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Impact 10 Encuentro
MOVIES is a first-level postgraduate program in moving images arts and in artists' films, through an educational program immersed in the world of...
Node Center for Curatorial Studies
GRANT WRITING STRATEGIESAn Online Course by Node CenterThe art of grant writing involves conviction, imagination and stamina. The key is to...
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Università Iuav di Venezia, MeLa Media Lab
MOVIES is a first-level postgraduate program in moving images arts and in artists' films, through an educational program immersed in the world of...
Deadline: 16 July 2018
Call for entries
Cryptic Nights
Cryptic is looking for creatively ambitious artists with innovative ideas for our 2019/20 Cryptic Nights Programme.
Recognising the need for a regular, supportive platform for emerging Scottish based artists with fresh ideas, Cryptic launched Cryptic Nights in 2009 and has presented over 270 artists in partnership with the Centre for Contemporary Arts (CCA) in Glasgow. Crossing creative boundaries with new technologies, live music, visual and sonic art, Cryptic Nights presents a selection of the highest quality emerging talent.
Many Cryptic Nights’ artists have gone on to have highly successful careers, most notably Rachel Maclean, Robbie Thomson, Sarah Kenchington, James Houston, Anna Meredith and Yann Seznec.
The next deadline for applications to Cryptic Nights is 12noon on Monday 16 July 2018.
Celebrating 10 years of Cryptic Nights, we are looking for ambitious, emerging artists based in Scotland, who create high quality, innovative visual work with original music or sound-based elements at its core. We are particularly interested in submissions that use technology in new and creative ways. With Cryptic’s support, artists will be guided in the development of an existing idea or piece of work.
Selected projects will receive:
• A guaranteed minimum fee of £500 per performance/installation for a maximum of two performances with support, advice and space to take risks;
• A platform for your work supported by an experienced, international arts company;
• Venue, technical, PR and marketing support;
• Travel and accommodation bursaries for those living outside Glasgow where applicable;
• An opportunity to build a new audience and raise your profile;
• Free entry to other Cryptic Nights throughout the year;
• Valuable opportunities to develop networks.
Whilst Cryptic Nights is mainly based in CCA, Glasgow, we are also interested in innovative, site-specific works. We do not support traditional theatre, dance or literature, and we prefer not to support work which has already been given a substantial platform or support from other arts organisations. We aim to fill a gap.
We understand that an artist’s creative career can emerge at any stage in life and our selection process reflects this. The Cryptic Nights programme is selected by a panel of arts professionals based on application criteria, quality of work and potential for development. We particularly welcome and encourage applications from artists with diverse experiences, perspectives and backgrounds which are essential for innovation to thrive and for new ideas to emerge.
If you would like to apply, please download the submission guidelines from our website [www.cryptic.org.uk] If you require additional support in completing the application please contact Rachel at crypticprojects@gmail.com.
Deadline 31st July
Rooms & Video Application
Application fee £20
Single work Application
Application Fee £50
Find to Apply [https:]]
Call for Artists – Artrooms Fair London - Deadline Extended
Deadline to apply for Artrooms Fair London 2019 edition now extended until the 31st July. We listened to requests from artists around the world and decided to give you all more time and more chances to participate in our Calls For Artists.
The Fair will run from the 11th to the 13th January 2019 at Meliã White House Hotel, Albany St, London NW1 3UP (Regent’s Park, London).
We are now calling for independent artists from all over the world, from all different backgrounds and media.
Artists will exhibit in hotel rooms to be transformed in their own creative and intimate studios. It is a great opportunity to share your vision, meet collectors, curators, and to be scouted by galleries.
Artrooms is the first international contemporary art fair offering free exhibition spaces to independent artists, innovating the way artists and buyers meet.
The Single Work Application consists in submitting 1 application for only 1 work and, if selected, artists will not be required to attend the fair. It is a great opportunity for all artists who express their interest in Artrooms Fair but experience difficulties in covering transport and accommodation expenses on top of the shipment and/or getting a travel VISA, and considering also the emerging artists who haven’t got a wide portfolio to show to the public yet.
What you need to know:
New deadline is 31st July 2018.
It applies for both Single Artwork Application and Rooms & Video Application.
Public Votes will be taken into account until September 2018.
This is your last chance, so don’t wait any more!
Selected artists will be announced in September 2018.
