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January 18, 2021
Slovenia | MGLC Svicarija residency - art critics & cultural journalists
» ‎ culture360.org

deadline
10 Feb 2021

January 17, 2021
Abbey Awards
» ‎ re-title.com artist opportunities
apexart International Open Call 2021-2022
» ‎ re-title.com artist opportunities

Accepting proposals: February 1 - March 1, 2021

Application fee: none

An opening reception audience enjoying apexart’s brochures at Beauty Salons and the Beast, an apexart International Open Call exhibition in Dar Es Salaam, Tanzania, 2015.

apexart will accept proposals for its International Open Call from February 1 - March 1, 2021. Four winning proposals will become apexart exhibitions presented in their selected locations around the world as part of our 2021-22 exhibition season. Curators, artists, writers, and creative individuals, regardless of location or past experience, are invited to submit a proposal online.

The submission process

Proposals of up to 500 words should describe focused, idea-driven, original group exhibitions, and the country and city in which they are to take place. No biographical information, CVs, links, or images will be accepted, and proposals must be submitted in English. Jurors rate anonymous submissions based on the idea only. See examples of winning proposals here.

The selection process

Rather than convene a 5-person NYC panel to review hundreds of ideas, apexart’s crowd-sourced voting system invites hundreds of international jurors to review proposals on their own schedule. The crowd-sourced jury is composed of more than 400 individuals from a wide variety of professional backgrounds and international locations—including students from 20 participating university classes—who will jury the proposals. Proposals are anonymous and randomized to make sure each submission receives the same consideration. apexart staff does not influence the results of the jury in any way.

The results

The four winning proposals will each receive an exhibition budget of up to $11,000; have an exhibition brochure printed and mailed to over six thousand international recipients; advertising in major and local outlets; and will be part of apexart’s 2021-2022 exhibition season. Working closely with the apexart team, curators will realize their original ideas into apexart exhibitions. Exhibition curators are challenged, encouraged, and required to work within the funding provided to transform their winning proposals into small, focused, noteworthy exhibitions.

To submit an exhibition proposal, visit https://apexart.org/opencalls.html between February 1 and March 1, 2021.

January 16, 2021
Belgrade Art Studio Residency
» ‎ resartis.org

Deadline: 07 Feb 2021
Country: Serbia

January 15, 2021
BIENNALE COLLEGE – Formazione artistica e stage per i giovani
» ‎ Digicult

Biennale College è il progetto della Biennale di Venezia dedicato alla formazione dei giovani nei settori artistici e nelle attività proprie della struttura organizzativa della Biennale. Promuovere i talenti offrendo loro di operare a contatto con Maestri, per la messa a punto di “creazioni” che diventeranno parte dei programmi dei Settori artistici, questo lo spirito

The post BIENNALE COLLEGE – Formazione artistica e stage per i giovani appeared first on Digicult | Digital Art, Design and Culture.

i-Portunus Mobility Programme > Call for Architecture
» ‎ On the Move

15.01.2021
The i-Portunus programme supports the mobility of artists, creators and cultural professionals among all countries participating in the Creative Europe Programme. Its main focus is to connect artists and to support international collaborations. This will be done via physical mobility but also, if necessary, by virtual or blended mobility. The current call for applications is open to architects and cultural professionals active in the field of architecture (individuals and groups up to 5 people), aged 18+, of all educational qualifications and levels of experience, legally residing in a Creative Europe country. Deadline: 14 March 2021.
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Endangered Landscapes Artist Residencies and Arts Prize
» ‎ On the Move

15.01.2021
The Endangered Landscapes Artist Residencies and Arts Prize will select eight artists, or collectives, to be in residence in eight endangered landscapes: Cairngorms Connect (Scotland, UK), Carpathian Mountains (Romania), Danube Delta, Gökova Bay to Cape Gelidonya (Turkey), Greater Côa Valley (Portugal), Iori River Valley (Georgia), Polesia (Belarus & Ukraine), Summit to Sea (Wales, UK). Applicants should have a demonstrable link to one of the countries of their chosen landscape and ideally a link to the landscape itself. Deadline: 7 February 2021.
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Artists at Risk Connection > Africa Regional Representative
» ‎ On the Move

15.01.2021
ARC – Artists at Risk Connection, a project of PEN America, a non-profit organisation working at the intersection of literature and human rights, seeks a talented, energetic, and highly organised regional representative in Africa. ARC is a support system for artists facing threats as a result of their creative expression. This is a part-time consultant position that can be based anywhere in Africa. Deadline: 15 February 2021.
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January 14, 2021
Memestetica. Il settembre eterno dell’arte
» ‎ Arshake Calls

Memestetica. Il settembre eterno dell’arte (Nero Editions) è il viaggio di Valentina Tanni nel mondo delle immagini al tempo di internet, al crocevia tra cultura popolare e arte, tra presente e passato, «da Duchamp a Tik Tok»

Eternal September (il settembre eterno), evocato nel sottotitolo, è un’espressione gergale utilizzata da Dave Fisher nel 1993 in riferimento all’afflusso crescente della piattaforma Usenet, una rete americana nata negli anni ’80, da quando la compagnia telefonica American On Line l’aveva resa accessibile a titolo gratuito. Il numero di utenti sarebbe stato destinato a moltiplicarsi esponenzialmente. Il suo utilizzo presso le università americane, faceva sì che a settembre, con l’avvio dell’anno accademico, accogliesse un grandissimo numero di nuovi utenti.

Eternal September è anche l’aneddoto da dove parte una vera e propria navigazione nel mondo delle immagini, della loro circolazione, del loro configurarsi e riconfigurarsi nella storia dell’arte, ma anche in icone della cultura popolare, del loro impatto rivoluzionario su economia, industria, cultura. Tutto parte dall’accesso, dalla possibilità crescente di creare contenuti, di diventare prosumers, come Alvin Toffler definiva negli anni ’60 la figura del creatore-consumatore.

Dieci anni di ricerca e di osservazione sulle immagini, del loro generarsi e agire negli usi e costumi sociali, del loro entrare, uscire, indugiare alla soglia del sistema dell’arte, che a volte li snobba, a volte li glorifica. Sono fenomeni recenti, difficili da catturare e metabolizzare per la stessa velocità con la quale nascono, vivono, circolano in quel ‘brodo di cultura privilegiato’ che è internet. Non diciamo scompaiono perché quello è argomento ancora scottante, semmai saltano di contesto in contesto, lasciano che il loro significato originario si perda nella scia delle sue continue trasformazioni.

Il saggio cavalca l’impulso creativo di una cultura dal basso che cresce esponenzialmente, mentre il sistema dell’arte si mostra sempre più propenso a stringere alleanze con la grande industria. Il racconto si avventura in un percorso fatto di continui intrecci, conflitti, un mondo che si è vorticosamente confuso in quello dell’immagine e del potere della sua circolazione. Uno sguardo che parte da un occhio formato sulla critica d’arte e che stabilisce i punti di incontro e di scontro con l’arte, in relazione a ciò che la cultura popolare deve rispetto ai suoi antenati delle avanguardie, rispetto all’appropriazione, modifica e ri-contestualizzazione delle immagini, quelle dell’arte riprese dalla cultura popolare, quelle che il pubblico rimescola e nel brodo primordiale di internet.

