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Online Content Creation (Worldwide) April – June 2018 Deadline: 03/31/2018 Online Application: Fee to Participate or Apply: 0 Description Of Opportunity: TalkingCircles.Info is an online blog that builds as a database of performing artists from Southeast Asia and its Diaspora. Asking questions on the economic, social and political struggles of artists today. What is it to create and thrive as an artist from Southeast Asia? Talking Circles has been features on Culture 360, Asia-Europe Foundation: the importance of documenting and archiving the performing arts. Talking Circles is seeking an online content creator to interview and write on Southeast Asian performing artists both from the region and the Diaspora. You will be commissioned per article you write. This is for you if you are interested in: Engaging your community and expand your network Improving your writing skills through an interview format Supporting Southeast Asian artists both locally and within the Diaspora Sample articles: Diaspora Responses of Balinese Dance from a Queer Lens with Zavé On Earth, In Sky: Telling the Story of First Nation People with Lori ‘Rare Earth’ Female Baritone Saxophonist, Roxy from Metro Manila How To Apply: Kindly send in the ff to hello@talkingcircles.info Basic information: name, age, gender, contact information (email and number) Bio: max 100 words How will this opportunity help you flourish and grow? Contact Email:hello@talkingcircles.info Website: [talkingcircles.info] LIST YOUR OPPORTUNITIES: Share your open calls, commissions, grants, workshops, classes, festivals, and more with the network. Submit here! These posts are not affiliated with Contemporary Performance Network, but are of interest to our community. We post these with the caveat to check the sources and research the opportunities or views expressed in the posts.
The post Opportunities: Online Content Creation (Worldwide) Deadline – 03/31/2018 appeared first on Contemporary Performance.
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/ Usine Utopik, Centre de Création Contemporaine
Date limite de candidature : 9 avril 2018
The Hopper Prize
The Hopper Prize is a grant-making institution and exhibition platform offering a series of individual artist grants totaling $5,000.00 USD administered through an open call juried by leading curators.
Program Highlights
Total Awards: $5,000.00 USD in grants for visual artists
5 artists will each receive $1,000.00 USD in unrestricted grant awards
30 artists will be selected to have their work digitally exhibited and archived at hopperprize.org
Deadline: May 15, 2018
Curators
Recipients of The Hopper Prize will be selected by:
Misa Jeffereis, Assistant Curator
Contemporary Art Museum, St. Louis
Magdalyn Asimakis, Independent Curator & Writer
New York & Toronto
Eligibility
We view the field of visual arts in its broadest and most inclusive sense and therefore make our awards available to artists engaged in artistic practices spanning all media and methods of production.
Apply Now
Early applications will receive preliminary review by The Hopper Prize team for Instagram artist features at [https:]
https://hopperprize.org
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Villa R is a wide, private and contemporary residence for artists. It was designed in 1990 by the two owners, Iolanda Vacalebre and Nicola Rustica, whom have over the years used the villa for artistic, musical productions as well as poetry, and performance.
Since April 2013, Iolanda and Nicola decided to offer most of the spaces of the villa for intercultural and interdisciplinary exchange with professionals (both foreign and Italian). These activities aim especially to the creation of new projects, ideas and artworks in a stimulating environment, in contact with other artists and with nature.
The residence offers wide space for the artistic production of any size and media.
Villa R is an exclusive opportunity to develop new ideas in a wide, beautiful and meditative location, far from the distracting vibes of the big city. The residence has wide space for artistic production of any size and media.
Artists can apply for minimum one week and maximum for two weeks per time.
How to apply:
– A cover letter that describes the purpose of your stay and which kind of work you wish to produce in relation to your career and/or personal development (pdf)
– Curriculum vitae that includes both professional and few basic biographic infos (pdf)
– 10 images of artworks in jpg (if you are a visual artist). One or more links to a webpage or other links that show your professional activity and former work.
Make sure to include your contact infos and preferred period of residency.
