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ARAC Art & Residency 2020
» ‎ TransArtists

The Romanian Association of Contemporary Art (ARAC) in Bucharest, Romania is offering a residency opportunity for an artist to freely develop artworks for an exhibition in Bucharest.
INHABIT 2021
» ‎ TransArtists

The INHABIT Artist in Residence Program of the Max Planck Institute for Empirical Aesthetics invites artists from various disciplines to collaborate with their team of scientists and researchers
Call for choreographers at K3
» ‎ TransArtists

K3 | Tanzplan Hamburg provides three eight-month residencies per season to choreographers, who are currently at the beginning of their career and have produced some choreographic work of their own.

Weltformat Graphic Design Festival 2020 - open call for newcomer poster design
» ‎ culture360.org

deadline
31 Jul 2020

The Cup, The Mug 2020
» ‎ WOOLOO.ORG

Deadline Sep. 19, 2020
Exhibition
Design, Mixed Media, Other, Sculpture, Exhibitions
Submit to Main Street Arts' 5th annual national juried exhibition of drinking vessels. This call is open to all U.S. artists working in ceramics, glass, wood, or metal. Submissions must be cups, mugs, or other drinking vessels. All work submitted must be for sale.
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Small Works 2020
» ‎ WOOLOO.ORG

Deadline Sep. 19, 2020
Exhibition
Digital, Drawing, Mixed Media, Painting, Photography, Printm...
Submit your work to Main Street Arts' seventh annual national juried exhibition of small works (12 inches or smaller in any direction*), open to artists working in all media excluding video/sound and installation art. This exhibition is open to all U.S. residents. *Framing may extend to 16 inches.
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Chandigarh Escorts
» ‎ WOOLOO.ORG

Deadline Jul. 31, 2020
Other
Other, Photography, Video, Others
For the best girlfriend experience, hire this fascinating Chandigarh escort
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call: 24th Japan Media Arts Festival
» ‎ netEX - networked experience

Deadline: 5 September 2020
Call for entries

24th Japan Media Arts Festival
Deadline: Friday, September 4 18:00(JST)
Submission period July 1, 2020 – September 4, 2020 18:00 (JST) / Location: Japan

The Japan Media Arts Festival is a comprehensive festival of Media Arts (Media Geijutsu in Japanese) that honors outstanding works in its four divisions: Art, Entertainment, Animation, and Manga. The festival has awarded prizes to significant, creative works of artistic value since its establishment in 1997, and through its annual Exhibition of Award-winning Works, it has offered the public an opportunity to directly appreciate these celebrated works, and also to participate in related events such as symposia and artists’ lectures.

The Japan Media Arts Festival Executive Committee is now accepting entries for the 24th Japan Media Arts Festival. All artists around the world, without distinction as to professional, amateur, independent, or commercial, are invited to submit their works.Eligible works are completed or released within a year before the deadline (October 5, 2019 – September 4, 2020).From each division, the jury committee will select winners of the Grand Prizes, Excellence Awards, Social Impact Award, New Face Awards, and U-18 Award. All awards including Special Achievement Awards and Jury Selections will be announced in March 2021. Each of the winners from the four divisions will receive a trophy and prize money up to 1,000,000 yen, and also win an opportunity to present their works at the Exhibition of Award-winning Works in Tokyo.
In addition to the four divisions: Art, Entertainment, Animation, and Manga, there will be an open call for Festival Platform Award, which is an award given to brilliant new exhibition plan that utilize the characteristics of its facilities of organizations in liaison with the Japan Media Arts Festival.

No entry fee

jmaf@cgarts.or.jp / HP: [https:]]

CG-ARTS (Computer Graphic Arts Society)
Japan Media Arts Festival Contest Office
1-8-16-3F Ginza, Chuo-ku, Tokyo 104-0061
JAPAN
Phone +81-3-3535-3501
Fax +81-3-3562-4840
E-mail: jmaf@cgarts.or.jp
URL: [www.cgarts.or.jp]
=================================
Japan Media Arts Festival
[https:]]
call: Kunstraum NYC residency 2021
» ‎ netEX - networked experience

Deadline: 30 August 2020
Call for entries

Kunstraum LLC,
20 Grand Ave, #509,
Brooklyn, NY 11205,
[kunstraumllc.com]

Open Call: Kunstraum Artist Residency 2021
Kunstraum offers 3-months artist residencies for national and international artists in a quarterly cycle. In 2021, these residency periods will span from January-March, April-June, July-September, and October-December.
Deadline: August 30th at midnight of your local time zone
Founded by artists for artists, Kunstraum is a studio hub, incubator, and gallery space in Brooklyn with the mission to provide affordable spaces to artists that fosters exchange and networking opportunities. Located between the historical neighborhood of Clinton Hill and newly developed Navy Yard, Kunstraum spreads out between two bright and renovated artist lofts.
Each residency includes a studio space inside our subdivided lofts and access to our gallery space, participation in our annual members show, sales opportunities via an online gallery, and a great artist community to meet and interact with. The resident artist will be offered regular studio visits by curators, gallerists, critics, art advisers, as well as social media promotion and a feature of your work on our website. Our internal monthly newsletter includes news, events, an open call list with exhibition and residency opportunities. All resident artists are invited to attend our gallery events to meet the steady community of artists, designers and filmmakers as well as mingle with incoming artists and curators of our ongoing exhibition program.
The studio spaces have 24/7 access with 13ft ceilings, a freight elevator, slop sink, secure Wifi and are used for non-toxic materials only – all painters work on non-toxic basis. Blick Art Supply, hardware stores, post office, print shops, supermarkets, restaurants, and delis are just 1.5 blocks away, and Home Depot is as close as 10 blocks.
No living is included. The resident artist is responsible to find own living arrangements. Referrals to short-term listings can be provided.
For more info, please visit kunstraumllc.com and on Instagram Kunstraumllc.
Fees:
The residency fee is $600 per month for a 3-month term and following starting dates 1/1/2021; 4/1/2021; 7/1/2021; 10/1/2021, included is:
– Studio space with 24/7 access (workspace only no living)
– Monthly studio visits by New York curators, gallerists, critics, art advisers (full list below)
– Social media promotion
– Website promotion
– Access to gallery space between ongoing exhibition program (only 4 shows per year)
– Summer show participation including professional documentation and online sales for 6 months
– Access to events and community, networking with other New York creatives
To Apply:
Send one PDF no larger than 8 MB to Sarah, sarah@kunstraumllc.com with the headline: Kunstraum Artist Residency Application
Include the following:

Kunstraum LLC, 20 Grand Ave, #509, Brooklyn, NY 11205, kunstraumllc.com
– Statement of Motivation with starting date/s – 250 word
– Statement on private or public funding plan – 100 word
– Portfolio with max. 10 pages with 10-20 images
– Optional: 2 links to 1-2 mins video excerpts (specify cue in and out)
– CV with max, 10 pages
– Links to website, Instagram, recent exhibition or press

Deadline: August 30th at midnight of your local time zone
Notification of residency offer: October 1st, 2020
Acceptance with one-month deposit requirement: October 15th, 2020
Any questions please reach out to Sarah, sarah@kunstraumllc.com.
We are looking forward to receiving your application!

Location:
We are located at 20 Grand Avenue, space 509 Clinton Hill, Brooklyn. This is close to the Navy Yard, in an industrial area left of the 278 between the Navy Yard and Clinton Hill.
GoogleMap: [https:]]
Kunstraum is located half a block away from two bus stops and within walking distance to the Subway.
For cars, streetside parking is available all around the Navy Yard. JFK and LaGuardia International Airport are also close by.

STUDIO VISITS:
Leeza Ahmady, Asia Contemporary Art Week; Francesca Altamura, New Museum; Marco Antonini, NURTURE Art; Yona Backer, Third Stream; Tamas Banovich, Postmasters Gallery; Kathy Battista, Sotheby’s Institute of Art; Natascha Becker, Ford Foundation; Jill Benson, Ground Floor Gallery; Amber Berson, Art+Feminism Wikipedia Project; Lydia Brawner, MAD Museum; Victoria Brooks, EMPAC; Deborah Brown, Storefront Ten Eyck; Elle Burchill and Andrea Fiore, Microscope Gallery; Alison Burstein, The Kitchen; Sean Patrick Carney, Bruce High Quality University; Omar Lopez Chahoud, Untitled Art Fair; Kari Conte, International Studio and Curatorial Program; Kyle Dancewicz, Sculpture Center; Mira Dayal, JAC; Joshua Decter, Critic; Eden Deering, PPOW Gallery; Sarah Demeuse, Independent Curator; Ingrid Dinter, Dinter Fine Arts; Shlomit Dror, Independent Curator; Owen Duffy, MAD Museum; Aliza Edelman, Independent Curator; Monika Fabijanska, Independent Curator; Alessandro Facente, NARS Foundation; Karen Hesse Flatlow, Crush Curatorial; Kathleen Forde, Borusan Contemporary; Iliya Fridman, Fridman Gallery; Sonja Gandert, Independent Curator; David Gibson, Gibson Contemporary; Ivan Gilbert, NURTUREart; Larry Greenberg, Studio 10; Katya Grohovsky, The Immigrant Artist Biennial; Elisa Gutierrez, NARS Foundation; Peter Gynd, Lesley Heller Gallery; Tam Gryn, Culturadora; Julian A. Jimarez Howard, OUTLET Fine Art; Will Hutnick, Wassaic Project; Hitomi Iwasaki, Queens Museum; Paddy Johnson, Art F City; Kamia Ferdowsi Kline, Wythe Hotel; Mitra Khorasheh, signs and symbols; Vanessa Kowalski, NARS Foundation; Audra Lambert, Artefuse; Charlene K. Lau, PERFORMA; Imara Limon, Amsterdam Museum; Michelle Maigret, C24 Gallery; Justin McCann, Colby College Museum of Art; Tom McGlynn, Independence Curator; Alex Paik, Tiger Strikes Astroid; Sara Reismann, Shelly and Donald Rubin Foundation; Kimberly Rhodes, Art History Department of Drew University; Cindy Rucker, Cindy Rucker
Kunstraum LLC, 20 Grand Ave, #509, Brooklyn, NY 11205, kunstraumllc.com
Gallery; Amanda Ryan, Independent Curator; Jacob Rhodes, Field Projects; Marisa Sage, Reza Hort Mann Foundation; Agustin Schang, Emily Harvey Foundation and GSAPP; Sandino Scheidegger, Random Institute; Jennifer G. Simmons, Doppelganger Projects; Rachel Vera Steinberg, Independent Curator; Jillian Steinhauer, Hyperallergic; Livia Straus, Hudson Valley Center for Contemporary Art; Raul Zamudio Taylor, Independent Curator; Helen Toomer, Stoneleaf Retreat;
Yulia Topchiy, Assembly Room; Wendy Vogel, Art in America; Gregory Volk, Hyperallergic; Cora von Pape, Independent Curator; Joseph Wolin, Art Critic; Midori Yoshimoto, Art Department of New Jersey City University; Heather Zizes, (READ)Art
call: @ Bangkok Biennale 2020
» ‎ netEX - networked experience

Deadline: 24 July 2020
Call for entries

Liminal Pavilion @ Bangkok Biennial 2020
Litote is delighted to announce our participation in Bangkok Biennial 2020, which will take place from October 16 until December 12.

