando le nuove tecnologie RA per allargare i confini del mezzo.

Chicago, in stretta collaborazione con LAS e con gli experience designer di International Magic, ha realizzato una Smoke Sculpture TM in forma nuova, che approderà nel mondo digitale. In questo periodo d’incertezza, in cui i ritrovi sono limitati e le nostre relazioni con gli spazi pubblici e privati stanno cambiando, Judy Chicago Rainbow AR sarà accessibile al pubblico indipendentemente da dove questo sia, consentendogli di vivere una propria esperienza legata al luogo in cui si trova, attivando il proprio ambiente e “abbellendolo”. L’opera sarà disponibile tramite app, che potrà essere scaricata da Google Play o App Store e sarà compatibile con moltissimi dispositivi mobili.

Avvicinando le persone attraverso la loro esperienza dell’opera, Judy Chicago Rainbow AR si svilupperà come performance interattiva, con pennacchi di fumo e colori cangianti. Arricciandosi e ondeggiando sugli schermi, l’opera inviterà il pubblico a interagire con il fumo, camminandovi attraverso o intorno. Chicago ha ideato la scenografia dell’opera e ha scelto i colori e le sequenze così da permettere di godere delle sue performance in un modo unico, possibile solo nel mondo virtuale. L’esperienza sarà accompagnata da una colonna sonora polifonica, realizzata in collaborazione con il sound designer Colin Bailey, che ha utilizzato paesaggi sonori tratti dalle registrazioni del lavoro di Judy Chicago con il pirotecnico Chris Souza, di Pyro Spectaculars (dal comunicato stampa inglese).
Judy Chicago Rainbow^AR commissione di Light Art Space (LAS), 2020, esperienza prodotta da International Magic
immagini: (cover 1) Judy Chicago – Purple Poem for Miami (2) Judy Chicago – Dry Ice Environment (3) Judy Chicago Rainbow AR, 2020. © Judy Chicago ®, Commissioned by LAS, Experience produced by International Magic (5) Judy Chicago – Portrait

L'articolo Light Art Space (LAS) – Judy Chicago Rainbow AR proviene da Arshake.

Vienna | ImPulsTanz danceWEB 2021 workshop programme call to dancers and choreographers
» ‎ culture360.org

deadline
15 Dec 2020

'everything you've ever wanted is on the other side of the planet' exhibition -AIL and FJK3, Vienna
» ‎ E-artnow calls

Angewandte Innovation Lab/Franz Josefs Kai3
everything you've ever wanted is on the other side of the planetArtists: Yu Araki, Oscar Cueto, Tetsugo Hyakutake, Kyun-Chome, Michikazu Matsune,...
November 25, 2020
Online Course on Contemporary Curating: Curating Performance and Performativity as Curatorial Method
» ‎ E-artnow calls

Curating.org
Curating Performance and Performativity as Curatorial MethodLecturer: Sarah Spies, PhDCourse dates: 5 Dec + 12 Dec 2020, each 2–6pm (CET)Enrol until...

Arte-19 – Virus Virtual Reality
» ‎ Arshake Calls

Arte-19 – Virus Virtual Reality Game indaga la connessione tra arte e tecnologia, tra linguaggi tradizionali e innovativi, tra distanza e unione, tra reale e virtuale, tra virus e antidoto, tra performance live e new media art. Una nuova forma di comunicazione ibrida. Un progetto che cerca nuovi approcci di vita online che integrino media tradizionali e non.

Così performance, operazioni di net art, scenografie, talk si ritrovano all’interno di un contenitore narrativo che prende la forma di un gioco. Questa la trama: un virus sta diffondendosi velocemente in tutto il globo. Le persone per fermare l’incedere della pandemia sono state confinate a casa. Gli studi hanno evidenziato che il virus si sia sviluppato a partire da teatri, cinema, concerti, mostre. Un gruppo di Hacker la Fuso-Society decide di costruire una piattaforma pirata per permettere agli artisti di continuare ad esprimersi

La partecipazione è subordinata all’ «arruolamento» su https://rivoluzi.one.

Dopo aver superato gli step che la Fuso-Society propone a chi decide di entrare nel VVR, il pubblico avrà accesso al «quartiere virtuale» in cui, dal 26 al 30 novembre, si svolgeranno le performance di teatro, new media art, video mapping e interactive drawing previste e partecipare ai workshop in programma.

Dopo essersi «arruolati» i giocatori possono passeggiare all’interno di un «quartiere virtuale» dove hanno la possibilità non solo di assistere alle live performance di teatro, new media art, video mapping e interactive drawing previste ma anche di partecipare ai workshop in programma:

Sabato 28 Novembre – ore 17:00 Workshop: Scenografie virtuali
Domenica 29 Novembre – ore 17:00 Workshop bambini: Tecnologie educative
Lunedì 30 Novembre – ore 18:30 Lectures – Panel: Arte e Tecnologia

Il festival si svolgerà online dal 26 al 30 novembre nelle strade di Centocelle, più nello specifico nell’area di Piazza dei Mirti, completamente ricreata in realtà virtuale.

La realtà virtuale sarà accessibile a partire dal 26 novembre, su:
– https://rivoluzi.one
– https://arte19vvr.games/

L'articolo Arte-19 – Virus Virtual Reality proviene da Arshake.

Frame contemporary art Finland - project and travel grants 2021
» ‎ culture360.org

deadline
30 Nov 2020
2020 job opportunities at culture360.ASEF.org
» ‎ culture360.org

deadline
11 Dec 2020

IASH/Traverse > Digital Fellowship for Playwrights and Theatre Makers (UK)
» ‎ On the Move

25.11.2020
IASH/Traverse > Digital Fellowship for Playwrights and Theatre Makers (UK) Read more »
Bernheim > Arboretum and Research Forest Artist in Residence Programme (USA)
» ‎ On the Move

25.11.2020
Established in 1980, Bernheim Arboretum and Research Forest’s artist in residence programme annually awards visual artists the opportunity to live and create site-specific work inspired by an experience of total immersion in the natural environment. Residencies normally last between 5-6 weeks, and can be up to two months, with dates arranged with Bernheim. Individuals or small teams may apply. Deadline: 18 January 2021.
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Gallery +359 > Site-specific Creation Residency (Bulgaria)
» ‎ On the Move

25.11.2020
Gallery +359 is located in the building of a preserved water tower in Sofia, Bulgaria. Its residency programme provides a working stay in Sofia, lasting 2-4 weeks, for a foreign visual artist to create a site-specific project for the water tower space. The residency will take place June / July 2021. Deadline: 31 December 2020.
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November 24, 2020
Sustainable Studio Practice at MeetFactory 2021
» ‎ TransArtists

This residency has been established as a safe space where you can develop a project focusing on the topic of sustainability within your artistic practice. It doesn’t have to be built around the production of art

Hito Steyerl. I Will Survive TV
» ‎ Arshake Calls

Nel novembre 2020, con le chiusure dovute al coronavirus, la mostra di Hito Steyerl I Will Survive, ospitata presso il K21 (26 settembre 2020 – 10 gennaio 2021) si trasforma in un evento livestream. Il progetto «4 Nights at the Museum», sviluppato da Hito Steyerl, fornisce alcuni retroscena e conversazioni sulle opere in mostra.

In cinque episodi (ciascuno della durata di circa 45 minuti), le opere e i temi selezionati in I Will Survive saranno trattati in modo più approfondito. Gli artisti coinvolti nella realizzazione delle opere, come il graphic designer di New York Ayham Ghraowi o l’attrice amburghese Heja Netirk, racconteranno la propria prospettiva. Steyerl presenterà inoltre versioni alternative delle opere esposte e materiale d’archivio inedito. Brevi visite guidate dai curatori accompagneranno i visitatori attraverso gli spazi espositivi, abbandonati di notte.

