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Calls 1 (100 unread)

• October 25, 2020
• 

  Belgrade Art Studio Residency

   » ‎ resartis.org
  
  
  Deadline: 10 Nov 2020
  Country: Serbia
• October 24, 2020
• 

  Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS

   » ‎ resartis.org
  
  
  Deadline: 07 Nov 2020
  Country: Serbia

• October 23, 2020
• 

  VIDEO POST > (con)fabulation

   » ‎ Arshake Calls

  VIDEO POST rilancia (Con) fabulation di La Trottier Dance, una performance, soprattutto, un ri-allestimento del palco che risponde a questa nuova situazione di isolamento pandemico. L’arrangiamento sperimentale fa in modo tale, infatti, da creare vicinanza e separazione allo stesso tempo.

  La Trottier Dance, (Con) fabulation, Premiere al Festival Schwindelfrei, 2 giugno, 2020 Credits: Direction & Choreography: Éric Trottier |Dance: Georgia Begbie, Lisa Bless, Laura Börtlein, Franziska Schmitz | Costume: Melanie Riester | Design: Éric Trottier, Stefan Grießhaber | Music: Peter Hinz, Steffen Dix |
  Live-Video: Peter Hinz | Choreographic Assistance: Michelle Cheung, Tobias Weikamp | Management & Dramaturgy: Susanne Brauer

  L'articolo VIDEO POST > (con)fabulation proviene da Arshake.

• 

  Connections Through Culture | grants for online UK-Southeast Asia collaborations

   » ‎ culture360.org

  deadline

  08 Nov 2020

• 

  Cité internationale des Arts (France) > Responsable de la programmation culturelle

   » ‎ On the Move
  
  
  

  23.10.2020

  Le·la Responsable de la programmation culturelle est chargé·e de la conception globale de la programmation et de la mise en œuvre des événements, en phase avec le projet d’établissement et la mission de la Cité internationale des arts. La programmation doit à la fois être le reflet de la variété des pratiques et des profils d’artistes accueillis en résidence, tout en donnant à voir les axes stratégiques de l’établissement. Date limite : 15 novembre 2020.

  Read more

• 

  enoa > Immersive Residencies for Artists Without Significant Opera Experience (Belgium, Serbia, Bulgaria, UK, France, Portugal)

   » ‎ On the Move
  
  
  

  23.10.2020

  Enoa – the European Network of Opera Academies is organising an immersive residency programme offering support, mentorship and mobility for artists without significant opera experience. There are eight residencies with hosting institutions in six countries. The programme runs February 2021 - May 2022. Applicants should be experienced artists based in Europe who are highly interested in the development of opera creation / interdisciplinary musical and artistic forms but have no significant opera experience. Deadline: 27 November 2020.

  Read more

• 

  Artreach > Commissions to Create Installations for Public Toilets as Part of Liberty UK Leicester (UK)

   » ‎ On the Move
  
  
  

  23.10.2020

  As part of Liberty UK Leicester, ArtReach will commission 5 artists to create imaginative and artistic installations with strong social messages in public toilet spaces across Leicester City Centre. This exhibition will take place 22 February – 29 March 2021 and is part of an international collaboration, Accessible Art for All. Artists will also be required to deliver a series of online or live workshops in advance of the exhibition. Applicants can be individuals or collectives but must be resident and have the right to work in the UK or another European country. Deadline: 9 November 2020.

  Read more

• 

  Textile Center > Residency Scholarships for Textile Artists from the Nordic-Baltic Region (Iceland)

   » ‎ On the Move
  
  
  

  23.10.2020

  In 2021/2022, the Textile Center in Blönduós, Iceland will award two textile artists based in the Nordic-Baltic region with a two-month scholarship to develop and present new work in Iceland, lead a community workshop, connect to international networks and gain insight into Icelandic textile tradition and innovation. One residency will take place January - December 2021 (June excepted), and the other in early 2022. Deadline: 31 October 2020.

  Read more

• 

  Artificial Intelligence in Residence (Online)

   » ‎ On the Move
  
  
  

  23.10.2020

  In response to the impact felt by the cultural sector as a result of the Covid-19 global health crisis, the organisers have reframed their initial residency project and transformed it into a purely digital one. The French and German cultural centres based in Scotland are inviting three contemporary artists based in France, Scotland and Germany to apply for this digital residency programme taking place between November 2020 and December 2021. Deadline: 9 November 2020.

  Read more

• 

  Cultura en Vena > Emergency Culture, Call for Works for Hospitals (Remote)

   » ‎ On the Move
  
  
  

  23.10.2020

  The Cultura en Vena Foundation in Spain has launched Emergency Culture, a call for young European creators working in visual arts and literature. The programme aims to stimulate artistic creation that affirms the social and transformative role of culture in the field of health and well-being. After an open call for proposals on social media, the selected works will be exhibited in hospitals of the Spanish public healthcare system. The call is open to visual artists, writers, poets and creators living in Europe. Candidates must be between 18 and 35 years old. Deadline (extended): 11 November 2020.

  Read more

• October 22, 2020
• 

  Teaching Position - Adjunct Instructor for Graduate class in Motion Graphics

   » ‎ Rhizome.org Opportunities
  • Deadline:Nov 11 2020, @ 6PM
  • Location:Hunter College 695 Park Ave. New York, NY 10065

  Hunter College
  MFA Program in Integrated Media Arts
  Motion Graphics - Spring '21
  
  We are looking for an experienced motion graphics artist to teach a graduate course in the spring semester. This is a hands-on production class where students will create new time-based artworks while also thinking critically about the tools ...
• 

  CFP - Piksel20 - Deadline (extended) Oct. 15th 2020

   » ‎ Rhizome.org Opportunities
  • Deadline:Oct 10 2020, @ 12PM
  • Location:Bergen, Norway

  Piksel20
  November 19-22 2020
  Bergen, Norway
  
  
  Dear friends,
  
  this year the Piksel Festival has been waiting to the last minute to
  release the open call in the hope the Covid rules would relax a bit,
  mainly regarding the obligation to quarantine artists at arrival in
  Bergen.
  
  As the festival is ...

• 

  A view from the cliff

   » ‎ Arshake Calls

  Il film A view from the cliff comincia con il suono delle onde del mare. Subito irrompono il cielo azzurro e la splendida scogliera di Etrat scaldata dal sole. Ci troviamo in Normandia, nella costa d’Alabastro, la camera della giovane artista svizzera Anouk Chambaz fa scendere lo sguardo vertiginosamente dall’alto in basso per farci osservare minuziosamente le sedimentazioni di gesso turoninano delle alte scogliere che hanno ispirato da sempre numerosi artisti.

  

  Come in una fiaba, un’intensa voce di donna, che sembra venire da lontano, racconta una storia di regni scomparsi, buchi, crepe, microalghe, dinosauri, impressi nella roccia. Il tempo erode la nostra storia ma è alla Terra e alle rovine che racchiude in se stessa che chiediamo da sempre quello che siamo stati. Dopo essere stati guidati in questo spazio di natura incantevole al quarto minuto si palesano le presenze umane. Eccoci qui con le nostre mille attività di bagnanti, turisti, fotografi, creatori di post su instagram, surfisti, pescatori, ognuno a suo modo ha la necessità di interagire con questo spazio meraviglioso che sembra sia offerto alle proprie mani di homo faber per manipolarlo, incontrarlo, intervenire per esaudire tutte le voglie.

  

  Nel video ritorna spesso l’immagine di un laser rosso che sembrerebbe indicare la tecnica, la necessità umana di studiare, analizzare, capire i misteri della Terra. La musica della banda nel giorno della commemorazione del paese francese alla presa della Bastiglia, i suoni degli scoppi dei fuochi d’artificio, le giostre, la vista della città, rimarcano ancora l’intervento umano nella Natura.

  Da contraltare a queste immagini, ci sono quelle buffe dei gabbiani che si aggirano camminando tra le colorate automobili e che volano nel cielo, quelle poetiche del mare e ancora quelle che si soffermano sulle forme delle rocce scolpite dal tempo e dall’acqua. La musica e i suoni delle onde, delle comitive di uccelli, creano nel video una distanza che, come osservatori umani, ci fa sentire infinitamente piccoli. Questa sensazione è rafforzata da una voce umana che dice che ci sono otto possibilità su dieci che l’umanità continui ad esistere nei prossimi cinquecento anni e che la civiltà industriale come la conosciamo oggi non ha alcuna possibilità di sopravvivere se non si trasforma. Un volto di bambina preoccupata o sofferente colpisce lo spettatore, come se volesse comunicare un messaggio apocalittico che ha sentito e non fosse capace di custodirlo per la sua gravità.

  

  – Che cosa resterà della traccia geologica dell’uomo – sussurra la voce narrante e un cartello indica – PERICOLO DI SMOTTAMENTI – PRESERVARE LA VITA. Come scrive nel saggio Astrologia del futuro il filosofo Emanuele Coccia: «Per secoli abbiamo considerato la Terra come un puro effetto, un mero deposito cosmico di tutto quello che è accaduto altrove, il garage dei ferrivecchi dell’universo umano e non-umano.Una massa di rovine. Per secoli, e per ragioni difficili da capire, siamo stati vittime di questo strano errore di parallasse. Abbiamo proiettato e rimosso il futuro in uno spazio sideralmente lontano da noi e dalle nostre vite. Abbiamo fatto della Terra dello spazio che ci accoglie, che ci nutre, che ci genera (perché non siamo altro che una variazione sul tema della sua stessa materia) un’immensa pattumiera archeologica che ci impedisce persino di riconoscere e vivere il presente».

  

  Con questi giochi di riflessi, luce, buio, solido, liquido, colori caldi, freddi, animali, uomini, Anouk Chambaz propone poeticamente il tema a lei molto caro del rapporto Uomo – Natura e del posizionamento dell’essere umano nei confronti dell’ambiente. Il film solleva diversi interrogativi proponendo uno sguardo decentrato, per cui sarebbe troppo antropocentrico pensare al mondo che scompare senza l’uomo. L’artista, “bussa alla porta” delle pietre, cerca di instaurare una conversazione col mondo minerale per rivelarci quanto in fondo sia più vicino a noi di quanto non si possa neanche immaginare…

  La mostra si arricchisce di una pubblicazione trilingue con tre interviste a Fabien d’Hondt, Docente di neuroscienze presso la facoltà di medicina di Lille, Gérard Sinclair, Phd in filosofia contemporanea all’Università di Losanna, Jeremy Young, Professore Associato all’Università di Londra e Presidente dell’Associazione Internazionale di Nannoplankton.