La fotografia diventa il gatto di Schrödinger (nel medesimo istante è viva e morta); la gif si prepara a diventare ‘terra di mezzo’; la performance diventa “pratica espressiva definitivamente liberata, che cresce e muta in mano alle persone, al di fuori del mondo dell’arte, trasformandosi in un vero linguaggio.”(p.142)… Il libro attraversa vari scenari, e ne mette in evidenza alcuni rovesciamenti di canone, anche questi non nuovi nella storia delle avanguardie: irriverenza, rilancio, brutalità, immagini spesso low tech diventano la gloria di qualcosa che oscilla tra istinto e lucido impiego dell’immagine… non importa perché tutto funziona nel suo ‘circolazionalismo’. Il fallimento diventa epico, il brutto celebrato. Tutto emerge sullo sfondo della memetica suggerita dal titolo, Memestetica, che dal meme biologico trasferisce le sue proprietà virali e di attecchimento nel mondo delle immagini circolanti, tanto da diventare parametro estetico.

La produzione di immagini è una ‘necessità biologica’. Lo diceva Aby Warburg in uno scritto del 1923 per descrivere il mondo delle immagini come «un territorio a metà ‘tra la religione e l’arte’, sottolineandone il carattere archetipico ed emotivo» (p. 203) La citazione arriva sul finale di lettura e rivela l’ispirazione di tutto il saggio. Percorsi tra i più vari, intrecci, diversità di culture e di approcci, ripiegamenti, sembrano scorrere in maniera molto lineare per quanto accelerata, come guardando fuori da un finestrino in un viaggio che permette di voltare lo sguardo a 360 gradi, di guardare le immagini da tutte le sue angolazioni, dall’intimità del quotidiano vivere, all’arte, all’economia. Ecco che si arriva al post internet, termine introdotto e dibattuto da un gruppo di artisti digitali per indicare un approccio creativo immerso in internet con la piena consapevolezza di esserlo.

Con la storicizzazione dei fenomeni della cultura popolare che questo saggio comporta, si spegne quell’aura, per quanto discussa, del post internet come genere perché «il post-internet è una condizione culturale generale dalla quale è impossibile tornare indietro. Una condizione che non si esaurisce nella diffusione di un’estetica fatta di pixel, gradienti, loghi social e template memetici, ma che ci mette di fronte a un sistema di produzione e diffusione della cultura radicalmente diverso. Non possiamo continuare a navigare sulla superficie e rigettare tutto il resto, perché il settembre eterno è la nostra nuova realtà.» Allora riconosciamo che questo mondo di immagini e l’epoca post internet o after the internet, o come la vogliamo chiamare, è proprio la nostra. Per un momento, la abbiamo attraversata in un percorso guidato vedendola dall’esterno.
Valentina Tanni, Memestetica. Il settembre eterno dell’arte, Nero Edizioni 2020
immagini: (cover 1)Memestetica-cover (2) Mark McEvoy, «New Lyrics for Old Songs», 2013. Courtesy dell’artista (3) Eric Fleischauer, «Universal Paramount», 2010. Courtesy dell’artista (4) Christo e Supermario, immagine trovata (5) Aaron Graham, «Hair Straightener Used to Cook Individual Piece of Bacon», 2012. Courtesy dell’artista (6) Clusterduck Collective, «Il Quinto Stato», 2018. Courtesy degli artisti

L'articolo Memestetica. Il settembre eterno dell’arte proviene da Arshake.

Annecy International Animation Film Festival 2021
» ‎ culture360.org

deadline
07 Feb 2021

New York City Artist Residency Award
» ‎ resartis.org

Deadline: 04 Feb 2021
Country: United States
ANIMALS: Interdependence Between Species. Nature, Art & Habitat Residency: An ECO-Laboratory of Multidisciplinary Practice Tale...
» ‎ resartis.org

Deadline: 05 Feb 2021
Country: Italy

ACCR > Nora 2021 – Artist in Residence Programme for Refugees Exiled in France
» ‎ On the Move

14.01.2021
ACCR – a network of cultural heritage sites – has launched a call for its Nora residency programme, aimed at artists, researchers and culture professionals, from the Near and Middle East and from Africa, who have recently received refugee status in France. Priority will be given to refugees from: Syria, Iraq, Libya, South Sudan, Eritrea and Yemen. In applying, residents select a cultural centre that matches their residency project. Deadline: 12 March 2021.
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Bagri Foundation > Change/ce Open Call for Animations (Online)
» ‎ On the Move

14.01.2021
Bagri Foundation is seeking three new commissions by worldwide-based artists from Asia and the diaspora to premiere online in Summer 2021. The work might be narrated, typographic, filmed, collaged, hand-drawn, stop motion, Claymation, augmented photography or digitally created, etc. Proposals are welcome from individuals or existing collectives with a history of making work together. Deadline: 15 February 2021.
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British Council > DICE Artist Commission
» ‎ On the Move

14.01.2021
The British Council are looking to commission six artists to illustrate a text about their DICE (Developing Inclusive and Creative Communities) programme. They intend to select one artist from each of the following countries to undertake the commission: Brazil, Egypt, Indonesia, Pakistan, South Africa and the UK. Artists can be working in illustration, painting, graphic design, animation, poetry, graphic novel, comic strips, etc. Deadline: 25 January 2021.
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IETM > Communication and Membership Assistant (Belgium)
» ‎ On the Move

14.01.2021
IETM – International network for contemporary performing arts is a network of over 450 performing arts organisations and individual members working in the contemporary performing arts worldwide. To support their communication and membership activities, IETM are looking for a junior professional to join their team as a part-time (30 hours/week) Communication and Membership Assistant in Brussels, Belgium, starting from 15 February 2021. Deadline: 29 January 2021.
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January 13, 2021
Last chance for ARTEFACT: Chornobyl 34 proposal
» ‎ Digicult

This call proposal reunites a series of cultural events in Europe and the world in honor of the 35th anniversary of the Chornobyl accident and the presentation of new modern cultural projects of Chornobyl. We are looking for potential partners sought include cultural and Arts organizations working broadly around New Media Arts, Audio-visual Arts, Arts

The post Last chance for ARTEFACT: Chornobyl 34 proposal appeared first on Digicult | Digital Art, Design and Culture.

call: Istanbul Fringe Festival 2021 – Hybrid
» ‎ netEX - networked experience

Deadline: 27 March 2021
Call for entries

Istanbul Fringe Festival 2021 – Hybrid
Deadline: 27.03.2021
Dates & Location: 18.9 – 26.9/2021, Istanbul / Turkey

Global Artist Call for Istanbul Fringe Festival 2021 – Hybrid is now open!

The 3rd edition of Istanbul Fringe will take place from September 18-26, 2021 as a hybrid festival. The festival will feature artistic works on-site or online according to the artist’s choice on the form. Only works produced for digital platforms can apply for the online section.

Istanbul Fringe Festival 2021 – Hybrid will welcome dance, performance and theater shows including shows for children as well as workshop proposals. The festival will offer both local and international artists a physical and a digital platform to showcase their works. This is a great opportunity for artists to meet and interact between themselves and the audience, exchange ideas while discovering a new artistic network.

Your application will be considered once the application fee is received. The application fee is 25 euros / application.

What we offer:

– Accommodation up to 4 nights in volunteer houses / hostels during the festival (P)
– Meal on the day of your performance (P)
– Public transportation on the day of your performance (P)
– Venue/digital platform, technical support and promotion (P/D)
– 50% of the box-office to be shared equally between all the companies (P/D)
– Free access to all the events in the festival upon reservation (P)

D: Digital works

P: Physical works

Entry fee: 25 euros/application

Contact address: info@fringeistanbul.com / [www.fringeistanbul.com]

Life Framer Photography Prizes 2021
» ‎ culture360.org

deadline
31 Jan 2021

January 12, 2021
Online Course on Contemporary Curating: Practical Strategies for Founding an Off-Space
» ‎ E-artnow calls

Curating.org
Practical Strategies for Founding an Off-SpaceLecturer: Ella KrivanekCourse dates: Course dates: 23 Jan + 30 Jan 2021, each 2–6pm (CET)Enrol until 16...