I visitatori potranno osservare alcune delle opere e testimoniare che, in periodo di chiusure, all’interno del museo non accade nulla: non si svolgono rituali satanici a spese dei contribuenti, né si distilla l’adrenocromo, come sostengono le teorie del complotto nella cornice del negazionismo Covid e del vandalismo ai danni della Museuminsel di Berlino. Nelle sale chiuse del K21, le uniche presenze sono legate all’ultima opera di Steyerl, SocialSim, in cui agenti di polizia guidati da simulazioni live danzano e saltano oltre dei muri come mandrie impazzite al tempo della pandemia.

Nella miniserie livestream Museum: The Island ricompare anche Mark Waschke, l’ispettore della polizia di SocialSim, che adesso lavora part-time. In uno speciale in due parti, Waschke anticipa le indagini nel museo con una conferenza dal titolo «The Benefits of Automation for the Actor/Actress» (I vantaggi dell’automazione per gli attori), e alla fine si ritrova alla Museuminsel di Berlino, dove c’è molto da indagare in seguito agli attacchi alle opere d’arte da parte di personaggi dubbi. (dal comunicato stampa e-flux)
Hito Steyerl, I Will Survive, September 26, 2020–January 10, 2021, K21, Düsseldorf, Germany As the Museum is closed the exhibition became a live streaming format on e-flux Video & Film, divided in episodes of 45 minutes, starting Sunday, November 15.
immagini: (cover 1) FIG_1_HS14-001.9 (2-4-5) Installationsansicht Hito Steyerl_K21. Foto Achim Kukulies (3) HS19-001-Center_04

L'articolo Hito Steyerl. I Will Survive TV proviene da Arshake.

AADK Spain 2021
» ‎ TransArtists

AADK Spain invites all artists and researchers who wish to work on the topics of body, territory and spatiality to participate in its Artist Residency Program. AADK Spain is an international artistic platform that
GlogauAIR, Berlin 2021
» ‎ TransArtists

GlogauAIR is a non-profit organization founded in 2006 by the artist Chema Alvargonzalez with the intention to create a meeting point between artists from all disciplines to work in collaboration,

ArtKommunalka 2021 | 8th International Artist-in-Residence Competition KOLOMNA, MOSCOW REGION
» ‎ culture360.org

deadline
28 Dec 2020

CreArt > Call for Chinese New Year Mural Project in Liverpool (Remote)
» ‎ On the Move

24.11.2020
CreArt have issued a call for an artist or collective from the CreArt Cities Network and a Liverpool digital/graphic designer/street artist/collective to collaborate to design, create and install a site-specific mural within the Chinatown area of Liverpool at Great George Square. The collaboration will take place remotely. Artists may submit individually, to be paired during the selection process, or as a pre-arranged pairing. The production/installation will take place 1-11 February 2021. Deadline: 1 December 2020.
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November 23, 2020
The International Postcard Show 2021
» ‎ re-title.com artist opportunities

The International Postcard Show 2021:

Call for submissions

Deadline: 8 January 2021

Application fee: see below

Surface Gallery invites artists from across the world to participate in our annual International Postcard Show.

All submissions will be included in this vibrant and hugely popular exhibition. The International Postcard Show will feature hundreds of original creations in an array of different media by established and aspiring artists from all over the world.

Artists can choose to have their work on sale during the exhibition; postcards will be priced at £15 each. If postcards remain unsold, all participants have the opportunity to exchange their postcard with another artist, who will be randomly selected at the end of the exhibition.

In the case of no sale or if you opt out of selling your work(s) and do not wish to take part in the international exchange, your postcards will be returned to you via post following the exhibition.

The deadline for submissions is 6pm, Friday 8th January 2021

We will be awarding prizes for the 1st, 2nd, and 3rd place postcards, selected by the exhibition coordinators. There will also be our annual People’s Prize, where visitors to the exhibition will have a chance to vote for their favourite postcard. The creator of the selected postcard will win a free exhibition in Le Loovre.

UK ENTRIES 1 postcard = £6, 2 postcards = £11, 3 postcards = £16, 4 postcards = £21, 5 postcards = £25

INTERNATIONAL ENTRIES 1 postcard = £7.50, 2 postcards = £13.50, 3 postcards = £17.50, 4 postcards = £22, 5 postcards = £26

Entries are limited to 5 per person

All works received with a completed application form before the deadline will be accepted and exhibited as part of the show. Artworks in any medium are welcome, but must fit the postcard-sized specifications of 4x6 inches (10.5x15cm) with a maximum depth of 5mm.

We are also accepting group entries from schools at a 50% discount rate. Please email us at info@surfacegallery.org for more information.

Download the application form here: [https:]]

Please read the application form carefully to ensure that your work fits the exhibition criteria.

1st Prize= £50

2nd Prize = Jackson’s Gift Voucher

3rd Prize = Year’s Subscription for Aesthetica

People’s Prize = Free Exhibition in Le Loovre

Submission Deadline = 8th January 2021, 6pm

Opening Night = 15th January, 2021 6 - 9pm

Exhibition = 16th January - 13th February 2021

www.surfacegallery.org / info@surfacegallery.org

S+T+ARTS Open Call for Artists
» ‎ TransArtists

STARTS – an acronym of Science + Technology + Arts – is a European Commission initiative launched in 2015 to foster collaborations between artists, scientists, engineers and researchers to develop more creative

Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS
» ‎ resartis.org

Deadline: 03 Dec 2020
Country: Serbia
Last minute OPEN CALL for ARTISTS Round 47 April – June 2021
» ‎ resartis.org

Deadline: 06 Dec 2020
Country: Germany
Belgrade Art Studio Residency
» ‎ resartis.org

Deadline: 10 Dec 2020
Country: Serbia
Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS
» ‎ resartis.org

Deadline: 13 Dec 2020
Country: Serbia
ANIMALS: Interdependence Between Species NAH_CA_R Spring 2021
» ‎ resartis.org

Deadline: 15 Dec 2020
Country: United States

November 22, 2020
FRAME > Tribute to Hyuro
» ‎ Arshake Calls

FRAME cattura il lavoro della street artist Hyuro del 2013, simbolo del giorno internazionale dell’abolizione della violenza sulle donne, istituito il 25 novembre.
Hyuro, Formia, 2013, image via

L'articolo FRAME > Tribute to Hyuro proviene da Arshake.

Open call to Sardinia island, Italy
» ‎ resartis.org

Deadline: 02 Dec 2020
Country: Italy

Programme Jundtion @Platform Calgary (Canada)
» ‎ On the Move

22.11.2020
JUNCTION est un programme de résidence à temps plein qui aide les nouveaux créateurs ou les fondateurs de strart-ups françaises à se constituer une base solide en tant qu’entrepreneur. JUNCTION prépare les entrepreneurs à se démarquer de la concurrence et les aide à développer les outils dont ils ont besoin pour approcher les investisseurs, les partenaires et les clients. Les candidats idéaux sont les start-ups travaillant dans le secteur créatif, en particulier sur le thème de la musique et de l’innovation. Date limite : 28 février 2021.
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Programme Junction @Platform Calgary (Canada)
» ‎ On the Move

22.11.2020
JUNCTION est un programme de résidence à temps plein qui aide les nouveaux créateurs ou les fondateurs de strart-ups françaises à se constituer une base solide en tant qu’entrepreneur. JUNCTION prépare les entrepreneurs à se démarquer de la concurrence et les aide à développer les outils dont ils ont besoin pour approcher les investisseurs, les partenaires et les clients. Les candidats idéaux sont les start-ups travaillant dans le secteur créatif, en particulier sur le thème de la musique et de l’innovation. Date limite : 28 février 2021.
Read more

November 21, 2020
Ilhabela Island, Brazil // 2021 Schedule
» ‎ resartis.org

Deadline: 01 Dec 2020
Country: Brazil
Creating and Writing in Assisi, surrounded by the quietness
» ‎ resartis.org

Deadline: 01 Dec 2020
Country: Italy

November 20, 2020
VIDEO POST > NEWSPEAK
» ‎ Arshake Calls

VIDEO POST rilancia Newspeak, progetto di Pip Thornton & Ray Interactive ispirato a 1984, il romanzo di George Orwell che anticipava il mondo pilotato dalla politica della sorveglianza. Questa volta, ad essere sorvegliato è il linguaggio, quello delle parole che digitiamo nel motore di ricerca Google.
“The Google algorithm becomes the surveillant reader of every word we put through the search engine”.
Pip Thornton & Ray Interactive, Newspeak, 2019, installation at Edinburgh Festival Fringe, August 2019

L'articolo VIDEO POST > NEWSPEAK proviene da Arshake.