The maximum number of artists per residency is 4
All documents have to be sent to Giuditta R: giudittarustica@yahoo.it
Documents can be written either in English or Italian.
Follow Villa R on Facebook at: [https:]
We are looking forward to receiving your application!
Villa R Team
Deadline: 10 April 2018
Call for entries
1st German Virtual Reality & Arts Festival HAMburg: VRHAM!
a chance to immerse yourself, relax, marvel, empathise, cross new boundaries, discover fascinating worlds and have a new, 360-degree experience – all that and much more is offered by the first German Virtual Reality & Arts Festival HAMburg: VRHAM!
From 7 to 17 June 2018 VRHAM! presents numerous VR experiences by international artists and creative minds, as well as live performances and guided Virtual Reality tours. The varied events program comprises workshops and discussions, lectures and panel meetings on the topic of virtual reality.
A high-profile international jury will be awarding the EUR 5,000 »VRHAMMY! Award« for the best VR experience at the festival. A second prize of EUR 2,500 will go to the most promising Hamburg emerging artist.
The initiator and artistic director of VRHAM! is Ulrich Schrauth, until recently Head of Programming at Theater der Welt/Thalia Theater, who regards Virtual Reality as more than just a technological game: “Finding yourself in fascinating worlds, immersing yourself in stories as though you were part of a film, work of art or play–all that opens up completely new dimensions to our perception of art. It is exactly this experience that we want to make possible by presenting VRHAM!”
Please publish: the OPEN CALL for artists and creative minds is on as of now; please submit entries by 10 April 2018:
Download Open Call: (Here)
Information, schedule and registration:
FESTIVAL CONTACT:
Sabrina Schmidt, info@vrham.de
[www.vrham.de]
PRESS CONTACT:
Ulrike Fischer, presse@vrham.de
Phone: +49 (0) 175-243 05 22
DOWNLOAD PRESS RELEASE: (Here)
ALL DATES AT A GLANCE:
WHEN:
7 to 17 June 2018
WHERE:
Oberhafenquartier, Hamburg, Germany
GRAND OPENING & CEREMONY:
»VRHAMMY! AWARD«
8 June 2018, 7 pm
Deadline: 10 April 2018
Call for entries
The Cube Art Project 3rd International Digital Art Competition
The Cube Art Project (CAP) Biannual International Digital Art Competition hosts it’s third exhibition on the Cube May 18, 2018. ALL ARTISTS are welcome including MACAA members. We will host two screening events: CAP screening May 2018 – May 2019 AND a special screening on Oct 4, 2018 titled: Digital Art Screening Exhibition for the 2018 Mid-America College Art Association Conference, Techne Expanding | We are seeking video art, animations, motion graphics, projects for screening on our large three dimensional monitor (the Cube) | This 750 sq ft screen is seen by hundreds of people on a slow day, but it’s also right next to the Pinnacle Bank Arena which hosts enormous events that draws tens of thousands of people several times a week. This is a curated competition of artwork that’s suitable for a public art audience. Wide latitude in genre and style are considered however priority is given to artworks that have a formal/ visual appeal. | About the Conference Techne Expanding: Tensions, Terrains and Tools, the 2018 Mid-America College Art Association Conference at the University of Nebraska-Lincoln, will take a wide-ranging look at technology and its use and impact on the teaching, making and performing of art as well as the broader human experience. Recognizing that technology has art and craft at its root (techne) and isn’t limited just to bigger, better or faster tools and products, we will examine how we embrace or resist technology, how we celebrate or critique it, and consider its promise as well as its limits. Projects should use a single channel .mp4 video file, named: Lastname_Firstname.mp4 | 936px wide by 288 px tall | Videos not scaled to fill should letter box & prioritize left side (672px wide) | please add a credit clip to any video submitted
This is a curated competition of artwork that’s suitable for a public art audience. Wide latitude in genre and style are considered however priority is given to artworks that have a formal/ visual appeal.