Young Italian Artist. Chiara Amici
» ‎ Arshake Calls

«Young Italian Artists. Racconti dall’arte contemporanea», spazio dedicato ai protagonisti dell’arte under 35, concepito da Antonello Tolve e curato con Elena Giulia Rossi, accoglie Chiara Amici e il suo lavoro multidisciplinare che ruota attorno al racconto.
I libri sono i contenitori delle storie, e io mi occupo principalmente di raccontare, per questo l’oggetto libro ha sempre avuto per me un’importanza fondamentale. Modulare la narrazione già presente sulla carta, farla mia o stravolgerla è diventato il mio linguaggio: quel che voglio dire io e quel che il libro ha già detto sono due voci che viaggiano in parallelo tra le pagine su cui decido di intervenire. In alcuni casi questo è un atto di ribellione verso l’intoccabilità di alcuni argomenti culturali, come la religione cattolica, oppure un tentativo di avvicinamento ad alcune nozioni complesse. Per questo prediligo utilizzare libri che trattano argomenti scientifici come la fisica, la geologia, l’astronomia o la matematica, o al contrario libri di stampo religioso come la Bibbia e i testi di preghiere. Questo rappresenta il mio tentativo metaforico di riscrivere la storia, unendo la mia personale visione a quel che è stato già definito in passato.

Agire attraverso la cucitura o il collage è il passo successivo: sancisce la mia vicinanza fisica all’oggetto, sul quale riverso il mio bisogno di ricostruire, tenere insieme, trasformare e sublimare un’esperienza. Racconto ciò che ho vissuto, quindi quel che vado a toccare sono argomenti autobiografici, i rapporti interpersonali, le memorie del corpo, la famiglia, il bisogno di trovare un’identità, che riproduco in chiave non figurativa. La mia quotidianità diventa specchio della quotidianità collettiva, con la quale cerco di collegarmi. Per questo i materiali che utilizzo sono principalmente di recupero: in essi ricerco un contatto con una dimensione altra e con tutti quelli che hanno già toccato e usato quelle superfici, in contrapposizione ad una realtà usa e getta dove la materia perde di ogni preziosità, di ogni cura o manutenzione, e non merita di essere tramandata. Cucire, forare, unire, incollare, cancellare, svelare sono operazioni rituali, ripetute e meditative, che trascendono l’azione fisica pura e semplice, diventando gesti salvifici che ci riavvicinano a ritmi placidi e lenti ormai dimenticati. Così le azioni attente si contrappongono e si ribellano alla velocità, alla disattenzione costante, diventando esercizi di concentrazione.

Chiara Amici, gennaio 2021
Young Italian Artists. Racconti dall’arte contemporanea Progetto ideato da Antonello Tolve, curato con Elena Giulia Rossi
L'articolo Young Italian Artist. Chiara Amici proviene da Arshake.

TUO TUO I-XII 2021-22
» ‎ resartis.org

Deadline: 15 Jan 2021
Country: Finland
Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS
» ‎ resartis.org

Deadline: 02 Feb 2021
Country: Serbia

Camargo Foundation / EHESS > Residency Programme for Arts and Social Sciences (France)
» ‎ On the Move

12.01.2021
The École des hautes études en sciences sociales (EHESS) and Camargo Foundation's residency programme brings together artists, of all disciplines, with scholars from the social sciences. Residencies take place at the Camargo Foundation in Cassis, France and last four weeks. Residency dates are available between April 2021 and April 2022. Deadline: 14 February 2021.
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PopUp Goethe Iceland > Call for an Iceland/Germany Curator Duo
» ‎ On the Move

12.01.2021
Goethe-Institut London is currently seeking a curatorial duo for a paid, freelance contract to establish and manage PopUp Goethe Iceland, with a project period extending from March 2021 to September 2022. It is expected that one member of the duo is based in Iceland and the other one in Germany. Deadline: 31 January 2021.
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kunstencentrum nona > Curator for Contour Biennale 10 (Belgium)
» ‎ On the Move

12.01.2021
Contour Biennale is a biennale for contemporary art in Mechelen (Belgium). The organisers of the event, kunstencentrum nona, are seeking a curator to help deliver Contour Biennale 10, which will be presented in Mechelen during the autumn of 2023. Inclusivity, fair practice and ecological awareness are values that kunstencentrum nona holds in high esteem. Deadline: 28 February 2021.
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Footprints Sustainable Music Across Europe > Call for Music Agents (France, Poland)
» ‎ On the Move

12.01.2021
Footprints is a new collaborative project that aims at reforming the music sector and introducing the values of social, economic and environmental responsibility to its activities. The project is currently calling for applications from music agents living in Poland, Austria, Netherlands, Norway, Slovenia or France. Selected agents will take place in Spring Campus workshops and meetings at Periscope in France 12 - 18 April 2021; participate in the INTL Jazz Platform in Lodz 16-22 July 2021; and tour with a Footprints artist and their band (for around 10 concerts during the period between June 2021 and April 2022). Deadline: 26 February 2021.
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State of Fashion > Call for Curators
» ‎ On the Move

12.01.2021
Based in Arnhem in the Netherlands, State of Fashion is globally recognised as a pioneering platform that explores an urgently needed radical change in fashion. In the run-up to its next biennial in 2022, it is seeking curators (working individually or as part of a collective) to engage on a project basis from April 2021 until the end of the biennial in June/July 2022. Deadline: 24 January 2021.
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Kunstraum Lakeside | Open call for artists and program 2021
» ‎ E-artnow calls

Kunstraum Lakeside
Open call for artists and program 2021www.lakeside-kunstraum.atwww.instagram.com/kunstraumlakesideI think the real winner in this transactionwill...

January 11, 2021
Musica Digitale al Museo ZKM
» ‎ Arshake Calls

«La nuova era è iniziata […]. La cultura ha iniziato ad essere un paradiso online», questo ha dichiarato Peter Weibel nel suo saggio »Virus, Virality, Virtuality«. Sulla base di questa teoria di una tele-society, i rappresentativi di complessi musicali, lo ZKM di Karsruhe, e i promotori discutono i limite e le opportunità dell’esperienza musicale digitale e presentano il progetto cooperativo «, Einklang Freier Wesen», interfaccia interattiva audio che permette di sperimentare online il lavoro collettivo di Georg Friedrich Haas.

Con: Ole Baekhoj (Pierre Boulez Saal), Marco Blaauw (Ensemble Musikfabrik), Prof. Ludger Brümmer (ZKM), Christian Fausch (Ensemble Modern), Matthew Gold (Talea Ensemble New York), Prof. Georg Friedrich Haas (composer), Malte Müller (WAF GmbH), Tobias Rempe (Ensemble Resonanz), Steven Walter (Beethovenfest Bonn), Prof. Peter Weibel (ZKM), Bas Wiegers (conductor), Bernhard Zachhuber (Klangforum Wien).