HomEmotion OPEN CALL for multidisciplinary artist Athens
» ‎ resartis.org

Deadline: 01 Dec 2020
Country: Greece
Montemero Art Residency 2021 – An Interdisciplinary Ecological Hub for Arts
» ‎ resartis.org

Deadline: 01 Dec 2020
Country: Spain

IETM > Project Coordinator for EU Project (Belgium)
» ‎ On the Move

20.11.2020
IETM > Project Coordinator for EU Project (Belgium) Read more »

November 19, 2020
Call: Telephone: An International Arts Game
» ‎ netEX - networked experience

Deadline: 30 November 2020
Call for entries

Telephone: An International Arts Game / Call For Artists!

TELEPHONE is a global art project based on the children’s game Telephone (also called Operator, Grapevine, Telefono Roto, Dengon, Stille Poste, Telefono Descompuesto, Phonebook), in which a message is whispered from person to person. In this game, the message is whispered from art form to art form. A poem could become a painting, and then animation, digital art, and dance. All kinds of media are welcome. Each completed artwork is assigned for translation to numerous artists around the world, so the game branches out exponentially.

To play go to: [www.phonebook.gallery]

This is the second large-scale game of TELEPHONE. The first was held in 2015 and featured in the New York Times, Hyperallergic, La Nacion, and numerous other publications around the world. The exhibition of that game featured 315 artists from 159 cities in 42 countries and this second game is expected to be three to four times larger. By number of artists, TELEPHONE wil l be 13 to 17 times the size of the most recent Whitney Biennial.

TELEPHONE, in its final form as a free online exhibition, will not only be a collection of 800+ individual works of art, but a single work of art created by a thousand artists, most of them strangers to each other, from all across the Earth.

Online, interactive exhibition scheduled to launch in Spring 2021.

If you want to play, we need to know your name, email address, what city and country you are playing from, and the art form you wish to use. We also need three examples of your artwork. It would be an honor to have you join our game.

[www.phonebook.gallery]

For more info:
Nancy | Director of Communications | TELEPHONE
nykim6@gmail.com
call: Net Work
» ‎ netEX - networked experience

Deadline: 15 December 2020
Call for entries

Net Work
May 15, online
Net Work is an incubator for collaboration.

Teams made up of one composer, one performer, and one video artist will work together to conceive of a work from start to finish. While the events of 2020 have created unprecedented creative challenges, we believe that these challenges provide opportunities for invention. Net Work is an exploration of those hidden opportunities; a virtual collaboration that discovers and contributes new creative models and forms. There is no application fee, and each selected artist will receive a $600 stipend.

No entry fee
[https:]]
call: Prisma Art Prize
» ‎ netEX - networked experience

Deadline: 31 January 2021
Call for entries

PRISMA ART PRIZE – ROME – 7TH EDITION

Event in late 2021 at Atelier Montez, Rome

Il Varco is glad to inaugurate the seventh edition of Prisma Art Prize, a quarterly award with cash prizes for artists from all around the world that will become a collective exhibition for the first time in February 2021 in Rome.

Organized with the goal of creating a space for visual artists to share their work with hundreds of colleagues from all around the world, it offers 2000€ in cash awards every year, purchase prizes and packages of services worth 2500€ from Biafarin and Vivivacolors in four seasonal competitions and an online gallery where the artworks are put on display forever.

Jurors are qualified and esteemed painters, curators, mixed media artists and digital artists from different countries all around the world. The exhibition will take place at Atelier Montez, a contemporary art factory born in 2012 from the redevelopment of an urban wreck on a project by the Artist Gio Montez, that has already attracted international artists like Hermann Nitsch, Cheikh Zidor and Turi Sottile.

Visit our finalists gallery and submit on our official website

Signing up is fast and you can do it entirely online.

[www.prismaartprize.com]

Fee: 25€

Link: https://www.prismaartprize.com/
Mail: prismaartprize@gmail.com
call: Sculpture Walk Springfield 2021-2022 Collection
» ‎ netEX - networked experience

Deadline: 31 January 2021
Call for entries

Call to Artists for Sculpture Walk Springfield 2021-2022 Collection
Deadline: Jan 31, 2021
Dates: Accepted sculptures will be on display from April 2021 to March 2022
no fee
Contact: Tery O’Shell, Executive Director – tery@sculpturewalkspringfield.org

In April 2021, Sculpture Walk Springfield will reveal to the public its 6th annual exhibit. We hope to install 20 new sculptures. This will continue the process of creating a museum without walls with access to all in the heart of Springfield, Missouri. Each year, as our program grows, we hope to add more sculptures to our program. Sculpture Walk Springfield is a citizen driven and privately funded initiative.

Sculptures chosen for Sculpture Walk Springfield 2021-2022 will be on loan to the program for one year and displayed to the public for ten months. They will remain in the ownership of the artist throughout the program. Artists of selected sculptures will receive a $1,000 stipend. Insurance coverage will be provided by Sculpture Walk Springfield. All sculptures will be available for purchase to the public.

To submit a sculpture for the 2021-2022 exhibit visit the Call to Artists tab on our website at [www.sculpturewalkspringfield.org] where you will find the link to our prospectus, entry procedure information, and submission forms. In addition, our Executive Director, Tery O’Shell, would be happy to answer any questions you may have. You may contact her at tery@sculpturewalkspringfield.org.
call: IONNYK – photographic art, digital, black & white
» ‎ netEX - networked experience

Deadline: 01.12.2020 | 15.12.2020
Call for entries

IONNYK – photographic art, digital, black & white | European Pepinieres of Creation

International call – no event

In partnership with the European Pepinieres of Creation, IONNYK is launching its first call for participation aimed at contemporary visual artists around photographic art, digital black & white. Grants € 1500 to be divided between three laureats The opportunity, without limit of winners, to join the IONNYK artists catalog allowing artists to generate income.

IONNYK is the world’s first connected and wireless digital art frame developed on electronic paper technology (patented). It is a new medium of art, culture and design, at the service of artists and their works. IONNYK is associated with a whole new ecosystem bringing together a community of artists to offer their works through a subscription or in limited edition Black & White digital format to our Art and Design enthusiast clients.

IONNYK responds to a hitherto unmet market need, namely an innovative connected and digital art framework emphasizing Art and Design and not technology as such.

This call is for contemporary photographic and digital artists. As the IONNYK catalog is varied, participants have the opportunity to offer any form of Black & White Art, static or Smart Art, a new way for artists to express themselves.

