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COVID-19: Impact Survey on the Arts Residencies Field
» ‎ TransArtists

Res Artis: Worldwide Network of Arts Residencies is partnering with UCL (University College London) to conduct a survey to assess the true impact of COVID-19 specifically on the arts residencies field.
Rupert 2021
» ‎ TransArtists

Rupert’s residency programme is dedicated to local and international practitioners and thinkers (such as artists, writers, curators, researchers, cultural managers and academics)

International Japan MANGA Award 2020
» ‎ culture360.org

deadline
19 Jun 2020

May 25, 2020
Young Italian Artists – Giorgia Mascitti
» ‎ Arshake Calls

La riflessione e il lavoro di Giorgia Mascitti, entrano a far parte del progetto «Young Italian Artists. Racconti dall’arte contemporanea», spazio dedicato ai protagonisti dell’arte under 35, concepito da Antonello Tolve e curato con Elena Giulia Rossi.
Questo per me doveva essere l’anno della transizione: la ricerca dell’indipendenza, gli studi finalmente portati a termine con un pezzo di carta da poter “spendere” nel migliore dei modi, un lavoro part-time, le bollette da pagare, la spesa da organizzare settimanalmente, la costruzione di un percorso artistico, il progetto vivo di incrementare il bagaglio della conoscenza. In poco tempo ho visto annullarsi tutti quegli impegni artistici conquistati che per una persona della mia età erano davvero dei piccoli traguardi, l’inizio di qualcosa in cui credere.

L’obbligo di isolamento in casa, lontani dal nido familiare e anche senza la vita comunitaria che ho creato nella città in cui vivo, mi ha portato a un inevitabile dialogo interiore dove ho ritrovato un particolare amore per la storia e per l’imprevedibile.

Come insegna Cartesio nel discorso sul metodo in queste occasione ci si dà una prospettiva: è forse un discorso soggettivo a cui ognuno va incontro: lavorare indisturbati durante il processo di ricerca.

Dal mio punto di vista penso che, dopo un momento buio e di decadenza c’è sempre qualcosa che ci fa risalire. Questo è quello che la storia insegna e questo è quello in cui credo fermamente.

Giorgia Mascitti, Aprile 2020
Giorgia Mascitti è nata a San Benedetto del Tronto nel 1995, vive e lavora a Macerata.

Young Italian Artists. Racconti dall’arte contemporanea Progetto ideato da Antonello Tolve, curato con Elena Giulia Rossi
L'articolo Young Italian Artists – Giorgia Mascitti proviene da Arshake.

Curating on the Web: Exhibiting Internet-based Art - Online course by Node Center
» ‎ E-artnow calls

Node Center for Curatorial Studies Berlin
'Curating on the Web: Exhibiting Internet-based Art'Online course by Node CenterIn support of our community and art professionals during the global ...

France | Nemo International Biennial of digital arts 2021 - call for projects
» ‎ culture360.org

deadline
15 Jun 2020

Making Tracks > Virtual Residency and Digital Tour for Musicians
» ‎ On the Move

25.05.2020
Making Tracks brings together emerging artists from the UK and around the world to showcase diverse music, initiate new collaborations and explore strategies for music-based environmental engagement. The 2021 Making Tracks will have two phases: a Virtual Residency (29 June - 12 July 2020) and a Digital Tour (during the eight weeks after). Musicians from all backgrounds, aged 19-35, are encouraged to apply, whether or not they have formal musical training. Deadline: 8 June 2020.
Read more
Liberty EU & Journeys Festival International > Call for Proposals (Remote)
» ‎ On the Move

25.05.2020
ArtReach, producers of Journeys Festival International, are inviting artistic proposals from artists who have sought sanctuary in Europe; who are aged between 18 – 30, based in Europe, and making work for the digital realm; and whose freedom of movement is or has been restricted or negatively impacted because of their immigration status. Proposed artworks should explore the theme of freedom of movement, and can use forms including film, video, animation, live streams of performances or performance scores, recorded music, and soundscapes. Works will be shared as part of the digital Journeys Festival International programme in October 2020. Deadline: 29 May 2020.
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Carpintarias de São Lázaro > Residency for Music Buskers and Street Musicians (Portugal)
» ‎ On the Move

25.05.2020
The Carpintarias de São Lázaro (CSL) cultural centre in Lisbon is calling for music buskers and street musicians to apply for a residency. Under the programme, artists will share their knowledge and experiences through workshops (on presentation styles, the technical aspects of instruments, materials and devices used, etc.). The residency will last 6-8 weeks. Applications are open to musicians or music-based performers, who are currently or have been for some time acting as street musicians / performers, as a way of life or subsistence. Deadline: 15 June 2020.
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Ģertrūdes ielas teātris > Theatre and Dance Residencies for Baltic/Nordic Artists (Latvia)
» ‎ On the Move

25.05.2020
The new residency programme of the theatre Ģertrūdes ielas teātris in Riga offers support to young contemporary performing arts professionals from Baltic countries (except Latvia) and Nordic countries working in the fields of theatre and dance. The residency offers an opportunity to work on the development of an artistic project during a four-week research phase. Two individual artists or artistic groups (max 4 participants) will be selected for two residencies: 20 July – 16 August 2020 and 24 August – 20 September 2020. Deadline: 7 June 2020.
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Tokyo Arts and Space > International Creator Residency 2021 (Japan)
» ‎ On the Move

25.05.2020
Applications are currently open for Tokyo Arts and Space (TOKAS)’s International Creator Residency Programme, targeted at individual creators working in visual arts, film, design and architecture. Residencies last three months, taking place September – November 2021 or January – March 2022. Applicants should reside outside of Japan and have 5 years or more of experience in their specialised area of expertise. Both individuals and duo creators can apply. Deadline: 24 June 2020.
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Produktionszentrum Tanz + Performance / Akademie Schloss Solitude > Residency Fellowship for Contemporary Dancers and Performers (Germany)
» ‎ On the Move

25.05.2020
Produktionszentrum Tanz + Performance is collaborating with the Akademie Schloss Solitude centre in Stuttgart to award a residency fellowship to contemporary dancers and performers. Two fellowships are being awarded. One from January – June 2021, and the other from July – December 2021. Applications are open to artists from around the world. Deadline: 30 June 2020.
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Culture Solutions > Composing Trust 2019/2020 Research Report
» ‎ On the Move

25.05.2020
Produced by Culture Solutions, the Composing Trust report is designed to monitor and analyse the cultural field at the European level. It aims to become a reference and resource on EU international cultural relations; to provide information for the new 2019 European Parliament and Commission; to sketch out a working agenda for culture solutions in the years to come; and to engage with all those caring for a common agenda on EU international cultural relations.
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La Briqueterie > Screendance Production Residency (France)
» ‎ On the Move

25.05.2020
La Briqueterie's annual screendance production residency sees an artist or a team of artists receive a two-week residency to create a short work of screendance (15 minutes maximum). This year, the residency will be hosted at POLE-SUD – the National Choreographic Development Center of Strasbourg, running 4-15 January 2021 (dates susceptible to change according to the evolution of the international health crisis). Applications are open internationally. Deadline: 28 July 2020.
Read more

May 24, 2020
Online Residency Open Call!
» ‎ WOOLOO.ORG

Deadline Jul. 05, 2020
Residency, Online Exhibition, Biennial/Festival
Activism, Architecture, Conceptual, Curating, Design, Digita...
www.deformal.com/online-residency The residency program is a virtual space for artists to explore and create net.art, to build international communities, and to have dedicated time and space for experimenting on something new.
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call: Quarantine Mail Art
» ‎ netEX - networked experience

Deadline: 7 September 2020
Call for entries

Quarantine Mail Art, Special Collections Research Center, Temple University Libraries

Dates: May 2020-September 2020, Philadelphia, PA, USA

The current open call for quarantine mail art was announced on May 18, 2020 and will run until Labor Day, September 7, 2020. There are no limitations on medium or content, we just ask that submissions be in the mail art genre, specifically small scale works of art sent through the postal service. The call is open to all ages, all artistic abilities, Temple community members, and the general public. All submissions will be added to the Special Collections Research Center’s Mail Art Collection, and made available in the SCRC for future educational and research use, including publication. Artists are asked to consider applying a CC-BY license, but it is not required. Submissions will be exhibited Fall 2020 in Charles Library around the theme of “Interruptions”.