In collaborazione con: Ensemble Resonanz, Ensemble Modern, Ensemble Musikfabrik, Klangforum Wien, Talea Ensemble New York |
symposium & showcase EINKLANG FREIER WESEN, un progetto di ZKM e Ensemble Resonanz Venerdi 29 gennaio, 2021, 5 pm, durata: 4h, L’evento sarà trasmesso in live streaming Con: Ole Baekhoj (Pierre Boulez Saal), Marco Blaauw (Ensemble Musikfabrik), Prof. Ludger Brümmer (ZKM), Christian Fausch (Ensemble Modern), Matthew Gold (Talea Ensemble New York), Prof. Georg Friedrich Haas (composer), Malte Müller (WAF GmbH), Tobias Rempe (Ensemble Resonanz), Steven Walter (Beethovenfest Bonn), Prof. Peter Weibel (ZKM), Bas Wiegers (conductor), Bernhard Zachhuber (Klangforum Wien). In collaborazione con: Ensemble Resonanz, Ensemble Modern, Ensemble Musikfabrik, Klangforum Wien, Talea Ensemble New York. | Con il supporto di the Art Mentor Stiftung and the Ernst von Siemens Musikstiftung

L'articolo Musica Digitale al Museo ZKM proviene da Arshake.

call: 12th Annual UNCG International Sustainability Shorts Film Competition
» ‎ netEX - networked experience

Deadline: 1 March 2021
Call for entries

12th Annual UNCG International Sustainability Shorts Film Competition

CALL FOR SUBMISSIONS
The University of North Carolina Greensboro (UNCG) requests submissions of short films that address sustainability, which UNCG defines as “the enduring interconnectedness of social equity, the environment, the economy, and aesthetics.”

Entries will be screened as part of the online UNCG Sustainability Film and Discussion Series. Winners will be announced and celebrated online. Judging is based on relation to sustainability as well as concept, cinematography, acting, production quality, costuming, writing, etc.
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PRIZES:
1st place: $200
2nd place: $150
3rd place: $100
Audience award: $50

REQUIREMENTS
• Films must be 10 mins or less in length
• Submit films via screenable online format (YouTube, Vimeo, etc.)
• Include your name, phone number, email address, length and title of film
o Include one paragraph director’s bio (150 words)
o Include one paragraph description of film and relation to sustainability (150 words)
o Include promotional images for marketing purposes (high resolution .png or .jpg images in 16:9 ratio preferred, but poster images are also acceptable)

DEADLINE
Submissions are due no later than 5 p.m. on March 1, 2021. Send to Sarah Dorsey: sbdorsey@uncg.edu. For questions, email or call: 336.370.0040.

*By entering the competition, entrants agree to the following: 1) Films must be original work, must not infringe on any rights of others, and must have all necessary permissions. UNCG will not be held liable for any copyright infringements. 2) Entrants will retain all ownership rights to their films. 3) UNCG reserves the right to not screen any film(s) for any reason. 4) Prizes are not negotiable or transferable and are subject to taxes and fees for non-US winners. 5) The decisions of the judges are final.

AAMC Foundation Engagement Programme for International Curators (Online)
» ‎ On the Move

11.01.2021
In 2021, the The Association of Art Museum Curators (AAMC) Foundation's Engagement Programme for International Curators will take place online from February to December 2021, providing mentoring, networking and professional development opportunities. All applicants must be non-profit curators having worked or currently working within collections, exhibitions and/or projects in development that explore historical art of the United States (c. 1500-1980). Deadline: 15 January 2021.
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Tanssin Aika Festival > Open Call for Choreographers and Dance Artists (Finland)
» ‎ On the Move

11.01.2021
Tanssin Aika festival in Jyväskylä, Finland will take place 22-25 September 2021. It invites choreographers and dance artists to propose pieces for two calls: first, a call for an existing work that can be made with local 17-20 year olds; second, a call for indoor and outdoor performances to present at the festival. Deadline: 31 January 2021.
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Radio Art Residency Weimar (Germany)
» ‎ On the Move

11.01.2021
Radio Art Residency Weimar is an international fellowship programme for artistic practice on the radio. The programme offers a three-month residency twice a year in Weimar for artists from non-German speaking countries working in the field of acoustic and time-based arts (radio, performance and sound artists). The first residency will take place from 1 April to 30 June 2021. Deadline: 31 January 2021.
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Live DMA > Communication Officer (France)
» ‎ On the Move

11.01.2021
Live DMA is a European network for music venues, clubs and festivals based in Nantes, France. It gathers 21 members (regional or national associations/federations) in 17 countries, and represents more than 3000 music venues, clubs and festivals. Live DMA are looking for a part-time (80%) communication officer, initially for a 6 month fixed term contract, starting 1 March 2021. Deadline: 8 February 2021.
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Institut français > Chargé(e) de mission musiques actuelles, jazz et innovation (France)
» ‎ On the Move

11.01.2021
Un poste de Chargé(e) de mission musiques actuelles, jazz et innovation est à pourvoir au sein du département développement et coopération artistiques en contrat à durée déterminée du 10 janvier 2021 au 31 aout 2022. Date limite : 15 janvier 2021.
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January 10, 2021
Call for submissions> Live Coding
» ‎ Arshake Calls
Deadline: 14 gennaio 2021, ore 23:55

Quando:
Marzo – Maggio 2021 (Hangar)
Maggio – Novembre 2021 (ZKM | Center for Art and Media Karlsruhe)
Aprile – Maggio2021 Primavera 2022L (Ljudmila)
Agosto-Settembre 2021 (Creative Coding Utrecht)

Dove: Hangar, ZKM | Center for Art and Media Karlsruhe, Creative Coding Utrecht, Ljudmila Art and Science Laboratory

Link website

Nell’ambito del progetto “on-the-fly”, il bando assegnerà otto sovvenzioni per sviluppare artisticamente progetti di live coding dal vivo.

»On-the-fly« è un progetto »Creative Europe«, guidato da Hangar in collaborazione con ZKM | Center for Art and Media Karlsruhe, Ljudmila e Creative Coding Utrecht, impegnati a sostenere lo sviluppo delle pratiche europee di live coding.

Il bando assegnerà 8 borse di studio per lo sviluppo di produzioni artistiche che coinvolgono pratiche di live coding. Le residenze saranno ospitate da una delle istituzioni partner: Hangar, ZKM | Center for Art and Media Karlsruhe, Creative Coding Utrecht, Ljudmila Art and Science Laboratory.

Possibili argomenti (ma non limitati):

live coding performance, live coding composizione, live coding embodiment, live coding online, live coding collaboration, live coding improvisation, live coding process, percezione del live coding, live coding game, esoterico live coding, live coding e intelligenza artificiale, live coding e machine learning, live coding and body, live coding and dance, live coding e agenti autonomi, live coding e tangibilità, live coding e comunità digitali, live coding e linguaggi specifici del dominio, live coding e realtà virtuale, live coding e fai da te elettronico, live coding e gesto …

La residenza offre:
- Quota artista
- Costi di soggiorno
- Spese di viaggio di andata e ritorno
- Costi di produzione
- Accesso a strutture e attrezzature, mentoring peer to peer.
Maggiori dettagli sulle condizioni materiali della residenza possono essere trovati nel PDF allegato.

L'articolo Call for submissions> Live Coding proviene da Arshake.