No entry fee
[pepinieres.eu]
7. 1 or 2 images (.jpg, preferred size: 1920×1080) to accompany the call to be published (mandatory)
call: 1.5 Degrees
» ‎ netEX - networked experience

Deadline: 4 December 2020
Call for entries

1.5 degrees
Open Call

Exhibition 15.1.2021 – 12.3.2021

The 1.5-degree target is understood to mean the goal of limiting the man-made global temperature increase due to the greenhouse effect to 1.5 degrees Celsius by 2100 from the level before the start of industrialization. Almost all the states of the world have signed a treaty with the Paris Convention, according to which they intend to make efforts to achieve the 1.5 degree target. Climate researchers doubt that we will reach this goal, we would already be at 2 degrees. There is a lack of political will. Fridays for Future are fighting to keep the contract.

What has to change to reach the goal? Researchers have developed scenarios that show ways. For example, the price of CO2 increases to 100€/ton. Renewable energies like wind power, solar energy are used instead of fossil fuels. We humans live well and in a climate-friendly way.

Which pictures do artists create on this topic? We are looking forward to your exciting submissions!
Open call

In a public call for entries, we invite artists to submit contributions for the above described theme for a group exhibition in our exhibition spaces.
Disciplines: object, sculpture, installation, photo, painting, drawing, printmaking, video with credits, sound is possible. A performative contribution such as performance, VJ or similar for vernissage, artist talk or finissage is welcome.

Since the Coronakrise still requires restrictions, we will adapt the exhibition organization and the program accordingly. We plan analog and digital.
Application

Individual artists or existing artist groups can apply online.
Click here for the online application form [https:]]

Presence: Presence for regional artists is desired for the vernissage and the artist talk, as well as the supervision on a date of the exhibition.

Application deadline 4.12.2021

Artists who do not comply with 1. to 4. and whose works do not meet the advertised theme will be judged.

We offer exhibition space with equipment, bar, advertising by mail and various websites and social media and web and print flyers, organization of the work texts, the lecture, the documentation.
We do not charge a fee for application, exhibition etc. We are a free, self-organized project space and work voluntarily. For works sent to us, we ask that the senders enclose the return postage. Unfortunately there is no budget for production, further technical equipment, transport and insurance (the room is technically secured). We expect good cooperation and agree on rules (gg3 rules regulate 2020) of cooperation.
Program

Vernissage 15.1.2021, Artist talk 29.1.21, Lecture ca. 12.2.21 Finissage 12.3.21
52nd exhibition

Place: 10999 Berlin, Leuschnerdamm 19

Jury and curators: Team GG3

—
Ausstellung [https:]]
Exhibition [https:]]
[https:]]

Group Global 3000 e.V.
Gallery for sustainable Art in Berlin
10999 Berlin, Leuschnerdamm 19
0049306154749

—
Ausstellung [https:]]
Exhibition [https:]]

10999 Berlin, Leuschnerdamm 19
0049306154749

Studiospace where the sea meets the forest – SHORT APPLICATION TIME
» ‎ resartis.org

Deadline: 26 Nov 2020
Country: Sweden

BACK ONL(Y)NE. Myriam Bleau e LaTurbo Avedon
» ‎ Arshake Calls

Il 2 ottobre scorso, in occasione del Digitalive al Romaeuropa Festival, abbiamo assistito ad una performance virtuale molto particolare, creata da due artiste. La compositrice, artista digitale e performer canadese Myriam Bleau e la performer, curatrice e soprattutto avatar LaTurbo Avedon.

Insieme hanno creato Eternity Be Kind, una performance di venti minuti che può essere ospitata solo in uno spazio digitale poiché composta esclusivamente da «file» e sviluppata con lo stile di un video gioco. Ogni visitatore può fruire l’opera esclusivamente online, dal proprio dispositivo. Dopo un’intro iconografica con carte illustrate e simboli, LaTurbo Avedon danza nell’ambiente digitale sulle note composte dalla Bleau. Quello che si vede sullo schermo è un concerto ispirato alle star del k-pop, con tanto di palco e coreografia. La messa in scena è controversa, inizialmente il mood è altro, la musica oscilla tra bassi, glitch e voci acute mentre l’artista danza in stile Tik Tok.

L’avatar si triplica, cloni perfetti danzano in sincro. È qui che emerge la questione dell’identità «non fisica» e la distanza rispetto gli spettatori che sono in carne e ossa; inoltre si aprono scenari sulle possibilità date dai «bite» nell’era dei social media, sulla molteplicità o sull’assenza degli autori e quindi sull’autorialità dell’opera, tema ricorrente nella poetica di LaTurbo Avedon. In seguito, un altro paradosso: in scena rimangono solo lo schermo e l’artista, pseudo tramonti e pseudo albe disegnano un tempo altro e lo spazio si trasforma, gli elementi scenici come il palco, le americane e i riflettori spariscono.

L’ambientazione viene meno lasciando il posto a un nero sconfinato, un algoritmo infinito dove l’artista oscilla nel suo corpo di pixel. Si libra in aria e s’illumina e oscura come fosse la luna, prima in luce e poi in ombra, creando una circostanza davvero mistica. La luce, la liberazione, l’ascensione. Eternity Be Kind sembra un rito iniziatico all’interno di un club notturno, l’elaborazione di un coagulo di energia densa, che va a scemare non per sparire, ma per liberarsi o forse per purificarsi nella luce dello schermo. L’opera sembra un viaggio metaforico dalla superficie all’etere, dal popolare o populista, al profondo, alla luce, viaggio inusuale per un avatar di Second life.

Dietrologia e simbologia a parte, il duo artistico non sta semplicemente inscenando il concerto di una pop star in digitale ma sta piuttosto sollevando questioni sul futuro della rappresentazione personale e musicale, della performance artistica e della sua accessibilità differita. L’opera in questione è il frutto di una ricerca che si muove tra diversi ambiti dell’esistenza: da quello materico, che seppure impalpabile nella sua forma digitale è tangibile e si mostra strutturato e fatto di oggetti, a quello esoterico, dal quale attingiamo alla ricerca di allegorie, miti e simboli che ci aiutino a conoscerci meglio in quanto umani.

Domiziana Febbi

immagini: (cover 1-4) Myriam Bleau and LaTurbo Avedon, «Eternity Be Kind», foto: Ella Rinaldo (2-3) BACK ONL(Y)NE. Myriam Bleau and LaTurbo Avedon, «Eternity Be Kind», still from video (Flavia Costanzi, Francesco Pacifici, Francesca Paganelli)
Questo articolo è parte della sezione speciale che Arshake dedica a BACKSTAGE / ONSTAGE, il progetto che ha portato per tre anni consecutivi (2018 – 2019 – 2020) un gruppo di studenti dell’Accademia di Belle Arti di Roma dietro le quinte del Digitalive, format curato da Federica Patti dedicato all’arte algoritmica in continuazione di un interesse per le arti digitali che il Romaeuropa Festival ha manifestato da diversi anni, tempi non sospetti. Negli anni gli articoli hanno costruito gradualmente la memoria delle opere e degli artisti che sono stati presenti, catturando i momenti salienti della ‘vitalità’ dei lavori performativi, ma anche dei loro protagonisti. Il Festival 2020 si svolge durante un momento storico segnato dalla pandemia e la presenza online è diventata particolarmente importante. Per questo appuntamento, gli studenti hanno realizzato un’edizione speciale BACKONL(Y)NE. Testi, fotografie e video raccontano delle opere, ma anche della fruizione online, e di tutti quegli spazi e momenti di ‘isolamento collettivo’ che raccolgono gli utenti di fronte allo schermo. Il tutto diventa parte di un archivio che approfondisce e ferma nel tempo il lavoro performativo degli artisti che nell’ambito del Digitalive si è consumato in una forma time-based. BACKSTAGE / ONSTAGE. Crediti 2020: Testi: Chiara Amici, Domiziana Febbi. Video: Flavia Costanzi, Francesco Pacifici, Francesca Paganelli.
L'articolo BACK ONL(Y)NE. Myriam Bleau e LaTurbo Avedon proviene da Arshake.