  Anouk Chambaz, A view from the cliff, Spazio Baleno, Roma, 27.09 – 01.11.2020

  immagini: (all) Anouk Chambaz, «A view from the cliff», Spazio Baleno, Roma, exhibition view, foto Roberto Apa

   

   

   

  L'articolo A view from the cliff proviene da Arshake.

• October 21, 2020
• 

  Nomeda & Gediminas Urbonas: Swamp Intelligence at Bratislava

   » ‎ E-artnow calls

  tranzit.sk
  Nomeda & Gediminas Urbonas: Swamp IntelligenceCurated by: Lýdia PribišováToday, revalorising the swamp over solid ground as well as exploring...

  

• 

  Korea | 32nd Chuncheon Puppet Festival - call for puppetry videos

   » ‎ culture360.org

  deadline

  25 Oct 2020

• 

  $1,000 Artist Grants

   » ‎ re-title.com artist opportunities

  Call for Entries - All media eligible
  
  Deadline: November 17, 2020
  
  Application Fee: $40 for 10 images

  

  The Hopper Prize is now accepting entries for our Fall 2020 artist grants. We are offering 5 grants in the amount of $1,000 USD awarded through an open call art competition juried by leading contemporary curators.

  The Hopper Prize was established in order to increase the recognition of artwork created by artists and photographers. Our aim is to advance artists' careers by providing them with unrestricted financial support that is coupled with a platform for increased visibility. We accept submissions twice a year via an open call.

  We are currently accepting submissions for the Fall 2020 grant cycle.

  Program Highlights

  Total Awards: $5,000.00 USD for visual artists

  • 5 artists will each receive $1,000.00 USD in unrestricted grant awards
  • 30 artists will have their work archived at hopperprize.org
  • A selection from the submissions will be featured on our Instagram feed @hopperprize
  • Additional exposure will be available to winners through our Journal: Insights into Contemporary Art

  Connect with Curators

  We collaborate with contemporary curators holding prominent positions at major institutions in order to select our grant winners. Our open call provides you with a direct path to get your work in front of these forward thinking exhibition makers. Jurors for the Fall 2020 awards are:

  Christine Koppes
  
  Curator & Director of Public Programs
  
  San Jose Institute of Contemporary Art

  &

  Jade Powers
  
  Assistant Curator
  
  Kemper Museum of Contemporary Art

  Our jurors will be selecting 5 artists from our open call who will each receive $1,000. The jurors will also select a shortlist of 30 artists who will have their work archived at hopperprize.org.

  Grant awards are unrestricted and may be used any way the recipients choose.

  When submitting your work, you will have the option to opt-in to be considered for possible Instagram features on our feed @hopperprize, where we currently reach an audience of over 46K. Our editors will be featuring select submissions on a rolling basis prior to the application deadline.

  In addition to grant awards, our shortlist, and Instagram reach, we will be providing an additional platform for exposure via our online Journal Insights Into Contemporary Art. We launched this digital publication to give artists a new channel to amplify their voice while providing an in-depth look at their work, practice, and background. Grant recipients and shortlisted artists will all receive the opportunity to publish an interview to include any work of their choosing as a means of providing continued support beyond the open call.

  Eligibility

  The Hopper Prize is open to all artists age 18 and older working in any media. There are no restrictions on genre, subject matter, or media. We welcome entries in all media.

  We are committed to supporting artists from diverse cultural backgrounds at all stages of their professional careers. All artists are encouraged to apply.

  Recent Winners

  We support artists working in all media, from diverse backgrounds, in wide-ranging geographic locations. Recent grant winners include:

  • Andrea Ferrero, Mexico City
  • Christopher Desanges, Boston
  • Dominic Hawgood, London
  • Kira Dominguez Hultgren, San Francisco
  • Vikesh Kapoor, Sunset Pines
  • Adrian Coleman, London, United Kingdom
  • Trish Tillman, New York, New York
  • Nicholas Moenich, Brooklyn, New York
  • Elena Bajo, Los Angeles, California
  • Vanessa da Silva, London, United Kingdom
  • Mark Baugh-Sasaki, San Francisco, California
  • Genevieve Cohn, Bloomington, Indiana
  • Sydney Cook, Baltimore, Maryland
  • Jinyong Park, London, United Kingdom
  • Isabel Yellin, Los Angeles, California
  • Alex Callender, Northampton, Massachusetts
  • Alicia Eggert, Denton, Texas
  • Daniel McCarthy Clifford, Minneapolis, Minnesota
  • Juan Giraldo, New York, New York
  • Maja Ruznic, Los Angeles, California
  • Letitia Huckaby, Benbrook, Texas
  • Tracy Kerdman, Saugerties, New York
  • Lebohang Kganye, Johannesburg, South Africa
  • Christopher Meerdo, Chicago, Illinois
  • Erik Parra, San Francisco, California

  Deadline

  November 17, 2020

  Simple Application

  We made our grant application simple to reduce the stress of submitting your work and save you time. The application is short and can be completed in under 20 minutes.

  To apply for a grant, you only need to submit this information:

  • Name & Email
  • Instagram Username (optional)
  • Up to 10 Image or Video attachments
  • Artwork captions
  • Artist Statement & Biography (optional)
  • $40 submission fee

  Apply Now

  Show us your work at https://hopperprize.org

   

• October 20, 2020
• 

  Ecology After Nature

   » ‎ Arshake Calls

  La piattaforma E-flux presenta il quinto appuntamento di Ecology After Nature: Industries, Communities and Environmental Memory, una serie di film, a cura di Lukas Brasikis, che, attraverso il lavoro di 22 artisti, esplora il rapporto uomo – natura, specialmente nel suo intrecciarsi nelle nuove ecologie post umane.

  In un tempo «after nature», nuovi rendering dell’immagine della natura hanno molto più significato di quanto non si possa immaginare, come sostiene lo storico dell’arte e critico T.J. Demos. Come sottolinea Demos, la visualizzazione spettacolare della natura nell’epoca dell’Antropocene lavora ideologicamente a supporto della finanzializzazione neoliberale della natura, un’economia politica antropocentrica, un sostegno alla geo ingegneria come metodo prediletto – e con tutta probabilità catastrofico – come approccio al cambiamento climatico. Invoca quindi uno sguardo critico, e lo sviluppo di alternative creative della rappresentazione della natura. 

  

  Dopo aver indagato diversi aspetti legati al rapporto uomo –natura, in ultimo la Terra, questa rassegna arriva ndagare una varietà di sistemi di estrazione, in particolare quelli che si riferiscono alla creazione di economia virtuale, in gergo informativo definiti come data mining.

  In The Harvest (2019) di Misho Antazde i riflettori sono puntanti sulla Georgia, seconda esportatrice di Bitcoins nel mondo. Kakheti è conosciuta per produrre vino, frutta, carne e ora anche criptovaluta. L’ecologia post-nature è ora rivelata attraverso una delle attività di maggior consumo energetico e inquinamento, quella legata alle tecnologie Blochain che producono criptovaluta. L’attività del computer che, per creare moneta e guadagnare, deve compiere una serie di operazioni matematiche, ha un consumo di energia straordinario. Nell’esplorare questa attività in una regione dove il data mining coesiste con la tradizionale attività agricola, il conflitto emerge con forza ancora più grande.

  

  Se l’occhio e il ritmo di The Harvest sembra avvicinarsi a quello del cinema documentaristico, con grande attenzione anche al dettaglio e alle singole inquadrature, quello di The Flood (2018-19) accelera ad un ritmo molto diverso che oscilla continuamente tra immagini riprese da grandi miniere di cripto-valuta in Estonia e quella di misura più ridotta e immagini 3D che a volte si sovrappongono a queste e che richiamano l’impiego originale delle graphic cards per criptare e decriptare transazioni monetarie.

  

  Nell’indagine tra uomo e natura, per indicare l’ecologia in una contrapposizione ormai già da tempo obsolete, le tecnologie Blockchain giocano un ruolo tanto invisibile quanto incisivo. Se ne parla infatti come argomenti di discussione legati al futuro, soprattutto relegati in un angolo dell’Universo. Film, video e discussioni ne rivelano tutti quegli aspetti che chiamano piuttosto a considerarli al centro dell’universo e strettamente intersecati con l’ecologia tutta di un’era che ancora dobbiamo mettere a fuoco.

  Ecology After Nature: Industries, Communities, and Environmental Memory
  An online series of film programs and discussions on e-flux Video & Film

  immagini: (cover 1-2)  Misho Antadze, «The Harvest», 2019 (3-4) Ivar Veermäe, «The Flood», 2018-2019

   

   

  L'articolo Ecology After Nature proviene da Arshake.

• 

  Artists in Nature International Network AiNIN virtual residency program 2021 call

   » ‎ culture360.org

  deadline

  15 Nov 2020

• 

  CURRENT > Open Call for International Festival of Art in Urban Space (Germany)

   » ‎ On the Move

  20.10.2020

  CURRENT > Open Call for International Festival of Art in Urban Space (Germany) Read more »

• 

  Amant > NYC Residency Programme (USA)

   » ‎ On the Move
  
  
  

  20.10.2020

  Amant’s NYC Residency Programme enables practitioners to pursue their individual artistic goals while also being closely integrated into the organisation’s wider community programming during a three-month stay in New York City. The residency welcomes applications from around the world from both emerging artists and from artists with professional standing in their field. Deadline: 18 December 2020.

  Read more

• 

  Creative Forms of Art Criticism and Writing - Online Course by Node Center

   » ‎ E-artnow calls

  Node Center for Curatorial Studies Berlin
  COURSE DESCRIPTION: *This course offers University credits. n this Course we delve into experimental and hybrid forms of writing and art criticism....