Please send your mail art to:

SCRC, Charles Library
Temple University
1900 N. 13th Street
Philadelphia, PA 19122
USA

no entry fee

contacts; scrc@temple.edu
[https:]]
call: 10x Art Commissions for Musicians/Sound Artists
» ‎ netEX - networked experience

Deadline: 15 June 2020
Call for entries

10x Art Commissions for Musicians/Sound Artists

Submissions welcome from across the globe via digital submission details

The Kent Medway Museums National Portfolio Organisation Partnership (KMM NPO) are seeking proposals from musicians, song writers, sound artists, poets, and those working with sound to create new audio artworks to be accessioned as permanent artefacts within the museum collections. ‘Ten Songs for a Lar’ is an ambitious new commission searching for multiple audio interpretations of a bronze ‘Lar’ – a household god figurine (dated circa. 200AD) held in the collections at The Guildhall Museum, Rochester, UK. Successful artists will receive £1,000 per selected track (inclusive of VAT).

no entry fee
More info: [https:]]
call: Mail art – Marearte
» ‎ netEX - networked experience

Deadline: no (ongoing
Call for entries

Mail Art
The “MAREARTE” project
is a free cultural proposal structured through a traveling collective art exhibition of works inspired by the preservation of the sea (environmental preservation, climate change, diffusion of pollution, protected marine species, fishing and tourism). The works sent by artists from all over the world want to focus on issues related to the relationship between man and the sea, in all possible forms.
The works donated for the project will become part of the historical archive, travel exibition and will not be returned.
– NO DEADLINE OF THE PROJECT.
“MAREARTE” is a project conceived and coordinated by:

DIEGO RACCONI .
Via Ungaretti 12 – 20030 Senago (Mi)
Italy

For information: [www.marearte.jimdofree.com]

May 23, 2020
FRAME > Wish I Were There
» ‎ Arshake Calls

FRAME cattura Wish I Were There dello studio di design TODO, progetto online pensato per creare una costellazione costruita dai posti e sogni prediletti di ciascuno. Costruisce una mappatura comune che accompagna chi ancora vive in quarantena. Aggiungete la vostra stella!!
TODO, Wish I Were There, 2020
L'articolo FRAME > Wish I Were There proviene da Arshake.

call: Arteles residency – Fall 2020
» ‎ netEX - networked experience

Deadline: 9 July 2020
Call for entries

New Course – Guided Residency Program In Finland, Fall 2020

Setting the course & rituals for your creative practice.
Residency program for artists, performers and creative professionals at Arteles Creative Center in Hämeenkyrö, Finland

1 month periods in October and November 2020

New Course is a guided residency program for the personal growth of artists, performers and creative professionals. The program is designed to expand and enhance artists’ creative practice, routines and way of being through new collaborative methods and professional guidance. The program helps artists establish their own rituals and guides them to best practice.

The program is led by Dr Margi Brown Ash (AU), a professional collaborative creative coach, therapist and award-winning theatre director.

The program includes creative workshops, impulse training, generative conversations, one-to-one guidance, guided meditation, yoga & br eathwork, organic breakfast, nature trips, freedom to create…

Find out more & apply online at [www.arteles.org]

Open Call: Ojo de Agua Film Festival
» ‎ Rhizome.org Opportunities
- Deadline:Jun 6 2020, @ 11PM
- Location:Virtual
Aguas Migrantes is continuing our annual film festival, for it's third year! Artists are invited to submit video work that corresponds to this year's theme: trueque, a means of exchange beyond currency.

We are being called to layout new ways of being and coexisting with one another. The principle of ...
New Course - Guided residency program in Finland, Fall 2020
» ‎ Rhizome.org Opportunities
- Deadline:Jul 7 2020, @ 6PM
- Location:Arteles Creative Center, Hämeenkyrö, Finland
Setting the course & rituals for your creative practice.
Residency program for artists, performers and creative professionals at Arteles Creative Center in Hämeenkyrö, Finland

1 month periods in October and November 2020
Deadline for applications: 9th of July 2020

New Course is a guided residency program for the personal growth ...
Peripheral ARTeries, Call for Artists, Biennial Edition 2020
» ‎ Rhizome.org Opportunities
- Deadline:Jun 6 2020, @ 6PM
- Location:London, United Kingdom
Peripheral ARTeries is inviting entries for the competition to find the most interesting emerging worldwide artists in various fine arts disciplines.

The contest, on its 11th edition, comes under the sign of collaborative networking and will once again explore and show current trends and tendencies in Contemporary Art.

All we ...
wendy.network - Call for artists
» ‎ Rhizome.org Opportunities
- Deadline:Dec 12 2030, @ 11AM
- Location:worldwide
WENDY.NETWORK - Powered by KONJUNGATE

Based on the cyber-novel MACHFELD by Michael Mastrototaro, published in 1999, the KONJUNGATE project has developed into a fixed part of the international crypto and media art scene in the last 2 years.
Media art often shows changes in society and questions technological innovations by ...

May 22, 2020
Person and the Otherness of Nature
» ‎ WOOLOO.ORG

Deadline Jun. 15, 2020
Online Exhibition
Conceptual, Curating, Digital, Drawing, Film, Installation,...
Person and the Otherness of Nature will be a space to think about what we are in relation to artworks, different environments and the Earth.
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VIDEO POST > NEUROTRANSMITTER 3000
» ‎ Arshake Calls

VIDEO POST rilancia la documentazione di Neurotransmitter 3000, progetto di Daniel de Bruin per entrare letteralmente in simbiosi con la macchina, una giostra alta sette metri, guidata dai dati biometrici ottenuti da sensori posizionati sul suo corpo.
Daniel de Bruin, Neurotrasmitter 3000, 2017 In collaboration with Bas Bakx and Pim Keunen | Video: Jefta varwijk | Music: Dusk – Mike Luck

L'articolo VIDEO POST > NEUROTRANSMITTER 3000 proviene da Arshake.

call: Peripheral Arteries – Biennial edition 2020
» ‎ netEX - networked experience

Deadline: 30 June 2020
Call for entries

Peripheral Arteries,
Biennial Edition 2020

Peripheral ARTeries is inviting entries for the competition to find the most interesting emerging worldwide artists in various fine arts disciplines.

The contest, on its 11th edition, comes under the sign of collaborative networking and will once again explore and show current trends and tendencies in Contemporary Art.