AADK Spain Residency Programme 2021 - open call
» ‎ culture360.org

deadline
20 Dec 2020

Pearle* > Jobs Portal for the Live Performance Sector
» ‎ On the Move

19.11.2020
Pearle*, the European employers association and sector federation in the live performance sector, has opened a new feature in their website’s resource centre: a portal presenting job platforms from across Europe. Users can search by country and/or main job categories: musicians, performers, technicians and other off-stage jobs. From there they can go to the respective job portal where they can pursue their search for vacancies.
Read more
Artкommunalka > Visual Arts and Literature Residencies (Russia)
» ‎ On the Move

19.11.2020
The Artкommunalka residency invites international applications from contemporary visual artists and from writers working in Russian to apply for grants to realise creative projects in 2021. Successful applicants will be provided a residential workshop located in a building in the historic centre of Kolomna (Moscow), and the organisers welcome projects that relate to the local area. Deadline: 28 December 2020.
Read more

November 18, 2020
Young Italian Artists. Paolo Bini
» ‎ Arshake Calls

Paolo Bini entra nelle stanze di «Young Italian Artists. Racconti dall’arte contemporanea», spazio dedicato ai protagonisti dell’arte under 35, concepito da Antonello Tolve e curato con Elena Giulia Rossi.
La mia ricerca artistica si pone a metà fra l’abile tentativo della memoria di trasfigurare l’immagine ed il tempo che aderisce al ritmo della contemporaneità. Infatti l’immagine si forma secondo l’unità del pixel e dal tempo scandito dallo scanner o e/o dal plotter, secondo un succedersi di strisce colorate che diventano traccia di nuovi percorsi interiori. Lavoro con la pittura, dipingendo quasi sempre su nastro carta che successivamente intelo su supporti come tavola o tela di cotone. Un processo creativo, in cui mi preoccupo di organizzare l’immagine a livello spaziale, mediante una profondità interiore, con una determinata riflessione sul formarsi dell’immagine, sui suoi tempi e modi specifici di produzione, in una autentica riappropriazione del “sentire”.

Paolo Bini, Novembre, 2020
Paolo Bini è nato a Battipaglia nel 1984. Vive e lavora tra Italia e Sud Africa. Instagram: Paolo Bini. Web: www.paolobini.it Young Italian Artists. Racconti dall’arte contemporanea Progetto ideato da Antonello Tolve, curato con Elena Giulia Rossi

L'articolo Young Italian Artists. Paolo Bini proviene da Arshake.

Golden Ger International Film Festival 2021 | Open call for submissions
» ‎ culture360.org

deadline
01 Apr 2021
Germany | Deggendorf Craft Museum - open call for international Paper Arts Triennale 2021
» ‎ culture360.org

deadline
17 Jan 2021

Bora Bora Residency Centre > International Residency for Dance Artists (Denmark)
» ‎ On the Move

18.11.2020
Bora Bora Residency Centre in Århus, Denmark welcomes proposals from professional dance artists for projects to be researched and/or developed. The residencies are open to professional dance artists or dance ensembles or stage directors with a strong choreographic idea from all over the world. Deadline: 8 January 2021.
Read more
Re-Connect Online Performance Festival > Virtual Residency
» ‎ On the Move

18.11.2020
YET TO .COM(E) is a virtual residency programme that will establish three distinctive virtual residency incubators where two artists can live, brainstorm, and dream about a common future through their unique artistic lenses. The residency is open to artists of all disciplines who are based in Argentina, Iran, USA, France, Switzerland, and Germany and will take place within January-April 2021. Deadline: 5 December 2020.
Read more

November 17, 2020
BACK ONL(Y)NE. Mara Oscar Cassiani
» ‎ Arshake Calls

Mara Oscar Cassiani, La vincitrice del Digital Award della scorsa edizione, il 4 ottobre ha mostrato al pubblico online del Digitalive al Roma Europa Festival, un estratto inedito. Si tratta del «Primo habitat: Roses, Internet Abduction», uno studio preliminare legato allo spettacolo in progress che presenterà nel 2021.

La Cassiani, che è un’artista poliedrica, per l’occasione e date le circostanze dovute alla pandemia, ha composto un video made-in-internet con l’ausilio dei sui strumenti di lavoro favoriti, la musica elettronica, l’immagine e la performance. L’uso dei linguaggi digitali è alla base della sua ricerca, incentrata sulla creazione o l’evidenziazione di una nuova iconografia che a sua volta, genera rituali contemporanei. Questo primo habitat, sfida la realtà analogica, e chiama in causa temi ancestrali dal retrogusto simbolista.

Alcuni elementi nascono in internet e muoiono una volta giunti nella realtà, ma sono inestricabilmente connessi e fortemente legati all’impatto generato dall’esperienza stessa della rete e del suo linguaggio. Il primo episodio ROSES, Internet Abduction de La Faune, A Story Of Arizona Tea And Self Care Habitats, è un luogo virtuale ed emotivo, un luogo che ospita come un santuario un rituale contemporaneo, ricco di elementi simbolici dove anche il brand «Arizona tea» risulta evocativo. Sembra che la Cassiani voglia mostrare come l’iper-connessione generata da internet, similmente alla religione, annulla le distanze globali ma accentua quelle locali. La deriva spirituale nella dimensione digitale lascia intendere che la devozione degli utenti è per la dimensione digitale stessa, gli attori, che sono isolati tra loro sembrano osservarci e coinvolgerci ma in effeti il loro sguardo è in realtà rivolto al monitor del computer. In un momento li cogliamo in flagrante mentre contemplano l’oggetto di culto, si accorgono di noi e si voltano, lo sguardo è disturbato come se avessimo interrotto qualcosa.

Nella performance della Cassiani ritroviamo elementi dei culti tradizionali, come il fuoco, la danza e l’acqua, digitalizzati in una nuova grammatica simbolica costituita da filtri Instagram, che alcuni indossano come abiti, da Gif che esprimono umori e sensazioni, da coreografie tik tok che divengono danze iconiche, movenze che rappresentano il nuovo folklore globale. Il mix sonoro scandisce il mood dell’opera, le tracce, che sono dei grandi successi della musica dance e pop, sono molto evocative e l’artista le modula trasformandole in melodie solenni o in musiche per balli sfrenati come moderne tarantelle.

Nonostante la compresenza degli utenti, il sentore di solitudine e di alienazione è persistente e si alterna a una pseudo euforia, questo contrasto neoespressionistico per quanto marcato risulta evanescente. L’artista è consapevole dell’attuale discontinuità tra i media e la coscienza degli utenti e tenta di recuperare un’iconografia sulla base dei nuovi medium, compresi pop up e spam, per trovare un continuum di umanità al loro interno. Del resto, tutti gli elementi digitali sono stati sviluppati coscientemente dagli utenti, anche se oggi sono completamente slegati tra loro. I simboli della rete conosciuti dai nativi digitali sono un immaginario visivo così forte da poter unire le persone al di là della loro provenienza, età, genere o estrazione culturale, per questo li usiamo e li studiamo nonostante le suggestioni controverse. I sentimenti comuni rispetto al network sono spesso moralizzatori e non tutti colgono il suo potere contro culturale o spirituale, bensì per l’artista è primario il valore della condivisione, dell’apertura a nuove poetiche con nuovi linguaggi e nuovi contenuti.