January 08, 2021
Kalamari Klub / IsoQuant > SciArt Residency Programme for Photographers (Germany)
» ‎ On the Move

08.01.2021
Kalamari Klub / IsoQuant > SciArt Residency Programme for Photographers (Germany) Read more »
Re:Humanism Art Prize, ‘Art and Artificial Intelligence’ (Italy)
» ‎ On the Move

08.01.2021
Re:Humanism Art Prize, ‘Art and Artificial Intelligence’ (Italy) Read more »
Roxy ULM > ResearchLab for Emerging Choreographers (Germany)
» ‎ On the Move

08.01.2021
Roxy ULM’s ResearchLab (based in Ulm, Germany) consists of up to four residencies per year. Each residency lasts three weeks and is aimed at supporting dance by nurturing emerging choreographers to realise their ideas from concept to live performance. Young, emerging and established choreographers are welcome to apply. A first ResearchLab is scheduled to run from 1 March 2021, and a second from 3 May 2021. Deadline: 31 January 2021.
Read more
Korean Cultural Centre > Exhibition ‘Nothing is - everything just has been or will be’ (UK / Germany)
» ‎ On the Move

08.01.2021
The Korean Cultural Centres in Germany and the UK are offering artists an opportunity to exhibit in their gallery spaces in summer 2021 and winter 2021/22. The exhibition theme will be ‘Nothing is - everything just has been or will be’. Proposals should either incorporate elements of Korean culture, history etc., or the proposed artist(s) should be of Korean heritage. Deadline: 1 February 2021.
Read more
Dancing on the Edge Scholarship Programme for Contemporary Dancers from the Middle East and North Africa (Netherlands / Online)
» ‎ On the Move

08.01.2021
Dutch festival Dancing on the Edge are calling a new generation of contemporary dancers from the Middle East and North Africa (MENA region) for the Dancing on the Edge Scholarship Programme 2020. Dancing on the Edge (DOTE) offers scholarships to young talent from the MENA region to attend a three-week summer dance workshop programme. In 2021, there will be an online programme, and an offline one if conditions allow for travel. Deadline: 1 March 2021.
Read more

January 07, 2021
2021 Research Fellowships at Holt/Smithson Foundation
» ‎ TransArtists

Holt/Smithson Foundation exists to continue the creative and investigative spirit of the artists Nancy Holt (1938-2014) and Robert Smithson (1938-73). Holt and Smithson developed innovative ways of exploring
The Good Hart Artist Residency 2021-22
» ‎ TransArtists

The Good Hart Artist Residency located in Good Hart, Michigan offers 2-3 week residencies to dedicated visual artists, writers, and composers. They currently have an open call for writer and composer/songwriter

call: 2nd International Screendance Festival Freiburg/Germany
» ‎ netEX - networked experience

Deadline: 24 January 2021
Call for entries

2ndINTERNATIONAL SCREENDANCE FESTIVAL FREIBURG 2021

Screendance, also called Videodance or Cinedance, has become a booming, independent art form, yet in Germany it is still quite unknown.
Screendance is an interdisciplinary art form combining dance (most often contemporary practices), choreography and performance with film and the visual arts.

The 2ndINTERNATIONAL SCREENDANCE FESTIVAL FREIBURGwill take place from 27.05. –30.05.2021 in a hybrid form.
The festival intends to promote works which combine dance and film techniques as well as elements from performance, music, digital media, and fine art in the medium of video in a cross-genre work.It will present screendance films from South America and Germany. The films from South America will be selected by renowned leaders of local screendance festivals. A call for national screendance films is now open.

Open Call for the 2ndISDF 2021We are looking for screendance films by German residents(1 to 10-minutes length, not older than 2019)DEADLINE FOR SUBMISSIONS: 24.01.2021 (12.00 p.m. CET)The submission process is electronic and films must be available to view on Dropbox, Vimeo, YouTube or another website. Please complete the submission form and send it to screendanceoffice@theater.freiburg.de.

Once selected, please note the ideal screening-format is DCP(mp4-or mov-format is also acceptable). We do not screen documentaries or recordings of live performances.
Films selected for screening will be shown at one of the three days of screenings during the festival from 27.05. –30.05.2021 at Theater Freiburg.

More information:
[https:]]

Ireland | Artlink visual artist residencies 2021
» ‎ culture360.org

deadline
10 Jan 2021

January 06, 2021
Call for submissions> Locust Projects
» ‎ Arshake Calls
Deadline: 6 febbraio 2021

Quando: da definire

Dove: Locust Projects

Link: website

Locust Projects invita artisti nazionali e internazionali ad applicare per l’opportunità di accedere allo spazio e alle risorse per creare un lavoro ambizioso e in grande scala nei 1500 mq della Main Gallery.
I progetti sono scrutinati da una giuria che a rotazione include artisti, nazionali o internazionali, che hanno precedente esposto nello spazio e uno dei curatori locali. Locust Projects fornisce agli artisti selezionati una guida curatoriale, un budget di produzione, una diaria, la documentazione e l’opportunità di soggiornare per una residenza in una casa dedicata nei pressi del Locust Projects.

La call è rivolta alla produzione di
- una personale ed una nuova installazione creata site specific per il Locust Projects Main Gallery (approx. 1500 square mq)
- un programma di public art (conversazioni, collaborazioni, performance)
Più informazioni sulla pagina di Locust Projects

L'articolo Call for submissions> Locust Projects proviene da Arshake.

Desert 23´S – An artist-led expedition at the driest place on earth with indigenous culture & ecology.
» ‎ resartis.org

Deadline: 30 Jan 2021
Country: Chile
Tropic 08´N – An artist-led expedition into one of the richest biomes on earth with indigenous culture & ecology.
» ‎ resartis.org

Deadline: 31 Jan 2021
Country: Panama
OPEN CALL Spring residency at Euroatla
» ‎ resartis.org

Deadline: 31 Jan 2021
Country: Portugal

Nikon Photo Contest 2020-2021
» ‎ culture360.org

deadline
25 Jan 2021

The Cultural Foundation > Open Call for Performing Arts Production Programme (United Arab Emirates)
» ‎ On the Move

06.01.2021
The Cultural Foundation > Open Call for Performing Arts Production Programme (United Arab Emirates) Read more »
Tranzit > Biennale Matter of Art 2022: Call for Curators (Czech Republic)
» ‎ On the Move

06.01.2021
Tranzit.cz has announced an open call for new curatorial working group members for the next edition of the Biennale Ve věci umění / Matter of Art (VVUMOA), which will take place in Prague in June 2022. The group will work over two years to develop a conception of the biennale edition for 2022 within the context of debates on ‘decolonisation’. Individuals and teams can apply. Deadline: 10 January 2021.
Read more

January 05, 2021
Archeology & Environment in Athens
» ‎ resartis.org

Deadline: 31 Jan 2021
Country: Greece

Fondation Fiminco Residency
» ‎ TransArtists

Fondation Fiminco has invested in a former industrial site in Romainville, on the outskirts of Paris and accessible by the metro, to create a place that supports artists from all over the world

Italy | 5th SMACH Biennale open call
» ‎ culture360.org

deadline
28 Mar 2021

Arts & Homelessness International > Freelance Researcher to Map Arts & Homelessness in the Global South
» ‎ On the Move

05.01.2021
Arts & Homelessness International is looking for a researcher or a small group of researchers to help them build a database on arts and homelessness projects and individual artists in the Global South. Candidates should be able to devote considerable time to this task over a short period of 4 months (from the end of January 2021 to early June 2021). Deadline: 10 January 2021.
Read more

January 04, 2021
Momo Distribution Grant - open to emerging filmmakers from Southeast Asia
» ‎ culture360.org

deadline
28 Feb 2021

2021 StudioWorks Artist-in-Residence Program
» ‎ resartis.org

Deadline: 01 Feb 2021
Country: United States
Hammer Bakker in twelve looks
» ‎ resartis.org