  

• October 19, 2020
• 

  Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS

   » ‎ resartis.org
  
  
  Deadline: 30 Oct 2020
  Country: Serbia
• 

  Belgrade Art Studio Residency

   » ‎ resartis.org
  
  
  Deadline: 31 Oct 2020
  Country: Serbia
• 

  Belgrade Art Studio Residency

   » ‎ resartis.org
  
  
  Deadline: 27 Oct 2020
  Country: Serbia

• 

  Ibrida Festival e la sua anima

   » ‎ Arshake Calls

  Nel settembre 2020, i video artisti Francesca Leoni e Davide Mastrangelo compivano un atto di coraggio. Davano avvio alla quinta edizione del loro Festival, «Ibrida», che nella cornice della storica Forlì, e in posti dislocati d’eccezione della città, in questi anni ha portato assieme opere, artisti, critici, ricercatori e giornalisti che si interessano a video arte, performance e musica in un’ottica transdisciplinare. Hanno adattato il format alla situazione attuale, quella di una pandemia globale in corso; hanno incluso un’estensione online e non hanno rinunciato a ciò che fin dall’inizio ha costituito lo spirito del festival e degli organizzatori: la presenza, il contatto, lo scambio, il dialogo. Questo comporta molte restrizioni e anche molti rischi, in particolare nella formula di un Festival generalmente destinato ad una fruizione libera, informale e fluida.

  

  Negli spazi, e streaming online, si è discusso di molte cose. Soprattutto di video arte, della sua autonomia come genere artistico e della sua ibridazione nel convergere al suo interno diverse discipline, come sottolinea Piero Deggiovanni, contributor critico del Festival, nella sua Antologia critica della video arte italiana 2010 – 2020 (Kaplan, 2019) e nelle discussioni che si sono animate attorno alla presentazione del libro.

  

  Molto di ciò che appartiene alla quotidianità, dopo l’esperienza del lockdown, si è rivelato straordinario. Straordinario è stato questo ‘atto di forza’ nel voler andare avanti, pur avendo tutti gli strumenti per traslocare l’intero Festival online. Questo ci ha restituito una lezione che va oltre il tempo dell’evento e ha lasciato un segno. A luci spente, la visione dei lavori video di Francesca Leone e Davide Mastrangelo è rimasta magicamente legata al loro modo di muoversi e di porsi all’interno del Festival.

  In quei giorni, tutta la loro ricerca che attraverso le video performance indaga identità, corpo, immagine, maschera, attraverso la tensione dei corpi, la passione, il conflitto, l’incontro, lo scontro, non solo tra loro ma anche con il ‘corpo video’ e con la sua elasticità, sembrava essere uscita dallo schermo per tradursi in altre energie, quelle che si intrecciano tra persone, interessi e professioni.

  In quel frangente, Francesca e Davide sembrano aver lasciato i loro corpi, le loro identità che li riconoscono come artisti (non solo non includono i loro lavori ma non ne parlano affatto). Piuttosto, hanno aperto il sipario su un lavoro relazionale che vede protagonisti gli altri favorendo scambio, dialogo e costruzione di pensiero. Alla luce del poi, è stato più facile mettere a fuoco la percezione emotiva dello sforzo dei loro corpi e della loro personalità nel destreggiarsi all’interno di uno spazio, quello creato dalle misure di sicurezza da adottare per la pandemia, che può diventare molto stretto nell’ambiente più ampio, come quello dell’Arena San Domenico.

  

  Il loro lavoro creativo evidentemente non prescinde una cosa dall’altra, non riesce a vivere unicamente contenuto all’interno dello schermo, anche in questo senso è ibrido. Forse è per questo che, quando il momento lo ha richiesto, la necessità di andare avanti è stata più forte. A quel punto, corpi e spiriti creativi sono riusciti a muoversi come contorsionisti all’interno di una situazione stretta, quella che ha colto il mondo di sorpresa. Così facendo, l’energia prodotta si è moltiplicata anche nella cerchia di un numero di persone certamente molto più ristretta rispetto alla norma, ha circolato con un flusso molto più potente e sarà ricordata nel tempo. Noi immaginiamo tutto questo nuovamente metabolizzato ed elaborato nel loro lavoro a venire, fino a quando i loro corpi non usciranno nuovamente dalla dimensione dello schermo per generare e confluire in nuove energie.

  Vedi anche Francesca Leoni e Davide Mastrangelo | intervista, pubblicato su Arshake il 09.09.2020

  immagini: (cover 1) Arena Musei San Domenico di Forlì, Ibrida Festival 2020 (2) Caterina Palazzi & Kanaka – Ibrida Festival 2020 (3) Salvatore Insana – Ibrida Festival 2020 (4) Enrico Malatesta – ARCHIVE WORKS – Ibrida Festival 2020 

   

  L'articolo Ibrida Festival e la sua anima proviene da Arshake.

• 

  call: Berlin Critics’ Week 2021 – Conference Proposals

   » ‎ netEX - networked experience

  Deadline:
  Call for entries

  Berlin Critics’ Week 2021: Call for Conference Proposals
  1st November 2020

  Date
  February 10, Berlin

  For the past four years, the Critics’ Week has begun with a kick-off conference taking place on the first day at various locations allowing for detailed debates on urgent questions of film culture. So far, the focus of this format has been on German cinema, political film, the philosophy of audience concepts, Christoph Schlingensief’s artistic practice and cinema as a pluralistic space of discourse.
  In the opening conference of the upcoming edition of Berlin Critics’ Week, we will concentrate on a concept which provokes discussion through its complexity: The German term of “Konsequenz” – which simultaneously translates as coherence/consequence – is at the heart of the event and becomes a film-critical tool. What can it mean to act artistically and politically in awareness of the consequences of one’s own actions? Does a stronger sense of solidarity within the film industry naturally follow from the Corona crisis and is solidarity a question of attitudes or interests? Can and do artists want to understand the consequences of their work? What does a coherent aesthetic look like and what does coherent art have to do with political convictions? Can art be autonomous? And isn’t it exactly the freedom of art to defend the accidental and playful? We will consider submissions until 1 November. Further informations here: [wochederkritik.de]

  No entry Fee

  More details
  http://wochederkritik.de/en_US/critics-week-2021-call-for-proposals/

• 

  call: Berlin Critics’ Week 2021

   » ‎ netEX - networked experience

  Deadline: 25 October
  Call for entries

  Berlin Critics’ Week 2021 – Call for Films

  Dates & location of event context
  February 10 – 18, 2021
  Berlin / Hackesche Höfe Kino

  The Berlin Critics’ Week presents seven evenings of film screenings with debates and an opening conference during the time of Berlinale, one of the largest film festivals in the world. Every year we are looking for the most stimulating new perspectives of filmmaking to foster interdisciplinary conversations on the present and future of cinema from aesthetic and political perspectives. The films we show are curated by an international committee of film critics which changes annually. The 7th edition of the Critics’ Week will be held from February 10-18, 2021. For the first time we are officially accepting a limited number of film submissions, which will be considered for inclusion in the program alongside the curated selection, in order to expand the scope of the selection and explore current tendencies within filmmaking more deeply. We are looking forward to consider your work! In case you would like to submit a film, please fill out the form:
  [wochederkritik.de]

  No entry Fee

  More details
  [wochederkritik.de]

• 

  call: The Right to a Future: Fighting Climate Change Music Video

   » ‎ netEX - networked experience

  Deadlione: 30 November 2020
  Call for entries

  The Right to a Future: Fighting Climate Change Music Video

  Dates & location of event context:
  March 2021 on VEVO YouTube, Amazon, Apple Music, Vimeo and Tidal

  No entry Fee

  Call for Videos: The Right to a Future: Fighting Climate Change Music Video

  Sea levels are rising! Ice sheets are melting faster than ever! There are too many greenhouse gases! The Earth is on fire! Global temperatures are increasing rapidly! Weather patterns are out of control! Forests are being destructed! Animals are dying! People are dying!

  What does the future hold? What will life be like for our young people, our communities and future generations? Will there even be a future? And if so, what kind of future will it be?

  The year 2020 saw continued tremendous change with youth activists, school pupils and communities coming together across the planet to protest against the lack of climate leadership from world leaders and to underscore the sense of urgency of the severe climate crisis we are facing.

  And this youth movement must continue in 2021 and beyond to keep pressure on all world leaders that can help reverse the detrimental effects of climate change.

  New York City and Berlin-based record label BB3 Dynamics Records (www.BB3Dynamics.com) is going to create an educational music video called “The Right to a Future” to the accompanying music written by Berlin-based composer Bates Belk (www.BatesBelk.com) which is aimed at helping raise awareness and educating current and future generations about the importance of protecting the Earth’s environment now and in the future. To help us create “The Right to a Future” music video, we are asking people of all ages and languages from across the planet to send us their own videos of anything that they have filmed and recorded that shows their contribution and views on the importance of helping protect the Earth’s environment. Examples of videos that can be sent for this music video to help educate and raise awareness can be filmed recordings from people in countries all over the world of:

  –powerful and emotional images filmed by you from climate strike protests
  –active destruction images filmed by you of human beings destroying forests and oceans
  –Factories emitting chemicals, smoke, toxic waste in the air and on the ground
  –people enjoying parks, gardens, forests, mountains, beaches, lakes, oceans, deserts, farms, their own backyards
  –people coming together to help save plants, land and animals from human destruction
  –anything you have personally experienced and filmed wherever you are in the world that you feel demonstrates your part in climate protection no matter how big or small
  –abstract and realistic visual art (photography, watercolor paintings, oil paintings, drawings etc.) created by you that reflects your climate protection vision and message

  There is no right or wrong video to enter for this. It is your viewpoint wherever you are on the planet with whatever you have recorded and filmed. It is your experience and we want to share your unique experience, creativity views and visions in the music video that will then be distributed globally. You can be as creative and “out-of-the-box” as you want! We want you to! Do not hold back! Go for it!

  Videos that get selected will then be edited together in Berlin, Germany to the song “The Right to a Future” written specifically for this project by composer Bates Belk that you can hear here [https:] with the goal of raising awareness and educating current and future generations about the importance of protecting the Earth’s environment. You have a message and we want to share your message! We want you to be part of this!

  The final music video in early 2021 will then be:

  –globally distributed via VEVO YouTube, Amazon, Apple Music, Vimeo and Tidal with much coverage in Europe, North America, Australia and Asia
  –have specific distribution in Africa and South America
  –sent to classrooms and educational facilities in countries and communities across the planet for inclusion in future environmental protection lessons for our youth

  ***Conditions of Submission of Your Video***
  –Deadline for submission is 30 November 2020.

  –There is NO entry fee.