All we aim to is to encouraging artists to innovate and create: we cultivate a spirit of openness through a unique collaborative and participatory approach. Accordingly, worldwide artists at any career-stage can submit their works. Each artist may submit a maximum of three works or projects made in any technique:

• Painting
• Video Art & Experimental Cinema
• Fine Art Photography
• Experimental Media
• Mixed Media
• Installation
• Public Art
• Performance

We are open to all proposed forms of art and media and we focus to works which ca uses people to reflect on the larger community and a kind of art capable of challenging the viewers’ traditional perspective on art itself. This competition aims to give the impetus and opportunity to artists to work between the boundaries of Contemporary Art.

application form: [https:]]

For any further information, please visit [https:]]

Any questions can be sent to peripheral.arteries@europe.com

Wide Open Studios: Artist-as-Trickster
» ‎ rivet.es

Signal Fire

Digital transformation in the time of COVID-19 | Europeana workshops
» ‎ culture360.org

deadline
22 May 2020
Artists at Risk Connection - regional representative for Asia (p/t consultancy job)
» ‎ culture360.org

deadline
31 May 2020

Casa Planas > Artistic Research Residencies for Creators and Thinkers (Spain)
» ‎ On the Move

22.05.2020
The Casa Planas centre in Palma, in conjunction with the Goethe-Institut, has announced the second edition of its Artistic Research Residencies programme, the aim of which is to develop and produce innovative projects that reflect and shed light on cultural relations between the Planas Archive and German culture. The centre is offering a residency programme for research into contemporary art aimed at creators and thinkers, taking place 15-27 November 2020. Deadline: 30 June 2020.
Read more
O Rumo do Fumo > Residency Programme for Dance and Performing Artists (Portugal)
» ‎ On the Move

22.05.2020
The O Rumo do Fumo residency programme in Lisbon supports contemporary artistic creation and stimulates its research and development. There are two upcoming residencies for emerging artists: 7 September – 3 October 2020, and 26 October – 21 November 2020. Submissions should be for projects that are still in creation, and the artist should have created and presented no more than three prior works. Deadline: 7 June 2020.
Read more
La Maison Baldwin > Executive Director (Remote / France)
» ‎ On the Move

22.05.2020
La Maison Baldwin seeks a visionary leader to steer it through a coming phase of organisational growth. This will be the organisation’s first paid staff position. It is a part-time, remote consulting job with the potential to transition to a full-time, onsite salaried position in the south of France.
Read more

New Course - Guided residency program in Finland, Fall 2020
» ‎ WOOLOO.ORG

Deadline Jul. 09, 2020
Residency
Activism, Architecture, Conceptual, Curating, Design, Digita...
Setting the course & rituals for your creative practice.
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May 21, 2020
New Course program in Finland, Fall 2020
» ‎ re-title.com artist opportunities

Residency program for artists, performers & creative professionals

Deadline: 9th of July 2020

New Course

Residency program for artists and creative professionals

at Arteles Creative Center in Hämeenkyrö, Finland

1 month periods in October & November 2020

Deadline for applications: 9th of July 2020

Setting the course & rituals for your creative practice

New Course is a guided program for the personal growth of artists, performers and creative professionals. The program is designed to expand and enhance artists' creative practice, routines and way of being through new collaborative methods and professional guidance. The program is led by Dr Margi Brown Ash, a professional collaborative creative coach, therapist and award-winning theatre director.

Read more & apply online: [www.arteles.org]

osloBIENNALEN. 2019-2024
» ‎ Arshake Calls

La prima edizione della Biennale di Oslo 2019-2024, curata da Eva González-Sancho Bodero and Per Gunnar Eeg-Tverbakk, è proiettata in cinque anni di programma per esplorare i contesti inusuali e le questioni che scaturiscono dall’arte nello spazio pubblico, anche in questa situazione di distanza sociale. Il programma è inizio con l’esplorazione degli ambienti sono con lavori degli artisti norvegesi Alexander Rishaug e Øystein Wyller Odden.

Y (59 ° 54’54.76 ″ N 10 ° 44′46.03 ″ Ø) di Alexander Rishaug esplora il suono di un edificio abbandonato dopo un attacco terroristico. Il posto in questione è H-Blokka, un edificio esploso con una macchina bomba nel quartiere governativo di Oslo nel 2011 con otto morti. Il titolo si riferisce alle coordinate geografiche che indicano la posizione geografica del suo edificio gemello , Y-blokka programmato per essere demolito.

I suoni sono stati registrati nel corso di due giorni nell’Ottobre 2017 e sono risultati in una sorta di ‘paesaggio psicoacustico’, come lo ha definito lo studioso Tore Stavlund.

Il lavoro sarà pubblicato come vinile, distribuito da MOTTO, con otto tracce, ciascuna di otto minuti, accompagnato da un libro con immagini di H-Blokka e un testo dell’artista. Il progetto, realizzato in collaborazione con with Hagelund / Christensen and with the support of KORO / URO e con il supporto di KORO / URO sarà lanciato il 25 maggio in coincidenza con l’anniversario del lancio della prima Biennale pubblica.

Compositions for Oslo City Hall di Øystein Wyller Odden indirizza la relazione tra tecnologia, architettura e persone, investigando ed rendendo visibili le loro strutture. Questi due pezzi sono stati concepiti per la prima edizione della Biennale e performati nella sala centrale del comune di Oslo, dove ogni anno si celebra la cerimonia del Premio Nobel, e dove sono gli affreschi di Henrik Sørensen. Uno spazio controverso descritto dal critico norvegese Arve Rød come allo stesso tempo ‘monumentale e ostentoso .. sobrio e irragiungibile, una vera e propria cattedrale dedicata a forze profane.

Power Line Hum (Composition for the Organ in Oslo City Hall) origina nella storia dell’organo della sala comunale, un organo a canne discusso per il suo prezzo e poi sostituito con un organo Hammond lasciando le canne come ‘facciata silente’. L’artista restituisce il suono all’organo silente con un sistema che sfrutta il vento e ne fa risuonare la sala per diversi mesi.

Kraftbalanse [Power Balance] (Composition for Piano, Alternating Current and Orchestra) è stato scritto con Jan Martin Smørdal ed eseguito due volte del corso della Biennale inondando lo spazio monumentale con un paesaggio sonoro drammatico.
osloBIENNALEN 2019 – 2024
immagini: (cover 1) Ed D’Souza, «Migrant Car», 2019. Temporary sculpture, mixed media, performance. Courtesy © the artist/ osloBIENNALEN. Photo: Niklas Hart (2) Alexander Rishaug, «Y (59 ° 54′54.76 ″ N 10 ° 44′46.03 ″ Ø)», 2020. Double LP/ booklet with sound and images conducted in the Norwegian government quarter over two nights in October 2017. Courtesy © the artist/ osloBIENNALEN. Photo: Arne B. Langleite (3) Hlynur Hallsson, «Minority Groups in Oslo», a work in the project Seven Works for Seven, 2019. Text-based work in The Vigeland Sculpture Park in Frogner Park, Courtesy © the artist/ osloBIENNALEN. Photo: Asle Oslen (4) Jan Freuchen, Jonas Høgli Major, Sigurd Tenningen, «Oslo Collected Works OSV», 2019 – Sculpture pavilion close to Økern senter in Oslo. Ongoing from May 2019. 2nd Launch. October 2019. Courtesy © the artists/ osloBIENNALEN. Photo: Niklas Lello (5) Katja Høst,«Y-blokka», 2019. From a set of 24 black-and-white postcards depicting the iconic modernist building, the Y-block, which formed part of the Norwegian government quarter for over fifty years. Courtesy © the artist/ osloBIENNALEN (6) Øystein Wyller Odden, «Power Line Hum (Composition for the Organ in Oslo City Hall)», 2019. Soundwork. Courtesy © the artist/ osloBIENNALEN. Photo: Niklas Hart (7) Myngata 2, the offices of osloBIENNALEN and artists studios in the centre of Oslo. Courtesy © osloBIENNALEN. Photo: Niklas Lello

L'articolo osloBIENNALEN. 2019-2024 proviene da Arshake.