Deadline: 01 Feb 2021
Country: Denmark
Interdisciplinary Performance Fellowship in Music
» ‎ resartis.org

Deadline: 01 Feb 2021
Country: United States
January 02, 2021
CALL FOR APPLICATIONS – KAUNAS PHOTOGRAPHY GALLERY RESIDENCY 2021
» ‎ resartis.org

Deadline: 31 Jan 2021
Country: Lithuania
January 01, 2021
Rucka Artist Residency announces an OPEN CALL for residency spaces for Spring 2021
» ‎ resartis.org

Deadline: 10 Jan 2021
Country: Latvia
Ilhabela Island, Brazil // 2021 Schedule
» ‎ resartis.org

Deadline: 11 Jan 2021
Country: Brazil
ISLAND CONNECT RESIDENCY PROGRAM OPEN CALL
» ‎ resartis.org

Deadline: 11 Jan 2021
Country: Denmark, Ireland, Croatia, Greece, Balearic Islands
FLYING CIRCUS – e-RESIDENCY, EXHIBITION & MOVIE PROJECT (February + 7-14 March 2021)
» ‎ resartis.org

Deadline: 25 Jan 2021
Country: Global
Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS
» ‎ resartis.org

Deadline: 13 Jan 2021
Country: Serbia
Adventure Filmmakers Workshop 2021 | ONLINE
» ‎ resartis.org

Deadline: 13 Jan 2021
Country: Canada
SCIENCE, TECHNOLOGY AND HUMANITIES OR SCIENCE AND DIGITAL HUMANITIES?
» ‎ resartis.org

Deadline: 28 Jan 2021
Country: Spain
Belgrade Art Studio Residency
» ‎ resartis.org

Deadline: 15 Jan 2021
Country: Serbia
Finland: art and crafts in an old wooden town
» ‎ resartis.org

Deadline: 20 Jan 2021
Country: Finland
Indigenous Arts | Writing Over Here: Open Rezidency ONLINE
» ‎ resartis.org

Deadline: 20 Jan 2021
Country: Global
Creative and writing retreats 2021-2022, Assisi and Mt. Subasio
» ‎ resartis.org

Deadline: 27 Jan 2021
Country: Italy
Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS
» ‎ resartis.org

Deadline: 28 Jan 2021
Country: Serbia
MediaFutures open call
» ‎ resartis.org

Deadline: 28 Jan 2021
Country: Global
Belgrade Art Studio Residency
» ‎ resartis.org

Deadline: 30 Jan 2021
Country: Serbia
Spring and Summer Residency 2021
» ‎ resartis.org

Deadline: 31 Jan 2021
Country: Latvia
Words, Non-words And Music with Julia Holter
» ‎ resartis.org

Deadline: 31 Jan 2021
Country: Global

COAL Art Prize 2021 - open call
» ‎ culture360.org

deadline
01 Mar 2021

December 31, 2020
call: World of co – virtual residency
» ‎ netEX - networked experience

Deadline: 3 January 2021
Call for entries

OPEN CALL 2021: Online artist residency
Dates & location of event context: Online between January and May 2021

This virtual program is a way to re-connect within the art community, to provoke the creative exchange between international artists and to form another dimension of social interaction. The focus is on connecting artists and building new networks between them, through dialogue and experimentation.
The program gives the opportunity to dedicate creative time, to receive support and feedback from the WOC team, teachers and artists and find motivation to continue current projects or start a new one. You will also expand your audience through presence in World of Co social media channels, website and blog. The participants are also encouraged to participate in the online exhibition at the end of the program.

What to expect during the program?

Weekly group meetings throughout the residency hosted by the WOC team
Group critiques helping you to conceptualize your art projects hosted by professional artist
Workshops and seminars by art professionals to enhance your knowledge and skills
Building an effective online presence as an artist. Individual advices on your social media channels and website moderated by the WOC web and graphic designer
Internal networking meetings and discussions with WOC artists
Online promotion of your art on the social media channels of the organization – Instagram and Facebook
Participation in the online group exhibition at the end of the program in our virtual gallery
Re-connect with artists and participate in artist talks
Presentation about your art and you as an artist on World of Co website and blog
Become part of the WOC Alumni network

ELIGIBILITY
The online program is open to solo/duo/collectiveс of emerging and mid-career visual artists, curators, illustrators, designers, writers, sound artists, multidisciplinary artists and art researchers from all around the world.

DURATION
WOC@Home (two months program) will have four sessions starting from January, February, March and April 2021.
WOC@Home (one month program) will take place in January, March, April and May 2021.

You can apply for one-month or two-months residency programs. In order to get a full experience of the program, we suggest you to participate in the two months program.

PROGRAM FEE
The residency fee for a one-month program is 270 EUR, and for two months is 450 EUR.
World of Co will provide you all necessary documents to apply for funding.

APPLICATION
Apply for the World of Co Online Artist Residency until January 3th 2021 on the following link : [https:]]

entry fee – no / yes (how much): No application fee. Monthly fee for one month program is 270EUR, for two months program is 450 EUR

6. Contact adresses/URL

Website: [https:]]
E-mail: contact@worldof.co
Instagram: @worldofcoresidency
call: 2021 Women Make Waves Int’l Film Festival
» ‎ netEX - networked experience

Deadline: 25 February 2021
Call for entries

2021 Women Make Waves Int’l Film Festival
Taipei, Taiwan

About Women Make Waves Film Festival, Taiwan
Established as a non-profit organization in 1993, Women Make Waves Film Festival, Taiwan has been one of the major film festivals in Taiwan and has established itself as the biggest one dedicated to supporting female talents. Women Make Waves Film Festival, Taiwan aims to celebrate the achievements of outstanding female talents, to explore different aspects of women’s lives as well as to promote equality and rights of all genders. By covering a wide range of genres, issues, and representations of women, WMWIFF seeks to promote great cinematic arts by female directors and to advocate gender equality through films with feminist consciousness and various subjects.
Festival Time & Location
The 28th Women Make Waves Film Festival, Taiwan, presented by the Taiwan Women’s Film Association, will be held in Taipei in October 2021 at SPOT-Huashan Cinema.

General Entry Requirement
Deadline for Entry:
February 25, 2021 for all international film submissions completed after March 1st, 2019

Entry fees USD 10 are required
We consider creative films of any length, and OPEN to all kinds of subjects.
Anything related to LGBTQI+ communities, women issues and ideologies such as feminism and post-feminism, and current events around the world that reflects the status quo of women. We also encourage SEXY, cutting-edge, thought-provoking, and daring films that are innovative in cinematic styles and forms, that explore the aesthetic possibilities of the cinematic forms, and that continue challenging our knowledge and thoughts on various aspects from and about the perspective of women.
Submission is OPEN to feature films, short films, documentaries, animations, experimental films and etc.
Films addressed to the following issues are preferred and highly welcomed.
1. Queer films
We eager for the best and most diverse work by, about and of interest to the LGBTQI+ community, as to secure a platform for LGBTQI+ films made by women directors.
2. New currents
Featuring works of new female directors, especially the first or the second feature by the future-leading directors.
3. Women Issues
Issue-oriented films that have a strong focus on women issues, such as gender equality, gender discrimination, or any related topics that tackle the current situation of women in nowadays society.
The films submitted need to be directed at least by One FEMALE Director.
The films submitted must be Taiwan Premiere.
The films submitted must have been completed after March 1st, 2019.
Entrants must submit completed work. Works-in-progress are not accepted.
For submission, the submitted films should be presented with English dialogue or in their original versions with English subtitles. We advise you to also subtitle films if they are spoken in English which is hard to grasp for non-native speakers, i.e. an accent or slang.
Films that have been submitted for consideration in previous years are not eligible.