Unlike traditional art festivals, the Bangkok Biennial aims to achieve a de-centering perspective and dismantling hierarchy. The festival consists of autonomous pavilions, each of which is “self-instigated and self-organized without oversight form, or being subject to the authority of a central body”.

Using this radical platform as a curatorial opportunity, Litote will organize the Liminal Pavilion.

Since the recent world pandemic, liminality has entered our lives in the most abrupt and unexpected ways. What we used to think as limitless in terms of movements, possibilities, borders, and thoughts, are now being reassessed and redefined. The limits of yesterday are no more, and it is now time to uncover what we can do within the bounds of this new world. Meanings are emerging from se eing anew the ordinary, which in the end gives us a guideline for the time to come. So let’s put this liminal space at the center of all this, and let’s avoid the old world.

For the Liminal Pavilion, we are seeking for projects that push beyond dichotomous visions. All mediums and disciplines are welcome. However, as it is an experimental exhibition, selected artists must agree with the potential transformation of the final medium. For example, we might translate your painting piece into a printed vinyl depending on the exhibition space.

The deadline for submission is July 24th, 23:59 (EST).

Applications must be submitted either in English or French from the link below. We do NOT accept submission through email.
[https:]]

For more details, see below.

Eligibility

– Emerging and established artists from all disciplines, all nationaliti es
– Collectives are also welcome to apply.
– Artists from underrepresented communities are strongly encouraged to apply.

Requirements

-We accept only completed projects.
-Selected artists must be cooperative and punctual in submitting images and texts.
-Your projects must be in sync with the idea of liminality.
– Selected artists must agree with the potential transformation of their artworks (medium, not image).

Required Documentation

-An artist statement (Max 250 words)
-An artistic CV (PDF, max 1mb)
-A project description ( 500 words, DOC or PDF)
-5 images (JPEG, PNG, 2MB max each)
-Link to video documentation ( optional )

If you have any inquiries, please contact litote.collective@gmail.com
call: hungry eyes festival
» ‎ netEX - networked experience

Deadline: 31 August 2020
Call for entries

hungry eyes festival – festival at the intersection of film, performance and installation art
05.-07. February 2021 – KiZ Gießen, Germany

For its fourth edition, hungry eyes festival is once again looking for artistic works that situate themselves at the intersection of film, performance and installation art and question film in an interdisciplinary way. This year hungry eyes festival will take place in the urban exhibition space KiZ (Kultur im Zentrum) and poses the question of how cinematic works can relate to, as well as challenge that space. A program consisting of short film series, performative and installative works will explore what constitutes the medium film and how cinematographic elements and working methods can be translated into other media. What can cinematic work mean in the context of installation art and performances if it does not only mean the playing of audiovisual clips? To what extent can also a short film address its own form and play with performative elements? By which means does film become a field of experimentation that expands its own concept and practice in an interdisciplinary approach? From a ballet of overhead projectors, an exhibition with flip-books to a silent movie screening with virtual reality glasses – everything is possible.
hungry eyes festival is looking for your short films, installation art and performative formats!
Since we are particularly interested in interdisciplinary works, we also want to encourage artists to apply with projects that do not fit perfectly into one of these categories!

no entry fee

website: [https:]]
mail: kontakt@hungryeyesfestival.de
call details PDF (english): [https:]]
application form (englisch): [https:]]
call details PDF (german): [https:]]
application form (german): [https:]]

Tsung-Yeh arts and Cultural Center > Artists in Residence Programme (Taiwan)
» ‎ On the Move

10.07.2020
Tsung-Yeh Arts and Cultural Center is located in the Madou district, on the northern outskirts of Tainan city, in an old sugar refinery. The theme for the Center’s 2021 international residency programme is ‘Site-Specific Art’, with artists invited to create works responding to the local environment and culture. Placements can last up to three months. Artists working in visual art, performing art, installation, interdisciplinary contemporary art are invited to apply. Deadline: 11 September 2020.
Read more
Hamburg Kreativ Gesellschaft > Music WorX Accelerator (Germany)
» ‎ On the Move

10.07.2020
Hamburg Kreativ Gesellschaft’s Music WorX Accelerator is a three-month programme supporting founders from the music industry who want to set up their start-up in Hamburg. The organisers are looking this year for innovative business models at the interface between music and technology. Applications are open to teams across Europe. Deadline: 13 July 2020.
Read more
FiraTàrrega / Ramon Llull Institute > Hivernem Research Programme for an Artistic Creation Linked to Performing Arts and Public Space (Spain)
» ‎ On the Move

10.07.2020
Hivernem, a programme co-organised by FiraTàrrega and the Ramon Llull Institute, has opened a call addressed to creators who, on an individual basis, wish to present a research proposal for the writing of an artistic creation linked to performing arts and public space. Projects will be executed from 1 November 2020 through 12 September 2021, with final presentations taking place in the context of FiraTàrrega. Among the eligibility requirements is a high standard of Catalan language skills. Deadline: 24 August 2020.
Read more
Hungry Eyes Festival > Open Call for Interdisciplinary Film / Performance / Installation Art (Germany)
» ‎ On the Move

10.07.2020
For its fourth edition, hungry eyes festival is looking for artistic works that situate themselves at the intersection of film, performance and installation art and that question film in an interdisciplinary way. This year hungry eyes festival will take place 5-7 February 2021 in the urban exhibition space KiZ (Kultur im Zentrum) in Gießen, Germany, and poses the question of how cinematic works can relate to, as well as challenge that space. Deadline: 31 August 2020.
Read more
Princeton University > Princeton Arts Fellowship (United States)
» ‎ On the Move

10.07.2020
Princeton Arts Fellowships will be awarded to artists whose achievements have been recognised as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early career composers, conductors, musicians, choreographers, visual artists, filmmakers, poets, novelists, playwrights, designers, directors or performance artists, etc. who would find it beneficial to spend two years teaching and working in an artistically vibrant university community. Applications are open internationally. Deadline: 15 September 2020.
Read more
Arttrain > Call Out for ‘Jobs for Young Artists’ Project
» ‎ On the Move

10.07.2020
Arttrain, a Danish NGO promoting the use of art as a tool for learning motivation, are looking for newly educated artists (all disciplines) aged 18-30 who are interested in being part of a long-term project. After a training week in Finland (23-30 January 2021) and rehearsals in Denmark (19 April - 3 May 2021), the project will tour around The Baltic Sea (4-18 May 2021). The call is open to artists from Denmark, Estonia, Finland, Italy, Latvia, Lithuania, Poland, Portugal and Sweden. Deadline: 1 October 2020.
Read more

July 09, 2020
AVA Academy of Visual Art - Postgraduate Course of Visual Arts
» ‎ E-artnow calls

AVA Academy of Visual Art
Postgraduate studies of Visual ArtsApply now!Application deadline: August 20th to August 28thApply on these website: www.ava.si/en/apply/The ...

call: 2021 Taiwan Lantern Festival
» ‎ netEX - networked experience

Deadline: 20 August 2020
Call for entries

OPEN CALL｜2021 TAIWAN LANTERN FESTIVAL IN HSINCHU

Calling for Luminary Art Works.

Submission Deadline｜August 20, 2020 (GMT+8, TAIPEI TIME)
Submission｜ [hclf2021.hccg.gov.tw]
Exhibition Period｜February 26, 2021 to March 7, 2021 (10 days)
Exhibition Venue｜Long En Canal Park ( [https:]] )

‘Taiwan Lantern Festival’ is an important event in Taiwan, each city in Taiwan will take turns to host the festival by different years. In 2021, will be arranged by the wind-city, “Hsinchu City,” and Hsinchu City Government wants to try different forms for our traditional event, thus planned one of the venue to be in an open-call modus.

There will be six venues/sites in Hsinchu City, one of the six- ‘Long En Canal Site,’ to build an international communication stage via arts, which venue will be curated by our team, archicake design, we are an architectural team having years of experience on running government projects/ exhibitions/ events in Taiwan.

The Open Call is started from JULY 1 to 11:30 PM AUGUST 20, 2020 (GMT+8, TAIPEI TIME), the venue will be outside in a waterfront park, and the works will be displayed/installed between the area of water surface to the treetop above, please notice all the works has to be durable with safety concerns.

Produced by｜Hsinchu City Government
Curated by｜archicake design
*For further queries, please email to: melody@archicake.com.tw
call: BBA Photography Prize 2020
» ‎ netEX - networked experience

Deadline: 26 August 2020
Call for entries

BBA PHOTOGRAPHY PRIZE 2020 – Be part of the European Month of Photography Berlin

Dates & location of event:
1 August – 31 October 2020, BBA Gallery, Berlin, Germany

Entry fee – 39 Euros

BBA Photography Prize 2020
International submission call for fine art photographers as part of the European Month of Photography 2020 (EMOP)

Eligibility
Entry is open to all emerging artists and photographers over the age of 18, irrespective of their backgrounds or nationalities.

The Jury
Submitted entries will be judged by high ranking professionals like the award-winning photographer Nikita Teryoshin, award winning visual artist using Photography and film from the UK Chrystel Lebas, co-founder of EyeEm and Berlin Photo Week, Gen Sadakane, and former Director of Eyes On – Photo Week Vienna and EMOP Jury member, Thomas Licek.

The jury will look for the most innovative concept, aesthetical language and unique approach within the medium. There are no restrictions in terms of theme, photography medium or educational background. Installations and conceptual works are welcome.

The Longlist
The most stunning entry works to date will be promoted during the month of August. A longlist of our most special artists will then be announced at the end of August, as well as promoted via our social media channels.

Shortlisted Photo Artists
Four shortlisted photo artists will be selected to exhibit at BBA Gallery as part of European Month of Photography (EMOP) in October 2020. Each shortlisted artist will receive promotion through the gallery’s website, PR and social media channels, and a software package by sponsor Skylum.

Winner
In addition to the shortlist, one selected winner will receive an artist profile on the BBA Gallery page on Artsy, and a prestigious solo show at the BBA Gallery in Berlin. The winner will also be promoted by BBA Gallery for one year.

During the EMOP exhibition in October, a People’s Choice Award would also be run where the public can vote for their favourite artist. The BBA Photography Prize winner will be announced at the opening event for EMOP, and the People’s Choice Award winner will be revealed during the finissage.

Contact addresses/URL: [https:]]

The ArtVilnius'20 Art Fair Moves to October
» ‎ E-artnow calls

Lithuanian Art Gallerists' Association
The organizers of the contemporary art fair ArtVilnius'20 have decided to postpone this year's event again from 27-30 August to 2-4 October. As ...