Deadline is April 10th 2018 11:59 US CST
Please review specs and apply here: [https:]]
Deadline: 31 July 2018
Call for entries
OGA VideoArt Exhibitions 2018/2019
Born in 2013, the space of the OGA (Ospizio Giovani Artisti / Young Artists Hospice) organizes from four to six group exhibitions every year, with contemporary and modern art works that come exclusively from the Collection of the OGA. These works are usually donated to the OGA by the artists themselves in order to create thematic exhibitions that are a continuous reflection on the role of art involvement in today’s society.
It’s very important to say that the OGA was born with the ironic intent to exhibit only works made by artists over 35 years of age, in provocative opposition to festivals and institutions that seek only young artists.
On the occasion of the VideoArt Exhibitions this limit will not be fully respected. It is true, however, that artists over 35 years of age will have more chances to be selected, trying to respect as much as possible the primary rule of the exhibition space.
The selected video works will be screened in the upcoming group exhibitions of the season 2018/2019 of the OGA. The videos will be projected sequentially on one or more monitors.
It is not possible to submit video installations or videos for screenings in loop.
Note that, in every exhibition, will be shown also at last one titled and signed by the artist photo/still related to every selected video.
This means that, if selected, the author have obviously to send a file of the video for the screening, but also (and this only by mail) at last one printed image in relation with the selected video, signed by the author himself, and with the title and the year.
Videos not accompanied by at least one printed work will be excluded from the exhibitions.
The author can decide the dimensions of the printed image, but please, do not send works that are too small…
Very important: to send the printed and signed pictures please use the submission address, and not the OGA address.
The works (video and prints) will not be returned to the authors. They will become part of the OGA Collection and used for future exhibitions. Obviously the authors will be advised on time, whenever.
Finally: the OGA is not a profit space and can not pay fees or give hospitality, but each exhibition will be publicized on social networks, on the OGA facebook page, and on the OGA web page: [www.ospiziogiovaniartisti.com]
Contact adresses/URL: [https:]]
Deadline: 4 June
Call for entries
Off the Beat(en) Track – NAISA
New Adventures in Sound Art (NAISA) invites artists of all ages and nationalities to submit works on the theme Off the Beat(en) Track for consideration in New Adventures in Sound Art’s 2019 programming.
A year ago, NAISA staff and its board of directors decided to move the organization from Toronto to the Village of South River, ON – very much ‘Off the Beaten Track.’ Sound and media art centers and dissemination points are typically in urban centers. However, given the access and availability via digital technology, a dissemination point could be anywhere where there is internet access. NAISA’s early programming explored the connections between natural acoustic environments and media arts. NAISA’s move to the Near North and its proximity to Algonquin Park, brings it closer to its origins and provides NAISA the opportunity to present works that intersect between the natural and digital realms. NAISA’s facility NAISA North Media Arts Centre, now a year old, functions as a hub for artists in the region to network with each other and experience NAISA’s programming, including Arts Meetups, Artist Residencies, Interactive Exhibitions and Performances, all under one roof.
For its 2019 programming, NAISA is interested in submissions that address the ideas related to the theme Off The Beat(en) Track and creative ways that this can be shared.
Preference in programming will be given to works that respond in some way to the theme Off The Beat(en) Track. Individual interpretations or variations on the theme are encouraged, but should be realized with sound as the primary component. NAISA would also like to encourage artists to submit works on the theme for performance, interactive installation exhibit, audio-visual screening, radio or internet broadcast, telematics, VR/gaming, mobile experiences and any other emerging or alternative formats that include sound as a primary element. Please complete in full the online submission form and upload your audio by midnight on June 4, 2018. Note: there is a $5 submission fee in order to defray the cost of processing the submissions. All works chosen for presentation will receive an artist fee. Only those artists being considered for presentation will be contacted.
Url: [naisa.ca]
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Node Center for Curatorial Studies
ART PUBLICATIONS FROM START TO FINISHAn Online Course by Node CenterArt books and catalogues are increasingly important as a site where ...