University of Amsterdam / IMAGINART > PhDs in Socially Engaged Art and State Transformation (Hungary, Palestine, Lebanon, Italy)
» ‎ On the Move

21.05.2020
Funded by the Netherlands’ Research Organization, the IMAGINART project explores the role of socially engaged art in reinventing failing public institutions and social structures. Three PhD positions are being made available at University of Amsterdam for researchers to work within the IMAGINART project. Each of these positions has a geographic focus – Hungary; Lebanon and Palestine/West Bank; and Italy – and will involve extensive field work. The projected start date is 1 September 2020. Deadline: 31 May 2020.
Read more
Chaire Diasporas Africaines (France) > Appel à candidatures
» ‎ On the Move

21.05.2020
Le laboratoire « Les Afriques dans le monde » de Bordeaux offre une bourse de doctorat pour une période de 36 mois dans le cadre d’un partenariat avec l’Institut Français et l’Agence Française de Développement, programme « Accès Culture ». Date limite : 24 juin 2020.
Read more

Busan International Film Festival 2020 - open calls
» ‎ culture360.org

deadline
15 Jun 2020

Dance/Performance Residency Programme 2020
» ‎ WOOLOO.ORG

Deadline Jun. 07, 2020
Residency, Grant
Performance, Residencies, Grants
Open call for two residencies of new creations by EMERGING ARTISTS, during one month.
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May 20, 2020
10x Art Commissions for Musicians and Sound Artists
» ‎ CALL | http://soundandmusic.org

Academic, Composition, Digital, Electronic, Environmental, Experimental, Live Music & Installations, Sound art, Voice

Picks from Ada Archive
» ‎ Arshake Calls

E’ da qualche anno che si parla dell’importanza dell’archivio, in particolare ora che il nostro mondo è materializzato nei dati e nell’immagine che questi riconfigurano e rispecchiano nei diversi modi di agire. ADA è un archivio di arte digitale costruito in più di un decennio da studiosi particolarmente interessati all’arte digitale, realizzato in collaborazione con istituzioni, ricercatori e artisti. L’arte digitale, e in particolare quella che si è impegnata nella de-costruzione del mondo tecnologico e del suo rapporto con società e cultura, è una finestra sempre più importante da dove guardare il mondo e le sue nuove evoluzioni. Sono sguardi, quelli degli artisti che in passato hanno operato in questi ambiti, che possono rivelare angolature della realtà estremamente utili per il futuro e nell’ottica di ristabilire un nuovo equilibrio tra mondo e dati, tra uomo e macchina. In questo archivio, per ogni lavoro dal 1979 ad oggi, è possibile trovare documentazione di diverso tipo: video, dati, testi, materiale diventano documentazione alle opere effimere. Il tutto può diventare un importante documento per ricostruire l’evoluzione del paesaggio, quello che oggi ci ha colto di sorpresa nel mondo fisico, obbligando chiunque a riversarsi nel mondo virtuale. La relazione tra questi due mondi da argomento di conversazione è diventata ormai vitale.

Navigando nell’archivio, l’attenzione si è fermata su un lavoro di Stanza, artista pioniere di lavori tra arte e tecnologia sin dal 1984 e tutt’oggi molto attivi. Si tratta di soundicites un progetto – piattaforma che risale esattamente a vent’anni fa ed è durato l’arco temporale di un decennio, 2000 – 2010. Soundcities è un archivio interattivo di suoni registrati per il mondo nell’arco di vent’anni (i 10 anni che hanno preceduto l’avvio del progetto e i 10 anni successivi). Gli utenti potevano remixare e salvare in una propria compilaton.

Lo sguardo di Stanza non si è mai fermato. Attraverso pittura, video, stampe, lavori generativi ed installazioni, ogni volta hanno rivelato aspetti invisibili del paesaggio, la sua natura sistemica in continuità con la vita che lo abita. La sua attenzione ha trovato il suo perno nel paesaggio urbano, nel suo sovrapporsi con la tecnologica. Da questo perno lo sguardo si è allargato generando nuovi spazi di visione. Soundcities è uno di diversi progetti archiviati su ADA. Di più potete scoprire sul sito:
ADA – Digital Art Archive Soundcities (2000-2010) by Stanza
immagini: Stanza, «Soundcities», 2000-2010, © [www.soundcities.com] (2) Stanza, «Soundcities», versione installata

L'articolo Picks from Ada Archive proviene da Arshake.

FEINART > Early Stage Researcher Positions in Socially Engaged Art (UK, Germany, Iceland)
» ‎ On the Move

20.05.2020
FEINART – The Future of European Independent Art Spaces in a Period of Socially Engaged Art is offering eleven early stage researcher positions across four institutions in the UK, Germany and Iceland. Each position lasts three years and has a connected project on a specific aspect of socially engaged art (‘Changing social identity and economic role of the artist’, ‘Art and social engaged practice in major national contexts: the case of Germany’, etc.). Deadline: 30 June 2020.
Read more

Create! Magazine Print Issue #22 Call For Art Curated By Larry Ossei-Mensah
» ‎ WOOLOO.ORG

Deadline Jun. 30, 2020
Exhibition, Online Exhibition, Publication
Digital, Drawing, Installation, Mixed Media, Painting, Photo...
Create! Magazine is pleased to announce an international open call for the print issue #22 juried by Larry Ossei-Mensah.
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Open Call for a duo show in March 2021 at Galerie Tracanelli in France
» ‎ WOOLOO.ORG

Deadline Nov. 30, 2020
Exhibition, Competition
Activism, Conceptual, Digital, Drawing, Installation, Mixed...
Based in Grenoble. Our curatorial approach valorize the work of young and emerging artists from all around the world. Each month we present two or more artists that we put into dialogue.
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Open Call for a duo show in February 2021 at Galerie Tracanelli in France
» ‎ WOOLOO.ORG

Deadline Oct. 31, 2020
Exhibition, Competition
Activism, Conceptual, Digital, Drawing, Film, Installation,...
Based in Grenoble. Our curatorial approach valorize the work of young and emerging artists from all around the world. Each month we present two or more artists that we put into dialogue.
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Open Call for a duo show in January 2021 at Galerie Tracanelli in France
» ‎ WOOLOO.ORG

Deadline Sep. 30, 2020
Exhibition
Activism, Architecture, Conceptual, Digital, Drawing, Instal...
Based in Grenoble. Our curatorial approach valorize the work of young and emerging artists from all around the world. Each month we present two or more artists that we put into dialogue.
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May 19, 2020
Accessibility in Curating - Online course by Node Center
» ‎ E-artnow calls

Node Center for Curatorial Studies Berlin
'Accessibility in Curating: a Framework'Online course by Node CenterIn support of our community and art professionals during the global outbreak of...

Online Circle Singing session
» ‎ CALL | http://soundandmusic.org

Composition, Experimental, Live Music & Installations, Performance, Sound art, Voice

call: Pool – International Dance Film Festival Berlin
» ‎ netEX - networked experience

Deadline: 16 June 2020
Call for entries

Open Call – POOL 20 INTERNATIONALES TanzFilmFestival BERLIN
Festival: 8. – 12.9.2020, DOCK 11, Kastanienallee 79 | 10435 Berlin

no entry fee

PROFILE

Every year POOL presents a selection of fascinating dance film productions from all over the world, making the event a meeting place for creatives involved in the fields of dance, film, fashion and advertisement.
The focus of the festival is on films that not only record dance but create independent filmchoreographies through the intense interplay between dance and cinematic tools like camera and editing.

PARTICIPATION

All dancers, choreographers, filmmakers and artists are invited to apply with short filmchoreographies and dance animations.
Films should not be longer than 30 minutes and no documentation of a dance piece.

APPLICATION MATERIALS

Applications can be submitted online.

– Preview link for the jury
(can be inserted into the online application form)

Only if your film is chosen for the programme:
– Screening copy of the film
– Filled and signed online application form scanned to
info@pool-festival.de
– 3 digital film stills, minimum 300 dpi
– Optional: biography, video testimonies and useful information

PROGRAMME & PEARLS

The POOL 20 jury will create a film programme from all submissions and select the winning films, the PEARLS 20.

PEARLS are the equal winner films of POOL – INTERNATIONALES TanzFilmFestival BERLIN and will be honored with a prize money.