July 08, 2020
Stories from the Room
» ‎ WOOLOO.ORG

Deadline Aug. 07, 2020
Exhibition
Conceptual, Installation, Mixed Media, Sculpture, Exhibition...
Your personal writings during the pandemic to be included in an (offline) exhibition of artist Jasphy Zheng at Center for Contemporary Art, Kitakyushu in Japan.
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Urban Mobilities - Online Exhibition
» ‎ WOOLOO.ORG

Deadline Aug. 16, 2020
Online Exhibition, Publication
Activism, Architecture, Design, Digital, Drawing, Interventi...
The COVID-19 lockdown deprived citizens around the world of their mobility. The Urban Mobilities online publication will be advocating for a post-COVID urban mobility that is pluralistic and benefits all walks of life.
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« Dev – Architecte logiciel Web »
» ‎ Plaine Images

The post « Dev – Architecte logiciel Web » appeared first on Plaine Images.

call: Flat Journal 2020
» ‎ netEX - networked experience

Deadline: 1 August 2020
Call for entries

Flat Journal 2020 Open Call For Submissions

FLAT journal is currently accepting submissions for our second issue HALT through August 1, 2020 that specifically, broadly, or abstractly address the theme of “HALT”

FLAT journal looks for works relating to the intersection of visual and conceptual art, technology, and / or media.

The following types of original, new or previously published works are welcome:
– Theory / criticism / scholarly research in writing or writing with images
– Interviews
– Reviews of art works, software, films, television, or other media
– Fiction, poetry, sound
– Photo essays, photography, digital images
– Illustrations, animations, videos
– Instruction based works, software, interactive media

Submit your work here:
[https:]]

Read the full CFP here:
[https:]]

Final Submissions Due AUGUST 1ST should include:

– Abst ract (100 – 500 words)
– Full plain text document (.rtf, .doc, .html, or google doc are preferred)
– Artist’s or Author’s short bio
– Links to author’s site or other published relevant works
– Any useful supporting images / media
– Images should be jpg, 1200px on one side (if your work is chosen, we will request high resolution images at 3000px)
– For videos or interactive media, please provide a link

Your work will be reviewed by our 2020 editorial board for consideration. If your work is chosen for this issue, your content will be shared on our web-based platform (see our first issue), at the designers’ discretion. If you have specific requirements to make your work viewable in the ideal fashion, please let us know, we can work with you collaboratively, especially for interactive or complex media types.

Please note: at this time, publication in this year’s issue is unfortunately not a paid opportunity. Additionally, t he 2020 editorial board for FLAT has yet to be announced. All rights to submitted and published works remain the sole property of the author / artist / contributor

FLAT is a platform for theoretical and critical texts, interviews, reviews, artworks, projects, and experiments that engage with contemporary conversations surrounding emerging media in the arts. FLAT is open to submissions of writing, images, video, interactive works, and almost any possible form of web-based content from writers, artists, and thinkers around the world. Please see open calls for specific information about what themes and media we are accepting at this time. Contributors to FLAT include theorists, technologists, and artists. At this time, FLAT publishes content online in both a themed issue and on a rolling basis and prints one physical publication a year.

See FLAT journal’s first issue here:
[https:]]
call: Urban Mobilities – Online Exhibition
» ‎ netEX - networked experience

Deadline: 16 August 2020
Call for entries

Urban Mobilities – Online Exhibition

No entry fee
Contact adresses/URL: [https:]]

** Open call for artistic and urban projects**

Deadline for submission: 16th August 2020
Online publication: October 2020

The COVID-19 lockdown deprived citizens around the world of their mobility. Lockdown restrictions not only slowed down economic activities, they also had an impact on people’s wellbeing, their social life, their ability to relax and be active, to wander, think and take part in urban gatherings. This experience has inspired many citizens to rethink their mobility, to describe it less in terms of quantity – the speed and distance of their journeys – and more in terms of quality and freedom.

The Urban Mobilities online publication will be advocating for a post-COVID urban mobility that is pluralistic and benefits all walks of life. It will do so by showcasing projects that question and challenge conventional mobility and its negotiation in the public space. These projects can be essays, urban interventions, choreographies, digital applications, hackings, videos, graffitis or furniture; any type of project is accepted as long as it can be presented using texts, images or videos. The publication will be free and won’t require any exclusive distribution.

We invite interested artists, authors, activists and designers to send a link, short description and picture of their project by email to mobilities@plural.world. The deadline for submission is 16th August 2020. Selected participants will be contacted shortly after and have the opportunity to send more details about their project before publication.

Projects will be selected based on the following criteria (not all are required):

* Highlights the different functions of mobility: efficiency, enjoyment, social interactions, physical activity, political demonstrations, etc.

* Encourages people to reflect on their mobility and emotions it evokes.

* Encourages negotiation and conciliation of mobilities in the public space.

* Promotes mobility of minorities and people from disadvantaged backgrounds.

* Uses digital technology to reshape urban mobilities.

For reference, here are two of our previous publications:

Pluralism is Digital Communities (interviews)
The Semiotics of Video Games (online art exhibition)
call: Videoart Forum
» ‎ netEX - networked experience

Deadline: 26 July 2020
Call for entries

Videoart Forum Saudi-Arabia
[https:]]
call for entries
[https:]]

Participation Conditions in Back Exhibition 2020

Conditions of participation

* The Participation is open to video art artists in the world

* Subject is “Back” to life in art, video Art Participation, art works produed during the past four months (March, April, May, June) the sanitary confinement.

* You can participate with one video that adheres to the conditions of technical artistic accuracy and the proposed subject

* The participant should provide a brief explanation of the work: idea, technic and content

* The video should include the names of the artist, director or participant and the year of production at the end of the video

* Documentary، feature and commercial video are excluded from participation

* The art works will be exhibit on YouTube channel of the International Art Video Forum after selecting the participating Video Art works.

* The Video Art, spoken and written by foreign languages must contain the translation

* 3 photographs must be attached with the artwork.

* Work should not exceed 5 minutes

* You must register your participation on the form in the video art forum site

* Attach a biography of the artist with the participating works and a personal photo

* The video is loaded in high quality on the form as a final copy.

* The festival has the right to approve the material from the participating video and pictures for the advertisement and the while ensuring property rights.

ART+MAGIC
» ‎ WOOLOO.ORG

Deadline Sep. 05, 2020
Residency
Digital, Installation, Intervention, Mixed Media, Performanc...
Science rationalizes the world by proposing explanations to diverse phenomena that were often understood previously through the logic of mystical, spiritual and religious systems. bb15 is seeking original project proposals that trigger mental associations and subliminal experiences.
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Mapping of Festivals with Focus on Transformative Power of Art > Call for sharing initiatives
» ‎ On the Move

08.07.2020
Do you run a festival or other cultural event? Is social transformation through art at the heart of your work? Do you collaborate – or wish to collaborate - with colleagues from MENA (Middle East and North Africa) and could use institutional support? Your information will help Drosos Foundation make a global map of festivals that focus on the transformative power of art and feed their reflection on supporting future collaborations. Deadline: 20 July 2020.
Read more

July 07, 2020
Robert Morris at Musée d'art moderne et contemporain Saint-Étienne
» ‎ E-artnow calls

Musée d'art moderne et contemporain Saint-Étienne Métropole, France
This summer 2020, the Musée d'art moderne et contemporain of Saint-Étienne Métropole present an exceptionnal exhbition dedicated to the early work...

OPEN CALL｜2021 TAIWAN LANTERN FESTIVAL IN HSINCHU
» ‎ WOOLOO.ORG

Deadline Aug. 20, 2020
Biennial/Festival
Installation, Mixed Media, Biennials/Festivals
2021 TAIWAN LANTERN FESTIVAL IN HSINCHU Calling for Luminary Art Works
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Stagiaire marketing/community management
» ‎ Plaine Images

The post Stagiaire marketing/community management appeared first on Plaine Images.

call: Art Room Gallery – Botanicals
» ‎ netEX - networked experience

Deadline: 16 July 2020
Call for entries

International Art Competition “Botanicals”

Contemporary Art Room Gallery is proud to announce their 2nd “Botanicals” Online Art Competition for the month of July 2020. This is an international competition and artists from around the world are welcome to submit their work. The Botanicals theme may include any work with interpretation of botanical and floral art (flowers, herbs, fruit, leaves, plants and related floral subcjects). All visual art mediums are acceptable (painting, photography, drawing, sculpture, digital, prints, fiber art, collage or installation art) except sound and video art. All visual art mediums are acceptable (painting, photography, drawing, sculpture, digital, prints, fiber art, collage or installation art) except sound and video art.

All winning artists will receive a digital award certificate. First, second and third place will be largely displayed with an article about the artist and their work. Winning artwork (First place) will be on the poster of the show. Depending on the number and quality of all submissions received, Merit awards and Honorable Mention awards may also be presented.

Fee is $15 for 2 images of artwork. You may enter more than once. The deadline to apply to this art competition is July 16, 2020.

Please visit the website to submit:

https://artroomgalleryonline.com/call_for_artists.html

Hearing the Impossible with Matthew Herbert - ONLINE
» ‎ rivet.es

CAMP FR

CUSCO, PERU: All Residency Programs for Artists & Writers (Instructional & Non-Instructional) – All Sessions in 2021
» ‎ WOOLOO.ORG

Deadline Jul. 26, 2020
Schools & Classes, Residency
Activism, Architecture, Conceptual, Curating, Design, Digita...
Arquetopia Peru is now welcoming applications for the following residency programs in the Sacred Valley of the Andes of Cusco, Peru. Apply Now through Sunday, July 26, 2020. Spaces are limited.
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PUEBLA, MEXICO: All Residency Programs for Artists, Designers, Curators & Art Historians (Instructional & Non-Instructio...
» ‎ WOOLOO.ORG

Deadline Jul. 26, 2020
Schools & Classes, Residency
Activism, Architecture, Conceptual, Curating, Design, Digita...
Arquetopia Foundation is now welcoming applications for the following residency programs in the majestic central historic district of Puebla, Mexico. Apply Now through Sunday, July 26, 2020. Spaces are limited.
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OAXACA, MEXICO: All Residency Programs for Artists & Writers (Instructional & Non-Instructional) – All Sessions in 2021
» ‎ WOOLOO.ORG

Deadline Jul. 26, 2020
Schools & Classes, Residency
Activism, Architecture, Conceptual, Curating, Design, Digita...
Arquetopia Oaxaca is now welcoming applications for the following residency programs in the open countryside of Oaxaca, Mexico. Apply Now through Sunday, July 26, 2020. Spaces are limited.
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July 06, 2020
Think BIG! - Bando di concorso gratuito per grandi installazioni
» ‎ WOOLOO.ORG

Deadline Sep. 15, 2020
Exhibition, Art Fair, Curatorial Proposal
Architecture, Conceptual, Curating, Design, Digital, Install...
“think BIG!” è il bando che consente ad artisti emergenti di partecipare gratuitamente a Paratissima2020 con progetti installativi “fuori misura” site specific da realizzarsi presso l'ARTiglieria di Torino dal 23 ottobre all'8 dicembre.
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ASSISTANT.E BUSINESS DEVELOPMENT – CDD en alternance
» ‎ Plaine Images

The post ASSISTANT.E BUSINESS DEVELOPMENT – CDD en alternance appeared first on Plaine Images.