  –Videos can be any length you so choose…however just know that we will be editing many videos down to fit a short timeline for a cohesive storyline with the accompanying Bates Belk music. So, any video filmed by you between .10 seconds and 2 or 3 minutes should be fine. Again, any video that gets sent in will be edited down to fit the music and other videos sent in.

  –If your video is selected, you will have your name in the “credits” section at the end of the video.

  –There is a “Video Release Form” that you need to fill out and sign here. This is to ensure that BB3 Dynamics Records has the formal approval by you to use your video in “The Right to a Future” music video, but please note that you still own your video and that you may still use your video you have recorded and sent to BB3 Dynamics Records for other projects you so choose. The video you send in is a “non-exclusive” right and you still own your video.

  –We will let you know in December 2020 if your video has been selected and will share the final edited music video with you in early 2021.

  –Send (1) your video and (2) the filled out and signed “Video Release Form” to bb3dynamics@gmail.com

  Entry page
  [https:]]

• 

  Ever-emerging Mag | call for entries from female 45yrs+ visual artists

   » ‎ culture360.org

  deadline

  01 Nov 2020

• 

  Invisible Lines > Call for Artists Working in Comics, Graphic Novels and Illustration (Italy, France, Czech Republic)

   » ‎ On the Move
  
  
  

  19.10.2020

  Invisible Lines is an international project on comics, graphic novels and illustrations. Young European artists (18-30 years old) are invited to apply to attend three workshops which will take place between May and July 2021 in Venice (Italy), Strasbourg (France) and Tábor (Czech Republic). The artworks created during the three workshops will be featured in public exhibitions throughout Europe between 2021 and 2022, and a selection will be included in a book to be published. Deadline: 10 December 2020.

  Read more

• 

  Qendra Multimedia > Analytic: A Theatre Criticism Workshop with Natasha Tripney (Kosovo)

   » ‎ On the Move
  
  
  

  19.10.2020

  Organised by Qendra Multimedia in Prishtina, Kosovo, ‘Analytic’ is a five-day theatre criticism workshop that will take place 27-31 October 2020. Participants will be invited to watch the performances over the course of the Kosovo Theatre Showcase and to produce written responses to the work they see. The call is open to applicants from Kosovo, Albania, Montenegro, Serbia and Macedonia. Deadline: 25 October 2020.

  Read more

• 

  European Investment Bank > Artists Development Programme (Luxembourg)

   » ‎ On the Move
  
  
  

  19.10.2020

  The 2021 edition of the EIB Institute's Artists Development Programme (ADP) is looking for one visual artist (born after 1 January 1986) from Croatia, Cyprus, Estonia, Hungary, Latvia, Malta, Poland or Romania. The ADP offers emerging European visual artists a 6-8 week residency in Luxembourg, which will take place between early May and end of June 2021. Deadline: 10 January 2021.

  Read more

• 

  Festival Oodaaq > Open Call for Video & Image-based Works (France)

   » ‎ On the Move

  19.10.2020

  Festival Oodaaq > Open Call for Video & Image-based Works (France) Read more »

• 

  British Council > Connections Through Culture: Support for Online Collaboration Between the UK and Southeast Asia

   » ‎ On the Move
  
  
  

  19.10.2020

  Connections Through Culture (CTC) is an arts grants programme run by the British Council in the UK and East Asia. For the 2020-2021 part of the programme, they will be supporting online collaboration projects between Southeast Asia and the UK. In October 2020 they will be accepting applications for Connections Through Culture UK-Southeast Asia Online Grants. Projects will need to be completed between January to June 2021. Deadline: 8 November 2020.

  Read more

• 

  AVIAMA > ‘Puppets and Mobility’ Grants

   » ‎ On the Move
  
  
  

  19.10.2020

  The International Association of Puppet-Friendly Cities (AVIAMA) gathers cities and local governments of the world around puppetry to create a real network of cooperation and exchange. Their grant programme helps to support cooperation projects, with cost of travel generally an important part of the support: the main purpose of the grants is to assist in travel and stays at AVIAMA member cities. Deadline: 11 January 2021.

  Read more

• 

  DutchCulture (The Netherlands) > advisor for the Mobility Info Point

   » ‎ On the Move
  
  
  

  19.10.2020

  The job announcement is in Dutch because the applicants shall speak and communicate in Dutch. DutchCulture is a member of On the Move and part of the Mobility Info Points. Deadline: 25 October 2020.

  Read more

• October 18, 2020
• 

  FRAME > WALK THE LINE

   » ‎ Arshake Calls

  FRAME cattura un’opera di Zineb Sedira, artista franco-algerina che dedica il suo lavoro a questioni politiche, in relazione al ruolo della donna nella cultura araba e, in generale, alla relazione dell’uomo con la geografia. Da fotografia e video, la sua ricerca si è espressa anche attraverso installazioni dove la forza del suo messaggio emerge sulla superficie della materia e nel titolo che lo completa: Walk the Line.

  Zineb Sedira, Walk the Line, 2018, installazione, SAF Art Spaces, Sharjah, immagine via

   

   

  L'articolo FRAME > WALK THE LINE proviene da Arshake.

• October 17, 2020
• 

  VIDEO POST > Black Flags

   » ‎ Arshake Calls

  VIDEO POST rilancia la documentazione di Black Flags, coreografia di oggetti realizzata del celebre danzatore e coreografo statunitense William Forsythe. La coreografia è orchestrata da due braccia robotiche che sventolano delle bandiere con movimenti guidati da un algoritmo che, nel movimento, sintetizza controllo e imprevedibilità in un sottile gioco tra oggetto e spazio. Questo lavoro, realizzato alla Kunsthalle im Lipsiusbau nel 2014, è parte di una serie di choreographic objects, termine che Forsythe intende come «strumento categorizzante che aiuta ad identificare luoghi dove localizzare la comprensione della potenziale organizzazione e istigazione della conoscenza basata sull’azione». (William Forsythe, tradotto dall’inglese)

  William Forsythe, Black Flags, Kunsthalle im Lipsiusbau, 26 novembre, 2014, robots, bandiere, Courtesy of the artist. Credits. Programmazione: Sven Thöne | Realizzazione tecnica: Max Schubert | Produzione: Julian Gabriel Richter | In collaborazione con Staatliche Kunstsammlungen Dresden, SKD Mit freundlicher Unterstützung von KUKA Roboter

   

   

   

  L'articolo VIDEO POST > Black Flags proviene da Arshake.

• 

  Last call for 2020: Artist residency from home!

   » ‎ resartis.org
  
  
  Deadline: 30 Oct 2020
  Country: Global

• 

  call: Lateral Film Festival

   » ‎ netEX - networked experience

  Deadline: 30 April 2021
  Call for entries

  LATERALE FILM FESTIVAL 2021
  Deadline: 30/04/2021

  Dates: September 27-28-29th 2021

  Entry Fee: Yes

  Conditions
  1) Shorts of all genres, styles and narrative forms are allowed, realised from January 1st 2019.
  2) The short films must have a maximum length of 20 minutes (with credits).
  3) The films can be exclusively submitted by using Filmfreeway.

  4) Three different deadlines are provided:
  Inaugural Deadline (from October 12th to November 12th 2020): € 8,00
  Earlybird Deadline (from November 13th to December 13th 2020): € 9,00
  Regular Deadline (from December 14th 2020 to April 30th 2021): € 10,00

  5) In no case the registration fee can be paid back; it has to be considered a contribution to Associazione Culturale Laterale for the realization of the event.
  6) The works’ selection will be curated by the festival artistic direction and will have to remain confidential until the announcement of the programme.
  7) Once selected, the short films cannot be withdrawn from the festival.
  8) Some of the selected workframes might be used for promotional purposes of the festival.
  9) The selected shorts will join the archive of Laterale Film Festival. The organisers commit themselves to use the films only for cultural purposes. Therefore, the works won’t be commercially exploited, to protect the interests of the authors and of the production.
  10) The festival’s direction reserves the right to include in the Lateral Selection those films that slightly exceed the scheduled time limits but that can be considered significant for artistic values.
  11) The participation to the festival implies the total acceptance of the present regulation. The artistic direction has the final judgement on controversial cases.

  Entry form
  [https:]]
  Website: [https:]]
  FB: [https:]]
  Instagram: [https:]]
  Twitter: [https:]]

  Email: lateralefilmfestival@gmail.com

• 

  2021 Casa Na Ilha Sessions // Ilhabela Island – Brazil

   » ‎ resartis.org
  
  
  Deadline: 02 Nov 2020
  Country: Brazil
• 

  A Retreat in Princes’ Islands – Tab Residency Autumn Applications

   » ‎ resartis.org
  
  
  Deadline: 15 Nov 2020
  Country: Turkey
• 

  OPEN CALL 2021 Residency and retreat at La Macina di San Cresci- Tuscany Italy

   » ‎ resartis.org
  
  
  Deadline: 15 Nov 2020
  Country: Italy

• 

  Festival TransAmériques (Canada) > Artistic director

   » ‎ On the Move

  17.10.2020

  Festival TransAmériques (Canada) > Artistic director Read more »

• 

  Asia-Europe Foundation > culture360 call for articles > How are the arts adapting to the "New Normal"?

   » ‎ On the Move
  
  
  

  17.10.2020

  culture360.ASEF.org is an online platform offering up-to-date information on arts, culture & heritage from 51 countries in Asia & Europe. It is a website for artists, cultural professionals, policy makers and anyone interested in international cultural co-operation. The call for articles particularly focused on artists' residencies, arts and disabilities and funding in the arts in times of pandemic. Deadline: 5 November 2020.

  Read more

• October 16, 2020
• 

  Joya: AiR | Apply now: residencies for contemporary artists and writers 9 January – 31 March 2021

   » ‎ resartis.org
  
  
  Deadline: 01 Nov 2020
  Country: Spain

• 

  'Performance Art and Feminisms' - Online Course at ECC Performance Art

   » ‎ E-artnow calls

  Online Course at ECC Performance Art
  'Performance Art and Feminisms' - Online Course at ECC Performance Artwith Marissa VigneaultThis course addresses feminist performance art through...

  

• October 15, 2020
• 

  Young Italian Artists. Camilla Alberti

   » ‎ Arshake Calls
  Camilla Alberti entra a far parte di «Young Italian Artists. Racconti dall’arte contemporanea». Questo spazio di Arshake, concepito da Antonello Tolve e curato con Elena Giulia Rossi, è dedicato ai protagonisti dell’arte under 35.