Domiziana Febbi

Immagini (tutte): BACK ONL(Y)NE per Phoenix- Process of creation in situation of conflict di Éric Minh Cuong Castaing e Shonen, Digitalive. Romaeuropa Festival2020, still from video (Flavia Costanzi, Francesco Pacifici, Francesca Paganelli) (2) Éric Minh Cuong Castaing
Questo articolo è parte della sezione speciale che Arshake dedica a BACKSTAGE / ONSTAGE, il progetto che ha portato per tre anni consecutivi (2018 – 2019 – 2020) un gruppo di studenti dell’Accademia di Belle Arti di Roma dietro le quinte del Digitalive, format curato da Federica Patti dedicato all’arte algoritmica in continuazione di un interesse per le arti digitali che il Romaeuropa Festival ha manifestato da diversi anni, tempi non sospetti. Negli anni gli articoli hanno costruito gradualmente la memoria delle opere e degli artisti che sono stati presenti, catturando i momenti salienti della ‘vitalità’ dei lavori performativi, ma anche dei loro protagonisti. Il Festival 2020 si svolge durante un momento storico segnato dalla pandemia e la presenza online è diventata particolarmente importante. Per questo appuntamento, gli studenti hanno realizzato un’edizione speciale BACKONL(Y)NE. Testi, fotografie e video raccontano delle opere, ma anche della fruizione online, e di tutti quegli spazi e momenti di ‘isolamento collettivo’ che raccolgono gli utenti di fronte allo schermo. Il tutto diventa parte di un archivio che approfondisce e ferma nel tempo il lavoro performativo degli artisti che nell’ambito del Digitalive si è consumato in una forma time-based. BACKSTAGE / ONSTAGE. Crediti 2020: Testi: Chiara Amici, Domiziana Febbi. Video: Flavia Costanzi, Francesco Pacifici, Francesca Paganelli.
L'articolo BACK ONL(Y)NE. Mara Oscar Cassiani proviene da Arshake.

5th International Playwriting Contest - plays for young people
» ‎ culture360.org

deadline
31 Dec 2020

W.I.P. – ONLINE WORKSHOPS for EMERGING ARTISTS – BARCELONA
» ‎ resartis.org

Deadline: 01 Dec 2020
Country: Global

November 16, 2020
call: Body Language
» ‎ netEX - networked experience

Deadline: 27 December 2020
Call for entries

CALL FOR ARTISTS: THE BODY LANGUAGE
Dates and location: The ROOM Contemporary Art Space from February 11 to March 12, 2021 and at Palazzo Albrizzi-Capello from February 12 to March 12, 2021.

Call: ITSLIQUID Group, in collaboration with Venice Events and ACIT Venice – Italian-German Cultural Association, is selecting all interesting photo, painting, video art, installation/sculpture and performance artworks to include in the next exhibition THE BODY LANGUAGE – ITSLIQUID International Art Exhibition 2021 that will be held in Venice during the period of Venice Carnival 2021, at THE ROOM Contemporary Art Space, from February 11 to March 12, 2021, and at Palazzo Albrizzi-Capello from February 12 to March 12, 2021.

COVID-19 Protection Concept – The health and safety of our staff and visitors are of predominant importance to ITSLIQUID Group. This Protection Concept governs how we intend to operate after Italy’s lockdown has ended, the rules that will be applied inside the exhibition spaces and how these will be implemented in practice.

THE BODY LANGUAGE analyzes the hidden parts of our identities, through an immersive experience inside the fascinating universe of the complex labyrinths of our consciousness.

The participation includes the following services
– exhibition space dedicated to the artist’s works
– assisting with customs formalities, international shipping and local transport
– assisting in finding accommodation for artist
– the design and the printing of invitation cards, posters
– the global and local press office, publicity, press, banners, totem, etc.
– the realization of the exhibition website and dedicated press releases
– mounting and dismounting of the exhibition
– exhibitions opening event with drinks and food
– a one day dedicated presentation, talk or workshop focusing on the artist’s career
– a dedicated interview published on ITSLIQUID website and spread on our social networks
– providing services and drinks for small meetings at the exhibition places for invited guests

To take part in the selection, send your works’ submissions with a CV/biography, some still images (for video-art), links of videos/films/performances and pictures of artworks by e-mail to director@itsliquid.com

The human body is a changing system that connects us with other bodies and spaces to perceive the surrounding reality; a strong communication system with its own language and infinite ways of expression.

The exhibition will be presented during the period of Venice Carnival 2021 and we invite artists to be inspired by the magical power of Venetian costumes, exploring the connection between desires, needs, fears through rituals that brings human kind to change, to transform and to evolve their inner world.

Artists interested in taking part in our shows, are free to be sponsored and supported by institutions, organizations, governments and their representers; the logos of their sponsors will be included in all the communication (digital and print) of the events.

Artists, photographers, video makers, architects and performers are invited to submit their works. To take part in the selection, send your works’ submissions with a CV/biography, some still images (for video-art), links of videos/films/performances and pictures via e-mail to director@itsliquid.com

Entry FEE
The number of works you can submit is unlimited. The participation in the festival requires an entry fee only for selected artworks. Participation open to: artists, architects and designers, associate groups and studios.

[www.itsliquid.com]

Cities of the future: living together | 2021 Conference - call for Artworks and Papers
» ‎ culture360.org

deadline
01 Feb 2021

Legacy and Art as a *message to the Future
» ‎ resartis.org

Deadline: 30 Nov 2020
Country: Costa Rica
2021 Residency at la Macina di San Cresci + Exhibition in Florence
» ‎ resartis.org

Deadline: 30 Nov 2020
Country: Italy
Belgrade Art Studio Residency
» ‎ resartis.org

Deadline: 30 Nov 2020
Country: Serbia
Euroatla Residency Program winter open call for established and emerging artists
» ‎ resartis.org

Deadline: 30 Nov 2020
Country: Portugal
Autumn Creative Residency
» ‎ resartis.org

Deadline: 01 Dec 2020
Country: Australia
BARCELONA OPEN CALL – WINTER SPRING 2020/2021
» ‎ resartis.org

Deadline: 01 Dec 2020
Country: Spain

HoME > Artists Sought for Interdisciplinary Sound Installation & Performance (Hungary, Austria, Serbia, Spain)
» ‎ On the Move

16.11.2020
HoME is an oral history-based art project led by a partnership of new music organisations in Hungary, Austria, Serbia and Spain. Twelve emerging artists from different art disciplines will engage in an interdisciplinary process resulting in the creation of a series of collective works. Project activities run spring 2021 to autumn 2023. Applications are open to artists with residency in Hungary, Austria, Serbia and Spain. Deadline: 15 December 2020.
Read more
IntraRegionale > Open Call for Site-specific Sound Art Installations (Germany)
» ‎ On the Move

16.11.2020
IntraRegionale are seeking eleven sound art artists to realise eleven sound art installations at eleven places within the region of Hannover, Germany. The sites include a multi-storey car park, a recycling yard, a monastery, and a network of narrow footpaths spanning a small village. The installations need to be installed between 1 May – 6 June 2021 and will be open to the public 6 June – 18 July 2021. Deadline: 30 November 2020.
Read more
Fotofestiwal > Open Call for Photographers (Poland)
» ‎ On the Move

16.11.2020
Fotofestiwal was established in 2001 in Łódź as one of the first photography events in Poland. This open call gives you the opportunity to present your works to the audience at the next edition of the festival, 10-27 June 2021. The organisers are looking for artists with exceptional personalities and projects which present bold visions. The call for entries is open with no thematic or age limits. Deadline: 20 December 2020.
Read more
A Tale of a Tub > Open Call for Exhibition Proposals 2021 (Netherlands)
» ‎ On the Move

16.11.2020
A Tale of A Tub (a contemporary arts centre in Rotterdam) has announced an open call for exhibition proposals by international curators at all stages of their professional careers for an exhibition to take place at A Tale of a Tub in the summer of 2021. They are looking for proposals that are context-responsive, relating themselves to the cultural and socio-political backdrops of Rotterdam. Deadline: 15 January 2021.
Read more
British Council > Arts Programme Manager (Lebanon)
» ‎ On the Move

16.11.2020
The British Council is looking for an Arts Programme Manager to support its work in Lebanon. The successful applicant will be overseeing the delivery of a range of cultural projects in partnership with local, regional and international arts organisations. This is a fixed term local contract until 31 March 2021. Deadline: 22 November 2020.
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'New Technologies for Performance Art' – Online Course at ECC Performance Art
» ‎ E-artnow calls

Online Course at ECC Performance Art
'New Technologies for Performance Art' – Online Course at ECC Performance ArtWith Francesca AlbrezziThis course is devoted to one of the most...