Deep Listening, Phase 2 with Hans-Joachim Roedelius, Akira Rabelais and Kelly Jayne Jones - ONLINE
» ‎ CALL | http://soundandmusic.org

Composition

Netherlands | CODA Paper Art 2021 international call
» ‎ culture360.org

deadline
01 Aug 2020

Exhibition Opportunity at New Public Sculpture Park
» ‎ WOOLOO.ORG

Deadline Dec. 31, 2030
Exhibition
Sculpture, Exhibitions
Price Sculpture Forest is a beautiful new sculpture and nature park on Whidbey Island, on the north side of Seattle. For early participants, we are offering zero commission (100% to artist), marketing, no jury fee, and you can choose the best location for presenting your art to the public.
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OPEN CALL Astronomy x AI: European ARTificial Intelligence Lab offers residency
» ‎ Digicult

The European ARTificial Intelligence Lab is now offering artists who are working with artificial intelligence or experimenting with its applications the chance to complete a residency at the Leiden Observatory and the Ars Electronica Futurelab.

The post OPEN CALL Astronomy x AI: European ARTificial Intelligence Lab offers residency appeared first on Digicult | Digital Art, Design and Culture.

call: Grey Cube Gallery – Four Seasons
» ‎ netEX - networked experience

Deadline:
Call for entries

Grey Cube Gallery
proudly presents the first Seasons online art contest for the month of August 2020. Contest is open to all artists worldwide over 18 years of age. The Seasons theme may include any work with interpretation of the four Seasons (Spring, Summer, Fall and Winter). All visual art mediums (except video and sound) are allowed. The Best of Show winning artwork will be displayed as the poster of the show. All wining artists (Merit Award & Honorable Mention) will receive a digital award certificate.
The application fee is $16 for the 2 images of artwork. You may enter more than once. The deadline to submit entries is the August 03 2020.

Please visit the following link:
[https:]]

Montana Colors > MTN Virtual Residency, ‘The New Normal’ (Online / Remote)
» ‎ On the Move

06.07.2020
Spray paint manufacturers Montana Colors have launched a call for the first edition of their new MTN Virtual Residency. Artists from any country in the world can participate. Those selected will receive financial support to produce an artistic project during one month (from 10 August – 10 September 2020) that revolves around the theme of ‘the new normal’. Works produced within the framework of the residency will be carried out in the city of residence of each of the participants. In turn, the dissemination of the creative process and its results will be carried out entirely digitally, through the official channels of Montana Colors. Deadline: 13 July 2020.
Read more
AAMC > Association of Art Museum Curators Curatorial Mentorship Programme (Online / United States)
» ‎ On the Move

06.07.2020
AAMC Foundation’s Mentorship Programme gives early- to mid- career curators opportunities to advance their professional development, learn about important issues in the field, share ideas and cultivate strong bonds with peers, and develop a working relationship with a senior curator. Up to 10 Mentees with a required minimum of at least 3-5 years of curatorial experience in the field will be selected for a programme starting November 2020. Activities will take place mostly online, with a possible final conference in New York in May 2021. Deadline: 14 July 2020.
Read more
Pro Helvetia Johannesburg > Breathing Space
» ‎ On the Move

06.07.2020
Against the backdrop of the coronavirus pandemic, Pro Helvetia Johannesburg has launched a call that seeks to enable a modest ‘breathing space’ for arts practitioners, organisations and networks across the sub-continent to rethink ways of working and reimagine the shape and position of cultural and creative work. The call is open to artists, collectives and organisations from across the African continent, excluding North Africa, and covers music, performing arts, visual arts, literature, design and interactive media, and interdisciplinary work. Activities covered by the grant should be completed and reported on by the end of April 2021. Deadline: 31 August 2020.
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ARAK Collection > Curatorial Residency Fellowship 2020 (Qatar)
» ‎ On the Move

06.07.2020
ARAK Collection, based in Doha, Qatar, is inviting applications from curators from Sub-Saharan Africa. This is an opportunity for young and mid-career contemporary art curators to be selected for their annual Curatorial Residency Fellowship Programme, based at their Collection Exhibition and Research Space in Doha, Qatar. Deadline: rolling.
Read more
Tbilisi Architecture Biennial > Open Call, ‘What Do We Have In Common’ (Online / Remote)
» ‎ On the Move

06.07.2020
Tbilisi Architecture Biennial seeking proposals for physical projects, digital projects and educational activities/workshops that can be realised digitally and physically during the event in October/November 2020, in selected locations in Tbilisi and around the world. All interested architects, artists, writers, scholars, urbanists, creative individuals regardless of location, age or past experience are invited to submit a proposal. Deadline: 31 July 2020.
Read more
SHAPE > Call for Artists Working in Innovative Music and Audiovisual Art
» ‎ On the Move

06.07.2020
SHAPE platform for innovative music and audiovisual art, supported by the Creative Europe programme of the European Union has announced a new open call for artist submissions for the 2021 SHAPE artist roster. Each year, the curatorial teams of all 16 SHAPE festivals and initiatives come together and choose 48 artists. These artists are promoted through showcase and partner events. Applicants must be based in countries eligible for the Creative Europe programme. Deadline: 31 July 2020.
Read more
Re-FREAM > Call for Artists and Designers Working in Textile Fashion (Germany, Austria, Spain / Online)
» ‎ On the Move

06.07.2020
Re-FREAM is a research project that invites artists and designers to connect with scientists on common ground to rethink the manufacturing process of the fashion industry. Over a nine-month period (January – September 2021), hybrid teams will embark on a co-research and co-creation journey across three thematic hubs: additive manufacturing (Hub Linz), smart textiles (Hub Berlin) and sustainable finishing (Hub Valencia). The goal is to develop new concepts for the future of fashion by means of new processes and aesthetics that are inclusive and sustainable. Applicants must be a SME (under the EU definition), a start-up, self-employed or professional freelancers legally established as a business under the national law and based in an EU member state or an associated country of the H2020 and Kosovo. Deadline: 30 September 2020.
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Art Criticism and Writing - Online Course by Node Center
» ‎ E-artnow calls

Node Center for Curatorial Studies Berlin
In support of our community and art professionals during the global outbreak of COVID-19, we are offering a 20% discount on all of our courses....

July 05, 2020
FRAME > KATALOG
» ‎ Arshake Calls

FRAME cattura KATALOG di Barbara Iweins, un archivio fotografico di 10.532 oggetti della propria casa realizzato nell’arco di due anni, quindici ore la settimana. Tutto ciò che possiede è stato classificato secondo colore, materiale, frequenza d’uso e distribuito sulla base di vari altri filtri (per stanza, per colore, etc.). L’archivio, uno spazio dal potenziale sempre più importante nell’era dei Big Data, è immaginato per essere poi formalizzato in diverse modalità installative nello spazio fisico, in spazi di interni, o su grandi superfici in esterno, in modo tale da creare un’esperienza immersiva.
Barbara Iweins, KATALOG, 2020, image via

L'articolo FRAME > KATALOG proviene da Arshake.

July 03, 2020
ARTCONNECT x WEDIO OPEN CALL | PASSION
» ‎ WOOLOO.ORG

Deadline Jul. 19, 2020
Competition
Activism, Architecture, Conceptual, Design, Digital, Film, M...
Open Call for photography or video projects on the topic of ‘Passion’. Free to Apply. Winners will receive equipment rental prizes from Wedio, get featured in ARTCONNECT Magazine and promoted extensively across both of our networks.
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VIDEO POST > The Relativity of Matter
» ‎ Arshake Calls

VIDEO POST rilancia The Relativity of Matter di Levi van Veluw, spazio onirico realizzato per il primo piano del castello francese Domaine de Kerguéhennec dedicato all’arte contemporanea, un vero e proprio viaggio virtuale, attraversando porte, corridoi, atmosfere e colori che scuotono le corde emotive.
Levi van Veluw, The Relativity of Matter installazione site specific per Domaine de Kerguéhennec, Francia, 01.07 – 04.11.2018

L'articolo VIDEO POST > The Relativity of Matter proviene da Arshake.

Netherlands | Fotofestival Schiedam 2020 open call
» ‎ culture360.org

deadline
02 Aug 2020

10. Articles and other resources
» ‎ On the Move

03.07.2020
This is the section 10 of the list of resources compiled by On the Move in collaboration with Circostrada: Coronavirus: Resources: Arts, Culture and Cultural Mobility. Please email mobility(at)on-the-move.org in case of update, correction or new resources.
Read more

Artist-in-Residence at The Green-Wood Cemetery
» ‎ Rhizome.org Opportunities
- Deadline:Sep 9 2020, @ 2PM
- Location:The Green-Wood Cemetery, Brooklyn
Applications accepted July 6-September 2, 2020

This nine-month-long residency (January– September 2021) will offer one artist the opportunity to create a new project or body of work inspired by beautiful natural landscape, stunning monuments, and compelling history.

The residency is open to emerging or mid-career artists residing in New York ...
$550.00 Innovate Grants — Call for Artists + Photographers
» ‎ Rhizome.org Opportunities
- Deadline:Aug 8 2020, @ 11PM
Innovate Grant is now accepting submissions for the Summer 2020 Cycle. Innovate Grant awards (2) $550.00 grants each quarter, to one Visual Artist and one Photographer. In addition to receiving a grant award, winners will be featured and recognized on our website and join a growing community of vibrant ...
Journal of Social Theory in Art Education Vol. 41 - Open Call for Submissions
» ‎ Rhizome.org Opportunities
- Deadline:Oct 10 2020, @ 10AM
The Journal of Social Theory in Art Education (JSTAE) has just posted its call for vol. 41, an open call for writing and artwork engaging with social theory, not constrained to any specific issue theme.

https://www.cstae.org/current-call

Submissions are due by October 1, 2020.

The editors of ...
OPEN CALL: NET ART Les (Im)mattériaux?
» ‎ Rhizome.org Opportunities
- Deadline:Aug 8 2020, @ 11PM
- Location:Galerie XY Dolní náměstí 23/42 779 00 Olomouc, Czech Republic
Gallery XY Olomouc announces an open call for net art and digital art works for thematic exhibition taking place in February 2021.

The thematic starting point for the exhibition with working title Les (Im)mattériaux? is virus as a multifaceted phenomenon.