Find to Apply [https:]]
Deadline 31st July
Rooms & Video Application
Application fee £20
Single work Application
Application Fee £50
Mark Pezinger Verlag
Bill Burns' new edition, The Power 100 2007 'til 2016, from Mark Pezinger Verlag, Vienna.Bill Burns has had himself paged on public address systems...
DAMU - Theatre Faculty of Academy of Performing Arts in Prague
MASTER DEGREE IN DIRECTING OF DEVISED AND OBJECT THEATREa 2 year English language program at the Department of Alternative and Puppet Theatre (KALD),...
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CCA Glasgow
Jonas Staal's The Scottish-European Parliament is centred around a visual model that transforms a decommissioned oil rig in the North Sea into a...
Node Center for Curatorial Studies
CREATIVE FORMS OF ART CRITICISM AND WRITINGAn Online Course by Node CenterIn this Course we delve into experimental and hybrid forms of writing and ...
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Deadline: 29 July 2018
Call for entries
Boarders
The Direction of Visual Arts of the Secretary of State for Culture of the province of Santa Cruz summons visual artists
to participate in a mail art exhibition in August 2018 in the city of Río Gallegos.
Those interested should send one or more works related to the topic “borders”, via postal mail, to:
Complejo Cultural Santa Cruz
Ramón y Cajal no. 51, Río Gallegos (Z.C.9400), prov. of Santa Cruz, Argentina.
All techniques (drawing, engraving, painting, collage, digital art, photography, etc.) will be accepted in postal size (10 X 15 cm).
The works received will become part of the heritage of the Secretary and will also be published on its website.
Also, the following information must be attached: Name and surname, ID, mail, postal address.
Shipments will be received until July 29st. Queries to muestrasartesvisuales@gmail.com or [facebook.com]
Deadline: 15 September 2018
Call for entries
“I must confess”
LIV_ID collective invites video work of any type exploring the theme of confession in 30 seconds or less. Selected works will be screened during the Bangkok Underground Film Festival via an interactive installation exhibited on users’ mobile devices/screens.
From whispered secrets to crazed proclamations, confessions reveal what was once concealed. Relying on only a confessant, recipient and one’s will to take part, the protected is unhinged into the spotlight and received with reactions ranging from from uproar to a petty disregard. What are you ready to share?
Confess your love
Confess your sins
Confess your desires
Confess your faults
Confess your dreams
Confess your beliefs
Confess your talents
Confess the mundane
Confess the serious
Confess the great
Confess with sincerity
Confess with hilarity
Confess for relief
Confess for atonement
Confess for fun
Confess for benefit
Confess unfettered
SUBMIT
[https:]]
MORE INFO –
[lividcollective.com]
Liv_id without limits
MuseumsQuartier
MQ: Exhibition 'Productive Work' in frei_raum Q21 exhibition spaceIn the exhibition 'Productive Work - What is it supposed to be?', curated by...
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Deadline: 1 July 2018
Call for entries
The Unseen Festival
Working with new definitions of experimental film during a full 30 days of nightly screenings at multiple venues, Counterpath is excited to present year 2 of The Unseen Festival, exploring notions of the resistant, the excluded, and the unacknowledged.
Submissions are now open, closing July 1, 2018. Please write to counterpath@gmail.com
Late submissions will be considered if received before July 15, 2018
Exhibition dates:
Saturday, September 1, 2018 – 19:00 to Sunday, September 30, 2018 – 22:00
Contact Email:
counterpath@gmail.com
Unseen Festival 2017
[counterpathpress.org]
Available through ArtistGrant.org
Deadline: 15 July 2018
Application fee: $25 USD
Artist Grant provides a one-time $500 USD grant to one visual artist each grant cycle. The deadline for the current grant cycle is July 15, 2018.
There is an application fee of $25 USD that defrays the costs of administering this grant in order to continue to support and fund artists' important work.
To apply, email the following to submit@artistgrant.org: A link to your website OR 3-5 digital files of your work AND a CV, resume, or brief bio that includes your name. The application fee is payable at [https:]
For questions, email info@artistgrant.org
Link: [https:]]
vera pilpoul
Avner SherBridge Palermo Jerusalem14 June – 30 August 2018 Sala delle Verifiche allo Steri di Palermo, Sicily, ItalyCoinciding with the opening of...
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Artist submissions sought for The Ghost Tide - a group exhibition at Thames-Side Studios London, curated by Monika Bobinska and Sarah Sparkes
The show evokes ghosts as a migratory tide washed up along the shore of the Thames, historical and cultural baggage in tow. Runs 20 October - 4 November 2018.