Outstanding artists who are continuously working in the field of dance film will be awarded with the PEARLS ARTIST PRIZE.

info@pool-festival.de
[www.pool-festival.de]
[www.dock11-berlin.de]
call: Mail art – GREECE GOT MAIL: a letter to the refugee camps
» ‎ netEX - networked experience

Deadline:18 september 2020
Call for entries

Open Call
GREECE GOT MAIL: a letter to the refugee camps

Have you ever participate to a mail-art call?
Mail Art is a global artistic movement centered on sending small-scale art works through the postal service.

Media commonly used in Mail Art includes postcards, paper, rubber stamps, artist-created stamps (called artistamps), and paint, but can also include music, sound art, poetry, or anything that can be put in an envelope and sent via post, such as a collage of recycled images and objects. Mail art is considered art once it is sent.

“Anyone can participate in Mail Art.”

GREECE GOT MAIL: a letter to the refugee camp
The idea is simple, what would you send if you could get in touch with someone currently stuck in one of the settlements?

FREE TECHNIQUE . NO JURY . NO FEE . NO RETURN

no fee

send your mail to

Tessy Morelli
rua maria pia 66 r/c d.to
1350-211 LISBON – Portugal
call: Sound Occupations
» ‎ netEX - networked experience

Deadline: 30 June 2020
Call for entries

Sound Occupations are part of Student International film festival’s (STIFF) supporting program (26. – 29.11.2020.) developed under the Rijeka Capital of Culture 2020. We invite artists to send us their work that explores, records, changes, interprets, produces or in any other way interacts with the sounds of everyday life; in any preferred artistic medium.

Exhibition Sound Occupations is dedicated to sound as a primary generator of everyday and artistic impulses.

Sound could be understood as an epistemological formative instrument that enables us to analyse urban and imagined spaces but also as an aesthetic tool to help us build and rebuild these landscapes in practice.

Soundscape determines life’s rhythm, it influences people’s emotions, their motion and thoughts. It occupies, manipulates, alternates, provokes and defines our realities. Examining the sounds of a city or a certain space and community, we can find out a lot about social, political and economic forces at work in those spaces: who and what produces the sounds? Who controls it? Which sounds are dominant and which ones are missing? In what way does the sound connect or separate individuals, groups and images? What happens when a certain sound disappears?

We are searching for works that will explore, enrich and play with the subject of SOUND. Through innovative audio-visual content, objects, installations, live actions and performances, experimental videos, visual poetry etc. we invite artists to alter the role of sound and make it dominant in relation to the image. The submitted works therefore may refer to different areas of artistic expression with the central focus on examining urban soundscapes, exploring ambient and the changes that happen in the sounds of everyday life.

The aim of the Sound Occupations exhibition is to depart from a still existing dichotomy that separates art and reality, and to create works that contribute to a broader, fuller understanding of art and today’s society.

Selected works will be exhibited during the STIFF Film Festival (26. – 29. 11. 2020.) as part of the Sound Occupations exhibition in SKC Gallery in Rijeka.

……………………………………………………………………………………….

Application rules:

All materials need to be original artwork.

One person can submit up to two works or a series of related works.

Works can be created for exhibiting in the gallery space, virtual space or public space of the city of Rijeka.

Application deadline is June 30th, 2020.

Works should be sent through e-mail address : sound.occupations@gmail.com , subject: Sound Occupations.Attach a pdf document (named as your work) with the following information: name of the work, a description of the work, year of production, your name and surname, e-mail address, country of residence, your web page (if you have one).

Attach visual and sound documents/drafts/examples/documentation of your work; the things you find necessary to describe the details of your work.

If the size of your attachments is too big ( larger then 25 MB), send us a link to download materials via WeSendit.com, pcloud.com or WeTransfer.

……………………………………………………………………………………….
[https:]]

Arts for Good Project | Apply now!
» ‎ culture360.org

deadline
07 Jun 2020
Kinosaki International Arts Center - Artist-In-Residence program 2021-2022
» ‎ culture360.org

deadline
14 Jun 2020

May 18, 2020
OPEN CALL for ARTISTS ROUND46 January - March 2021
» ‎ WOOLOO.ORG

Deadline May. 31, 2020
Residency, Exhibition
Conceptual, Curating, Drawing, Installation, Intervention, P...
"PILOTENKUECHE" is an international art program based Leipzig, Germany. The independent project is organized by artists with a transdisciplinary background between art and theory with the aim to support artists.
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Young Italian Artists. Iacopo Pinelli
» ‎ Arshake Calls

Con una autocritica e autoanalisi, Iacopo Pinelli entra a far parte del progetto «Young Italian Artists. Racconti dall’arte contemporanea», spazio dedicato ai protagonisti dell’arte under 35, concepito da Antonello Tolve e curato con Elena Giulia Rossi.
Credo che lavorando sull’io si possa comprendere meglio se stessi sia nell’agire individuale che in quello collettivo. Ciò che più mi interessa sono le problematiche sociali, politiche e relazionali che ci accompagnano nella vita di tutti i giorni.

Una delle mie prime ricerche effettuate in detti ambiti è stata quella sulla «tensione», facendo emergere le trasformazioni indotte nell’uomo dalle tensioni attive nella società contemporanea, scavando nelle problematiche sociali e relazionali che inducono disagio, angoscia, emarginazione, autoesclusione. La ricerca intrapresa è approdata all’analisi della perdita dell’inconscio.

Da qui è nata la serie di lavori denominati Corpi defunzionali dove ciò che conta non è la storia sentimentale che l’oggetto può raccontare, ma l’operazione di spiazzamento, di alienazione graduale dell’oggetto, di privazione del suo valore d’uso e, quindi, di assunzione di un significato altro. Un viaggio metaforico che mette in relazione l’assuefazione e il distacco di emotività, di confronto e di partecipazione alla realtà, enfatizzato dalla immedesimazione del corpo nell’oggetto, di corpi d’esistenza che non svolgono più alcuna funzione, che rimangono inermi, passivi, impossibilitati a reagire alle condizioni e alle questioni del tempo presente.

Attualmente sto lavorando ad una serie di opere intitolate Strutture, conseguenza naturale dei precedenti studi sulla defunzionalizzazione e smaterializzazione oggettuale. La serie di lavori di cui mi sto occupando prende in considerazione l’architettura attraverso gli scritti di Jacques Derrida e la riproduzione di materiali edili. Le strutture che realizzo sono scheletri di edifici, trasparenti fantasmi di architetture incompiute, rovine erette a monito della fragilità umana e delle sue opere. Costruzioni anonime e senza tempo, sgomento e vuoto sono le sensazioni che inducono. La completa assenza di forma sottesa alla bellezza propone l’idea della solitudine di un insieme concepito per sorreggere con vigore, ora costretto all’inattività. Mi riferisco all’architettura non intesa come tecnica delle costruzioni ma come elemento con cui indagare metaforicamente e filosoficamente la condizione umana così come aveva fatto Derrida teorizzando il decostruttivismo. Una destrutturazione delle esperienza umane finalizzata a portare alla luce quegli scheletri che fortificano la struttura e le fondamenta che la sostengono, nascoste ma essenziali. Ma anche le «strutture portanti», in realtà, hanno una loro intrinseca fragilità.

Iacopo Pinelli, Aprile 2020
Young Italian Artists. Racconti dall’arte contemporanea Progetto ideato da Antonello Tolve, curato con Elena Giulia Rossi
L'articolo Young Italian Artists. Iacopo Pinelli proviene da Arshake.