We perceive the virus as a complex and very ...
Liminal Pavilion @ Bangkok Biennial 2020
» ‎ Rhizome.org Opportunities
- Deadline:Jul 7 2020, @ 11PM
- Location:Bangkok, Thailand
Litote is delighted to announce our participation in Bangkok Biennial 2020, which will take place from October 16 until December 12.

Unlike traditional art festivals, the Bangkok Biennial aims to achieve a de-centering perspective and dismantling hierarchy. The festival consists of autonomous pavilions, each of which is "self-instigated and self-organized ...

Singapore | STARVD ART 2020 Art Prize for Emerging Artists
» ‎ culture360.org

deadline
20 Jul 2020
16th Angkor Photo Workshops 2020 | for emerging Asian photographers
» ‎ culture360.org

deadline
22 Jul 2020
OPEN CALL: DOES THE BLUE SKY LIE? TESTIMONIES OF AIR’S TOXICITIES
» ‎ culture360.org

deadline
31 Jul 2020
Cultural and Artistic Responses to Environmental Change - 2020 call for proposals
» ‎ culture360.org

deadline
31 Jul 2020
Germany | International 2020 Relief Fund for Organisations (outside Europe) in Culture and Education
» ‎ culture360.org

deadline
31 Aug 2020

Little Fun Palace Nomadic School
» ‎ WOOLOO.ORG

Deadline Jul. 22, 2020
Schools & Classes
Architecture, Design, Other, Performance, Schools & Clas...
Little Fun Palace Nomadic School questions how space produces reality.Its aim is to experiment new forms of learning and sharing-knowledge around Performing Arts. The Call is addressed to young architect, theatre-maker, artists and to anyone interested in the production and perception of space
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Young Italian Artists. Valeriana Berchicci
» ‎ Arshake Calls

Valeriana Berchicci si presenta nel suo ruolo di ‘Artista, Artista Ricercatore, Ricercatore Artista, Ricercatore’. Entra così a far parte, con il suo lavoro, di «Young Italian Artists. Racconti dall’arte contemporanea», spazio dedicato ai protagonisti dell’arte under 35, concepito da Antonello Tolve e curato con Elena Giulia Rossi.

Sconosciuto: Signorina, mi scusi, lei è in fila per la Banca?

Val: Salve, dice a me? No, sono in fila per la gelateria.

Capisco. Lei ha capito cosa sta accadendo qui?

Scusi? In che senso?

Beh? Non lo vede? ci controllano

Mi scusi, ma non la seguo. Io vedo persone che fanno la fila per qualche motivo.

Questa situazione di emergenza è controllata dall’alto al fine di cambiare e rendere tutti tracciabili… per studiarci come cavie. La vede questa penna, io con questa penna ci lavoro dalle prime luci dell’alba, per tutto il giorno, sono uno studioso.

V:…

E lei, invece, che cosa fa?

… io? Io sono Artista.

Ahhhhhh! Artista! E cosa fa, dipinge, scolpisce?

In realtà posso utilizzare queste tecniche, ma anche altre, ma non è quello che fa di me un’Artista. Posso dirle che studio, faccio delle ricerche su concetti diversi che attraverso il mezzo artistico mi permettono d’indagare alcuni aspetti dell’essere umano.

Cioè? … anzi scusi, lei che scuole ha fatto?

Ho studiato all’Accademia di Belle Arti.

Ah! Quindi lei non ha fatto l’Università?

No scusi, ormai i Titoli sono…

Si, ma quindi lei non ha fatto l’Università?

Le sto dicend…

Vabbè, quindi lei non ha fatto l’Università.

Mi scusi, lei ha fatto l’Università?

Vabbè… quindi lei che fa?

V: …

non le sto chiedendo chissà cosa, si spieghi?

Ok. Certo, sarò sintetica ed efficace: Io sono un individuo stolto che vede un abisso e ci cade dentro. Ma sono anche un individuo che sente cadere lo stolto, prende la tesa, misura la distanza, fa una scala, scende, risale e si sfrega le mani.

E così, la saluto cordialmente! Arrivederci.

Questo è un estratto dal testo ancora in fase di pubblicazione a cui ho lavorato in questi mesi di Emergenza Sanitaria (Dialogo 103: Scena in esterno). La forzatura nel restare a casa mi ha permesso di studiare molto e di usufruire di un tempo “dilatato” per le mie ricerche. Una mattina mi sono svegliata e ho pensato di poter essere in grado di scrivere un testo sulla base di una serie di ricordi, di informazioni, di esperienze con cui inconsciamente, durante la notte, avevo intrattenuto il mio tempo.

La prima cosa che mi è balenata nella mente è tutte le volte che qualcuno mi ha chiesto: Cosa fai per vivere? E di conseguenza, i miei destreggiamenti di parole nel tentativo di spiegarlo nel modo più efficace possibile in base alla persona che avevo difronte, di qualsiasi natura e cultura sociale. Artista e Ricercatore sono due parole diverse che implicano due soggetti che compiono azioni diverse nello spazio: chi pensa che siano così divise sta contribuendo ad infestare la condizione attuale del sistema dell’Arte.

La ricerca non è appannaggio di chi sa, ma di chi non sa. Dal momento in cui rivolgiamo la nostra attenzione a qualcosa che ora non conosciamo, facciamo ricerca. Questa deve essere la prerogativa di ogni Artista. Una delle caratteristiche del mio lavoro è che non mi piace chiamare ciò che produco “Opera”, ma preferisco molto di più la parola “Progetto”, come mi ha insegnato il mio Maestro.

Il progetto si compone di una fase fondamentale, quella del processo in cui si struttura la ricerca. Verso la fase finale del processo arrivo a definire il «mezzo» o il «come» lo rappresento: può essere una tela, una cartolina, un’immagine fotografica, un’installazione video, una poesia, o essere di natura performativa o sonora.

Il testo «Artista, Artista Ricercatore, Ricercatore artistico, Ricercatore» ruota intorno alle seguenti parole chiave: artista, ricercatore, campo, processo, metodi di ricerca, sperimentazione, strategia, legittimità, riconoscimento. Nella forma si compone di 9 sezioni e di un apparato chiamato: Dialoghi.

Valeriana Berchicci, Giugno 2020
Bibliografia estratta: Bourdieu, Pierre. La distinzione. Critica sociale del gusto. 2001, ed. Il Mulino; Danto, Arthur C. La trasfigurazione del banale. 2018 Ed. Laterza; De Duve, Thierry Au nom de l’Art. Pour une archéologie de la modernité. 1989 Minuit, Parigi; Eco, Umberto Opera aperta. Forma e indeterminazione nelle poetiche contemporanee, Milano, Bompiani, 1962; Balzac Honoré de. Teoria dell’andatura. 2015 Ed. Moretti & Vitali.

Young Italian Artists. Racconti dall’arte contemporanea Progetto ideato da Antonello Tolve, curato con Elena Giulia Rossi
L'articolo Young Italian Artists. Valeriana Berchicci proviene da Arshake.

Deep Listening, Phase 1 with Phill Niblock, Julia Kent, BJ Nilsen and Tim Shaw - ONLINE
» ‎ CALL | http://soundandmusic.org

Composition, Performance
Arpaviva Foundation is accepting completed album projects from composers and performers for our 2020/21 releases.
» ‎ CALL | http://soundandmusic.org

Experimental
The 2021 soundON Festival of Modern Music International Call for Scores
» ‎ CALL | http://soundandmusic.org

Composition
Hearing the Impossible with Matthew Herbert - ONLINE
» ‎ CALL | http://soundandmusic.org

Hearing the Impossible with Matthew Herbert - ONLINE

July 01, 2020
InLight 2020
» ‎ WOOLOO.ORG

Deadline Jul. 31, 2020
Exhibition
Activism, Conceptual, Digital, Film, Installation, Other, Pe...
InLight is a public exhibition of contemporary light-based artworks—multimedia and interactive projects, video, projection, sculpture, installation, performance, community-based work, digital and virtual projects—and has historically taken place in a singular location each November.
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Call for Applications 2021
» ‎ WOOLOO.ORG

Deadline Oct. 01, 2020
Residency
Activism, Architecture, Conceptual, Curating, Design, Digita...
As a multi-disciplinary post-academic institute, the Jan van Eyck Academie (Maastricht, NL) offers residency programmes to those who wish to broaden their artistic horizons, develop their art practice in depth, and discover new perspectives and tangents.
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TANZWERKSTATT EUROPA 2020
» ‎ WOOLOO.ORG

Deadline Jul. 25, 2020
Schools & Classes
Other, Performance, Schools & Classes
Workshops & Performances
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Intervista | Luigi Pagliarini. Arte Corale. Pt 2
» ‎ Arshake Calls

Prosegue oggi la conversazione dell’artista e scienziato Luigi Pagliarini con Giorgio Cipolletta. Dal progetto #restaCorale, e dal suo Manifesto per un’ Arte Corale, lo sguardo si allarga su una riflessione proiettata verso il possibile futuro dell’arte, della vita, e dell’intelligenza umana.
Giorgio Cipolletta: L’ Arte Corale di cui parli, potrebbe essere una nuova definizione dello stato delle arti o di un’esperienza estetica?

Luigi Pagliarini: Lo spero tanto, ma è difficile ed è presto per dirlo. Vedi, Giorgio, qualsiasi cosa sentenziassi mi contraddirebbe immediatamente. Chi crede nel profondo della sua coscienza nelle idee di ecosistema e collettività non può concedersi (più) tal lusso. Bensì dona un suo contributo e quel contributo si evolverà, avrà o meno valore, a seconda del contributo degli altri, dei suoi contemporanei, dei suoi conviventi. Il risultato di questa sinergia può essere una splendida evoluzione nel mondo incantato della Filosofia delle Idee o una altrettanto meravigliosa estinzione cognitiva dello stesso. L’Arte Corale nasce proprio con quest’obiettivo.

Come si è sviluppato il progetto e quanto è stato faticoso accordare tutte le proposte ricevute?

È sempre una terribile fatica il tentare di evolversi. Lo è perché passa per la cancellazione di principi estetici, cognitivi e il più delle volte mnestici, affettivi ed emotivi. Lo è perché tutto ciò è un banco di prova sia interpersonale che intrapersonale. Ma in questa occasione lo è stato anche di più per via del fatto che ho dovuto comunicare ai miei allievi l’esatto contrario di ciò che ho predicato per decenni, ovvero che l’essere artistici è caratterizzato dalla manifestazione di una assoluta libertà. Viceversa questa volta mi son dovuto contraddire ed ho dovuto pronunciare il fatidico «puoi entro dei determinati limiti». Per fortuna mi hanno capito! E probabilmente mi hanno capito per via del fatto che prima di quelli artistici erano sopraggiunti quelli fisici del lockdown, appunto. Quel confinamento che ha risvegliato in tutti noi una coscienza ecosistemica e appunto corale che, per carità, ci è sempre appartenuta ma diciamolo chiaramente: in maniera superficiale! Più un pensiero, più un ideale, più una utopia che un comportamento o un fatto.