Deadline : 29 June 2018
Application fee: none
Artist submissions sought for The Ghost Tide - a group exhibition at Thames-Side Studios London, curated by Monika Bobinska and Sarah Sparkes. The show evokes ghosts as a migratory tide washed up along the shore of the Thames, historical and cultural baggage in tow. Runs 20 October - 4 November 2018.
The Ghost Tide - a group exhibition curated by Monika Bobinska and Sarah Sparkes - evokes the migratory tide of ghosts washed up along the shore of the Thames, their historical baggage in tow.
Ghosts exist as an idea – ghost, spirit or immaterial part of a deceased person - across cultures all around the world and throughout recorded history.
The Ghost Tide invites artists to re-imagine the ghost as a cultural phenomenon, presenting works which explore ghosts from diverse organised and vernacular belief systems.
The show includes sculpture, installation, film, sound, performance and wall based works, as well as a number of public events.
The Ghost Tide’s location on the Thames, in a fast-changing area of the city, alludes to the presence of artists in this part of London, as a migratory tide of creative flotsam and jetsam which ebbs and flows as the city gentrifies and develops.
We are interested in works of a material nature – sculpture, installation, wall based works etc, though we do have room for some audio visual pieces.
We welcome artists response to the following, but are also open to other interpretations:
About the Curators
Sarah Sparkes is an artist curator. She leads the visual arts and creative research project GHost, curating an on-going programme of exhibitions, performances and interdisciplinary seminars interrogating the idea of the ghost. GHost events have been supported by Folkestone Biennial, University of the Arts, University of London, FACT (Foundation for Art and Creative Technology), NTMoFA (National Taiwan Museum of Fine Arts), Inspiral London and Arts Council of England. Sparkes has published chapters on the GHost project and has lectured extensively on this subject. Her work The GHost Formula, 2016, commissioned by FACT, recently toured to NTMoFA as part of the exhibition No Such Thing As Gravity curated by Rob la Frenais. She is currently undertaking an artist residency, together with Ian Thompson, at Allenheads Contemporary Arts In Northumberland.
Monika Bobinska
Monika Bobinska is the director of CANAL, which organizes exhibitions and art projects in a variety of settings. She is the founder of the North Devon Artist Residency, launching in 2018.
Link: [https:]]
A Performance Affair
A PERFORMANCE AFFAIR is now welcoming performative proposals from artists, galleries, collectors, producers, non profit organisations, and ...
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Postgraduate Programme in Curating, ZHdK
MAS Diploma ExhibitionOpening: 7 June, 6 pmZurich University of the ArtsRoom 5.F01Info event for the Postgraduate Programme in Curating: 14 June,...
Deadline: 2 July 2018
Call for entries
POOL INTERNATIONAL Dance Film Festival 2018
Festival: September 12-15 at DOCK 11, Berlin
PROFILE
The 12th edition of POOL will present a selection of fascinating dance film productions from all over the world, which makes the event a meeting place for creative people involved in the fields of dance, film, fashion and advertisement. POOL focuses on the intense interplay between dance and the techniques of film, exploring the possibilites and boundaries of the art form.
PARTICIPATION
All dancers, choreographers, filmmakers and artists are invited to apply with dance short films and dance animations.
Films should not be longer than 30 minutes and also not a pure documentation of a dance piece.
PARTICIPATION DOCUMENTS
Applications can be submitted online.
Preview link for the jury (can be insert into the online application form)
Only if your film is chosen for the programme:
Filled and signed online application form as scan to info@pool-festival.de
3 digital film stills, minimum 300 dpi
Optional: biography, video testimonies and useful information
PROGRAMME & PEARLS
The POOL 18 jury will create a film programme from all submissions and select the winner films, the PEARLS 18. PEARLS are the equal winners of POOL – INTERNATIONALES TanzFilmFestival BERLIN and will be honored with a price.
Selected films will be screened on ikono.tv.
If you have any further questions you can contact us at all times.
[www.pool-festival.de]
Sarah Möller, Katja Karouaschan, Wibke Janssen
info@pool-festival.de
Phone: ++49 (0)30 4481222
DOCK 11
Kastanienallee 79
10435 Berlin
Deadline: 3 August 2018
Call for entries
FIATICORTI FILM FESTIVAL: ENTRIES TO THE 19TH EDITION ARE NOW OPEN
Applications are now open for the 19th edition of Fiaticorti, the international short film festival based in Istana, Treviso, Italy. The call for entries is open until August 3, 2018.