AT THE VENICE BIENNALE SUMMER SCHOOL IN CURATORIAL STUDIES VENICE OPEN CALL
» ‎ rivet.es

curatorialschool@gmail.com

Words, Non-words and Music with Julia Holter - ONLINE
» ‎ CALL | http://soundandmusic.org

Composition, Experimental, Performance

12. Unlocking venues / audiences
» ‎ On the Move

24.05.2020
This is the section 12 of the list of resources compiled by On the Move in collaboration with Circostrada: Coronavirus: Resources: Arts, Culture and Cultural Mobility. Please email mobility(at)on-the-move.org in case of update, correction or new resources.
Read more
EESAB > Open Call for International Artist in Residence (France)
» ‎ On the Move

18.05.2020
The European Art School of Brittany in France seeks a motivated artist to spend an academic semester in a stimulating environment at its campus in Brest. Brest's MFA department is currently taking calls for the fourth edition of its artist in residence programme. The artist selected for 2020-21 will be resident from 14 September 2020 to 31 January 2021 and will work primarily with MFA students in the context of the new MFA programme, Forms of Life/Life of Forms. Deadline: 31 May 2020.
Read more
Buffer Fringe Performing Arts Festival > Open Call for Experimental Performance Works (Cyprus)
» ‎ On the Move

18.05.2020
Buffer Fringe Performing Arts Festival (BFPAF) showcases new and experimental work by local and international artists. The 2020 edition will take place end of November – early December (dates tbc) with the theme ‘Displacement: people, ideas and artistic practice’. Proposals are invited for experimental work, of any form, that is inherently process-based and collaborative. Selected artists will share their creative process (online or offline) during autumn 2020 in the lead up to performing (preferably offline) during the festival. Deadline: 31 May 2020.
Read more
Science Gallery Melbourne > Open Call for Exhibition, ‘SWARM’ (Australia)
» ‎ On the Move

18.05.2020
Science Gallery Melbourne is seeking proposals for works that can be included as part of its 2021 exhibition SWARM. Proposals are invited from around the world and can be for a new or existing artwork, performance, workshop, digital intervention, research project, or other activity. It’s strongly recommend that you keep the gallery’s target audience of young people aged 15-25 in mind and consider including interactive or participatory elements. Deadline: 20 June 2020.
Read more
Warehouse421 > Project Revival Fund
» ‎ On the Move

18.05.2020
Warehouse421, an arts and design centre in the UAE, has launched the Project Revival Fund, part of the programme that aims to alleviate the disruption affecting the creative production impacted by the challenges arising from the Covid-19 pandemic. Applications are now open, to local and regional emerging and mid-career creatives across multiple disciplines in the MENASA region. Some of the selected projects will have the opportunity to be part of the Warehouse421 programme of exhibitions and community-wide initiatives. Deadline: 30 May 2020.
Read more
Genius Loci Weimar > Video Projection Commissions (Germany)
» ‎ On the Move

18.05.2020
Genius Loci Weimar is an international festival for audiovisual projects. The organisers are looking to commission three video projection projects to work with three buildings in Weimar: the Marstall, the Goethe and Schiller Archive, and the Altenburg. The winning concepts will be presented in the context of an evening tour through Weimar during the festival from 4-6 September 2020. Deadline: 14 June 2020.
Read more
Nowhere Online Music Platform > Call for Arab Musicians and Bands for Collaborative Album ‘Music from Here’ (Online)
» ‎ On the Move

18.05.2020
The Nowhere Online Music Platform invites Arab musicians and bands residing in the Arab region and abroad to submit their musical works – produced at home during the global quarantine – to be part of a special volume of the ongoing music album project ‘Music from Here’, which is presented online and made free to listen and download. Deadline: 5 June 2020.
Read more

ECC Performance Art Upcoming Online Course
» ‎ E-artnow calls

Online Course at ECC Performance Art
ECC Performance Art Upcoming Online Course:“‘Rules of the Game’: an introduction to task-based performance and art” ...

May 17, 2020
FRAME > Revision
» ‎ Arshake Calls

FRAME cattura e rilancia il lavoro di Shirin Abedinirad, artista trasversale che lavora con installazioni, video arte, land art, performance. Revision è parte di una serie di lavori installativi che mettono in relazione l’uomo con la natura giocando con la percezione attraverso il posizionamento di specchi. Gli specchi di questa installazione ambientale, sostituiscono i monitor di una serie di televisori trovati a diventare passaggio percettivo della natura che riflette.
Shirin Abedinirad, Revision, 2018, image via Questo progetto è stato realizzato nell’ambito della Lorne Sculpture Biennale 2018 – Landfall, curata da Lara Nicholls, Victoria

L'articolo FRAME > Revision proviene da Arshake.

call: Ojo De Agua Film Festival
» ‎ netEX - networked experience

Deadline: 20 June 2020
Call for entries

Ojo De Agua Film Festival
Aguas Migrantes is continuing our annual film festival, for it’s third year! Artists are invited to submit video work that corresponds to this year’s theme: trueque, a means of exchange beyond currency.

We are being called to layout new ways of being and coexisting with one another. The principle of Sankofa teaches us to bring beneficial aspects of past traditions in order to shape our future. As our ancestors exchanged goods and services without standardized currency, how do/can we carry on that tradition to inform our art and practice?

GUIDELINES:
– No entry fee
– Include a short artist statement
– All genres & styles are welcome
– Up to 3 short films (30 mins max) via Vimeo,
Youtube or yr website
– Works not in Spanish must have subtitles within
3 weeks of acceptance
– Send work to aguasmigrantes@gmail.com by
SUNDAY 6/20, 11:59pm PST

We look forward to reviewing your submission!

May 16, 2020
Get Parts and Accessories Online!
» ‎ WOOLOO.ORG

Deadline May. 30, 2020
Art Fair
Activism, Art Fairs
Ghost Firearms | Grid Defense offers premium AR15 parts with a focus on Cerakote Uppers, Skeleton Lowers, 80 Percent Lower and AR-15 Build Kits
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VIDEO POST > Ocean Wave
» ‎ Arshake Calls

VIDEO POST rilancia Ocean Wave di Jiayu Liu ed il suo studio, installazione che traduce il movimento delle onde lavorando con dati in tempo reale.
Jiayu Liu, Ocean Wave, 2018 Crediti: New Media Installation Support : Real Field Art&Tech . Ltd ! Computer Vision Programming : Li Ke
Remote Image Transmission System :Li Ke | Electro-mechanical control system design:Hui Li | Mechanical & Industrial Design: Yingfei Zhao | Software & Electronic System Design :Xuefeng Rao | 3D modeling : Sean Lu | Film : Tao Zhang | Music : James C Wilkie | Edit : Wanlong Ma

L'articolo VIDEO POST > Ocean Wave proviene da Arshake.

Vector Festival 2020: Call for Web Designers & Developers
» ‎ Rhizome.org Opportunities
- Deadline:May 5 2020, @ 11PM
- Location:vectorfestival.org
Design and Development of Online Exhibition Platform for Vector Festival 2020: “Online” Edition

Expression of Interest (EOI)

Deadline: May 11, 2020

InterAccess is currently accepting expressions of interest for the design and development of a new modular, open-ended, and accessible website able to feature digital and web-based artworks, live-streamed events ...

9th Lumen Prize 2020 - call for entries
» ‎ culture360.org

deadline
12 Jun 2020

Sound Occupations: Open Call for Artworks
» ‎ WOOLOO.ORG

Deadline Jun. 30, 2020
Exhibition
Conceptual, Digital, Film, Installation, Intervention, Mixed...
We are searching for works that will explore, enrich and play with the subject of SOUND. Through innovative audio-visual content, objects, installations, live actions and performances, experimental videos, visual poetry etc. we invite artists to alter the role of sound and make it dominant in relation to the image.
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Open Call: British Art and Natural Forces
» ‎ re-title.com artist opportunities

Cover Commission for the Online Journal British Art Studies

Deadline 30 June 2020

Application fee None

The online scholarly journal British Art Studies is seeking proposals for new artwork responding to the theme of "British Art and Natural Forces", which is the subject of the Paul Mellon Centre's autumn research programme.