Questo momento nuovo che cosa produrrà dal tuo punto di vista?

Non lo so. Lo ho già detto e lo ripeto ora, nuovamente, con più forza se è mai possibile. Ciò che c’è di più bello nell’intelligenza biologica e che la caratterizza e la distingue da qualsivoglia fenomeno artificiale è la capacità di esprimere, vivere e convivere con il dubbio e l’incertezza. Quello che nessun algoritmo potrà mai fare a lungo, non più a lungo di tanto. Quindi la mia prima risposta è sbagliata, in realtà: Non è che non lo so, è che non lo voglio proprio sapere! Difatti la forma di arte che sto proponendo non è un pensiero vero e proprio ma una azione o, meglio, una forma di reazione. Null’altro.

Questa reazione che forma prende? Come si muove, è una performance?

Per ora intravvedo la potenza dei singoli gesti e delle molteplici creatività attivarsi sotto i miei occhi. I miei allievi, 150 all’incirca, hanno colto fin in fondo il senso della cosa e mi hanno inviato per ogni singolo progetto più di una potenziale soluzione. Li ho visti, com’è che fanno i passeggeri che entrano in una vettura pubblica, cercare di disporsi in maniera ordinata, in un ordine che lasci respiro alla propria identità e rispetti, al contempo, il sociale in cui si trovavano a muoversi. E, sì, forse tutto ciò è esattamente una performance, che performance esattamente non è, ma che conserva le caratteristiche tipiche dell’orchestra, della danza, del teatro in uno spazio che però è un non spazio, se non quello della creatività della forma e del gesto.

Come si comporrà questa umanità ecosistemica?

Spero che prima di comportarsi, quest’umanità decida realmente e profondamente di essere sia umana che ecosistemica. Che rinunci ai piccoli e grandi egoismi, narcisismi e ai tanti potenziali capricci tipici delle anime incerte, spaventate e terribilmente insicure. Spero che emerga una forma di allocentrismo talmente importante da cancellare in breve tempo il più profondo dei mali che ci circonda: l’antropocentrismo culturale.

Come vediamo emergere questa forma di allocentrismo?

Credo che il progetto per un’Arte Corale, in sé, già fornisca diverse indicazioni e forse, addirittura, nasce proprio da questa esigenza descrittiva. Penso che il primo passo è proprio quello di evitare di fare troppe previsioni e di dare troppo spazio alle aspettative e, viceversa, lasciare che i sistemi si configurino da soli. Forse una buona strategia è, quindi, quella di partire da una o più regole iniziali, quasi pretestuose, e rassegnarsi in un qualche modo al fatto che dinamiche e senso dell’essere emerga autonomamente, evitando di forzare la mano. Troppo a lungo egocentrismi e antropocentrismi hanno deviato il corso delle cose. Lo capisco ed è naturale, le onde energetiche provenienti dall’universo hanno sempre fatto paura facendo leva su tutte le nevrosi, ansie, paure e fobie umane, ma per cavalcarle è necessario vincerle, vincerle tutte. In sostanza, è necessario evitare di configurare o preconfigurare il futuro e viverlo senza pregiudizi, dinamicamente.

È soltanto un punto di partenza ma è molto chiaro.

Allora questa coscienza ecosistemica potrebbe essere allora la fiamma di questa arte corale? Una nuova visione del mondo?

Spero che sia, più che una fiamma, una tra le scintille che la generi. Ho rinunciato da tempo ai concetti di «Deus ex machina», di «uomo-chiave» e persino di «evento-chiave». Per carità, non che non ci siano eccellenze tra gli esseri umani, com’è che non mancano eventi scatenanti, ma qualsiasi intelligenza, così come qualsivoglia scintilla non sono in grado di generare quella fiamma di cui parli in assenza di un materiale organico già pronto a generarla. Allocentrismo è consapevolezza di ciò.

Luigi Pagliarini accoglie e raccoglie il tempo, ne annienta il suo significato relativo, per poi costruirne al suo interno un percorso biografico composto di incontri e dialoghi con amici (quelli di ieri e di oggi e quelli persi fisicamente ^[1]), di pensieri e di progetti, tutti a tessere l’essenza trascendentale della scoperta, dove il tempo, appunto, agita le sue carte, impastandole con gli ingredienti preziosi delle vite trascorse, sospese e sempre in tensione.

E si scopre con meraviglia che questo mosaico vivente funziona davvero, e nel suo vagare fluttuante, pulsante si anima, fino alla fine e ancora oltre. Se ne sente l’armonia ritmata polifonica, un respiro infinito che diviene quasi rito sciamanico, che prosegue anche quando il puzzle si chiude, aprendo ad altri immaginari che transitano fino a trascendere, nel coro delle vite. Un mosaico corale che appartiene e trattiene l’eccezionalità del tempo e oltre, perché come racconta lo stesso Pagliarini, ideatore e curatore di questa infinita opera corale «è essa stessa tempo, un tempo che si avvolge in sé stesso e poi si dilata, per rimescolare tutti i tempi possibili dentro ad unico impercettibile istante ^[2]». Pagliarini ha saputo con sensibilità prendersi cura non solo dell’altro che si è fatto coro polifonico, ma persino del tempo stesso e delle sue infinite melodie.

^[1] Andrea Gabriele, musicista e compositore.

^[2] Conversazioni personali con l’autore.

Giorgio Cipoletta
*Giorgio Cipolletta è un artista e perfomer italiano, studioso di estetica dei nuovi media. Dopo una laurea in Editoria e comunicazione multimediale, nel 2012 ha conseguito un dottorato di ricerca in Teoria dell’Informazione e della Comunicazione. Attualmente è professore a contratto per il Laboratorio di Arte Visuale e della tecnologia presso Unimc. La sua prima pubblicazione è una raccolta di poesie “L’ombra che resta dietro di noi”, per la quale l’autore ha ricevuto diversi riconoscimenti in Italia. Nel 2014 ha pubblicato il suo primo saggio Passages metrocorporei. Il corpo-dispositivo per un’estetica della transizione, eum, Macerata. Collabora con diverse riviste nazionali e internazionali. Luigi Pagliarini, neuropsicologo per formazione, è un artista impegnato dai primi anni ‘90 nella software art e robotica d’arte. È Professore di Teoria della Percezione e Psicologia della Forma, Semiologia del Corpo, Psicologia dei consumi culturali e di massa presso l’Accademia di Belle Arti di Macerata e Consultant Professor presso il Playware della Danish Technical University dove si occupa di Robots and Dynamic Agents Interfaces Design. In passato, ha collaborato a diversi progetti con realtà quali LEGO Group, la SONY e la Real World Records. È stato fondatore e direttore del Pescara Electronic Artists Meeting; direttore artistico di Ecoteca; curatore della sezione di Robo[art] del Robotsatplay Festival in Danimarca; inventore e fondatore di RoboCup Junior, oggi adottata come strumento didattico in tutte le scuole del mondo, e ha pubblicato su libri, riviste, webzines, su atti di congressi e conferenze internazionali. In questo momento è membro del comitato editoriale del Journal of Artificial Life and Robotics, del comitato editoriale della Rivista di Psicologia dell’Arte, membro del Comitato Scientifico della Conferenza Internazionale Psychology-Based Technologies e membro direttivo di APEXperience. Ha esposto i suoi lavori in diversi musei nazionali e internazionali e alcuni delle sue ideazioni son state riportate su organismi di stampa intercontinentali.

#restaCorale (#stayChoral) Authors: Luigi Pagliarini Ferrara, Andrea Gabriele, Fabio Perletta, Emmanuel Nervegna, Ado Brandimarte, Alessia Galassi, Allegra Donati, Anthony Bufali, Antonella Lombardi, Chan Yang, Fabio Casaccia, Francesco Moriconi, Gaia Cecere, Giorgia D. Mascitti, Yan Huang, Iacopo Pinelli, Leonardo Gironacci, LiSa Ciccalè, LunaHoei Cini, Maria Letizia Paiato, Michela Oddis, Milica Jankovic, Noemi Nema Agosti, Viviana Tavani, Andrea Barbara Romita, Alessandro Tombari, Alice Giangolini, Anita Gashi, Giacomo Vitturini, Grazia Scirocco, Jiang Yiqi, Lisa Pesaresi, Lorenzo Tombari, Monica Timperi, Pietro Sabbatini, Raffaella Pierdo, Simona Giustizieri, Agnese Paolucci, Alberto Catenacci, Alberto Mircoli, Aleksandra Ranxha, Alessia Albanesi, Andrelly Rodrigues, Angelica Pini, Annarita Talacchia, Asya Fiorini, Benedetta Corvatta, Bizyte Skaiste, Cameli Ilaria, Caterina Braca, Caterina Ficcadenti, Caterina Pellegrini, Cava Rebecca, Claudio_Baglioni, Elisa Maurizi, Elisa Paolini, Fabiola Tacchi, Fatmira Visha, Favia Carolina Claudia, Federica Di Odoardo, Federica Di Rocco, Federica Emili, Federico Foresi, Federico Pallotta, Filippo Traini, Francesca Croce, Francesca Ottaviani, Francesco Bellomo, Gabriela Di Biase, Gaia Macrì, Giacomo Cappella, Giada Farabolini, Giada Pantoli, Giordano Capriotti, Giorgia Ricci, Giorgia Speziale, Giovanni Aiardo Esposito, Crocetti Giulia, Grazia Scirocco, Greta Borgognoni, Greta Lamelza, Hristina Ganeva, Ilaria Formica, Irene Longo, Jennifer Pelucchini, Caterina Jesi, Jehoshua Pigliapoco, Leonardo Forconi, Linda Lovreglio, Lorenzo Siciliano, Lucia Giacomucci, Lucia Zampaloni, Lucrezia Marcellitti, Lucrezia Ruggeri, Maria Francesca Biasella, Margherita Marcelletti, Maria Luce Bittoni, Mariia Basic, Marina Di Sante, Marta Daverio, Martina Crisostomi, Matilde Tappatà, Matteo Stizza, Melissa Stizza, Michela Deluca, Michele Barone, Nadia Carboni, Natalia Piccinini, Nicola De Maio, Noemi Amatucci, Paola Belviso, Elisa Paolini, Putrika Rossetti, Rebecca Di Fabio, Rebecca Rossi, Riccardo Mosconi, Sara Salandra, Sara Siniscalchi, Serena Maccarone, Sofia Verdolini, Sophia Ruggeri, Stefano Giampieri, Stefano Tomassetti. Ringraziamenti L’autore desidera ringraziare in modo particolare Rossella Ghezzi, Matteo Catani, Maria Letizia Paiato, Paolo Pagliarini, Federica Pesce, Marita Cosma, Joy Fiaba Gabriele per il grande supporto dato alla realizzazione di questo progetto e, più in generale, tutti coloro che hanno creduto costantemente nella sua valenza artistica, incoraggiandolo continuamente.
immagini: (1) Luigi Pagliarini,« #restaSicuro», prove preliminari di video composizione», 2020 (2) Luigi Pagliarini, Making of «Universi Relazionali Paralleli», 2014 (3) Luigi Pagliarini. «Universi Relazionali Paralleli», 2014 (4) Luigi Pagliarini, «Codice Pagliarini», Tecnica Mista, 2013

L'articolo Intervista | Luigi Pagliarini. Arte Corale. Pt 2 proviene da Arshake.