How to Submit Your Film

To submit, please fill in our entry form here–> [www.wmw.org.tw]
Or, the entrants can also click to submit via Filmfreeway. Please make sure to have an online screener available and include as much information as possible.

How to Pay the Entry Fees

If you submit via Filmfreeway, you will complete the payment through its website —> [https:]]
If you submit via filling out the entry form on our Official Website, after you submit the entry form, you will receive the payment link from us. Please complete the payment by following the instruction in the email.

Note:
Online screeners with a secured password or high-res digital file are highly preferred, while WMWIFF also accepts Two DVD screeners (in NTSC Format) by post / courier. Your entry will only be accepted if WMWIFF receives a complete entry form (including valid screeners) AND entry fees on time.

If your submission is successful, you will receive a confirmation e-mail which you can print for your records. Incomplete applications will not be taken into consideration.

Selection Procedure, Authorization and Important Notice

Selection Procedure
The festival’s program committees select the films that will participate in all program sections. When a film is selected, the festival will notify the applicant by email no later than June 30, 2021.

After selection, please email the following materials to: submissionwmw@wmw.org.tw

1. Completed dialogue lists in original language AND English
2. 3 different stills from the film (at least 300 dpi High Resolution)
3. A photo of the director (at least 300 dpi High Resolution)
4. Film reviews, if available
5. Trailer or clips of the film
6. Press kits if available

Authorization
Once the films are selected, the festival has the right to:

1. Use a maximum of 5% of the video from the film for the festival trailer, publicity, and online purposes.
2. Use the trailer for publicity and online purposes.
3. Use publicity material to promote the festival and our program line-up.
4. Reserve the right to keep all the screeners and / or high res video files of the selected films in the festival archive for non-circulating use.
5. Produce and keep Chinese subtitled screening copies in the festival archive for non-circulating use, excluding any loan or public usage. Any kind of public presentation is strictly prohibited.

Important Notice
1. It is the sole responsibility of the applicant to secure clearance from the copyright holders of any copyrighted materials included within the submitted film. WMWIFF will not be held responsible for the unauthorized inclusion of any copyrighted materials within or relating to the submitted film.
2. If the films are selected, all of the requested materials as above mentioned should be provided as soon as possible in order to assist the compilation of the Festival Catalogue. Please also note that all the submitted materials will not be returned.
3. WMWIFF won’t cover any shipping costs during the submission stage. For films selected for our festival, we will cover the print’s shipping costs (custom tax included) to and from the original print source only. Please note that WMWIFF will NOT be responsible for any shipping costs (custom tax included) for the next destination.
4.The selected films will be screened 2~4 times during the 28th Women Make Waves Film Festival, Taiwan in October. Please be noted that WMWIFF will NOT provide screening fees for submitted films, while will be eligible for the possibility of an invitation to the festival attendance, regional distribution, and so on.
5. One of the missions of WMWIFF is to propagate women/gender issues around Taiwan. Some of the films will be chosen for screening to the disadvantaged outside the capital between October to December 2021. All the charity screening is free of charge, and furthermore, the screening time and audience are limited.

Address and Contact Information

Mailing Address
Women Make Waves Film Festival, Taiwan
3F, No.16, Lane 10, Xingcheng St.
Datong District, Taipei City 10355
Taiwan (R.O.C.)
T: +886-2-2557-5227 F: +886-2-2552-9728
[www.wmw.org.tw]
E-mail: submissionwmw@wmw.org.tw
call: CON__UNIDAD – Peruvian virtual Residency
» ‎ netEX - networked experience

Deadline: ongoing
Call for entries

CON__UNIDAD Residencia
Residencia virtual de proyectos de arte comunitario y cooperativo en línea
Peruvian virtual Residency & Online Co-op Community art projects development

COM__UNIDAD is a virtual Residency & Online Co-op Community art projects development based in Peru that proposes the creation of a collaborative network made up of cultural actors related to the history, art and community practices of the Peruvian context. The virtual residence receives artists and cultural workers, national and international, with the aim of rethinking community art practices through virtual strategies, thus art, cultural management or art education projects, based on historical, cultural, social and geographical research of the Peruvian communities, from the culture of residents origin.

RESEARCH AREAS:
> Contemporary art as an affective and community tool in rural localities.
> Cultural scene and autonomous management.
> Pre-Hispanic Peruvian culture (Cosmovision, language, rituals, among others).
> Post-pandemic community art.

*The organization seeks to develop the residents’ projects in situ, we assume the commitment to seek and / or manage spaces and funds to generate invitations and / or grants for the execution of face-to-face projects or in Peru.

GUIDELINES AND FORM
[https:]]
+INFO: correlacion.contemporanea@gmail.com

—
Correlación Contemporánea
c. (+51) 999635302
call: Currents NewMedia Festival 2021
» ‎ netEX - networked experience

Deadline: 1 February 2021
Call for entries

CURRENTS New Media 2021
Notified by: March 15, 2021
Festival Dates: June 18 – 27, 2021

CURRENTS New Media is now accepting digital media art submissions in the fields of:
-Virtual/Augmented/Mixed Reality Environments
-Multimedia Performance
-Desktop Experiences

Still from Morphogenesis, a VR piece by Reilly Donovan, CURRENTS 2020

Every summer since 2010, CURRENTS New Media has been putting on one of the leading art and technology festivals in the United States. Located in Santa Fe, New Mexico, CURRENTS brings together the work of established and emerging new media artists from the USA and around the world. In August 2020, we presented our first entirely-online festival with great success.

After a year of global change, adjustment and learning new ways to connect, we are planning an online festival with a small er, onsite festival if COVID permits.

APPLY NOW: [https:]]

Submission Fee: $25 for single submission, $20 per submission for multiple submissions
To apply, please read our submission guidelines and fill out the submission form on our website.

CURRENTS New Media champions new media arts and supports artists in creating innovative work. Our annual festival, educational programs, and exhibition space give the public year-round access to immersive and expansive art experiences.

The Festival is the result of a collaboration between Parallel Studios, its partners throughout the city and the many volunteers who invest their time to support this project.

[https:]]

D2P residency for Drawing Performance – March 2021
» ‎ resartis.org

Deadline: 01 Jan 2021
Country: United Kingdom
Belgrade Art Studio Residency
» ‎ resartis.org

Deadline: 03 Jan 2021
Country: Serbia
Three Scholarships for younger textile artist and designers
» ‎ resartis.org

Deadline: 03 Jan 2021
Country: Denmark
Hosted Artist Residencies on the edge of Wollemi Wilderness, near Sydney, Australia
» ‎ resartis.org

Deadline: 19 Jan 2021
Country: Australia
Belgrade PETIT Studio Residency WRITERS, CURATORS, THINKER, PHOTOGRAPHERS, ARTISTS/DESIGNERS
» ‎ resartis.org

Deadline: 05 Jan 2021
Country: Serbia

December 30, 2020
V International Bad Video Art Festival
» ‎ Rhizome.org Opportunities
- Deadline:Feb 2 2021, @ 6PM
- Location:Moscow
The fifth edition of BAD VIDEO ART FESTIVAL will take place in Moscow, Russia, in 2021.

Open to artists worldwide. NO fees.