The chosen artist will generate a series of between five and eight cover images for the journal’s eighteenth issue (November 2020), to be presented online as a digital commission. The series of covers is typically accompanied by a short, written statement (c. 500 words). Proposals from individual artists, collectives, and artists working in partnership with researchers and curators are welcome. Stills, moving images, 3D models, and audio tracks can all be supported by the journal website. The commission is awarded with a fee of £500.

If your proposal is successful, you will work collaboratively with the British Art Studies editors to develop the feature and will receive editorial support, as well as assistance with any picture research and copyright clearance.

Please send proposals of no more than 400 words, accompanied by images, to Baillie Card at journal@paul-mellon-centre.ac.uk by 30 June 2020.

Further details:

British Art Studies ( [britishartstudies.ac.uk] ) is an open access and peer-reviewed journal co-published by the Paul Mellon Centre for Studies in British Art, London, and the Yale Center for British Art, New Haven. Since it was established in 2015, it has published scholarship on all aspects of British art, architecture, and visual culture, from the medieval period to the present day.

The theme of “British Art and Natural Forces” focuses on the encounter between artistic or art historical practice and the forces of the natural world. In recent years, artists and scholars have concentrated with new intensity on the relationship between visual representation and climate change, and the overlaps between artistic, geological, biological, and geophysical bodies of knowledge. These interdisciplinary collaborations have seen visual artists and researchers explore subject areas such as natural histories, indigenous forms of knowledge, concepts of the post-human, and revitalized theorisations of the sublime. We welcome proposals that touch on any aspect of this broad theme in relation to British art and its histories, considered in their most diverse and international contexts.

Link [https:]]

Presence with Laurel Halo - ONLINE
» ‎ CALL | http://soundandmusic.org

Composition, Electronic

May 14, 2020
Open Call - POOL 20 INTERNATIONALES TanzFilmFestival BERLIN
» ‎ WOOLOO.ORG

Deadline Jun. 14, 2020
Biennial/Festival
Digital, Drawing, Film, Mixed Media, Other, Performance, Bie...
All dancers, choreographers, filmmakers and artists are invited to apply with short filmchoreographies and dance animations. Films should not be longer than 30 minutes and no documentation of a dance piece. POOL 20 - INTERNATIONALES TanzFilmFestival BERLIN dates: 8. - 12.9.2020, DOCK 11, Berlin
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Intervista | Francesca Arri
» ‎ Arshake Calls

La settima edizione del Moving Bodies Festival Internazionale di Butoh e Live Art, a cura di Produzioni Espace, cambia programma e location a causa del Coronavirus. La performance è una pratica che coinvolge il corpo e il pubblico. Piuttosto che virtualizzare quanto programmato nello spazio, Francesca Arri – da anni impegnata come performer con il corpo, e Ambra Gatto Bergamasco direttrice del Teatro Espace, si rimettono in gioco. Non solo spostano la performance online ma la ripensano con e per le piattaforme alle quali sono destinate in complicità con artisti individuati ad hoc per questa esperienza. Sei giorni di festival per sei artisti da tutto il mondo, dal 4 al 9 maggio, sui canali social di Teatro Espace e Moving Bodies Festival. Ogni giorno dedicato ad un artista diverso, per conoscere la sua pratica e capire assieme come il lavoro si è trasformato, oscillando tra le mura domestiche e la rete. Francesca Arri ci ha raccontato questa esperienza, un vero e proprio esperimento di relazione tra il corpo e il mezzo che ha suscitato non poche sorprese. E.G. Rossi: sei un’artista che lavora molto con il corpo e con la gente. Come è stato possibile traslare tutto questo nello spazio online?
Francesca Arri: Questa situazione ci ha colti tutti di sorpresa. Il distanziamento sociale e l’isolamento sono ostacoli per tutto quello che è spettacolo dal vivo. La performance è caratterizzata dal rapporto con il pubblico. Le mie, in particolare, dal contatto e dal lavoro di gruppo. Sono opere corali: dopo una crisi iniziale, ho cominciato a capire come “reinventarmi un mestiere” lavorando, attraversando il momento e non contrastandolo. Ho osservato e analizzato cosa succede nel mondo che ci circonda, anche se questo si è ristretto alle nostra mura domestiche e allargato sulla finestra multimediale dei media che diventano il nostro spazio di azione. Non volevo solo creare un contenuto e cacciarlo a forza come post ma lavorare sull’uso del mezzo perché la performance sia tale. Quello che ho fatto con i miei ragazzi su Zoom è un primo esperimento che lavora sul LOADING cioè sull’attesa del caricamento dei dati che è diventata l’attesa dalla liberazione dalle nostre stanze, il tutto tramite un gesto banale, il tamburellare delle dita sul sensore del pc, che descrive impazienza e che diventa mano mano cronico, disturbante, tanto da creare, con i limiti e i ritardi della piattaforma e del collegamento un’ opera sonora con effetti metallici dati dal mezzo usato, un’ orchestra di dita che suonano attraverso la piattaforma social. L’opera viene creata e vive sui social, il pubblico la potrà vedere tramite facebook che è il suo palcoscenico, la condivisione diventa parte stessa del lavoro.

Sei artista, curatrice, lavori in ambito didattico. Quali sono vantaggi e pericoli di questo improvviso spostamento nel cyberspazio?

Io voglio tornare a lavorare dal vivo, come voglio uscire e toccare le persone, per mie problematiche sono completamente chiusa dall’inizio del Lockdown, la spesa la ordino, sto bene ma la chiusura è annichilente. Meno male che esiste il web, ma da finestra che in qualche modo ci da spazio e aria non deve diventare neanche il cappio che ci strozza. Io sto continuando a sviluppare nuove opere su piattaforma, la prossima uscirà a giugno per Archivissima, il festival degli archivi, per loro dovevo fare un grosso progetto dal vivo al Polo del 900 qui a Torino che abbiam rimandato al prossimo anno e per quest’anno abbiam ripensato tutto per la fruizione social, stiamo lavorando ad un gran bell’esperimento web ma io sogno il prossimo anno dal vivo. Invece “Moving Bodies Festival”, che curo con Ambra Gatto Bergamasco, è pensato sul web per non tirarsi in dietro e per pensare a come fare ricerca e lavorare nonostante gli impedimenti, per discutere, cercare soluzioni, porsi domande, in un momento dove è difficile avere certezze ma dove porsi dei dubbi è importante.

Con Ambra stavamo lavorando all’edizione del festival di quest’anno, la settima di un festival nato dall’ esperienza di Ambra a Dublino e poi sviluppato al Teatro Espace a Torino. Siamo uscite dalle mura del teatro per diventare Produzioni Espace e per luglio stavamo programmando un’ operazione itinerante in vari spazi torinesi. Rendendoci conto che questo non sarebbe stato possibile, abbiamo deciso di anticipare e affrontare apertamente le problematiche, i dubbi e le incertezze date dalle restrizioni adesso che le viviamo così forti, perché è importante confrontarsi con gli altri e agire. Credo sia il momento della ricerca e della sperimentazione, magari anche sbagliando. Bisogna provare e cercare un dialogo, per questo nel festival chiediamo ai nostri artisti, oltre che un’ opera, anche una #CARTOLINAdalLOCKDOWN , che racconti la loro esperienza di quarantena nel loro paese. Abbiamo invitato sei artisti internazionali che ci hanno raccontato, senza i filtri e il clamore dei media, cosa succede nel loro paese e a loro stessi, sei testimonianze diverse che innescano un dialogo con il fruitore perché stiamo vivendo la più grande esperienza di convivenza sociale in isolamento, un paradosso che è realtà e che va raccontato.

Questa operazione online è stata ovviamente dettata dalla situazione attuale. Gli artisti sono gli stessi che avevate selezionato per lo spazio fisico o avete fatto una selezione ad hoc?