  Identifico le rovine come i luoghi cardine per ricercare nuovi metodi dell’abitare e nuove modalità di narrazione della vita. Spazi decentralizzati privi di confini e in cui l’abbandono ha annullato ogni loro appartenenza trasformandoli in spazi di costruzione attiva dove diversi organismi intervengono ponendo in dialogo i propri metodi costruttivi e abitativi. La mia ricerca muove verso queste riflessioni e si pone l’obiettivo di definire un immaginario pronto ad accogliere i nuovi miti del futuro.

   Un alone iridescente per metà celava e per metà rivelava le mura cadenti affossate in un terricio rosso morbido e scosceso. Le superfici brillavano come rubini tempestati da massi bianchi e ciuffi erbosi, mentre gli anfratti ombreggiati aprivano voragini nere come pece. Culle di corpi inermi non ancora digeriti che lentamente scivolavano verso il basso abbandonando, pezzo dopo pezzo, la loro forma. Quelle voragini non avevano fondo, filtravano i rimasugli di vite finite abbandonandoli sulla terra come gocce brune. Cadevano dalle grinze di tronchi massici che svettavano a testa in giù strisciando come spire di serpente tra le dune di una terra arida. Foreste rade con alberi dalle chiome verde petrolio scivolavano senza sosta grattando la crosta di un mondo rumoroso. I frammenti della vita sottostante venivano inglobati da un ammasso mostruoso di organismi, mutevole nella forma, che avanzava passo dopo passo affondando sulla terra come unghie decomposte di un gigantesco cadavere. Una creatura plurima sulle cui superfici vorticavano ingranaggi intrappolati in trame miceliali, piante dalle cupole verdi e dai trochi grigi come il cemento disseminato sulla superficie del deserto rosso. Sulla terra argillosa e morbida, antica quanto il mondo, comparivano le impronte di animali fuggenti al riparo tra fronde d’erba e fili di rame.

  Tutto girava, ogni parte di quell’organismo composito fioriva sulla cima e scivolava verso il basso per grattare e divorare la terra mentre questa lo consumava a sua volta. La vita si risolveva nel rovinare l’uno sull’altra.

  Camilla Alberti

   Camilla Alberti è nata a Milano nel 1994 dove vive e lavora. Instagram camilla__alberti Young Italian Artists. Racconti dall’arte contemporanea  Progetto ideato da Antonello Tolve, curato con Elena Giulia Rossi

   

  L'articolo Young Italian Artists. Camilla Alberti proviene da Arshake.

• 

  Venice Italy Partially Funded Residencies all year around

   » ‎ resartis.org
  
  
  Deadline: 25 Oct 2020
  Country: Italy

• 

  culture360 call for articles | How are the arts adapting to the "New Normal"?

   » ‎ culture360.org

  deadline

  05 Nov 2020

• 

  Heide Hinrichs - 'ringing critical forests'

   » ‎ E-artnow calls

  KIOSK
  In her solo exhibition 'ringing critical forests' the artist Heide Hinrichs (°1976) presents a series of new sculptures, installations and works on...

  

• 

  BETA CIRCUS > International Open Call (Serbia, Italy, Portugal, Latvia)

   » ‎ On the Move
  
  
  

  15.10.2020

  BETA CIRCUS aims to address new trends in contemporary circus and to offset the lack of opportunities for artists to get training at a high professional level. 12 participants will be selected for an international capacity building programme in new trends for circus arts, with a focus on new magic, to be promoted in between May 2021 and March 2022 with training weeks in Serbia, Italy, Portugal and Latvia. Deadline: 15 December 2020.

  Read more

• 

  Sonic Acts > OVEREXPOSED Home-Based Residency

   » ‎ On the Move
  
  
  

  15.10.2020

  Sonic Acts, an interdisciplinary arts organisation based in Amsterdam, invites you to apply for the OVEREXPOSED residency programme, investigating pollution as a global thread that affects everything living and non-living on the planet. The residency lasts for one continuous month and will take somewhere between December 2020 and May 2021. Applications are invited from artists and researchers active in the fields of environmental, blue, animal and energy humanities, discard studies, disaster studies, waste colonialism, health care studies, postcolonial studies, geopolitics, media and experimental arts, etc. Deadline: 1 November 2020.

  Read more

• 

  WKV Stuttgart: Actually, the Dead Are Not Dead: Una forma de ser

   » ‎ E-artnow calls

  Württembergischer Kunstverein Stuttgart
  ACTUALLY, THE DEAD ARE NOT DEADUNA FORMA DE SERis based on and was produced in collaboration withBergen Assembly 2019CuratorsMaría García, Pedro G....

  

• October 14, 2020
• 

  OPEN CALL: Premio Termoli 62nd edition. Architecture and Design Section

   » ‎ Digicult

  The MACTE Foundation is pleased to announce the Open Call for the 62nd edition of the Premio Termoli-Architecture and Design Section, applications can be sent until November 26, 2020. The purpose of the contest of the 62nd Premio Termoli–Architecture and Design Section is to design an urban bus stop shelter, meant for the city of Termoli.

  The post OPEN CALL: Premio Termoli 62nd edition. Architecture and Design Section appeared first on Digicult | Digital Art, Design and Culture.

• 

  Last call for 2021: Artist residency from home!

   » ‎ resartis.org
  
  
  Deadline: 30 Oct 2020
  Country: Global

• 

  ZimmerFrei. LUMI a Bologna

   » ‎ Arshake Calls

  LUMI è il nuovo film di ZimmerFrei, prodotto da ON e realizzato grazie al sostegno dell’Italian Council (6a Edizione, 2019), programma di promozione dell’arte contemporanea italiana nel mondo della Direzione Generale Creatività Contemporanea del Ministero per i Beni e le Attività Culturali e per il Turismo. Sarà presentato a Bologna in forma di video installazione a cura di Martina Angelotti dal 6 al 18 ottobre 2020 all’interno di Palazzo Vizzani, sede dell’Associazione Alchemilla, nelle stesse sale che sono state scenario delle riprese.

  LUMI fonda la sua ricerca artistica su recenti studi sociologici e antropologici, ma è ispirato soprattutto da persone reali incontrate da ZimmerFrei nel corso delle ultime peregrinazioni documentaristiche, che hanno portato alla nascita di un lavoro di fiction, o per meglio dire staged documentary, che registra la perdita di efficacia di una parola: l’ «identità» non è più intesa come una definizione univoca, ma piuttosto come un bisogno di riconoscimento, un intreccio di somiglianze e differenze.

  Per la prima volta nella sua storia artistica, ZimmerFrei adotta la finzione e ricorre anche ad attori veri e propri per comporre una sequenza di tre capitoli, tre storie affettive apparentemente distinte, ambientate in un unico set: l’interno di un palazzo storico, un tempo residenza del cardinale Lambertini, che poi diventerà Benedetto XIV, il papa del Secolo dei Lumi.

  

  A introdurre il viaggio sono Filmon e Stella, due studenti di origine eritrea che discorrono sul significato di «pensare gli altri» ed «essere visti», partendo dalla loro esperienza di non usare la vista come senso primario e di relazione, dato che il primo è cieco dall’età di undici anni e la seconda ipovedente. Lo spettatore non può vederli ma solo adottare il loro «punto di vista» per ascoltare con maggiore attenzione la loro conversazione inserita in un ambiente sonoro all’interno dello stesso spazio in cui ha avuto luogo. Attraverso questa immersione, si fa strada un pensiero semplice ma rivoluzionario: il corpo che siamo non può essere circoscritto alla sola egemonia del visuale. La seconda scena si apre con una visione dall’alto di un ambiente insieme spettrale e fiabesco in cui tre ragazzi, dopo essersi introdotti segretamente nel palazzo da un passaggio nascosto, bisbigliano sdraiati vicini, intrecciando distrattamente le punte dei piedi e delle mani. Mentre Yakub racconta a Bianca e Omar del suo viaggio dall’Africa verso l’Europa, dalle parole dei tre amici emerge il dubbio verso quelle convenzioni che ci separano dagli altri, verso la paura, il sentimento di difesa che ci impedisce di percepire differenze e somiglianze, intrappolandoci in paradigmi mentali inconsapevoli.

  Mentre i tre ragazzi si addormentano sul pavimento della stanza, dall’altra parte del muro una donna si risveglia al fianco di un uomo: «Lui» è un maschio italiano bianco, intellettuale progressista, con una fascinazione per la pornografia; «Lei» è una donna italiana nera, militante femminista, anti razzista, anti colonialista. I due interpretano un dialogo scritto dal regista e drammaturgo teatrale Alessandro Berti in cui s’intrecciano i temi della pornografia, della rappresentazione del corpo dell’altro, del colore della pelle e del legame di coppia. Ci troviamo di fronte a una nuova forma di cecità, non più fisica ma altrettanto invalidante, che circoscrive il corpo a un linguaggio razziale, per poi smorzarsi nella tenerezza di due amanti che tornano a «vedersi», come corpi abitati da altri corpi.

  ZimmerFrei, LUMI, presentazione a cura di Martina Angelotti  a Palazzo Vizzani, Bologna, 06-18.10.2020 Il progetto è stato prodotto da ON e realizzato grazie al sostegno dell’Italian Council ( 2019)

  immagini: (cover 1-2-3) ZimmerFrei – LUMI, 2020. Ph.Moira_Ricci (4) Riccardo Giacconi, OPTIONS

  L'articolo ZimmerFrei. LUMI a Bologna proviene da Arshake.

• 

  Creating and Writing in Assisi, surrounded by a serene environment

   » ‎ resartis.org
  
  
  Deadline: 30 Oct 2020
  Country: Italy

• 

  The GENDERhouse Festival > Open Call to Present Works (Denmark)

   » ‎ On the Move
  
  
  

  14.10.2020

  The GENDERhouse#2 Queer Arts Festival in Aarhus, Denmark is open for applications for full length performance works that either tackle themes of gender, sexuality or identity or that defy traditions, queer the borders of what performance is and can be, or have an artistic expression that stands out from the ‘artistic usual or genre normative’. Selected performances will be programmed as part of the festival between 24 September – 10 October 2021. You must be resident in Europe to apply. Deadline: 15 November 2020.