Urban Outlook
» ‎ WOOLOO.ORG

Deadline Aug. 15, 2020
Curatorial Proposal
Curating, Design, Curatorial Proposals
. We’re looking for artistic collaborations from teams of 2-6 artists. The selected Artistic Team will receive a $1,000 honorarium and will be expected to work closely with our Guest Curator to bring the show to life.
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UNESCO > Consultant Sought for Exploratory Study on the Film and Audiovisual Industry in Africa
» ‎ On the Move

01.07.2020
As part of its commitment to the diversity of cultural expressions and in view of fostering dynamic creative industries in developing countries, UNESCO is launching an exploratory study on the film and audiovisual industry in Africa to gather data and information in order to respond to the challenges and needs of this strategic sector and contribute to its development. UNESCO is seeking a consultant for a 10 month contract, running August 2020 - June 2021. Deadline: 10 July 2020.
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Lighthouse > Open Call for Pier - Residencies for Black Artists (Online)
» ‎ On the Move

01.07.2020
As part of their Re-Imagine Europe programme, the UK organisation Lighthouse has developed a ‘residency at home’ series that will award support for three black artists. This is an opportunity for artists, practitioners, producers and technologists to expand their practice, research and develop ideas and methodologies. The residency will run 17 August – 4 September 2020 and is open to individuals and collectives across the EU. Lighthouse particularly welcome applications from disabled, queer and non-binary artists. Deadline: 24 July 2020.
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Soho House Art Prize for Emerging Artists (USA)
» ‎ On the Move

01.07.2020
Soho House Art Prize is a new global initiative that will give one artist the chance to create their own installation at Soho Beach House during Miami Art Basel, in December 2020. The organisers encourage 'left-field ideas: performance, intervention and reimagining what an installation might look and feel like'. Deadline: 26 July 2020.
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LA RENAISSANCE (France) > attaché.e à la coordination de projet européen
» ‎ On the Move

01.07.2020
LA RENAISSANCE recherche dans le cadre de son projet EUROPE CREATIVE en partenariat avec Le COMEDIA Theater Köln à Cologne (Allemagne), University of Turku (Finlande) et Inocamp à Gdansk (Pologne) un.e attaché.e à la coordination de projet européen. L’objectif du projet « GETTING UNSTUCK » est d’expérimenter une méthode d’inclusion sociale des personnes en situation de migration à partir de l’œuvre « In C » de TERRY RILEY qui réunira l'Orchestre Régional de Normandie, Cie Le Ballon Vert et l'OMEDOC. Date limite : 24 juillet 2020.
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Fondation Thalie (Belgique) > Assistant.e de production et communication
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01.07.2020
La fondation Thalie a pour objet de soutenir la création contemporaine comme levier d’action, d’échanges et de transmission. Basée à Bruxelles, la Fondation accueille des expositions et une programmation multidisciplinaire qui associe arts visuels, performance, littérature et arts culinaires. L'assistant.e de production et communication assiste la direction sur certaines tâches administratives et logistiques. De plus, il.elle sera tenu.e de participer aux évènements que la Fondation organise et d'assurer entre autre l'accueil des publics. Date limite : 1er août 2020.
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Call for Scores 2020 | EstOvest Festival
» ‎ CALL | http://soundandmusic.org

Composition

For a refusal to return to normalcy
» ‎ WOOLOO.ORG

Deadline Aug. 30, 2020
Exhibition
Digital, Film, Mixed Media, Other, Photography, Sound, Texti...
The modern industrial information society has been led to infect the whole of the social body with its perception of a particular productive activity that is increasingly detached and abhors the very process of life, turning into a pure, mechanical and beastly, self-destructive force.Today's semi-automatic mechanisms of social perversion production, adapted within the production process itself, within its codified and technical subsets, concern not only the systems of knowledge, information and
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CHARGÉ.E DE COMMUNICATION / MARKETING – STAGE ALTERNÉ
» ‎ Plaine Images

The post CHARGÉ.E DE COMMUNICATION / MARKETING – STAGE ALTERNÉ ou APPRENTISSAGE BAC+2/3 appeared first on Plaine Images.

Intervista | Luigi Pagliarini. Pt I
» ‎ Arshake Calls

A seguire il Manifesto per un’ Arte Corale dell’artista e scienziato Luigi Pagliarini, oggi, la prima di due conversazioni dell’autore con Giorgio Cipolletta per raccontare i retroscena e le intenzioni del suo progetto #restaCorale, realizzato con centocinquanta giovani artisti durante la fase del lockdown.
Giorgio Cipolletta: Da cosa nasce la scelta di questa «manifestazione artistica»?

Luigi Pagliarini: In termini emotivi l’idea di realizzare una Arte Corale nasce dal forte impulso datoci dal confinamento del 2020 che, rinchiudendoci e separandoci, ci ha privato della più classica delle esigenze di un essere umano, la socialità.

In termini artistici, azzardo, con buone probabilità proviene da una rielaborazione inconscia delle mie forti esperienze pregresse in ambito sia Eventualista ^[1], che net.artistico ^[2], e dallo studio e la passione per la Memetica ^[3] concretizzane al contempo il superamento. Del resto, già nei miei scritti (Intelligenza Collaborativa ^[4]) o nelle mie opere del passato (Universi Relazionali Paralleli ^[5], Codice Pagliarini ^[6]) e in quelli più recenti come per la stesura di “Pensiero Sensoriale” ^[7] avevo chiaramente manifestato in termini linguistici quelle che sono le mie, ma direi nostre, esigenze: creare una nuova visione del mondo e del mondo dell’arte. C’è bisogno di sinergia ecosistemica in tutti gli ambiti dello scibile, non v’è altra via.

Ci spieghi in dettaglio come è avvenuta la raccolta dei materiali?

È tutto molto semplice e molto complesso, motivo per il quale proverò a spiegarlo con ordine e asetticamente. Ho strutturato il lavoro in sei progetti richiedendo alle mie classi materiale relativo specifiche azioni – ogni allievo, poi, aveva la facoltà di presentare una singola proposta o più per ogni specifica richiesta. Gli allievi del triennio hanno avuto 5 progetti composti da sei azioni semplici, mentre gli allievi del biennio hanno avuto un singolo progetto articolato in due azioni complesse. Ho chiamato l’intero progetto #restaCorale con il sottotitolo Saluti dal mondo in cattività e ho scomposto l’esecuzione in 7 atti (#restaTrascendente, #restaaCasa, #restaSicuro, #restaCreativo, #restaUmano, #restaTeStesso, #restaInAscolto).

Con i venti allievi della classe di Semiologia del Corpo del Biennio, il singolo progetto si è svolto in tre specifici momenti da compiere su un’unica tavola – un foglio A4 bianco – dove rappresentare A) il proprio volto; B) il proprio corpo; C) un proprio gesto/firma. Occorrevano degli indici rivelatori di ciò che vivevano in quell’esatto momento, di lockdown e segregazione sociale. La loro azione è stata chiamata: #restaTrascendente: Animazione in 12 tavole disegnate a mano. A oggi è il primo progetto ad essere definitivamente concluso ^[8].

Con le classi di Teoria della Percezione e Psicologia della Forma del Triennio, circa 130 allievi, abbiamo messo in piedi invece cinque azioni ^[9] (i.e. Disegni, Animazioni, Fotografie, Video, ecc.). A tutto ciò, e per ogni classe, si andava ad aggiungere un’ulteriore azione/documentazione, ovvero una o più registrazioni audio delle proprie azioni, o del proprio ambiente domestico, o dei gesti preparatori le azioni richieste, o il suono del loro gesto artistico stesso come, un esempio per tutti, disegnare. Tale registrazione è stata pensata per andare a caratterizzare acusticamente la presenza del singolo artista/designer nel momento esatto in cui, in fase di montaggio, le sue creazioni sarebbero apparse ^[10].

Come si è strutturato il lavoro dietro le quinte?

Portato a termine il lavoro, che definirei immenso, di coordinazione degli artisti e di raccolta dei materiali, abbiamo potuto iniziare la parte relativa all’effettiva messa in opera dell’intero progetto artistico. In questo stadio ho preferito avvalermi di figure professionali. Mi sono circondato di un video-designer poco tradizionalista, Emmanuel Nervegna ^[11], e con uno spiccato senso della ricerca e dell’estetica artistica. Di un piccolo gruppo di musicisti professionali che potessero contribuire con composizioni ad hoc e di due sound designer che facilitassero in maniera appropriata la fusione dei suoni campionati dai ragazzi con le composizioni realizzate dai musicisti. Tra questi amici di oggi, come Fabio Perletta ^[12] (ma nello schema progettuale anche Angelo Olivieri ^[13], Fabrizio Mandolini ^[14], Paolo Russo ^[15] e altri) e un amico di ieri, un compositore non più in vita, Andrea Gabriele. Ciò, anche per sottolineare che il concetto di coralità e di armonia non appartengono esclusivamente al presente ma trascendono, letteralmente, dal tempo tuffandosi esclusivamente in uno spazio astratto ed eterno. Per ciò che concerne il mio contributo, che tal è, oltre a coordinare l’intera impresa – e, a tal proposito, si rende necessario sottolineare il ruolo fondamentale dell’Accademia di Belle Arti di Macerata nella persona della direttrice Rossella Ghezzi – ho cercato di focalizzare le energie esclusivamente sugli aspetti grafico-artistici dell’opera in uno scambio ripetuto ed intenso di idee creative con Emmanuel, in una pressoché virtuale sala di montaggio (anche noi lavoravamo a distanza). Ma ben di più grande è il numero delle anime di quest’operazione e per un elenco più esaustivo degli artisti e dei creativi che hanno preso parte alle sei opere vi rimando all’uscita dell’ultimo atto di questa composizione corale.

Ci spiegheresti cosa credi ci sia d’innovativo?

Non era un pensiero nuovo, lo stavo già elaborando dai primi anni del millennio. Prova ne è lo scritto del 2006, Intelligenza Collaborativa ^[16]. Non ero, tutto sommato, nemmeno vergine in termini di esperienza pratica poiché avevo già ideato ed eseguito un mio primo progetto, in tal senso. L’avevo chiamato URP (Universi Relazionali Paralleli ^[17]) e realizzato nel 2014 per una collettiva di Arte Contemporanea, Do ut Des ^[18]. Le grandi, forse grandissime, differenze tra il mio primo esperimento e quello eseguito durante il lockdown stanno sia nei numeri, che nella mancanza di fisicità durante l’esecuzione corale e nella maggiore sensibilità e consapevolezza con cui ho affrontato quest’ultima, #restaCorale.