The Festival is organized by the Municipality of Istrana (TV) and designed by a group of young people under 30 years of age.
The 19th edition is divided into three sections:
• Fiaticorti: dedicated to national and international short films;
• Fiaticomici: dedicated to short films belonging to the genres of comedy, satire or slapstick;
• FiatiVeneti: dedicated to short films by filmmakers living in Veneto, Italy.
The theme is free for all sections. Only short films made after January 1, 2017 and with a maximum running time of 20 minutes are admitted to the competition. Works already presented to other competitions are admitted as well.
In order to participate it is necessary to fill in the entry form and send it to info@fiaticorti.it by August 3, 2018.
The artistic direction will select the 24 films that will be screened during the festival and that will compete to get to the suggestive awarding ceremony, which will take place in an exceptional location: the cinema theatre of the military airport of Istrana!
Among the selected short films, the Jury will identify the winners of the Fiaticorti Award for the best short film, the Fiaticorti Award for the best short film in the Fiaticomici section, the FiatiVeneti Award and the Fiaticorti Award for the best actor/actress.
The best short film in the Fiaticorti section will win prize money of € 500 euros.
Among the jurors there is Umberto Curi, film philosopher and university professor who was also a member of the Board of Directors of the Venice Biennale.
Download the entry form here >>
Terms and Conditions >>
Watch the video of the last edition >>
CONTACT INFO
Tel. +39 041 5937242
info@fiaticorti.it
[www.fiaticorti.it]
Deadline: 30 June 2018
Call for entries
uncapitals 2018: “Northern Fragility”
Dance performance and film-almanac about human touch to arctic nature
Kjøllefjord, 26-29 September 2018
Uncapitals – international art-residency for Barents region-based artists initiated by a group of russian curators. It rethinks Northern remoteness and spotlights the spaces outside the
capitals.
This year theme is “Northern Fragility”. The project team is heading for Kjøllefjord, a fishing village in Northern Norway, a peaceful and solitary place whose sensitive balance can be
easily broken by practical intentions. Project participants work in two directions: dance laboratory and photo/video production.
The project result will be a series of short sketches that form the film. It aims to emphasize the integrity of arctic nature and its fragile ecological balance.
We are gathering artists from Scandinavia and North-West Russia to join the uncapitals team, by applying for two main directions:
moving images (musicians, field recording artists, film-makers, music video directors, VRartists, drone pilots and film editors)
moving people (performers, dancers, choreographers, stage and movie actors, film and theatre directors)
Project information:
[uncapitals.com]
info@uncapitals.com
Deadline: 22 June 2018
Call for entries
Signal Culture Now Accepting Applications for Artist, Researcher and Toolmaker Residency Programs for Fall 2018
Signal Culture is an experimental media art residency located in Owego, New York. We are now accepting applications for our Artist, Researcher and Toolmaker in Residence program for the Fall 2018 season.
Artist In Residence Program
The Signal Culture Artist in Residence program offers time, space and studio access for artists in the field of experimental media art. The Artist Studio features a wide range of media tools, both new and old, for use in a real time audio/video/data processing system. Our philosophy is to create a space for experimentation and for artists to develop a dialogue with the range of tools available. As such, we do not expect artists to create finished works, rather we encourage our residents to spend time exploring conceptual and material practices. We do not accept undergraduate students or masters degree candidates.
Researcher In Residence Program
The Signal Culture Researcher in Residence program offers time, space and studio access for researchers in the field of experimental media art. Eligible applicants can be art historians, curators, critics, archivists, preservationists, writers who want to know more about media practices or artists who are spending time learning more about material or theoretical concerns surrounding media. This program also has access to the Toolmaker equipment, including a wide variety of electronic components, media devices, cameras and other items of interest.
In addition to time and space to conduct research, Signal Culture is building both online and on-site research centers to provide our residents with a variety of digital and printed materials. We provide free WiFi and computer access if you do not bring your own. We do not accept undergraduate students or Masters degree candidates.
Toolmaker in Residence Program
The Signal Culture Toolmaker in Residence program offers time, space and studio access for toolmakers in the field of experimental media art.
What is a toolmaker?
Eligible toolmaker applicants can include, but are not limited to hackers, circuit benders, software developers, engineers, and audio or visual instrument builders.