  Read more

• 

  Fabrik Burgdorf > Artist in Residence Programme (Switzerland)

   » ‎ On the Move
  
  
  

  14.10.2020

  Fabrik Burgdorf and the city of Burgdorf run an annual artist-in-residence programme. Each summer an artist – from Switzerland or abroad, no age limits – can spend 2 to 3 months at the Fabrik. The residency is mainly for visual artists, but artists from other (‘silent’) disciplines can also apply. Deadline: 29 November 2020.

  Read more

• 

  Jiwar is looking for VISA rejection experiences in the Mediterranean region

   » ‎ On the Move
  
  
  

  14.10.2020

  Jiwar is looking for artists’ VISA rejection experiences, specially Mediterranean artists rejected by European and Mediterranean countries. The collected data will be part of a digital review published in Catalan, Spanish and English devoted to the Mediterranean region. Revista Idees, 51. Deadline: 6 November 2020.

  Read more

• October 13, 2020
• 

  Apply for a booth at Superfine! Art Fair

   » ‎ re-title.com artist opportunities

  Take Control of your art career at Superfine!
  
  Deadline: 01/01/2021
  
  Application fee: none

  

  “It's important for artists to get a real-world reaction to their work beyond family, friends, and the internet. Art fairs like Superfine! are essential sources of feedback for serious artists.”- Mamie Young, Exhibiting Artist

  Superfine! is an artist driven fair, founded in 2015 that empowers electrifying artists to sell their art to interested buyers. Now is a great time to submit your art for a booth as we are bringing back our in-person fairs in 2021! We are busy implementing our Resilience Plan, to bring artists back to the marketplace.

  Superfine! takes no commission on any artwork sold, either in person at the fair or via our online E-Fair. Make art. Sell art. We do the rest.

  Booths & Pricing

  With a range of options, you choose what works best for you and your art!

  Booths range from 8 to 12 linear feet and are priced between $2,000 to $5,000.

  Payment/Discount Options:

  We offer a number of payment options and discounts to make bringing your art to the world as easy as possible! Inquire with our sales team about your options.

  Safe + Socially Responsible Art Fairs in 2021

  Superfine! is coming at you in 2021 with safety – and a better selling environment – in mind for our exhibiting artists. Here’s a few of the actions we are taking:

  • Smaller crowds with pre-vetted, more serious collectors
  • Unidirectional floor plan for better traffic flow

  Testimonials

  “Superfine is a unique place to sell art for individual artists. Their approach is unique and smart. That’s how I would like to approach people as an artist.”- Akane Ogura, Exhibiting Artist

  Link: [https:]]

   

• 

  NG Art Creative Residency

   » ‎ resartis.org
  
  
  Deadline: 27 Oct 2020
  Country: France

• 

  ArtVilnius'20 Art Fair's Big News – Virtual 3D Tour

   » ‎ E-artnow calls

  Lithuanian Art Gallerists' Association
  If you weren't able to visit the contemporary art fair ArtVilnius'20 at LITEXPO last weekend, you will be able to do it virtually. The organizers...

  

• 

  Buonanotte arte contemporanea

   » ‎ Arshake Calls

  Qualche mese fa, in pieno lockdown che tutti ricorderemo un giorno con i nostri figli o parenti o amici o conoscenti d’ogni sorta, ebbi l’imprudenza di scrivere una serie di piccoli racconti sull’arte contemporanea e, tra questi, un breve passatempo sulla fantomatica Galleria Buongiorno Arte Contemporanea che qualcuno, nella storiella, chiamava allegramente Galleria Belladinotte perché soltanto all’imbrunire si animava con spettacoli entusiasmanti.

  

  Il piacere di scoprire che in provincia di Chieti dallo scorso 3 settembre il comune di Montebello Sul Sangro ha aperto i battenti al percorso Buonanotte Contemporanea (un «progetto inedito e interdisciplinare ideato da CASaA architetti», e cioè da Fabio Armillotta, Carmela Palmieri e N. Marco Santomauro) per tonificare, attraverso il presente dell’arte, un antico borgo che si chiama Buonanotte, antico nome appunto di Montebello Sul Sangro (si invita il lettore a scorrere per qualche minuto il sito web buonanottecontemporanea.com), mi lascia ancora un po’ incredulo e sorridente, nonostante sia andato di persona a guardare, in compagnia della curatrice Maria Letizia Paiato e dell’ufficio stampa Marcella Russo, gli incanti prodotti da una squadra di artisti – Vincenzo Marsiglia, Jasmine Pignatelli e Artan Shalsi – che hanno saputo armonizzare, con interventi intelligenti, l’arcaico all’attuale.

  

  Le loro opere infatti, a suggerirlo è Paiato, «dialogano con i ruderi del borgo, con il logorio del tempo e con la surreale assenza della figura umana, per concorrere alla realizzazione di un percorso sperimentale, poetico e sicuro, in cui la ricerca artistica risponde in modo strutturale alle esigenze architettoniche di consolidamento del borgo».

  Parole d’ordine di questo elegante progetto sono “ecologia”, “identità”, “contaminazione”, “arte”, “natura”, “architettura”, “cura”, o meglio “prendersi cura”, secondo l’accezione proposta da Platone nel Πολιτικός: esposizione in termini di un itinerario metaforico che si fa forma creativa mediante le forze urgenti dell’arte e dunque grazie al preciso lavoro di riqualificazione estetica. Qui, oggi, tra i silenzi di case che guardano e di strade che ricordano, possiamo incontrare Kaleidoscope di Vincenzo Marsiglia, A Broken Line di Jasmine Pignatelli e BN_L_AIFE_20_295 di Artan Shalsi, opere permanenti, segni di tecnologie taglienti che si stagliano nel paesaggio per convivere nel luogo e condividerne un nuovo destino.

  

  «Il patrimonio di una città, di una regione, come di una intera nazione non è fatto solo di grandi monumenti, ma soprattutto dell’architettura dove si vive, si lavora, ci si incontra quotidianamente», si legge nel concept del progetto, «un progetto», ancora, «dove architettura e arte possano rendere attrattiva Buonanotte per future esperienze turistico-culturali, collocandosi in forma permanente nel percorso del Borgo».

  

  In questo piccolo centro, tra la Maiella e il lago di Bomba, è oggi dunque possibile percepire qualcosa di nuovo: forse che il sogno dell’avanguardia, quello appunto di cambiare con l’arte la vita, si stia realizzando proprio a Buonanotte?

  Un nulla ristretto

  

  L'articolo Buonanotte arte contemporanea proviene da Arshake.

• 

  Singapore | call for local artist residency liaison persons for artistic research

   » ‎ culture360.org

  deadline

  08 Nov 2020

• 

  Fall residencies in Arraiolos, Alentejo, Portugal 2020

   » ‎ resartis.org
  
  
  Deadline: 01 Nov 2020
  Country: Portugal

• 

  Chuncheon Puppet Festival > Call for Puppet Films (Online)

   » ‎ On the Move
  
  
  

  13.10.2020

  Unable to hold their usual event, Chuncheon Puppet Festival are going online this year by holding a puppet film festival. The organisers seek creative puppetry/object films of no more than three minutes length, with applications open internationally. Deadline: 25 October 2020.

  Read more

• 

  Wolf Suschitzky Prize Open Call 2020 for Photographers Based in the UK and Austria (UK / Austria)

   » ‎ On the Move
  
  
  

  13.10.2020

  The Austrian Cultural Forum London invites emerging photographers based in Austria and the UK to participate in a prize in tribute of the late Austrian émigré photographer Wolf Suschitzky. The theme for the competition is ‘Life in 2020’. One UK based photographer will be selected for a residency in Austria, and one Austria based photographer for a residency in the UK. Both residencies take place in 2021. Deadline: 30 November 2020.

  Read more

• 

  Bauhaus Dessau Foundation / GfZk – Museum of Contemporary Art Leipzig > Bauhaus Residency (Germany)

   » ‎ On the Move
  
  
  

  13.10.2020

  The Bauhaus Residency is aimed at international artists whose work relates to the historical disciplines represented at the Bauhaus and the subsequent developments of these core disciplines – among them painting, product design, textile design, music, theatre, performance, architecture and photography. The open call is aimed at artists working on their own or collectively (up to a maximum of 5 people). Of particular interest are works that engage and reflect on social contexts in novel ways as well as other approaches to modernity. Deadline: 30 October 2020.

  Read more

• 

  Institut français > Appel à candidatures Programme de résidences - Les Résidences Sur Mesure Plus+

   » ‎ On the Move
  
  
  

  13.10.2020

  Ce programme s’adresse aux artistes et créateurs ainsi qu’aux collectifs d’artistes et de créateurs, français ou domiciliés en France depuis plus de 5 ans, qui souhaitent développer un projet de recherche à l’étranger, dans les pays de la liste et dans les disciplines proposées. Disciplines concernées pour la session 2021 : arts visuels – architecture - commissariat d’exposition –design. Date limite : 23 novembre 2020.

  Read more

• 

  APPLICATIONS LIVE! 2021 FELLOWSHIP + EMERGING ARTIST RESIDENCIES

   » ‎ re-title.com artist opportunities

  Submission Deadline: November 15, 2020
  
  Entry Fee: $25; Alumni $15

  

  Stipends: Fellowships: $5000 | Emerging Artist Scholarships

  Eligibility: International; Artist-Parents are eligible

  Categories: sculpture, land art, ceramics, contemporary craft, experimental sound/music, socially engaged art, multidisciplinary art, installation, and/or performance.

  Location: Shafer, Minnesota, USA

  When: April 7 – June 4, 2021; June 16 – Aug 20, 2021; Sept 8 – Nov 20, 2021

  Total Fellows Accepted: 8 - 10

  Total Emerging Artist Selected: 15

  
  
  More info: [https:]]

  Apply: [https:]]

  
  
  ABOUT FRANCONIA

  Located 45 miles from Minneapolis/St. Paul in the scenic St. Croix River Valley, the traditional lands of the Wahpekute people, Franconia Sculpture Park (FSP) operates a 43-acre outdoor museum, an artist-in-residence work-exchange program, robust public programming, and expansive educational initiatives.

  FSP is a cultural anchor to the Twin Cities with a national reach into contemporary art communities and over 150,000 annual visitors. The program and facilities promote a collaborative community, foster new work and intellectual exchange, offer exhibition and presentation opportunities, and provide artists with exposure to the Twin Cities. We encourage experimentation and knowledge-building--whether artists seek to redefine process, reflect social and cultural contexts of our time, or push conceptual or material boundaries.