In una circostanza completamente virtuale come quella che ho affrontato tra marzo e maggio 2020 il lavoro di mediazione su motivazionale, regolamentazione adattiva, metodi esecutivi alla portata di tutti, serietà e resilienza su tempi di consegna e, soprattutto, sotto il punto di vista energetico che non è né semplice né tantomeno scontato. Ma, in ogni caso non v’è spazio per descriverli qui.

Viceversa, mi sembra sia fondamentale accennare all’uso intelligente durante le sessioni on-line di feedback operativi che, forse più di ogni altra cosa, trasformano un’opera collettiva in un’opera corale. Metodologicamente, durante le molteplici sessioni d’incontro con i ragazzi dopo avere spiegato loro che fare ho iniziato ad esporre pubblicamente, all’interno della classe stessa, i lavori che mi arrivavano man a mano che li ricevevo. Credo che quest’aspetto, per quanto banale possa apparire, è di fondamentale importanza per via del fatto che se da una parte crea stimoli ed energie positive, dall’altra ridefinisce costantemente il perimetro di espressione possibile e potenziale, spazio creativo e di personalità o, se vogliamo, personalizzazione del proprio intervento. Insomma, il confronto immediato e diretto con gli altri fa di un’opera grafica collettiva una vera e propria Opera Corale.

… to be continued…

note al testo

^[1] [https:]

Cfr. Lombardo S. (1987) La teoria eventualista. Rivista di Psicologia dell’Arte (RPA), nn. 14-15.

Cfr. Mirolla M., Aloia L., “Underground Eventualista. La ricerca estetica in Italia 1972-2019”, LAP Ed., Roma, 2020.

^[2]Vuk Ćosić, Very Cyber Indeed, 1995. [www.ljudmila.org]

^[3]Richard Dawkins, The Selfish Gene, Oxford: Oxford University Press, Oxford, 1976.

^[4] Luigi Pagliarini, Intelligenza Collaborativa, Beta Version 1.0 , Digicult Issue 14, 2006

^[5] Luigi Pagliarini, Universi Relazionali Paralleli: progetto per una modularità̀ relazionale. In Rivista di Psicologia dell’Arte, Nuova Serie, Anno XXXV, n° 25, Dicembre 2014. Pag. 55-64.

^[6] Luigi Pagliarini L., Codice Pagliarini. In Rivista di Psicologia dell’Arte, Nuova Serie, Anno XXXIX, n° 29, Dicembre 2018. Pag. 33-40

^[7] Luigi Pagliarini, Pensiero Sensoriale. In Biomega Multiverso, cura di B. Zanelli e C. Veneziano, Pag. 92-109, NERO Publication. Febbraio 2020

^[8] Ideazione e Direzione Artistica: Luigi Pagliarini; Composizione Video: Emmanuel Nervegna; Composizione Musicale: Andrea Gabriele; Progettazione Suono: Fabio Perletta; Opere Artistiche e Suoni Ambientali: Ado Brandimarte, Alessia Galassi, Allegra Donati, Anthony Bufali, Antonia Lombardi, Chan Yang, Fabio Casaccia, Francesco Moriconi, Gaia Rosita Cecere, Giorgia Mascitti, Huang Yan, Jacopo Pinelli, Leonardo Gironacci, Lisa Maria Ciccalé, Luna Hoei Cini, Maria Letizia Paiato, Michela Oddis, Milica Jankovic, Noemi Agosti, Viviana Tavani.

^[9]1 #restaaCasa: Fotografie di finestre con quello squarcio sul mondo che competeva loro; 2 #restaSicuro: Fotografie, Selfie, del loro volto con l’interpretazione personale del concetto di mascherina, su fondo bianco;3 #restaCreativo: Fotografie di ombre presenti o costruite all’interno del loro habitat domestico da lasciare stagliare su di un foglio A4; 4 #restaUmano: Un microvideo (min. 1 max. 3 secondi) su fondo bianco con il quale salutare il mondo con una mano (eccezionalmente due); 5#restaTeStesso: Una animazione (di 6, 12 o 18 frame) disegnata a mano su A4 bianco su cui apporre la propria firma e animare un gesto creativo a piacere.

^[10]Questo progetto è stato chiamato: #restaInAscolto: Campionatura Ambiente di lunghezza variabile dai 10 ai 60 sec.

^[11] [https:]]

^[12] [www.fabioperletta.it]

^[13] [www.angeloolivieri.it]

^[14] [https:]]

^[15] [https:]]

^[16] Luigi Pagliarini, Intelligenza Collaborativa, Beta Version 1.0 Digicult Issue 14, 2006 [digicult.it]

^[17] Luigi Pagliarini, Universi relazionali paralleli: progetto per una modularità relazionale in Rivista di Piscologia dell’arte, N. S., anno XXXII, n. 25, 2014. [https:]

^[18] Collettiva di Arte Contemporanea Do ut Des, a cura di A. Tolve con E. Bellantoni, D. Kadirbeyoglu, Bianco-Valente, 5 Novembre 2014 – 5 Febbraio 2015. Convento di San Patrignano, Collecorvino. Catalogo SET Ed. ISBN: 978-88-908700-1-9).
#restaCorale Autori: Luigi Pagliarini Ferrara, Andrea Gabriele, Fabio Perletta, Emmanuel Nervegna, Ado Brandimarte, Alessia Galassi, Allegra Donati, Anthony Bufali, Antonella Lombardi, Chan Yang, Fabio Casaccia, Francesco Moriconi, Gaia Cecere, Giorgia D. Mascitti, Yan Huang, Iacopo Pinelli, Leonardo Gironacci, LiSa Ciccalè, LunaHoei Cini, Maria Letizia Paiato, Michela Oddis, Milica Jankovic, Noemi Nema Agosti, Viviana Tavani, Andrea Barbara Romita, Alessandro Tombari, Alice Giangolini, Anita Gashi, Giacomo Vitturini, Grazia Scirocco, Jiang Yiqi, Lisa Pesaresi, Lorenzo Tombari, Monica Timperi, Pietro Sabbatini, Raffaella Pierdo, Simona Giustizieri, Agnese Paolucci, Alberto Catenacci, Alberto Mircoli, Aleksandra Ranxha, Alessia Albanesi, Andrelly Rodrigues, Angelica Pini, Annarita Talacchia, Asya Fiorini, Benedetta Corvatta, Bizyte Skaiste, Cameli Ilaria, Caterina Braca, Caterina Ficcadenti, Caterina Pellegrini, Cava Rebecca, Claudio_Baglioni, Elisa Maurizi, Elisa Paolini, Fabiola Tacchi, Fatmira Visha, Favia Carolina Claudia, Federica Di Odoardo, Federica Di Rocco, Federica Emili, Federico Foresi, Federico Pallotta, Filippo Traini, Francesca Croce, Francesca Ottaviani, Francesco Bellomo, Gabriela Di Biase, Gaia Macrì, Giacomo Cappella, Giada Farabolini, Giada Pantoli, Giordano Capriotti, Giorgia Ricci, Giorgia Speziale, Giovanni Aiardo Esposito, Crocetti Giulia, Grazia Scirocco, Greta Borgognoni, Greta Lamelza, Hristina Ganeva, Ilaria Formica, Irene Longo, Jennifer Pelucchini, Caterina Jesi, Jehoshua Pigliapoco, Leonardo Forconi, Linda Lovreglio, Lorenzo Siciliano, Lucia Giacomucci, Lucia Zampaloni, Lucrezia Marcellitti, Lucrezia Ruggeri, Maria Francesca Biasella, Margherita Marcelletti, Maria Luce Bittoni, Mariia Basic, Marina Di Sante, Marta Daverio, Martina Crisostomi, Matilde Tappatà, Matteo Stizza, Melissa Stizza, Michela Deluca, Michele Barone, Nadia Carboni, Natalia Piccinini, Nicola De Maio, Noemi Amatucci, Paola Belviso, Elisa Paolini, Putrika Rossetti, Rebecca Di Fabio, Rebecca Rossi, Riccardo Mosconi, Sara Salandra, Sara Siniscalchi, Serena Maccarone, Sofia Verdolini, Sophia Ruggeri, Stefano Giampieri, Stefano Tomassetti.
immagini: (cover 1) Luigi Pagliarini, «#restaTrascendente», 2020 (2) Luigi Pagliarini, #restaCreativo.Prove preliminari di video composizione (a cura di L. Pagliarini e F. Perletta), 2020 (3) Luigi Pagliarini, «Making of #restacorale», 2020

L'articolo Intervista | Luigi Pagliarini. Pt I proviene da Arshake.

The Art Explora – Académie des beaux-arts European Award
» ‎ On the Move

30.06.2020
The Art Explora & Académie des Beaux-Arts European Award will support and amplify proactive, innovative or particularly remarkable actions carried out by cultural institutions engaging the broadest possible audience. All specific actions or global approaches will be welcome: digital innovation, external activities, inclusion of people with disabilities, fight against cultural exclusion, new mediations, cultural awakening for young audiences, programmes for excluded audiences. Eligible initiatives include existing projects that need to be renewed or expanded, and new projects that could be launched with funding. This award is open to all European cultural institutions, public or private, whatever their size. Deadline: 25 September 2020.
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Fondation Jan Michalski > Residencies for writers (Switzerland)
» ‎ On the Move

30.06.2020
The Jan Michalski Foundation lies at the foot of the Swiss Jura Mountains in Montricher. Its residency programme is open to all types of writers engaged in literary creation. While they give priority to writers and translators, the Foundation are also open to any other disciplines as long as writing is at the heart of the project. Stays in the Jan Michalski Foundation can be granted for individual projects or projects in pairs, and can last two weeks, one month, two months, three months or six-months. The next wave of residencies will begin from February 2021. Applications are open internationally. Deadline: 14 September 2020.
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Hamburg Ministry for Culture and Media > Residency for International Artists (Germany)
» ‎ On the Move

30.06.2020
Hamburg Ministry for Culture and Media is inviting applications for four three-month residencies between January and December 2021 in the Westwerk artists’ centre in Hamburg. The programme is open to professional international artists resident outside Germany, from the fields of the visual arts, photography and film, with an interest in the Hamburg cultural scene and the desire to network culturally in Hamburg. Deadline: 15 August 2020.
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Max Planck Institute for Empirical Aesthetics > INHABIT Artist in Residence Programme (Germany)
» ‎ On the Move

30.06.2020
The INHABIT Artist in Residence Programme of the Max Planck Institute for Empirical Aesthetics in Frankfurt invites artists from various disciplines to collaborate with the institute’s team of scientists and researchers. Artists will spend three months creating new work, or further developing an existing project, in a scientific research environment. The upcoming residency periods are: February – April 2021; May – July 2021; and September – November 2021. Deadline: 16 August 2020.
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