In addition, if you are an artist who is looking to figure out an interactive interface, design an installation environment, build a system of sensors or learn to program a specific piece of software for use in your art and you do not have a reason to use the artist in residence studio system, this is a good program for you.
The toolmaker studio offers access to a variety of spare parts, electronic components, IC’s, soldering equipment, Raspberry Pi computers, Arduino and Making Things boards, sensors, etc. There can be access to both Mac & PC computers available, but it is suggested that you contact us with specific questions if you require specialized equipment. We do not accept undergraduate students or Masters degree candidates.
In addition to the studios, resident spaces feature:
– Shared kitchen, common area, dining room and deck
– A private bedroom and work space
– Private bathroom for researcher/toolmaker residents, shared bathroom for artist residencies
– Shared fridge, pantry, kitchen appliances & dishes
– Shared library of printed, digital and time based media
– Easy access to shopping and events in Owego
For more information about the facilities, go to
[signalculture.org]
Signal Culture is located 3.5 hours northwest of New York City. There is no fee for the residency, but you are responsible for your own transportation and for all your expenses.
Learn about our past residents:
[signalculture.org]
Deadline for applications is June 22nd, 2018 @ 11:59pm EST.
Download the application and instructions here: [signalculture.org]
Deadline: 2 July 2018
Call for entries
Call For Web Residencies By Solitude & Zkm // »Refiguring The Feminist Future«
»REFIGURING THE FEMINIST FUTURE«
Call for Web Residencies by Solitude & ZKM
Curated by Morehshin Allahyari
Deadline: July 2, 2018
Read the full text of the call in English, Arabic, Farsi, and French here:
[webresidencies-solitude-zkm.com]
—
»Refiguring the Feminist Future«
»I believe we must have feminist figures of humanity. They cannot be man or woman. Feminist figures cannot have a name; they cannot be native. Feminist humanity must, somehow, both resist representation, resist literal figuration, and still erupt in powerful new tropes.« – Donna Haraway
—
We have a dream and it is now. We have a dream and in it we live in someone else’s dream. We have a dream and we are dislocated; you are invisible; she is forgotten. We have lived this alienating dream and we know it is not our dream. We have a dream and it is in the future. We sleep every night imagining that dream. We wake up every morning planting the seeds.
This is a call for »the female future«. The feminism that is more than women; it is a philosophy of non-male, non-cis, non-white, non-western. All those people who have at one time or another been considered »less than« by the social systems that oppress them. This is a call for re-configuring reality towards other futures, so that we can collapse the political notion of linear space and time as an act of resistance.
Many of us live in a present time where the systems that we exist in are not built to address and promote our needs, fears, hopes and dreams. How do we re-imagine new possibilities, claim non-linear time, non-contiguous spaces? How can we tell stories of alternative (and specially non-western) futures that are not that of silicon valley? How can mythology, fiction/science fiction, and other forms of digital storytelling become practices for being more visible? To take over agency and ownership of spaces (outer space) and time (futures) initially not designed for us.
This call is addressed to artists, activists, poets, writers, feminists and dreamers for challenging existing histories and speculative futures through storytelling and counter narrative imagining using web as their platform. It’s a call that asks: what does »the future is female« actually look like? It’s a call for crafting of the future that truly belongs to us.
Text by Morehshin Allahyari
—
FORMAT
Web performances, web sculpture, various forms of Net art and online interactions. All types of work are accepted as long as they fit into the format of storytelling and fabulation: websites, videos, writing, 3D objects, music, or applications. If specific software or environments are needed, please contact us in advance.
APPLICATION
Submit your project proposal in the form of:
– a headline
– a concept text in English (1,000–1,500 characters with spaces)
– a header image (high resolution, landscape format)
– a short bio in English (500 characters with spaces)
– a portfolio PDF (images, text, links)
GRANT
For each call, the curator selects four project proposals, whose creators are rewarded with a four-week residency and 500 USD.
TIMELINE
Call release: May 23
Applications: until July 2 (midnight)
Web residencies: July 9 – August 6
WEB RESIDENCIES
In 2016, Akademie Schloss Solitude launched the web residencies to encourage young talents on the international digital scene and artists from all disciplines dealing with web-based practices. ZKM has been program partner since 2017. For each call, the curator selects four project proposals whose creators receive a four-week residency and 500 USD.
The web residencies focus not on the finished art piece, but rather on process. Artists are invited to exp eriment with digital technologies and new art forms, and reflect on the topics set by the curators.