November 15, 2020
FRAME > Road map
» ‎ Arshake Calls

FRAME cattura Road map di Nikki Rosato, uno di una serie di mezzi busti realizzati con ritagli di carta estratti da comuni carte geografiche, profilo identitario tracciato nella sua relazione con la geografia.
Nikki Rosato, Road map, 2016, photo: Mike Smith via

L'articolo FRAME > Road map proviene da Arshake.

Hafnarborg AIR: Open Call for 2021
» ‎ resartis.org

Deadline: 30 Nov 2020
Country: Iceland

November 14, 2020
VIDEO POST > Matter to Matter
» ‎ Arshake Calls

VIDEO POST rilancia Matter to Matter di Arthur Analts, installazione che ricrea la transizione da gas a liquido utilizzando una superficie in vetro smaltato di verde. I visitatori lasciano un messaggio e, dopo un paio di minuti, i marchi temporali scompaiono naturalmente. «It is a statement about culture and transience, of secret messages, and the ways in which nature can cover over human traces».
Arthur Analts, Matter to Matter, 2018 Credits: Design: Arthur Analts (Variant Studio) | Story: Arthur Analts, Rihards Gecis, Janis Lipsans | Director: Rihards Gecis | Cinematographer: Ivars Burtnieks | Editor: Ivars Burtnieks | Sound design: Oriole | Costume design: Mareunrol’s
L'articolo VIDEO POST > Matter to Matter proviene da Arshake.

Fall 2020 NARS International Residency Open Call
» ‎ resartis.org

Deadline: 30 Nov 2020
Country: USA

November 13, 2020
Netherlands-Belgium | Research Fellowship call for Our Many Europes museum exhibitions
» ‎ culture360.org

deadline
06 Dec 2020

Magnum Foundation > Open Call for Photography and Social Justice Fellowship (Online / Remote)
» ‎ On the Move

13.11.2020
Magnum Foundation’s Photography and Social Justice Programme provides space for interdisciplinary experimentation, mentored project development, and cross-cultural, critical discourse for developing new approaches to socially engaged documentary practice. This year the programme will take place remotely from May - October 2021. Early- to mid-career photographers or individuals in aligned disciplines who are motivated to deepen their engagement with photography and social justice are invited to apply. Deadline: 1 December 2020.
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EUNIC > Call for proposals: Research on Culture in Fragile Contexts
» ‎ On the Move

13.11.2020
EUNIC is looking for a researcher or team of researchers to examine how taking a cultural relations approach to cultural programmes supports peace and stability in fragile contexts. They expect the research to be submitted by approximately May 2021, with the final publication due in September 2021. Deadline: 30 November 2020.
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3 + 3 = 6 at SCCA-Ljubljana, Center for Contemporary Arts
» ‎ E-artnow calls

SCCA-Ljubljana, Center for Contemporary Arts
3 + 3 = 6Three women artists, three art practices, six decadesArtists: Ana Nuša Dragan, Zemira Alajbegović, Ema Kugler  Curated by: Barbara Borčić,...
Radovan Čerevka: Building a Real Body at Kunsthalle LAB, Bratislava
» ‎ E-artnow calls

Kunsthalle Bratislava / Kunsthalle LAB
RADOVAN ČEREVKA: Building a Real BodyThe Kunsthalle LAB exhibition showcases the newest body of work of Košice-based artist — Radovan Čerevka...

November 12, 2020
Open Call // Ambactia Memoria
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2020, @ 11PM
- Location:SomoS Art House Berlin between March 2-13 2021.
Ambactia Memoria is a group exhibition to be presented at SomoS Art House Berlin between March 2-13 2021, coinciding with the Berlin Travel Festival as an alternative critical venue. Applications are welcome that deconstruct the idea of Hispanicness and/or collectively imagine its transformation. Ambactia Memoria offers artists, critics and ...
Paid Artist Features - Emote Residency & Video Art Residency - Localhost School of Art
» ‎ Rhizome.org Opportunities
- Deadline:Dec 12 2020, @ 2PM
- Location:Join the Localhost School of Art: [https:]
The Localhost School of Art is a Discord-based artist community for sharing ideas, projects, and opportunities. It's just like regular art school, except it won't leave you with crippling debt and there's no homework! Localhost is now offering two month-long PAID artist residencies, The Emote Residency and The Video Art ...
Online Residency JUST A STAGE // online performing arts
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2020, @ 11PM
- Location:online
/ Looking for residents who have experience with creative technologies, coding, programming /

JUST A STAGE
- a period of development
- the area in a theater
- a particular area of public life

Is it just a stage we’re in/on right now? What is it exactly anyway? Or, what could it be ...
TELEPHONE: An International Arts Game / Call for Artists!
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2020, @ 12AM
- Location:Everywhere
TELEPHONE is a global art project based on the children’s game Telephone (also called Operator, Grapevine, Telefono Roto, Dengon, Stille Poste, Telefono Descompuesto, Phonebook), in which a message is whispered from person to person. In this game, the message is whispered from art form to art form. A poem ...
LandEscape Now! Open Call for Artists, 15th Edition
» ‎ Rhizome.org Opportunities
- Deadline:Dec 12 2020, @ 11PM
- Location:London, United Kingdom as well as online, during covid-19 emergency
LandEscape is launching the 2021 edition of “LandEscape Now!”, an open art event that will once again introduce nine artists in various fine arts disciplines, with the goal of discovering talented creatives from around the world and supporting their art activities. Accepted discipines:

• Painting
• Fine Art Photography
• Video Art
• Installation ...
Call for Entry: 𝑰𝒔 𝑰𝒕 𝑨 𝑮𝒐𝒐𝒅 𝑻𝒊𝒎𝒆?
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2020, @ 12AM
- Location:Online- Mana Contemporary Website
#CallForSubmissions
#ImmigrantArtists
#ResidingInTheUS
#NonUSCitizen
#OnlineScreening
#MovingImage
#Experimental
#Video
#Animation
#GIF
#ShortFilm
#NewWorkMadeIn2020
#WorkInProgressWillBeConsidered
#ItsOkIfYouDidn'tGetMuchDone
#BecauseMeNeither

Artists! As you are probably being bombarded by loads of calls for submission at the moment, to save you some time, if the above hashtags apply to you or interest you, continue reading.

Every person ...
[Call for Abstracts, deadline Nov 1] Adjacent Journal Issue 8: Disembody // Antibody
» ‎ Rhizome.org Opportunities
- Deadline:Nov 11 2020, @ 11PM
- Location [https:]
ADJACENT (adjacent.press) is the online journal of emerging media published by New York University’s Interactive Telecommunications Program, or ITP.