  Franconia provides an inclusive communal residency experience where selected artists live on-site at our 4500 sq.ft. farmhouse. Our facility includes nine private bedrooms, 2.5 shared bathrooms, two kitchens, and common spaces for building lasting connections among peers. We provide food, laundry facilities, utilities, and WIFI for artist use.

  Franconia's work facilities include an outdoor 10,000 square-foot work pad and woodshop with dedicated equipment for sculptural fabrication; a shared flex space; a Skutt kiln; and access to public spaces at Franconia Commons; including a café, gift shop, and exhibition space. The picturesque rural setting and the chance to work along-side peers, mid-career artists, and visiting art curators create a dynamic setting for critical, technical, and professional growth within a collaborative exchange model.

  Franconia’s 2021 theme is Authority, Visibility, and Public Space. Priority will be given to applicants who are encouraged to interpret this theme with regard to their project proposals.

  Applications can be found at [https:]]

  More info can be found at https://www.franconia.org/artist-opportunities/

  -

  FELLOWSHIP RESIDENCY

  The Franconia Fellowship Residency supports emerging, mid-career, and established artists, and is open to local, national, and internationally based artists. Fellows receive a $5000 stipend towards the creation and presentation of their work in the rotating outdoor exhibition at Franconia Sculpture Park for up to two years. We provide time, space, and resources for artists towards the development, production, and installation of their work. Fellows receive valuable professional development opportunities such as access to visiting curators; studio visits, field trips; public talks; workshops; receive production support from site managers upon request and pending availability; and the potential to revisit Franconia as an alumni member. Fellows choose to stay between three weeks and three months, dependent on approval. More about the Fellowship application at franconia.org/fellowship-application/

  EMERGING ARTIST RESIDENCY

  For 25 years, Franconia Sculpture Park has upheld a long-running work exchange model that equally cares for artists and organizational sustainability. While offering professional support and growth to emerging artists, reciprocally, the 43-acre sculpture park receives site and operational support with the help of Emerging Artist Residents. The program began with the park’s founding in 1996 and has grown to support nearly 1000 artists to date. Undergraduate and graduate students, as well as emerging artists, are invited to apply and the application is open to local, national, and internationally based artists.

  Emerging Artist Residents have the opportunity to develop their artistic practice, receive mentorship from Fellowship artists-in-residence, receive production support from site managers upon request and pending availability; receive valuable professional development opportunities such as access to visiting curators; studio visits, field trips; public talks; workshops; and the potential to revisit Franconia as an alumni member. Selected Emerging Artists are invited to create a work of art to be included in the rotating outdoor exhibition at Franconia Sculpture Park for at least eight months. In exchange for housing, meals, and studio space, Emerging Artists commit to working for Franconia Sculpture Park from 830am to 1 pm, five days a week plus occasional events, up to 30 hours a week. Residencies last between two to three months dependent on schedule. More about the Emerging Artist Residency at franconia.org/project/emerging-artist-program/.

  Scholarships for Emerging Artists are available dependent on funding.

  PANELISTS

  Asuka Hisa (Los Angeles) director of education and engagement, Institute for Contemporary Art Los Angeles; Alex Priest (Chicago) independent curator; Risa Puleo (Chicago) curator and Ph.D. candidate, Northwestern University; Joan Vordebruggen (Minneapolis) director of Hennepin Theatre District Engagement for Hennepin Theatre Trust. Panelist bios here.

  Contact ellina@franconia.org with questions.

   

• 

  Site-Specific Art: Info Day & Exhibition Opening

   » ‎ E-artnow calls

  University of Applied Arts Vienna I Department of Site-Specific Art
  The Department of Site-Specific Art at the University of Applied Arts Vienna offers an Info Day on October 22, 2020. Students show their works and...

  

• 

  'Rules of the Game': an introduction to task-based performance and art

   » ‎ E-artnow calls

  ''Rules of the Game': an introduction to task-based performance and art'
  ECC Performance Art Upcoming Online Course:''Rules of the Game': an introduction to task-based performance and art' ...

  

• October 12, 2020
• 

  Decolonizing Curatorial and Artistic Practices - Online Course by Node Center

   » ‎ E-artnow calls

  Node Center for Curatorial Studies Berlin
  COURSE DESCRIPTION: *This course offers University credits.Decolonial theory has gained much traction in the fields of art theory and curatorship...

  

• 

  Online Course on Contemporary Curating

   » ‎ E-artnow calls

  Curating.org
  Resisting Biennialisation: Making and Sustaining Art Platforms in the Digital AgeLecturer: Shwetal A. PatelCourse dates: 24 Oct, 2–6pm CEST(!!!) + 31...

  

• 

  Makers' Film Festival 2021 - call for films about crafts, making, materials

   » ‎ culture360.org

  deadline

  30 Nov 2020

• 

  Last Minute Call for artists

   » ‎ resartis.org
  
  
  Deadline: 31 Oct 2020
  Country: Germany
• 

  Artist Residency Cerdeira Home for Creativity – OPEN CALL 2020 Create & Get Inspired in the Mountains

   » ‎ resartis.org
  
  
  Deadline: 01 Nov 2020
  Country: Portugal

• October 11, 2020
• 

  FRAME > Susceptible

   » ‎ Arshake Calls

  FRAME rilancia Susceptible, un lavoro di arte digitale interattivo ‘data driven’ di Anna Dumitriu e Alex May basata sulla ricerca CRyPTIC, un consorzio gestito dall’Università di Oxford che analizza immagini di batteri della tubercolosi che crescono in presenza di diversi antibiotici. La combinazione di questa analisi con dati rilevati della sequenza genetica del batterio ha permesso di trovare la cura sulla base della sequenza DNA del batterio responsabile dell’infezione.

  Anna Dumitriu e Alex May, Susceptible, 2020, immagine via

   

   

   

  L'articolo FRAME > Susceptible proviene da Arshake.

• 

  CFP - Piksel20, Festival for Electronic Art and Free Technologies (Norway) > Open calls

   » ‎ On the Move
  
  
  

  11.10.2020

  This year the Piksel Festival has been waiting to the last minute to release the open call in the hope the Covid rules would relax a bit, mainly regarding the obligation to quarantine artists at arrival in Bergen. There are two open calls: One is for artists travelling from non quarantine countries who can travel to Bergen (Norway). The other one is for artists (who can not travel to Bergen) whose artworks can be presented either virtually/online (Mozilla Hubs, PikselSavers, online concerts, presentations and workshops) or physically at the exhibition where the Piksel technical team will follow the artists instructions to setup the works. Deadline (extended): 15 October 2020.

  Read more

• October 09, 2020
• 

  VIDEO POST > On Framing Textile Ambiguities

   » ‎ Arshake Calls

  VIDEO POST rilancia la documentazione di On Framing Textile Ambiguities di Nathalie Gebert. Una serie di machine condividono lo stesso filo e le stesse componenti. Ciascuna è costruita attorno ad una cornice, tutte condividono lo stesso filo. Il processo di codificazione trova significati diversi a causa della diversa ampiezza di ciascuna cornice. Tanti i significati che si ritrovano tra i fili di un lavoro artigianale applicato alla società tecnologica e informatica.

  Nathalie Gebert, On Framing Textile Ambiguities, 2020 Conceptual support by Prof. Ralf Baecker and Prof. Dr. Andrea Sick |Project developed at the Digital Media Bremen program

   

   

  L'articolo VIDEO POST > On Framing Textile Ambiguities proviene da Arshake.

• 

  Spain | AADK Crossing programme - Space for Transformation

   » ‎ culture360.org

  deadline

  15 Dec 2020

• October 08, 2020
• 

  INTIMATE MONUMENTS: call for participants

   » ‎ Rhizome.org Opportunities
  • Deadline:Nov 11 2020, @ 11PM

  Call for participants: for a digital, textual, participatory map-making initiative
  
  INTIMATE MONUMENTS
  
  We arrive at MONUMENT from the Latin monēre, "to remind," its roots indicating the centrality of the mind in projects of memorialization. A collaborative project of memory and its sites, material and mental, INTIMATE MONUMENTS is seeking ...

• 

  Sound Art con il PowSOLO Awards 2020

   » ‎ Arshake Calls

  Il 17 Settembre 2020 il Powsolo Awards ha annunciato ufficialmente i vincitori dell’open call internazionale volto a premiare la migliore opera di sound art. Il PowSOLO Awards è una collaborazione nata dal collettivo d’arte olandese Powland Network specializzato in sound art e il centro d’arte contemporanea spagnolo Colección SOLO.

  Il contest, alla sua prima edizione, vanta una giuria prestigiosa formata dal compositore giapponese Ryuichi Sakamoto, il fondatore della Pow Academy Mark Berman e i membri del consiglio della Colección SOLO. Quattro sono i premi assegnati: Best sound art, Discovery of the Year, Invention of the Year e Viral of the Year. Il premio principale per la Best sound art di 10.000 euro viene assegnato a Enrique del Castillo (Spagna) con l’opera Phonoptics Readers che verrà esposta all’Espacio SOLO, il museo di Puerta de Alcalá (Madrid), l’opera è composta da due lettori ottici che girano contemporaneamente a far scorrere due rotoli di pellicola da 35 mm stampati con una varietà di motivi geometrici che traducono la luce in suono, producendo una composizione musicale.

  

  Le altre tre premiazioni del valore di 1.000 euro sono state assegnate rispettivamente a Nolan Lem con l’opera Menagerie (per la categoria Discovery of the Year) , Ioana Bremer Moser con Fluid Memory. Fluidic Computer (per la categoria Invention of the Year) e a Etienne Krähenbühl con l’opera Bing Bang 850 (per la categoria Viral of the Year). Inoltre, è stata assegnata una menzione speciale dalla giuria al duo italiano composto da Enrico Ascoli e Hilaro Isola.

  

  Nolan Lem (USA) presenta un’opera sonora installattiva composta da cinquanta grilletti di pistola smontati, appesi e collegati tramite cavo e connettore a delle postazioni con interfaccia digital audio che attraverso algoritmi generati da un software mettono in funzione tutto il sistema di sincronizzazione; l’opera riflette sulla violenza umana e su una tecnologia con fini militari che ha preso il soppravvento sull’essere umano.