Web residencies are carried out exclusively online, and the works are presented on
schloss-post.com and web-residencies.zkm.de.
Artists and students of all disciplines as well as former or current Solitude fellows may apply. There is no age limit.
Learn more about the program:
[https:]]
[https:]]
SUBMIT
Submit your content under this link:
[https:]]
The deadline is July 2, 2018 (midnight).
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Bucharest International Dance Film Festival
Bucharest International Dance Film Festival (6-9 September 2018) invites film directors, choreographers and other artist to submit...
Deadlione: 1 July 2018
Call for entries
Drain Magazine: Ecology Of Bad Ideas (Deadline Extended)
Drain invites submissions for its upcoming edition:
Ecology of Bad Ideas
DEADLINE EXTENDED
New Deadline: July 1st, 2018
“There is an ecology of bad ideas, just as there is an ecology of weeds, and its characteristic of the system that basic error propagates itself.” – Gregory Bateson, Pathologies of Epistemology, 1971
The ecology of bad ideas is the product of the propagation of epistemological error. Akin to the meme, as defined by Dawkins, the ecology of bad ideas is manifest in the transmission and integration of idea into environment and, subsequently, the rearrangement of ecological conditions in its aftermath. Contrasting the hubris of the Anthropocene—and its lingering tones of “Man’s” rational progress and dominance over “Nature” writ on a planetary scale—the ecology of bad ideas unfolds in the mess of the cumulative mental, social, and environmental assemblage of in herited ideas—oblivious, opportunist, oversimplified, corrupt, fraudulent, stubbornly inflexible, and pathologically upheld out of narrow and shortsighted self-interest. This issue of Drain seeks contributions from artists, researchers, critics, theorists, writers, and commentators that examine the dispersion, proliferation, mutation, and normalization of bad ideas and bad ecologies. How do artists, writers, and cultural producers analyze and participate in complex ecological entanglements, employ tactical media, and create counter-memes and assemblages within, beyond, and against the ecology of bad ideas? What forms of salvage or alterity might be employed within the kludge of bad ideas that contribute to our present ecological conditions and to what effect?
Please see our submission page for instructions: [drainmag.com]
Drain is a refereed on-line journal published biannually. The journal seeks to promote lively and well-informed debate ar ound theory and praxis. Each issue of Drain will have a specific concept that it explores. We are especially keen to publish pieces that connect the conceptual framework of each issue to themes such as globalization, gender, ethnicity, sexuality, capitalism and new technologies, as well as ethical and aesthetic concerns. As such, we welcome creative responses to contemporary culture, as well as written work by practitioners in the field of culture. Our primary mission is to provide an environment where a variety of creative activities can be explored with a combination of sensitivity and rigor.
Deadline: 24 June 2018
Call for entries
International Cynetart Competition
Every two years, the Trans-Media-Akademie Hellerau (TMA) and their partners announce the international CYNETART Competition. This tender aims first off all to artists and artist collectives, researches and scientists, who deal with new technologies in media in their artistic practice. This could be formats such as installation, objects, performance, net art and VR-works.
The CYNETART competition includes
– the Grant from the Saxon State Minister for Higher Education, Research and the Arts (10,000 EUR),
– the Artist-in-Residence Scholarship of the Saxon State Minister for Higher Education, Research and the Arts (in cooperation with the City of Dresden) with the value of 10,200 Euro, as well as
– two CYNETART commissions, each endowed with 5,000 Euro, in cooperation with HELLERAU – European Centre for the Arts and the Ostsächsische Sparkasse Dresden. And there is
– the award for works in the area of art with new media in coo peration with Netzwerk | Medien | Kunst Dresden endowed with 1,000 Euro.
more detailed information here:
[https:]]
The Festspielhaus Hellerau will be the venue for the 22nd edition of CYNETART from 11 to 14 October 2018. This means that this year’s festival for the presentation of international positions in art with new media and technologies will move from November to October. This year’s leitmotif “Stupor” polemically stands for a condensed image of dissociation and non-resonance in society and art. In addition to a high-quality supporting programme of concerts, performances and lectures, the Trans-Media-Akademie Hellerau (TMA) and its partners will once again announce the 2018 international CYNETART competition. Applications are now being accepted.
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Arc artist residency
How do we present and communicate artistic research? What are the ideal conditions? And what is the role of curators, policy makers, audience, art...
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UNI for LIFE
EUROPEAN ARTS MANAGEMENT FOR CULTURAL LEADERS AND ENTREPRENEURS (University Master's Programme)CONTENTS AND OBJECTIVESThe Master of Arts in European...