For issue 8 "DISEMBODY // ANTIBODY" we are seeking thought-provoking essays, research, commentary, and work relating to current discourse around emerging technologies on the themes of:

post-touch, post-intimacy, bed posts ...
PhD in Music and Multimedia Composition at Brown University
» ‎ Rhizome.org Opportunities
- Deadline:Dec 12 2020, @ 11PM
- Location:Providence, RI
Admissions are now open at Brown University for fully-funded Ph.D.’s in the Music and Multimedia Composition program. We encourage applicants from a wide range of diverse influences and methods to apply. Students in the program will produce, analyze, and perform original works that may include the use of ...
Hvac installation Services Ottawa
» ‎ Rhizome.org Opportunities
- Deadline:Oct 10 2020, @ 4PM
- Location:CA
Ecoteam is very big and branded Ac repairing Services Company at CA. We provides Hvac installation Services, maintenance, repairing at very low price. For more details visit us: [https:]

Site-Specific Art: Portfolio Consultation, November 18
» ‎ E-artnow calls

Department of Site-Specific Art I University of Applied Arts Vienna
The Department of Site-Specific Art at the University of Applied Arts Vienna offers the possibility for a remote portfolio consultation via zoom on...

BACK ONL(Y)NE. Éric Minh Cuong Castaing e Shonen
» ‎ Arshake Calls

«Immagino le loro forme, solo ascoltandoli. proprio come ora senti la mia voce. Non posso vederli, ma li sento costantemente. Li riconosco dal suono. Sembra che vengano suonati proprio per noi. Tutti insieme, diventano musica, come una sinfonia (…)».

È possibile riuscire a capire una macchina solamente ascoltando il rumore che produce il ronzio delle sue pale? Diventare intimi con la tecnologia, assecondando questo rapporto simbiotico con il proprio corpo? Questo è interrogativo è diventato lo stimolo per la creazione dello spettacolo Phoenix- Process of creation in situation of conflict, presentato quest’anno al Roma Europa Festival da Éric Minh Cuong Castaing, coreografo francese, e Mumem Khalifa, danzatore palestinese residente in un campo rifugiati di Gaza.

Castaing e Khalifa hanno iniziato il dialogo che li avrebbe portati a sviluppare le fondamenta di questo spettacolo due anni fa. La delicata situazione politica palestinese non ha permesso l’incontro diretto di Castaing e Khalifa che -in una modalità quasi profetica se pensiamo a questi mesi difficili- hanno optato per uno scambio via Skype, abbattendo così distanze geografiche e culturali quasi insormontabili.

L’elemento del suono in Phoenix è fondamentale. Che si tratti di silenzio, di ronzii minacciosi, di voci che dialogano, degli scricchiolii del palco, l’elemento uditivo riempie la scena e ne è protagonista: diventa veicolo di messaggi che viaggiano da una parte all’altra del mondo attraverso internet, e da umano a macchina attraverso un linguaggio fatto di silenzi e ingranaggi.

I droni sono i protagonisti dello spettacolo insieme ai danzatori: macchine volanti comandabili a distanza, simili a minuscole astronavi aliene, che possono essere esperiti in maniera completamente diversa a seconda del luogo: in Europa vengono usati come giocattoli, in Palestina invece sono mezzi di sorveglianza o di morte. Lo spettacolo ruota attorno a questa differenza di visioni, e su come i droni possano essere percepiti dal corpo e dalla mente. Khalifa, a Gaza, vive e dorme con il costante ronzio dei droni che sorvolano le abitazioni. Sono diventati la sua ninna nanna e una parte del suo corpo e della sua mente. Dal solo suono che producono sa se porteranno bombe, morte, se stanno sorvegliando il territorio o trasportando oggetti. In un inesorabile processo di umanizzazione della macchina, prova ad immaginarne i sentimenti: sono tristi? Felici? Arrabbiate? Tutto dipende dal loro suono, che diventa una voce.

Insieme a Castaing, dall’altra parte del mondo, i danzatori sono stati iniziati ad una lentissima operazione di sensibilizzazione del corpo alla presenza dei droni: i loro corpi sono in dialogo costante con la macchina, che scivola su di loro a distanza ravvicinata. Paradossalmente, droni e umani entrano così in una relazione intima e diventano simili ad amanti, in scambio costante attraverso il movimento, la voce, lo sguardo, i comandi. Concretamente i droni assumono una presenza scenica, una personalità.

Lo spettacolo non punta a inscenare la paura che i droni possono suscitare nella realtà, ma la sua connessione con gli umani attraverso le sue vibrazioni, il suono e l’aria che muovono. Il danzatore diventa un’antenna, un elemento sensibile che si connette al drone con tutte le parti del suo corpo, assecondando impulsi minimi. Questo produce sul palco una tensione percepibile, e l’audience si connette a sua volta con il corpo del danzatore attraverso l’immaginazione.

L’arte della danza contemporanea incontra l’arte della resistenza.

La fruizione streaming da parte dello spettatore dona una parvenza di esclusività: i dialoghi, gli sguardi nella telecamera, le pause di silenzio assordante bucano lo schermo e sembrano diretti direttamente allo sguardo dell’osservatore. L’impressione è quella di essere teletrasportati in un’altra dimensione, in una stanza in cui sono presenti diversi luoghi geografici contemporaneamente.

Chiara Amici

immagini: (cover 1-3-4) BACK ONL(Y)NE per Phoenix- Process of creation in situation of conflict di Éric Minh Cuong Castaing e Shonen, Digitalive. Romaeuropa Festival2020, still from video (Flavia Costanzi, Francesco Pacifici, Francesca Paganelli) (2) Éric Minh Cuong Castaing
Questo articolo è parte della sezione speciale che Arshake dedica a BACKSTAGE / ONSTAGE, il progetto che ha portato per tre anni consecutivi (2018 – 2019 – 2020) un gruppo di studenti dell’Accademia di Belle Arti di Roma dietro le quinte del Digitalive, format curato da Federica Patti dedicato all’arte algoritmica in continuazione di un interesse per le arti digitali che il Romaeuropa Festival ha manifestato da diversi anni, tempi non sospetti. Negli anni gli articoli hanno costruito gradualmente la memoria delle opere e degli artisti che sono stati presenti, catturando i momenti salienti della ‘vitalità’ dei lavori performativi, ma anche dei loro protagonisti. Il Festival 2020 si svolge durante un momento storico segnato dalla pandemia e la presenza online è diventata particolarmente importante. Per questo appuntamento, gli studenti hanno realizzato un’edizione speciale BACKONL(Y)NE. Testi, fotografie e video raccontano delle opere, ma anche della fruizione online, e di tutti quegli spazi e momenti di ‘isolamento collettivo’ che raccolgono gli utenti di fronte allo schermo. Il tutto diventa parte di un archivio che approfondisce e ferma nel tempo il lavoro performativo degli artisti che nell’ambito del Digitalive si è consumato in una forma time-based. BACKSTAGE / ONSTAGE. Crediti 2020: Testi: Chiara Amici, Domiziana Febbi. Video: Flavia Costanzi, Francesco Pacifici, Francesca Paganelli.
L'articolo BACK ONL(Y)NE. Éric Minh Cuong Castaing e Shonen proviene da Arshake.

Open call for Mecal Pro - Barcelona International Short and Animation Film Festival
» ‎ culture360.org

deadline
15 Dec 2020

Little Islands Festival > Site-specific Open Call, ‘Living Environments’ (Greece)
» ‎ On the Move

12.11.2020
Little Islands Festival | Moving Image & Sound seeks to connect the landscape and nature with man and art by initiating an exploration of their natural and imaginary boundaries. The site-specific open call under the name ‘Living Environments’ is looking for artists of all nationalities who are experimenting with new forms of audiovisual arts and media – such as projection mapping, multimedia/interactive installation, VR, performance – for the next festival from 21-25 August 2021. Deadline: 20 January 2021.
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Kulturakademie Tarabya > Turkish-German Co-Production Scholarships (Turkey)
» ‎ On the Move

12.11.2020
Kulturakademie Tarabya > Turkish-German Co-Production Scholarships (Turkey) Read more »

Open Call for Artists
» ‎ resartis.org

Deadline: 30 Nov 2020
Country: Germany

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