  

  Ioana Bremer Moser (Romania) attraverso un computer luddista costituito da vetro, acqua e sale, si avvale dell’uso di un fluido per eseguire operazioni analogiche della fluido dinamica che per mezzo di un nucleo centrale come cervello trasmette input sonori grazie ai micro movimenti dell’acqua contenuta all’interno.

  La categoria Viral of the Year aggiudicata a Etienne Krähenbühl (Svizzera) ha raggiunto più di 8 milioni di visualizzazioni, l’equivalente dell’intera popolazione di Hong Kong; si tratta di 1600 pezzi di metallo sospesi a formare una sfera cinetica che suona al ritmo del vento.

  

  Immagini: (1) Enrique del Castillo, «Phonoptics Readers», 2020, categoria Best Sound Art (2) Enrico Ascoli and Hilaro Isola, «Auspicio», 2015, Menzione speciale (3) Nolan Lem, «Menagerie», 2019, categoria Discovery of the Year (4) Ioana Bremer Moser, «Fluid Memory. Fluidic Computer», 2019-2020, categoria Invention of the Year (5) Etienne Krähenbühl, «Bing Bang 850», 2007, categoria Viral of the Year

   

   

   

  L'articolo Sound Art con il PowSOLO Awards 2020 proviene da Arshake.

• 

  2021 Standard Residencies: Call for artists

   » ‎ resartis.org
  
  
  Deadline: 31 Oct 2020
  Country: France

• 

  call: Future Clip Award

   » ‎ netEX - networked experience

  Deadline: 17 January 2021
  Call for entries

  * films for future Clip Award *

  We don’t just want to show you fascinating films, we want to show you too
  motivate you to make your own film. That’s why there is films for
  future festival a Clip Award with attractive prizes and a
  Public voting. Join in and get creative with your own film.

  With the many technical possibilities it is possible for almost everyone today
  to make a movie. Please think carefully: which story do I want
  tell to captivate the audience? How can I make the film simple, short
  and make it exciting?

  Our theme this year is:

  * We are stuck in the climate crisis. How do we get out of there? *

  Perhaps the greatest challenge for our future is that
  our wonderful planet will not become uninhabitable due to climate catastrophes.
  With your films you can help that more people know about the topic
  think and take action.

  Your films are between 1 and 3 minutes long. Remember, shorter ones are often
  Movies more impactful, so make it as short as possible. The prize money
  amounts to a total of CHF 2,500 and is based on the top five winners
  distributed:

  *1. Price: 1000 CHF *

  * 2. Price: 700 CHF *

  * 3. Price: 400 CHF *

  * 4. Price: 200 CHF *

  * 5. Price: 200 CHF *

  Of course we want your films to be seen as often as possible.
  We will therefore make all accepted films available on our website
  do and apply. We will also include the suitable winning films
  Push a total of CHF 500 on social media platforms.

  Closing date: SUN January 17, 2021 until 11 p.m. The jury of
  films-for-future selects up to 10 films in advance to be shown at the festival
  to be shown. There the audience then decides which films are the first
  Take 5 winning places.

  * Conditions of submission: *

  The film is between 1 and 3 minutes long, it is after January 1st, 2020
  originated and is related to the mentioned topic. The movie should
  16: 9 (landscape format) in good quality so that it can be used in the cinema
  can be shown.

  Below is the entry form and the conditions of participation:

  * Entry form short film competition 2021 *
  info@films-for-future.org
  [https:]]

• 

  call: FABRIKRAUM Vienna 2021 Annual Program

   » ‎ netEX - networked experience

  Deadline: 13 October 2020
  Call for entries

  FABRIKRAUM 2021 Annual Program
  Deadline: 13.10.2020
  01.01.2021-30.06.2021 / Vienna, Austria

  FABRIKRAUM Art & Culture Association invites artists, designers and other creative professionals to send a proposal for our one-year program running from January 2021 to December 2021.

  We welcome group or individual proposals for exhibitions, performances, workshops, lectures, screenings and other artistic practices.

  In our 45 m2 venue, located in the Johnstrasse, we would like to host projects, which have a transdisciplinary, innovative and critical approach, bringing together art, science and technology.

  The duration of the project is dependent on the applicant’s choice. It can last up to one month and the timeline will be negotiated due to the yearly schedule.

  Please send your project proposal, including your biography and links to your portfolio or website to hello@fabrikraum.org

  No entry fee –
  6. Contact adresses/URL:

  Adresse: Johnstrasse 25-27 R02, 1150 Vienna
  [www.fabrikraum.org]

• 

  call: Mail Art – Christmas

   » ‎ netEX - networked experience

  Deadline: 30 November 2020
  Call for entries

  MELISMA’s CHRISTMAS
  Theme : CHRISTMAS

  Free participation
  any works is possible to Christmas Ideas

  curator : roberto orsetti
  info email : apro.projects@email.it
  send your works to
  apro.projects , via Scaffa 80, 03033 ARPINO FR ITALY

  theme : Christmas
  -Painting, Drawing, and Print
  -Sculpture & Installation Art
  -Photograph
  -Video
  -Collage art
  -Mail art

  Kid friendly
  Any dimensions and forms. No Maxi or Mininum size
  The works will not be returned
  No selection, no sale, no jury
  Submission due date 30 NOVEMBER 2020
  Exhibition date : DECEMBER 2020
  Exhibition address : CENTRO SAMANTHA , ARPINO (FR) ITALY
  BE EXPOSED ALL RECEIVED MAIL ART

  Excluding the Mail art pornographic, racist, nazi, homophobic, blasphemous, sexist, etc.
  

• 

  call: for Artists + Photographers – $550.00 Innovate Grants

   » ‎ netEX - networked experience

  Deadline: December 10, 2020 11:59pm PST
  Call for entries

  Call for Artists + Photographers – $550.00 Innovate Grants
  [https:]]

  Innovate Grant is now accepting submissions for the Fall 2020 Cycle. Innovate Grant awards (2) $550.00 grants each quarter, to one Visual Artist and one Photographer. In addition to receiving a grant award, winners will be featured and recognized on our website and join a growing community of vibrant and talented artists. For more information and to apply [https:]

  Visual Artists and Photographers 18 years and older, from all around the world, are eligible to apply. All media and genres are accepted. For more information visit [https:]

  Explore the work of past Innovate Grant recipients and read their interviews at [https:]

  Category: Multiple disciplines and genres accepted
  Deadline: December 10, 2020
  Fee: $25 USD
  Region: US & International
  Awards: $550.00 USD Grants

  Apply Online Today
  [https:]]

• 

  call: Backslash Lit Issue 2: HEX

   » ‎ netEX - networked experience

  Deadline: 15 October 2020
  Call for entries

  Backslash Lit Issue 2: HEX
  Online starting October 2020

  We are looking for pieces that use digital and electronic mediums as a vessel for creativity, including but not limited to source code poetry, hypertext poetry, interactive fiction, ASCII art, and generative art. We welcome pieces that step out of the box and don’t fit into one particular category. To get a feel of what we seek, please take a look at previous issues.

  We encourage anyone to submit, even if you are new to electronic literature or do not have experience in programming or creative writing.

  entry fee – FREE
  [www.backslashlit.com]
  backslashlitmag@gmail.com

• 

  call: Mail Art – My Paper Tile

   » ‎ netEX - networked experience

  Deadline: 31 December 23020
  Call for entries

  5nd mail art call of Correio do Porto (Portugal)

  Theme: My paper tile
  Size: 10 x 15 cm T
  echnique: free Postcards without envelope

  No jury, no fee, no judge

  Deadline: december 31, 2020

  Send a postcard to:
  CORREIO DO PORTO
  Rua Pádua Correia, 191, sala 5.1
  4400-238 VILA NOVA DE GAIA
  PORTUGAL

  The postcards will be on display in Correio do Porto, on facebook and a physical exhibition. The works sent to Portugal will be part of the Correio do Porto collection. More information at: geral.correiodoporto@gmail.com

  [https:]]
  

• 

  Goethe-Institut | virtual partner residency programme for music exchange

   » ‎ culture360.org

  deadline

  31 Dec 2020

• 

  Invisible Flock > The Cost of Innovation Residency for Artists Based in the UK and Finland (UK)

   » ‎ On the Move
  
  
  

  08.10.2020

  Invisible Flock are an interactive arts studio operating at the intersection of art and technology and based at the Yorkshire Sculpture Park in England. Artists based in the UK and Finland are invited to apply to their Cost of Innovation residency programme, which will focus on exploring the use of LiDAR as an artistic medium. The residency includes 8 months remote support from December and 1 month studio residency in July 2021. Deadline: 2 November 2020.

  Read more

• 

  European Theatre Academy > ETC Artist Residency 2021

   » ‎ On the Move
  
  
  

  08.10.2020

  The fourth edition of the ETC Artist Residency Programme offers scholarships of 4 to 8 weeks at ETC Member Theatres. As announced in a press release on 11 September, ETC dedicates its Artist Residency Programme 2021 to emerging Hungarian theatre professionals, in solidarity with the students and professors of the University of Theatre and Film Arts (SZFE) in Budapest. The call is open to emerging theatre artists from Hungary with relevant experience and knowledge. Deadline: 29 October 2020.

  Read more

• October 07, 2020
• 

  D’CLINIC studios – TRACTOR programme 2021, 2022

   » ‎ resartis.org
  
  
  Deadline: 30 Oct 2020
  Country: Hungary

• 

  Binance Support Number 1844-948-0641 *btc

   » ‎ WOOLOO.ORG
  Deadline Jul. 21, 2022
  Competition
  Installation, Competitions
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• 

  Binance Support Phone Number 1844-948-0641 *btc

   » ‎ WOOLOO.ORG
  Deadline Oct. 05, 2025
  Competition
  Digital, Competitions
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• 

  Binance Customer Care Number 1844-948-0641 *btc

   » ‎ WOOLOO.ORG
  Deadline Jun. 27, 2022
  Competition
  Performance, Competitions
  With clearly electronic asset security, you have full authority over your report controlling and access. You don't need to worry over beating anything. or then again unquestionably clearly absolutely totally energetically covering anything. You can store everything on the Binance page, where you can

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• 

  “Other choreographies, new spaces" 2021

   » ‎ TransArtists
  
  
  

  The open call for the Art Inside Out Residency in Kungsbacka Municipality and Halmstad Municipality (Sweden) in 2021 is with the theme “Other choreographies, new spaces”, based on the concept of critical tourism.