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HKU University of the Arts Utrecht: MA Programme Scenography
Are you a visual artist, a theatre or performance designer, a theatre maker or director, a light designer, a visual dramaturg, a multimedia artist,...
PROVINZ Editionen
New:Kai Althoffuntitled, 2018Lithography in four colors on 190g Saunders Waterford handmade paper62 x 52,5cm / 24,4 x 20,7', Edition: 82 (30 E.A.),...
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SoundImageCulture (SIC)
SoundImageCulture (SIC) can make you break up the solitude of developing your audiovisual project on your own.It will open you to new possibilities...
Call for artists: visual arts, installation, performance, video
Deadline // 15 July, 2018
Application fee // Variable; all information is available upon registration and access to the online application system
In Situ Art Fair singles out by being the leading Macedonian event to showcase and present a 360° array of novelties in art, design, architecture and the creative industries by fusing the distinctive capacities of the local milieu with those of the global scene. Today’s In Situ Art Fair is the result of what used to be the International Fair of Contemporary Art - Paratissima Skopje throughout the past four years (2014-2017).
We have hosted over 450 independent authors originating from 39 countries and have achieved a fast-growing audience with the purpose of providing a backbone for the growth and development of contemporary and (un)conventional formats of expression, seeking to be both inclusive in our approach and exclusive in our output.
In Situ Art Fair will take place from 13 – 15 of September at the Youth Cultural Center, Skopje – Macedonia.
The call for applications is open from 15th of May to 15th July. The call is open for everyone from everywhere.
There are no pre-qualifications in terms of gender, nationality, geo-location, academic background or field of work.
To register and apply or access additional information about In Situ Art Fair please refer to our media channels:
Official website: www.insitu.mk
Link to the application: [https:]]
Facebook: [https:]]
Youtube: [https:]]
Instagram: [https:]]
Deadline: 15 September 2018
Call for entries
12th ONE WORLD 2019
The 21TH edition of One World International Human Rights Documentary Film Festival will take place in Prague, March 6 – 17, 2019,
followed by regional screenings in over 30 towns around the Czech Republic and Brussels.
We would like to invite you to submit your film to the 21th edition of the festival. One World has grown over the years to become the largest human rights film festival in the world. It is one of the leading cultural events in Prague and the Czech Republic.
We are looking for:
Feature or mid-length creative documentaries made in last 2 years (2017 – 2019) – minimum length is 40 minutes
Interactive films for virtual reality
Doc for kids – short documentaries and animated films for children (no experimental films
Art and creative documentaries on human rights, social, political, environmental, and media issues will be selected based on the quality of the filmmaking and the power of their stories.
We screen the films in three competitive categories (International Competition for art films, Right to Know Competition for the impact films and Czech Competition for local documentaries) and several non-competitive categories.
For competitive categories, we search for World and International Premieres – in case you plan to premiere the film on One World Festival, please contact us for more information on our programing email.
How to submit your film
Please, fill in the online submission form
[my.oneworld.cz]
Due to rising numbers in submissions, the festival raises a submission fee of 20 EUR to cover administrative costs. The fee will be waived for selected countries of production (more information in the form).
FILM SUBMISSION DEADLINE: SEPTEMBER 15, 2018
EXTENDED FILM SUBMISSION DEADLINE: NOVEMBER 1, 2018 (for films finished between September and November 2018)
Deadline: 15 August 2018
Call for entries
UMW Media Wall is now accepting submissions
The UMW Media Wall is now accepting submissions (videos and generative programs) for the 2018-2019 academic year. The Wall is a unique public exhibition space for moving image art. Check out the blog for all of the specs and more details.
Submission guidelines:
1. Videos should not have an audio track or be okay playing without sound.
2. Videos must be formatted for a 1920×1080 display.
3. Videos should not have letterboxing or any other sort of matte around the edges of the frame.
4. Videos with excessive flicker or flashing light or exceedingly mature themes will not be accepted. The wall is big and in a very public space so we need to keep things PG.
Submissions will close on August 15th 2018.
Deadline: 30 June 2018
Call for entries
SoundImageCulture (SIC)
can make you break up the solitude of developing your audiovisual project on your own.
It will open you to new possibilities and a collective that can assist you at different levels.