We are looking for videos which are at the intersection of bad art, bad painting and bad cinema. We propose to study extreme forms of video art and ...
Exhibition Open Call - Project Room - at Locust Projects for New Work
» ‎ Rhizome.org Opportunities
- Deadline:Jan 1 2021, @ 7PM
- Location:Miami, FL
Locust Projects invites local, national, and international artists to apply for the opportunity to access the space and resources to create ambitious, large-scale new work in our 1,500 sq ft MAIN GALLERY gallery, Proposals are reviewed by a rotating jury comprised of local, national and international artists that have ...
Exhibition Open Call - Main Gallery - at Locust Projects for New Work
» ‎ Rhizome.org Opportunities
- Deadline:Jan 1 2021, @ 7PM
- Location:Miami, FL
EXHIBITION OPEN CALL - MAIN GALLERY - OPEN DEC 14 THRU JAN 15, 2021

Locust Projects invites local, national, and international artists to apply for the opportunity to access the space and resources to create ambitious, large-scale new work in our 1,500 sq ft MAIN GALLERY gallery, Proposals are reviewed by ...
1st wendy.network virtual residency
» ‎ Rhizome.org Opportunities
- Deadline:Jan 1 2021, @ 12AM
- Location:International/Web
We are happy to announce our 1st wendy.network virtual residency!
Each resident receives an artist stipend of €400
(€200 + KONJ worth €200).

Deadline: 31/01/2021 12:00 pm (Timezone: Etc/GMT+12)
Apply now!

https://wendy.network/1st-wendy-network-virtual-residency/
V International Bad Video Art Festival
» ‎ Rhizome.org Opportunities
- Deadline:Feb 2 2021, @ 10PM
- Location:Moscow, Russia
Open to artists worldwide. NO fees.

We are looking for videos which are at the intersection of bad art, bad painting and bad cinema. We propose to study extreme forms of video art and single out certain video art works as bad videos or "B-videos". Join us if you are ...
Call for Submissions: CURRENTS 2021
» ‎ Rhizome.org Opportunities
- Deadline:Feb 2 2021, @ 1PM
- Location:online/Santa Fe, NM, USA
Call for Submissions: CURRENTS New Media 2021
Submission Deadline: February 1, 2021
Notified by: March 15, 2021
Festival Dates: June 18 - 27, 2021

CURRENTS New Media is now accepting digital media art submissions in the fields of:
-Virtual/Augmented/Mixed Reality Environments
-Multimedia Performance
-Desktop Experiences

Still from Morphogenesis, a ...
Open Call - The Rules Do Not Apply
» ‎ Rhizome.org Opportunities
- Deadline:Jan 1 2021, @ 11AM
The Rules Do Not Apply is an open call for digital artists and creatives to explore, play with, and disrupt traditional ideas of art. Artists (or teams) can apply for 3 micro commissions (£4,000 each) to create a new piece of work that explores the changing world we all ...
OPEN CALL 2021: Online artist residency @ Home
» ‎ Rhizome.org Opportunities
- Deadline:Jan 1 2021, @ 11PM
- Location:Online
This virtual program is a way to re-connect within the art community, to provoke the creative exchange between international artists and to form another dimension of social interaction. The focus is on connecting artists and building new networks between them, through dialogue and experimentation.
The program gives the opportunity to ...
DIGITAL ARTS MFA TULANE UNIVERSITY NEW ORLEANS  $14,000 per year stipend
» ‎ Rhizome.org Opportunities
- Deadline:Feb 2 2021, @ 10AM
- Location:New Orleans
DIGITAL ARTS MFA TULANE UNIVERSITY NEW ORLEANS  $14,000 per year stipend

  The Digital Arts area of the School of Art allows students to explore the expressive and conceptual potential of digital-based projects ranging from print to physical computing.  Application deadline is February 1st.  
Please note that the GRE is ...

call: The Rules Do Not Apply
» ‎ netEX - networked experience

Dealine: 10 January 2021
Call for entries

The Rules Do Not Apply
Open Call –

The Rules Do Not Apply is an open call for digital artists and creatives to explore, play with, and disrupt traditional ideas of art. Artists (or teams) can apply for 3 micro commissions (£4,000 each) to create a new piece of work that explores the changing world we all face. The micro commissions are a collaboration between Audience Labs at the Royal Opera House & National Gallery X in London. We are opening up access for digital creatives to respond to two artworks: Eve, a piece of digital choreography by Kristen McNally, shared as motion capture files, and an mural in the National Gallery collection, Crivelli’s Garden by Paula Rego. Both pieces act as starting points for the open call – they both reimagine and disrupt structures of power, refract the old and the new, and play with the unexpected. The call is for digital artworks that build on and reimagine, mash up and remake those further.

We’re actively encouraging applicatio ns from creatives who identify as a Person of Colour, D/disabled and/or a member of LGBTQIA+ community as we want to actively support artists from communities currently underrepresented in our commission awards. The call is open to international applicants.

The call can be found here:
[https:]]
call: Art Talks By Artists
» ‎ netEX - networked experience

Deadline: 31 January 2021
Call for entries

Open Call For Art Talks By Artists
Dates & location of event context: Worldwide

If you are an artist and you would like to improve your online presence and share your art practise then feel free to answer my open call.
What are the benefits of the descent online presence for artists?

you can engage with your targeted audience
increase your credibility as an artist
gain more career opportunities

Why am I the right person to help you?

The first reason is that I am an art curator with a clear focus on topics such as identity, origins, past & memory, migration, validation of the past and stereotypes. Therefore if your art practise includes one of the topics, feel free to keep on reading.

The second reason is this is not my first open call and based on my previous experience, I have learnt that the artists need help with improving their online presence. Therefore I have embraced the idea of Art Talks By Artists. At the beginning of 2020 I organized art talks face to face in a physical space with live audience. After March 2020, I did 2 series of the online artists talks when I did all the editing by myself. This call is the fourth and the most advanced version.

What will I gain as an artist?

Currently, I have an art blog and there are 3 sections. Art Reviews & Art Articles, Pracitical Info For Artists and the last section which is currently empty is Art Talks by Artists. The last section is ready for your Art Talks. To each selected artist I will dedicate a whole post that will contain the submitted podcast and a short text about the artist as stated in the requirements below.

Once I have the post & podcast ready then I will publish it and circulate it within my network such my LinkedIn Page, FB, IG and of course my private network.

What are the criteria for being selected?

The most important is the relevancy to my areas of research such as identity, origins, past & memory, migration, validation of the past and stereotypes. Then it is how much close you can stick to the requirements below. eg if I have asked for 15 mins and you send me 30 mins then it is less like I will select your podcast.

Another example is when I ask for no selfie videos and you send me a video where you go around your studio, pointing out your artworks and talking about them while you are in front of the camera and so on.

Requirements:

the length of the talk is 15 mins only

in English only

it is a voice recording accompanied with images of your artwork rendered as MP4, or AVI

no selfies videos

the talk should be spontaneous

notes on paper are welcomed but do not read out loud the whole text

presentation 90% visual or short videos accompanied with your voice explaining the artwork

minimum written text

the recording has to start with you saying “Produced for Temporary Space Berlin…..then you full name and country of origin…….

upload the file via form on my website (fee 10 EUR)

send me separately in doc document 300 characters long description of your art practice

and another doc document of 150 characters long introduction of you as an artist

entry fee: yes (10 EUR)
Call and more info
[https:]]

December 29, 2020
Roots & Seeds | Artwork and Research Residency calls - Europe
» ‎ culture360.org

deadline
15 Feb 2021

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