Io e Ambra Gatto Bergamasco abbiamo scelto artisti appositamente per questo progetto, per le caratteristiche del loro lavoro e delle loro esperienze e per avere delle testimonianze diverse da parte del mondo molto lontane tra loro così da capire alla fine che cosa sta succedendo. Ad esempio Edegar Fernando Starke partecipa da Berlino ma è Brasiliano quindi racconta sia la sua esperienza in Germania che quello che sente dai parenti in Sud America sviluppando la sua arte in solitaria fuori dalla sua compagnia o associazione con cui lavora abitualmente ospitando artisti da tutto il mondo. Sempre da Berlino, Vincenzo Fiore Marrese, italiano ma che vive in Germania, ci racconta di come ha ripensato gli spazi domestici per il suo lavoro e in prospettiva di ospitare in futuro artisti per dar loro la possibilità di lavorare in sicurezza, Yokko, artista giapponese, da New York ci racconta di quanto le sue lezioni online le facciano passare la sua claustrofobia e paura della violenza che in America, per le fake news, si sta perpetrando contro chi, come lei, è orientale; Girolamo Marri da Roma ci racconta le problematiche date dalle notizie che ci invadono in questi giorni e, sia nella cartolina che nella sua opera, ci pone con irriverenza, davanti al problema della mediocrità in un momento dove si urlano eroismi e fantasticherie post apocalittiche; Yumiko Yoshioka da Tokyo, ci racconta che da loro il lockdown non è obbligatorio anche se loro sono molto bravi a autodisciplinarsi, ci racconta di quanto abbia bisogno di tornare a danzare anche per il suo sistema immunitario; mentre io mi sento Renton di Trainspotting, organizzo tutto, spazi, cibo e lavoro, le chiamate degli amici e di mia madre mi danno ossigeno mentre il suono delle sirene delle ambulanze scandisce il tempo. A fine festival, abbiamo deciso di dedicare una giornata in più ad una BONUSTRACK: i lavoratori dello spettacolo, quelli che stando dietro le quinte rendono tutto possibile. Sono una categoria che oggi è in grave difficoltà. Per parlare di questo argomento, abbiamo deciso di raccontare, come abbiamo fatto per gli artisti del festival, il lavoro di un nostro prezioso collaboratore Conleth White light designer di Dublino che lavora insieme a noi dal 2011 e che quest’anno fa 40 anni di carriera. Senza la sua visione saremmo tutti nel buio.

Cosa ti aspettavi e cosa alla fine ti ha sorpreso?

Pensavo fosse più facile organizzare un evento online piuttosto che dal vivo. Invece è stato molto difficile, per le problematiche legate alla connessione, ma anche per rimanere in contatto a distanza, tra barriere linguistiche e barriere temporali, rincorrendoci attraverso i vari fusi orari. Poi fortunatamente abbiamo riscosso un grande. Interesse. Io e Ambra, quindi, passiamo il tempo a rispondere a messaggi, email e telefonate mentre rimbalziamo i pezzi su gruppi e varie piattaforme per far si che raggiungano più utenti possibile. Abbiamo dormito molto poco ma siamo contente e commosse dallo spirito dei partecipanti, tanto degli artisti quanto degli utenti e da come, spontaneamente le performance siano state condivise anche da sconosciuti, commentate, messe in rilievo. Non ce lo aspettavamo. Soprattutto perché siamo partite da zero, in due, con l’aiuto del nostro grafico Matteo Giampietro, un giovane artista che ha studiato un progetto ad hoc per il tema del festival BLU NOTTE, ispirandosi ai Late Show americani, per raccontare con un estetica che sa di modernariato tutti i momenti del festival, una notte lunga quanto una quarantena, un momento di riflessione da condividere e svilupparsi usando i mass media. Speriamo che questo sia un inizio. Stiamo già lavorando al prossimo progetto per far si che l’arte dal vivo non si disperda. Bisogna muoversi, non per esserci a tutti i costi ma pensando al futuro e a costruirlo, un atto sociale e politico, non solo per l’arte ma per trovare un modo di diminuire le distanze.
Teatro Espace
immagini: (cover 1) Yumiko Yoshioka, IkI (2) Quarantena (3) Francesca Arri, Loading, performance su zoom, 2020 (4) Edegar Fernando Starke (5) Girolamo Marri, Ballata delle 4 Mura

L'articolo Intervista | Francesca Arri proviene da Arshake.

European Cultural Foundation > Second round of Culture of Solidarity Fund
» ‎ On the Move

14.05.2020
In the past weeks, many emergency funds for the cultural and creative sector have been announced at national, regional or local levels and funding opportunities by the EU for the arts and culture are also underway. But so far public funding in Eastern and Southern Europe has been scarce compared to Western and Northern Europe, and the Foundation is yet to see support mechanisms for creative initiatives that strengthen a pan-European culture of solidarity. The fund is open to individuals, collectives and organisations from all sectors and civil society at large with initiatives and ideas. expert fees and staff costs. Deadline: 14 July 2020 (opened from 22 June).
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Versant Sud > Artist Residency for Artists from Addis Ababa (France)
» ‎ On the Move

14.05.2020
Versant Sud develops artistic and cultural projects in two territories: the southern region of France and African capitals. The current call for applications concerns the selection of an Ethiopian artist for a residency to take place in Marseille from 1 August to 30 September 2020. Applicants should be young graduates of art and design schools and professional artists under 35 years old living in Addis Ababa. All artistic disciplines are accepted (visual arts, photography, painting, drawing, engraving, sculpture, etc.). Video and digital arts are not accepted. Deadline: 13 June 2020.
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Institut français > Des mots à la scène
» ‎ On the Move

14.05.2020
« Des mots à la scène » est un fonds de production des écritures dramaturgiques contemporaines d'Afrique et des Caraïbes lancé par l'Institut français. Il vise à valoriser les auteurs du Sud peu connus ou joués en favorisant la production de nouvelles mises en scène. Il est financé par le ministère de la Culture. En raison des difficultés liées aux mobilités internationales qui impacteront le monde les prochains mois, le dispositif « Des mots à la scène » sera plus flexible pour soutenir les premières séquences in-situ des créations . Il s’adressera aussi aux auteurs de la diaspora en 2020. Date limite: 15 septembre 2020.
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Africalia > Creativity is Life Support Grants
» ‎ On the Move

14.05.2020
In response to the global health crisis, Africalia wants to support artists in their creative dynamics by setting up the ‘Creativity is life’ grants. This punctual response aims to support the production of artistic works during, in reaction to, or following the crisis. Applicants should be resident in Burkina Faso, Kenya, Uganda, Democratic Republic of Congo, Rwanda, Senegal, or Zimbabwe. Deadline: 2 June 2020.
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impuls International Composition Competition (Austria)
» ‎ On the Move

14.05.2020
The impuls International Composition Competition is a biennial competition that commissions new works for ensemble by young composers. The selected composers will be invited to take part in the impuls Composition Workshop in Vienna and Graz, as well as to the premiere of their new pieces within the impuls Academy and Festival in Graz in 2023. The competition is open internationally, but applicants must not have been born before 1986. Deadline: 15 October 2020.
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Esch sur Alzette / Capitale européenne de la Culture 2022 (Luxembourg) > Chargé(e) de Missions – programme culturel I arts de la scène
» ‎ On the Move

14.05.2020
L’association sans but lucratif « Capitale européenne de la Culture 2022 » se propose d’engager un(e) Chargé(e) de Missions – programme culturel I arts de la scène (CDI / 40h). Placée sous l’autorité de la direction générale et de la direction de la programmation culturelle, cette fonction sera amenée à se déployer principalement dans le cadre des manifestations des arts de la scène. Date limite : 31 mai 2020.
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