A 16-month-program for a maximum of 10 participants :
Filmmakers, artists and anthropologists brainstorming collectively on your project, personal mentoring, encounters with international guests opening you to new points of view on your project, assistance in sound design and editing.
Collective sessions take place about every second month in Brussels.
SIC is especially interested in project proposals in which artistic development goes together with an anthropological approach. The selection is based on an audiovisual project proposal submitted by the candidate which contains the following paragraphs:
> What is the subject of your project and why do you want to make it?
> What’s the relation between the author and his or her subject/ the ‘other’?
> What is your formal approach?
> What is the relation between your subject and the form you choose?
Send us your project proposals :
A short description of your project ( 1- 3 pages ) ,
photos, web links, CV etc…
Deadline : June 30th 2018.
The interviews with selected persons will be held on July 9 and 10th, 2018.
SIC 2018 / 2019 starts in September 2018 and runs till December 2019. Cost : 1200 €
contact : soundimageculture@gmail.com
website : [www.soundimageculture.org]
SoundImageCulture (SIC) is supported by the FWB – Fédération Wallonie-Bruxelles.
Deadline: 31 March 2019
Call for entries
AUGURI TOSCANELLO
Deadline: 31/3/2019
Mail Art for – Celebrating 50 years of the Chianti Wine Festival
[www.coloridellevantefiorentino.it]
coloridellevantefiorentino@gmail.it
[www.coloridellevantefiorentino.it]
Deadline: 10 July 2018
Call for entries
OPEN CALL – Bucharest International Dance Film Festival
Bucharest International Dance Film Festival (6-9 September 2018) invites film directors, choreographers and other artist to submit their dance films to the fourth edition of BIDFF. The competition is open for fiction short dance films, documentaries and animations around the world, with a prize pool of 3000 euro. BIDFF can also screen off competition feature films and long documentaries.
This year’s festival theme is [re] tracing, the programme being centered around the leftovers the time has carved through the lives of individuals and communities. Intimate personal stories, different means of archiving collective memories and speculations of a future life, can provide a context of [re] positioning of “the one” against “the many”, willingly altering the so called general accepted truth. All of these manifestations and many others leave traces in the body, erasing and [re] writing meanings with the speed of light. [Re] living the reality can generate a new fictional “state of truth”, one that can link together different temporalities and emotional levels, confusing the psychological and the chronological. How can the individual body dissociate itself from the collective one? Will the counter positioning of the one against the history of many really generate a creative conflict, one that can [re] frame repressed historical realities or [re] define uncertain present facts?
BIDFF is looking for cutting edge dance films with a sometimes transparent and sometimes coded meaning, challenging the viewer to a playful exchange of information about social life, politics, extreme emotions, out of the ordinary places and oddly beautiful dance aesthetics. BIDFF encourages syncretism and dialogue between movement and the diverse forms of cinema from the most traditional to experimental.
Shorts of maximum 20 minutes will be accepted in the competition sections, while long documentaries and features can be screened as part of different theme based selections. Films should be produced in the last 2 years. A minimum quality of Full HD (1920 x 1080) is required for the exhibition copies. You can submit a maximum of 2 films. Both can be taken into consideration. Films submitted to previous editions of the festival will not be taken into consideration.
To submit your films to the festival please fill in the form: [https:]]
For more information please visit: [www.bidff.ro]
Contacts
contact@bidff.ro
Postgraduate Programme in Curating CAS / MAS
Start of programme:October 2018Postgraduate Programme in Curating CAS / MASOffered by Centre for Continuing EducationThe International, English...
Spark Box Studio
Deadline: ongoing
Application fee: $15.00
Spark Box Studio’s Artist Residency Program provides live/work space to accommodate both emerging and professional printmakers, photographers, painters, illustrators and writers. Artists-in-residence have access to our professional studio and resources. The Residency Program affords artists the space and time to support the advancement of their careers and to strengthen their practice. Our program also offers a variety of career building opportunities for artists including our Emerging Artist Guide, opportunities for business workshops with local professionals and consultations with local artists and curators.
Artists-in-residence stay with us, Chrissy and Kyle, in a charming century home located just outside the town of Picton in Prince Edward County, Ontario, Canada. Interested artists may apply to live and work at Spark Box for a duration of one weekend to 2 months.
Spark Box Studio can facilitate up to three residents at any one time. Residents receive a bedroom and a dedicated semi-private studio space.
At Spark Box Studio we also offer 7 awarded residency programs each year. To find out more please visit our website.
Link: [sparkboxstudio.com]